Grosvenor Prints: Catalogue 53

G Grosven nor Printts 19 Sheelton Streeet Coveent Gardeen L London WC2H W 9JN Tel: 02 20 7836 19779 Fax: 02 20 7379 66995 E-mail: grosvenorp rprints@btiinternet.com www w.grosveno orprints.com Dealers D in A Antique Priints & Book ks

Cattalogue 53

Iteem 47: Benjjamin Wesst, ' He is noot here: for he h is risen. & &c.' For other images i from m this list please p see our o web sitee

www w.grossvenorp prints.ccom

Registered in England No. 1305630 Registerred Office: 2, Casstle Business Villlage, Station Roaad, Hampton, Middlessex. TW12 2BX. Rainbrook Ltd. D Directors: N.C. Taalbot. T.D.M. Rayment. C.E. Elliis. E&OE VA AT No. 217 6907 7 49

alllowing them to t make printss which arguaably reesembled draw wings more thaan any earlierr printmaking teechnique. Unliike many print ntmaking techn niques, litthography req quired no speccial training ass artists could work w directly onto the plate aand leave speccialist prrinters to actuaally make the prints. For th his reason many m artists wh ho were not tra rained printmaakers (such as Géricault G and Delacroix) D ofteen worked in lithography. Stock: 36954

[View ws of St. Hellena; Illustrrative of Its Scenery & Historical Associations A s. From Photograph hs By G.W. Melliss, Esq q. Surveyor-General of the Island, 1857.] [4] The T Briars. [6] Longwoood, Old Hoouse. [7] Front View of Longwood House. [8] Longwood L New N House. [9] Bertran nd's Cottagee Longwood. [11] St. Paul's Chu urch. [12] Oaak Bank. 1.

W. Gauci lithh. Vincent Broooks Imp. [n.d d., c.1857.] Tinted lithoggraphs. Very scarce. s Sheet size: s 145 x 245mm (5¾ x 9½") each. Light foxing. £4220 Seven of thirrteen plates froom, 'Views off St. Helena; Illustrative of Its Scenery & Historical Associations. A W. Melliss, Essq. SurveyorFrom Photoggraphs By G.W General of thhe Island', pubblished in 1857 7. In 1815, the B British governnment selected d the island off Saint Helenaa as the place of o detention of Napoleon Bonaparte. H He was taken to t the island in n October 18115, staying at thee Briars paviliion (plate 4) on o the groundss of the Balcom mbe family's home h until hiss permanent home, Longw wood House (pplates 6, 7 and d 8), was completed. H He died there on o 5th May 18 821. During thhis period, Saintt Helena remained in the Eaast India Company’s ppossession, buut the British government g m met additional coosts arising froom guarding Napoleon. N Thee island was sttrongly garrisooned with Brittish troops, annd naval ships ccircled the islaand. Abbey Tra avel: 318: 4, 66, 7, 8, 9, 11, 122. Stock: 36891

A wh hite Moorish h Boy, with a dish of Couscassow w, a Timbucctoo Slave Child, C and a free Negro Boy. 2.

G. Beauclerkk pinxit. On Sttone by Giles.. Printed by Engelmann, Graf, Coindett & Co. [n.d., c.1830.] Sheet size: 1000 x 135mm (4 4 x 5¼"). £1440 Lithograph. S Three smiling children waalk in a line tow wards the B carries a viewer. On thhe left, the 'whhite Moorish Boy', tagine on hiss head, steadyiing it with botth hands. In thhe w holds ontoo centre is the 'Timbuctoo Slave Child', who t left, as herr arm is held bby the clothing oof the boy to the the 'Free Neggro Boy' on thhe right. Stock: 36315

[Threee banditti on o horsebacck menacingg a crouching ffigure.] 3.

[Anon., c.1810.] mm (10½ x Pen lithograpph, scarce; sheeet 270 x 340m 13½"). Stainiing and mouldd to edges. £1880 Dramatic earrly pen lithogrraph. The new w medium allowed artissts to draw directly onto a prepared stonee,

4.. [Raggeed figure witth cloth] TB B [Thomas Baarker] Peen lithograph on india backked onto thickeer paper with watercolour w waash by Thomas as Barker, 235 x 150mm (9 9¼ x 6"). Stain ning and surfaace loss to ind dia. Damaged. D £140 Liithograph from m Thomas Bar arker's (1769-1847) 'Forty Liithographic Im mpressions Froom Drawings by Thomas Barker, Selected from His Sttudies of Rusttic Figures After A Nature' (1 1813), the firsst one-man colllection of litthographs eveer printed in En England. Many y of the stones, still beaaring Barker's original draw wings, are in th he Victoria Art Gallery, Batth. Plate I. Barker was borrn in Wales buut known as "B Barker of ng man. As Bath", after the city he moveed to as a youn n expert on freesco techniquee, Barker adviised on the an reedecoration off the Houses oof Parliament in i 1841. For th he complete seet of 'Forty Litthographic Im mpressions' seee ref. 13436 Stock: 36711

5.. [Boy leaning againnst rocks] TB B [Thomas Baarker] Peen lithograph, with period w wash by T. Baarker; sheet 23 35 x 166mm (9¼ ( x 6¼"). L Laid on thick paper; p tear on leeft. £140 Liithograph from m Thomas Bar arker's (1769-1847) 'Forty Liithographic Im mpressions Froom Drawings by Thomas Barker, Selected from His Sttudies of Rusttic Figures After A Nature' (1 1813), the firsst one-man colllection of litthographs eveer printed in En England. Many y of the stones, still beaaring Barker's original draw wings, are in th he Victoria Art Gallery, Batth. Barker was borrn in Wales buut known as "B Barker of ng man. As Bath", after the city he moveed to as a youn n expert on freesco techniquee, Barker adviised on the an reedecoration off the Houses oof Parliament in i 1841. For th he complete seet of 'Forty Litthographic Im mpressions' seee ref. 13436. Ex: collectioon of the Late Hon. H C. Leennox-Boyd. Stock: 36936

6.. [Two seeated womeen] TB B [Thomas Baarker] Peen lithograph, with period w wash by T. Baarker; sheet 23 35 x 160mm (9¼ ( x 6¼"). L Laid on thick paper; p tear on leeft. £140 Liithograph from m Thomas Bar arker's (1769-1847) 'Forty Liithographic Im mpressions Froom Drawings by Thomas Barker, Selected from His Sttudies of Rusttic Figures After A Nature' (1 1813), the firsst one-man colllection of litthographs eveer printed in En England. Many y of the stones, still beaaring Barker's original draw wings, are in th he Victoria Art Gallery, Batth.

Barker was born in Wales but known as "Barker of Bath", after the city he moved to as a young man. As an expert on fresco technique, Barker advised on the redecoration of the Houses of Parliament in 1841. For the complete set of 'Forty Lithographic Impressions' see ref. 13436. Ex: collection of the late Hon. C. Lennox-Boyd. Stock: 36703

7. [Standing figure with staff] TB [Thomas Barker] Pen lithograph, early unfinished proof; sheet 235 x 150mm (9¼ x 5¾"). Glued to backing sheet at top corners; water staining. £150 Lithograph from Thomas Barker's (1769-1847) 'Forty Lithographic Impressions From Drawings by Thomas Barker, Selected from His Studies of Rustic Figures After Nature' (1813), the first one-man collection of lithographs ever printed in England. Many of the stones, still bearing Barker's original drawings, are in the Victoria Art Gallery, Bath. Barker was born in Wales but known as "Barker of Bath", after the city he moved to as a young man. As an expert on fresco technique, Barker advised on the redecoration of the Houses of Parliament in 1841. For the complete set of 'Forty Lithographic Impressions' see ref. 13436. Ex: collection of the late Hon. C. Lennox-Boyd. Stock: 36704

8. [Child holding out cap for charity] TB [Thomas Barker] Pen lithograph on india with watercolour wash by T. Barker, very rare; 230 x 160mm (9¼ x 6¼"). Paper tone and staining lower right. £220 Lithograph from Thomas Barker's (1769-1847) 'Forty Lithographic Impressions From Drawings by Thomas Barker, Selected from His Studies of Rustic Figures After Nature' (1813), the first one-man collection of lithographs ever printed in England. Many of the stones, still bearing Barker's original drawings, are in the Victoria Art Gallery, Bath. Barker was born in Wales but known as "Barker of Bath", after the city he moved to as a young man. As an expert on fresco technique, Barker advised on the redecoration of the Houses of Parliament in 1841. For the complete set of 'Forty Lithographic Impressions' see ref. 13436 Stock: 36705

9. [Child crouched with jug] TB [Thomas Barker] Pen lithograph on india backed onto thicker paper with watercolour wash by T. Barker, 230 x 160mm (9¼ x 6¼"). Paper tone. Slight tear. £220 Lithograph from Thomas Barker's (1769-1847) 'Forty Lithographic Impressions From Drawings by Thomas Barker, Selected from His Studies of Rustic Figures After Nature' (1813), the first one-man collection of lithographs ever printed in England. Many of the stones, still bearing Barker's original drawings, are in the Victoria Art Gallery, Bath. Plate II. Barker was born in Wales but known as "Barker of Bath", after the city he moved to as a young man. As

an expert on fresco technique, Barker advised on the redecoration of the Houses of Parliament in 1841. For the complete set of 'Forty Lithographic Impressions' see ref. 13436 Stock: 36706

10. [Two seated children.] TB [Thomas Barker] Pen lithograph on india backed onto thicker paper, early unfinished proof; india 230 x 150mm (9¼ x 6"). Paper tone, slight staining at corners. £220 Unfinished impression of a lithograph from Thomas Barker's (1769-1847) 'Forty Lithographic Impressions From Drawings by Thomas Barker, Selected from His Studies of Rustic Figures After Nature' (1813), the first one-man collection of lithographs ever printed in England. Many of the stones, still bearing Barker's original drawings, are in the Victoria Art Gallery, Bath. Barker was born in Wales but known as "Barker of Bath", after the city he moved to as a young man. As an expert on fresco technique, Barker advised on the redecoration of the Houses of Parliament in 1841. For the complete set of 'Forty Lithographic Impressions' see ref. 13436 Stock: 36707

11. [Two figures] TB [Thomas Barker] Pen lithograph on india backed onto thicker paper with watercolour wash by Thomas Barker, 230 x 165mm (9¼ x 6¼"). Trimmed into india border; staining top centre. £220 Lithograph from Thomas Barker's (1769-1847) 'Forty Lithographic Impressions From Drawings by Thomas Barker, Selected from His Studies of Rustic Figures After Nature' (1813), the first one-man collection of lithographs ever printed in England. Many of the stones, still bearing Barker's original drawings, are in the Victoria Art Gallery, Bath. Barker was born in Wales but known as "Barker of Bath", after the city he moved to as a young man. As an expert on fresco technique, Barker advised on the redecoration of the Houses of Parliament in 1841. For the complete set of 'Forty Lithographic Impressions' see ref. 13436 Stock: 36710

12. [Three children in ragged clothes] TB [Thomas Barker] Pen lithograph on india backed onto thicker paper, india 220 x 140mm (8¾ x 5½"). Crease and tearing to india top left. £220 Separately published lithograph from Thomas Barker's 'Forty Lithographic Impressions From Drawings by Thomas Barker, Selected from His Studies of Rustic Figures After Nature' (1813), first one-man collection of lithographs ever printed in England. Many of the stones, still bearing Barker's original drawings, are in the Victoria Art Gallery, Bath. Barker (1769-1847) was born in Wales but known as "Barker of Bath", after the city he moved to as a young man. As an expert on fresco technique, Barker advised

on the redecooration of the Houses of Parrliament in 1841. For thee complete set of 'Forty Lith hographic Impressions'' see ref. 13436. Stock: 36709

13. [You ung Boy Seatted 1803] Thomas Barkker del. Pen lithograpph, very rare; separately issued early lithograph froom Specimenns of Polyautog graphy, published in 1803 by Philiipp Andre; sheeet 275 x ¾ x 8¼"). Glueed to backing sheet at 210mm (10¾ corners. Creease across cenntre. Overall staining. £3880 Barker (17699-1847) He alsso published 'Forty Lithographicc Impressions From Drawin ngs by Thomass Barker, Seleccted from His Studies of Ru ustic Figures After Nature' (1813), the first f one-man collection c of lithographs eever printed inn England. Maany of the stones, still bbearing Barkerr's original draawings, are inn the Victoria A Art Gallery, Bath. B Barker was bborn in Wales but known ass "Barker of Bath", after tthe city he mooved to as a yo oung man. As an expert on fresco techniqque, Barker ad dvised on the nt in 1841. Exx redecoration of the Housess of Parliamen Boyd; For the collection off the Late Hon. C. Lennox-B pressions' see complete set of 'Forty Lithhographic Imp ref. 13436

Hagar comforted bby the Angel. Copied by y H. Wyatt, from an Orriginal Draw wing by Claude C Lorra aine, in the ppossession of o Mr. Ford. 6. 16

H. H Wyatt, aquat. John Ford, L Lithographed. [n.d., c.1820.] For the Rt. Liithograph, verry rare. Top leeft in pencil "F Hon. H Earl Spen ncer"; Printed aarea 200 x 24 40mm (8 x 9½ ½"). £130 An A amateur lith hograph copieed from a sketcch from Claude's 'Liber Veritatis', thee 'Book of Tru uth' that uthenticated his paintings. E Ex Collection of au Christopher C Lennox-Boyd. Stock: 36489

17 7. [Man's head.] [n n.d., c.1810.] Fiine lithograph h. Printed areaa 180 x 180mm m (7 x 7"). £260 A man's head, with w hair flow wing down oveer his high co ollar. An amaateur lithograpph. Ex: Collecction of The Hon. H C. Lennoxx-Boyd. Stock: 36478

Stock: 36810

14. [Eldeerly woman with bag.] TB [Thomas Barker] Pen lithograpph on india baacked onto thiccker paper, india 225 x 1145mm (8¾ x 6"). Tearing to t india at edges; slight staining. Dam maged. £1440 from Thomas Barker's B (176 69-1847) 'Fortty Lithograph fr Lithographicc Impressions From Drawin ngs by Thomass Barker, Seleccted from His Studies of Ru ustic Figures After Nature' (1813), the first f one-man collection c of lithographs eever printed inn England. Maany of the stones, still bbearing Barkerr's original draawings, are inn the Victoria A Art Gallery, Bath. B Barker was bborn in Wales but known ass "Barker of Bath", after tthe city he mooved to as a yo oung man. As an expert on fresco techniqque, Barker ad dvised on the nt in 1841. Foor redecoration of the Housess of Parliamen L Impressions' the complete set of 'Forty Lithographic see ref. 134336 Stock: 36708

15. [Cavvalry officer and horse.] [Anon., c.1818] Pen lithograpph, Slade 18188 watermark; sheet 195 x 245mm (7¾ x 9½"). Trimm med. £1880 Early pen lithhograph. The new medium allowed artistts to draw direcctly onto a preepared stone, allowing a them m to make printts which arguably resembleed drawings more than anny earlier printtmaking techn nique. Unlike many printm making techniqques, lithograp phy required nno special trainiing as artists could c work dirrectly onto thee plate and leavve specialist printers p to actu ually make thee prints. For thhis reason manny artists who were not trained printm makers (such as Géricault and a Delacroix)) often workedd in lithographhy. Ex: collecttion of the latee H. C. Lennoxx-Boyd. Stock: 36951

18 8. [Head of o the Meduusa.] Da D Vinci pinxt.. [ms lower leeft] [Anon., c.1 1820] Peen lithograph, very scarce; ssheet 275 x 385mm (10¾ x 15"). Slight fo oxing; crease on right. £320 h from the fam mous painting g of the Eaarly lithograph medusa's m head (Florence, ( Uff ffizi). This prin nt was prrobably made around the saame time that Percy Bysshee Sh helley wrote his h poem 'On tthe Medusa off Leonardo daa Vinci in the Florentine Gaallery'. Like Shelley, the maker m of this prrint probably bbelieved the painting p to be by y Leonardo. Itt is now consiidered to be by y an an nonymous artiist of the Flem mish school, c..1620-30. Ex: co ollection of thee Late Hon. C C. Lennox-Boyyd Stock: 36935

19 9. [Apollo o as a wingedd warrior.] C Heath del. med; sheet 320 0 x 235mm Peen lithograph, rare & trimm (1 12½ x 9¼"). Vertical V creasee; nicks to edg ges. £260 Eaarly lithograph h by Charles H Heath (1785-1 1830), laandscape and figure f engraveer. A precocio ous talent and paart of a family y of printmakeers, Heath wass early to ex xperiment with h new techniqques. He exhib bited litthographs such as this at Soomerset Housee from 1802 to o 1806, and thiis print was inncluded in the 1806 edition off the first portfolio of artistss' lithographs, 'Specimens off Polyauthograaphy' (first eddition publisheed by Philipp

André in 1803). The new medium allowed artists to draw directly onto a prepared stone, allowing artists to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography. Ex: collection of the Late Hon. C. Lennox-Boyd Stock: 36934

20. [Oriental man reading a large book] [by Henry Singleton, 1803] Pen lithograph, sheet 225 x 315mm (8¾ x 12½"). Very damaged; losses. £90 Early lithograph by Henry Singleton (1766-1839), painter. A professional portrait painter from the age of sixteen, Singleton was commissioned by Benjamin West to paint a large group portrait of the Royal Academicians in 1796, but Singleton never became an academician himself. He was known for his history paintings initially, but later moved into decorative and pastoral subject matter, often designed with a view to engraving. This print, a rare excursion into printmaking for Singleton, was included in the 1806 edition of the first portfolio of artists' lithographs, 'Specimens of Polyauthography'. The new medium allowed artists to draw directly onto a prepared stone, allowing artists to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography. Ex: collection of the Late Hon. C. Lennox-Boyd. Stock: 36943

21. [Study of a Tree.] [R.L. West 1802.] Pen lithograph, sheet 310 x 230mm (12¼ x 9"). Trimmed to image, losing text along bottom. £370 One of the twelve pen lithographs from 'Specimens of Polyautography', the first set of artist's lithographs ever published (by Philipp André in 1803). The new medium allowed artists to draw directly onto a prepared stone, allowing artists to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many painters who were not trained printmakers (such as Géricault and Delacroix) produced lithographs. Made by Raphael Lamar West (1766-1850), history painter and son of Benjamin West, who also contributed to the polyautography series. Between 1800 and 1802 he unsuccessfully tried to emmigrate to an uninhabited part of the US. After some success in

his early career, in later years he seems to have concentrated upon selling his father's pictures, and had to apply for financial assistance from the Royal Academy. This print shows the prevalent influence of Salvator Rosa's dramatic landscapes. Ex: collection of the late Hon. C. Lennox-Boyd; Man, '150 Years of Artists' Lithographs', cat. 2. Stock: 36700

22. Abbeville 1817. A. Long. [n.d., c.1817.] Rare amateur lithograph with hand colour. Printed area 230 x 320mm (9 x 12½"). £90 The town square of Abbeville in Picardie, the towers of St. Vulfran Collegiate Church behind. Amelia Long (née Hume) (1772-1837), married Charles Long who was created Baron Farnborough in 1826. Lady Farnborough was Thomas Girtin's favourite pupil, and her work was widely admired by professional artists and drawing masters. For a sketchbook by the artist see V&A E.21080-1957. Ex: collection of the Hon. Christopher Lennox-Boyd. Stock: 36580

23. [Three warriors in mountains.] [B. M. Fischer, c.1810.] Pen lithograph, sheet 320 x 215mm (12½ x 8½"). Trimmed. £260 Early pen lithograph. The new medium allowed artists to draw directly onto a prepared stone, allowing them to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography. Ex: collection of the late H. C. Lennox-Boyd. Stock: 36950

24. [Man and horse crossing bridge.] TB [Thomas Barker, monogram lower left.] Pen lithograph, rare; sheet 310 x 235mm (12½ x 9"). Tear and hole bottom; foxing; creases. £220 Early pen lithograph by Thomas Barker of Bath (17671827), painter and lithographer who in 1803 contributed to the first set of lithographs ever published. Probably taken from "Thirty Two Lithographic Impression from Pen Drawings of Landscape Scenery", 1814. Views around Bath, Wales, the Lake District and elsewhere. Ex: collection of the late Hon. C. LennoxBoyd. Stock: 36702

25. [Tree in a landscape with figures seated by river] Will. Delamotte del. Oxford 1805. Lithograph, very scarce; sheet 230 x 320mm (9 x 12½"). Very creased. £80 Early lithograph by William Delamotte (1775-1863), landscape artist. Delamotte lived in Oxford from 1798 working as a drawing master, and most of his works from this period were made in the vicinity. He later

became a draawing master at the Royal Military M Colleege in Sandhurst. Influenced by b Girtin's wattercolour stylee, was one of a grroup of landsccape artists alsso Delamotte w including Coonstable and Turner, T who to ook to makingg oil sketches iin the open. Stock: 36811

[Treee in a landsccape with fig gures seated d by river] 26.

Will. Delamootte del. Oxford 1805. Lithograph, vvery scarce; shheet 230 x 320mm (9 x 12½"). Tearss & losses to corners. c £1660 Early lithogrraph by Williaam Delamotte (1775-1863), landscape arttist. Delamottee lived in Oxfford from 179 8 working as a drawing masster, and most of his works from this perriod were madde in the vicinity. He later became a draawing master at the Royal Military M Colleege in Sandhurst. Influenced by b Girtin's wattercolour stylee, was one of a grroup of landsccape artists alsso Delamotte w including Coonstable and Turner, T who to ook to makingg oil sketches iin the open. Stock: 36812

27. Heyw wood. F.W. Trenchh imp. ( x 13"). Lithograph, pprinted area 195 x 330mm (7¾ Hole in text aarea; creasingg to edges. £1330 Woodland sccene by amateeur artist F.W. French, perhaps show wing Heywoodd, now part off Greater Manchester. Ex: collectionn of the Late Hon. H C. LennooxBoyd. Stock: 36944

28. [Twoo horses pullling large lo og.] [Anon., c.18007] Pen lithograpph, sheet 215 x 305mm (8½ ½ x 12"). Creasing, trim mmed. £1990 Early pen lithhograph. The new medium allowed artistts to draw direcctly onto a preepared stone, allowing a them m to make printts which arguably resembleed drawings more than anny earlier printtmaking techn nique. Unlike many printm making techniqques, lithograp phy required nno special trainiing as artists could c work dirrectly onto thee plate and leavve specialist printers p to actu ually make thee prints. For thhis reason manny artists who were not trained printm makers (such as Géricault and a Delacroix)) often workedd in lithographhy. Ex: collecttion of the latee H. C. Lennoxx-Boyd. Stock: 36952

[Landscape with fiigures by lak ke, and ro owing boat]

9. 29

[A Anon., c.1810]] Laarge Pen litho ograph, very sccarce, sheet 305 x 380mm (1 12 x 15"). Slig ght stain spots in centre; two o very samll ho oles at top. £220 Eaarly pen lithog graph. The new ew medium alllowed artists to o draw directly y onto a prepaared stone, allo owing them to o make prints which w arguablly resembled drawings more m than any earlier e printma making techniq que. Unlike many m printmaking techniquees, lithography y required no sp pecial training g as artists couuld work direcctly onto the pllate and leave specialist prinnters to actuallly make the prrints. For this reason many artists who were not traained printmaakers (such as Géricault and d Delacroix) offten worked in n lithography. Stock: 36953

30 0. The Ra amparts at M Montreuil 18 817. A. A Long. [n.d., c.1817.] Rare amateur liithograph withh very large margins. m Prrinted area 195 x 260mm (77¾ x 10¼"). Foxing. F £95 An A old fortress on the outskirrts of Paris. Amelia A Long (n née Hume) (17772-1837), married m Charles Long who w was createed Baron Farn nborough in 826. Lady Farrnborough wass Girtin's favo ourite pupil, 18 an nd her work was w widely adm mired by proffessional arrtists and draw wing masters. F For a sketchb book by the arrtist see V&A E.21080-19577. Stock: 36541

31 1. [Four lithographs iin original wrappers] w Etchings E No. 4 P..S. Munn [181 11] Fo our lithograph hs in wrapperss, Plates II & IV I watermarked w 'J. Whatman 18810'; 240 x 410mm (9½ x 16 6"). £450 Fo our sheets of tree t studies. E Early lithograp phs by Paul Saandby Munn (1773 - 1845)). Munn was named n after hiis godfather, Paul P Sandby, w who gave him m his first in nstructions in watercolour w ppainting. He first exhibited att the Royal Accademy in 17998 and was a frequent f co ontributor of topographical drawings to th hat and other ex xhibtions. He drew some off the views of Britton's "B Beauties of En ngland and Waales". He pain nted little affter 1832, wheen he devoted himself chieffly to music. Stock: 36808

32. [Fam mily and horrses resting near n water] 4 P.S. Munn 18813 Pen lithograpph, rare; sheett 280 x 205mm m (11 x 8"). Occasional w wash colouringg to figures, creasing. Trimmed. £1330 3-1845). Munnn Lithograph bby Paul Sandby Munn (1773 was named aafter his godfaather, artist Pau ul Sandby, followed his namesake intto watercolourr painting. He went on a skeetching expeddition to Wales with John S ell Cotman in 18802 and from 1807 was maaking use of thhe new medium m of pen lithoggraphy, which he used in several sets oof landscape prints. p Ex: colllection of the Late Hon. C. Lennox-Boydd.

35 5. St Genevieve from m The Gardeen of the Luxembourg L . 1817.

Stock: 36945

Stock: 36578

33. Newllands. M.A.T. Whittby ex. et Del.. 1826. Newlaands Press. Rare amateurr lithograph. Printed P area 23 30 x 330mm ((9 x 13"), with vvery large maargins. £1660 The country seat of Newlaands, with a paair of anglers in the foregrounnd. Naval officerr Sir William Cornwallis bo ought Newlannds in 1799, livinng there with the t widow of Cornwallis' fllag captain, Johnn Whitby, whoo died in 1806 6, then leavingg the estate to hher on his deaath in 1819. Mary M Anne Theresa Whiitby was an am mateur lithographer who established a private press at Newlands.. Ex: Collectioon of the late Hoon. C. Lennoxx-Boyd; For a London view w by Whitby, seee ref. 19290. Stock: 35814

A. A Long. [n.d., c.1817.] Rare amateur liithograph withh very large margins. m Prrinted area 280 x 210mm (111 x 8¼") Witth a cat addedd in n pencil. £110 Amelia A Long (n née Hume) (17772-1837), married m Charles Long who w was createed Baron Farn nborough in 826. Lady Farrnborough wass Thomas Girrtin's 18 faavourite pupil,, and her workk was widely admired a by prrofessional arttists and draw wing masters. For F a skketchbook by the t artist see V V&A E.21080 0-1957. Ex co ollection of Th he Hon Christo topher Lennoxx-Boyd.

English h Troops. Boois de Boulo ogne Sept.r 1.. 1815. 36 6.

A. A Long. [n.d., c.1817.] Rare amateur liithograph withh hand colour and very laarge margins. Printed P area 2200 x 270 (8 x 10½"). £160 An A English cam mp on the outsskirts of Paris with tents an nd straw huts, shortly after W Waterloo. Amelia A Long (n née Hume) (17772-1837), married m Charles Long who w was createed Baron Farn nborough in 826. Lady Farrnborough wass Thomas Girrtin's 18 faavourite pupil,, and her workk was widely admired a by prrofessional arttists and draw wing masters. For F a skketchbook by the t artist see V V&A E.21080 0-1957. Ex co ollection of Th he Hon Christo topher Lennoxx-Boyd. Stock: 36577

37 7. [Two fiigures in a laandscape] [A Anon., c.1810]] Peen lithograph, J. Whatman w watermark (PT) printed arrea 260 x 180m mm (10¼ x 7""). £95 Unidentified U eaarly lithographh showing the influence of Saalvator Rosa, whose treacheerous landscap pe were significant in sh haping the conncepts of subllime and omantic repressentations of nnature in the laate Georgian ro peeriod. Ex: colllection of the LLate Hon. C. Lennox-Boyd L Stock: 36940

34. [Old Tree with castle c in the distance.] Hearne, 18033 [signature inn bottom rightt-hand corner]]. Very rare, sccarce and earlyy pen lithograp ph, sheet 293 x 216mm (11½ ½" x 8½"). Sm mall tears, mad de up bottom left corner. £2440 744 - 1817), Early lithogrraph by Thomaas Hearne (17 watercolourist and topograaphical draugh htsman. By thhe uperceded by 19th century Hearne's worrk had been su ung artists, so more recent ddevelopmentss amongst you this is an inteeresting experriment with the new medium m of lithographhy. Ex collection of the Latee Hon. C. Lennox-Boydd; For anotherr impression see s ref. 8652 Stock: 36813

38 8. [Two fiigures in a laandscape] [A Anon., c.1810]] Peen lithograph, sheet 250 x 1170mm (9¾ x 6¾"). Glued to o backing boarrd at corners; ssurface loss on o left filled in n ink. £140 Unidentified U eaarly lithographh showing the influence of Saalvator Rosa, whose landsccapes were sig gnificant in sh haping the con ncepts of subliime and romaantic reepresentations of nature in th the late Georg gian period. Exx: collection of o the Late Hoon. C. Lennox--Boyd Stock: 36939

39 9. [Blasted tree with ppensive trav veller.] Ric. Cooper dell. 1802 Peen lithograph, scarce; sheett 230 x 320mm m (9¼ x 12 2½"). Nicks an nd tears to edgges; hole middle right, lo osses on left & right bottom m, trimmed. £140 Eaarly lithograph h by Richard Cooper (1740 0-1814). The so on of another engraver, e Coooper worked for fo a time in Itaaly, where he befriended A Alexander Run nciman and deeveloped a sty yle of landscappe painting sim milar to that off Runciman (h he became knoown as the 'En nglish

Poussin'). Affter marrying in i Edinburgh in 1777, Cooper settleed in London around 1787, where he dedicated him mself to drawiing (he becam me drawing master at Etoon) and printm making. This liithograph wass included in thhe first portfoolio of artists' lithographs, l 'Specimens oof Polyauthogrraphy'. The neew medium allowed artissts to draw directly onto a prepared stonee, allowing artists to make prrints which arguably resembled drrawings more than any earliier printmakinng technique. U Unlike many prrintmaking tecchniques, lithography rrequired no sppecial training as artists couuld work directlyy onto the platte and leave sp pecialist printers to acctually make thhe prints. For this reason many artists who were nott trained printm makers (such as o worked in i lithographyy. Géricault andd Delacroix) often Ex: collection of the Late Hon. H C. Lenno ox-Boyd.

d Delacroix) traained printmaakers (such as Géricault and offten worked in n lithography. Ex: collection of the Late Hon. H C. Lennoxx-Boyd. Stock: 36941

Stock: 36947

40. [Ruin ned abbey among a trees]] [by Richard C Cooper, 1802] Pen lithograpph, sheet 220 x 325mm (9 x 12½"). Glueed to backing shheet. Trimmed to subject. £2440 Early lithogrraph by Richarrd Cooper (17 740-1814). Thhe son of anotheer engraver, Cooper C worked d for a time inn Italy, where hhe befriendedd Alexander Runciman and developed a style of landsccape painting similar to thaat k as the 'English of Runcimann (he became known Poussin'). Affter marrying in i Edinburgh in 1777, Cooper settleed in London around 1787, where he dedicated him mself to drawiing (he becam me drawing master at Etoon) and occasiionally printm making. This lithograph w was included inn the 1807 edition of the firsst portfolio of aartists' lithograaphs, 'Specimens of Polyauthograaphy'. The new w medium allo owed artists too draw directlyy onto a prepaared stone, allo owing artists tto make prints w which arguablly resembled drawings d morre than any earllier printmakinng technique. Unlike many printmaking techniques, liithography req quired no c work dirrectly onto thee special trainiing as artists could plate and leavve specialist printers p to actu ually make thee prints. For thhis reason manny artists who were not trained printm makers (such as Géricault and a Delacroix)) often workedd in lithographhy. Ex: collecttion of the Latte Hon. C. Lennnox-Boyd. Stock: 36948

41. [Old Trees with old man, a girl g and dogg] R. Corbould 1802 [in imagge lower rightt] m (9¼ x 12½""). Pen lithograpph, rare; sheett 235 x 315mm Glued to thicck backing sheeet; loss to low wer left cornerr. £1330 Early lithogrraph by Richarrd Corbould (1757-1831), aan versatile artisst who workedd in many media and styless although chieefly remembeered as a desig gner of book illustrations. This lithograpph was includ ded in the firstt portfolio of aartists' lithograaphs, 'Specimens of Polyauthograaphy'. The new w medium allo owed artists too draw directlyy onto a prepaared stone, allo owing artists tto make prints w which arguablly resembled drawings d morre than any earllier printmakinng technique. Unlike many printmaking techniques, liithography req quired no c work dirrectly onto thee special trainiing as artists could plate and leavve specialist printers p to actu ually make thee prints. For thhis reason manny artists who were not

Evenin ng Thou Brinngest All [tittle in reeverse, in Greek] 42 2.

H. H Fuseli del [1 1802, first pubblished 1803] Peen lithograph, sheet 210 x 3315mm (8¼ x 12¼"). Trrimmed, losin ng printed areaa top and left, small nicks an nd tears; verticcal crease on lleft; foxing to o edges.£1800 Th he most famous early pen liithograph. Fuseli's print (aalso known as 'Lady at a Wiindow') was published p as on ne of the twelv ve pen lithogrraphs from 'Sp pecimens of Po olyautography y', the first sett of artist's lith hographs ever pu ublished (by Philipp P André in 1803). Thee new medium m alloweed artists to drraw directly on nto a prrepared stone, allowing artiists to make prrints which arrguably resem mbled drawingss more than an ny earlier prrintmaking tecchnique. Unlikke many printtmaking teechniques, lith hography requi uired no speciaal training as arrtists could wo ork directly onnto the plate and a leave sp pecialist printeers to actuallyy make the prin nts. For this reeason many paainters who w were not trained d printmakerss (ssuch as Géricaault and Delaccroix) produceed litthographs. Fu useli (1741-18 825), painter aand writer, waas born in Sw witzerland butt spent much oof his career in i England. At A the time of this t work (saidd by Weinglasss to reepresent Fuseli's wife Sophiia) he was Pro ofessor of Paainting at the Royal R Academ my. In 1804 he h was also to beecome Keeperr of the RA, thhe only time someone s has heeld both positiions simultaneeously. Weing glass 171; Man, M '150 Yearrs of Artists' LLithographs', cat. c 3. Ex: co ollection of thee late Hon. C.. Lennox-Boyd d. Stock: 36699

in ncluded in the first portfolioo of artists' lith hographs, 'Specimens of Polyauthograp P phy'. The new w medium alllowed artists to draw directtly onto a prep pared stone, alllowing artistss to make print nts which argu uably reesembled draw wings more thaan any earlierr printmaking teechnique. Unliike many print ntmaking techn niques, litthography req quired no speccial training ass artists could work w directly onto the plate aand leave speccialist prrinters to actuaally make the prints. For th his reason many m artists wh ho were not tra rained printmaakers (such as Géricault G and Delacroix) D ofteen worked in lithography. Exx: collection of o the Late Hoon. C. Lennox--Boyd. Stock: 36938

43. [Cavvalry Chargee.] [Conrad Gessner, 1801.] Pen lithograpph, sheet 230 x 315mm (9 x 12½"). Goodd impression; ppinhole top ceentre. £4550 Pen lithograpph, probably taken from 'Sp pecimens of Polyautograpphy', the first set s of artist's lithographs l evver published (byy Philipp Anddré in 1803). The T new medium allow wed artists to draw directly y onto a prepared stonne, allowing artists a to makee prints which arguably reseembled drawinngs more than n any earlier printmaking technique. Unnlike many printmaking techniques, liithography reqquired no special training aas artists could work directlyy onto the platee and leave p For thiss specialist prinnters to actuallly make the prints. reason manyy painters who were not train ned printmakeers uced (such as Gériicault and Dellacroix) produ lithographs. Made by Connrad Gessner (1764-1826), Swiss artist working in E England 1796--1804. Ex: colllection of the late Hon. C. Lennox-Boydd. Stock: 36701

44. [Landscape with h old trees by y water.] [by Henry Riichard Grevillle, c.1804.] Pen lithograpph, sheet 305 x 220mm (12 x 8¾"). Trimmed. £2660 ville, Lord Early lithogrraph by Henryy Richard Grev Brooke, 3rd E Earl of Warw wick (1779–185 53) and included in thhe first portfoolio of artists' lithographs, l 'Specimens oof Polyauthogrraphy'. The neew medium allowed artissts to draw directly onto a prepared stonee, allowing artists to make prrints which arguably resembled drrawings more than any earliier printmakinng technique. U Unlike many prrintmaking tecchniques, lithography rrequired no sppecial training as artists couuld work directlyy onto the platte and leave sp pecialist printers to acctually make thhe prints. For this reason many artists who were nott trained printm makers (such as o worked in i lithographyy. Géricault andd Delacroix) often Ex: collection of the Late Hon. H C. Lenno ox-Boyd. Stock: 36937

45. [Landscape with h old trees by y water.] [by Henry Riichard Grevillle, c.1804] Pen lithograpph, very rare; sheet 305 x 22 20mm (12 x 8¾"). Fine im mpression; verry slight hole. Trimmed. £2660 ville, Lord Early lithogrraph by Henryy Richard Grev Brooke, 3rd E Earl of Warw wick (1779–185 53) and

46 6. [Rural landscape w with horse and a cart] F..J. Man[skirscch del.] Peen lithograph, sheet 220 x 3300mm (8¾ x 11¾"). Glued G to thick card; c trimmedd inside imagee on right; paaper tone and damage upper er left. Damag ged. £130 Eaarly lithograph h by Franz Jooseph Manskirrsch (176818 830), who speent most of hiss career in Lon ndon before moving m to Danzzig, Poland byy 1822. This lithograph was w included in n the 1806 ediition of the first portfolio off arrtists' lithograp phs, 'Specimen ens of Polyauth hography'. Th he new mediu um allowed art rtists to draw directly d onto a prepared ston ne, allowing arrtists to make prints which mbled drawingss more than an ny earlier arrguably resem prrintmaking tecchnique. Unlikke many printtmaking teechniques, lith hography requi uired no speciaal training as arrtists could wo ork directly onnto the plate and a leave sp pecialist printeers to actuallyy make the prin nts. For this reeason many arrtists who werre not trained printmakers p (ssuch as Géricaault and Delaccroix) often wo orked in litthography. Exx: collection off the Late Hon n. C. LennoxBo oyd. Stock: 36942

[The Angel] He is not here: fo or he is riisen. &c. 47 7.

B. West 1801 [first publishedd 1803] Peen lithograph, sheet 325 x 2230mm (12¾ x 9"), on orriginal backing g sheet with a sepia aquatin nt border. Sttrong impression. Backing ssheet trimmed d at sides. £5000 Teext from Mattthew 28:6, in w which the ang gel of the reesurrection dirrects women loooking for thee crucified Jeesus to 'see thee place where He was lying g'. A landmark in the t history off lithograph, th his original prrint by Benjam min West has bbeen describeed as 'the first litthograph of arrtistic merit evver done in an ny country' (F Felix Man). It was publishedd as one of the twelve pen litthographs from m 'Specimenss of Polyautog graphy', the firrst set of artistt's lithographss ever published (by Ph hilipp André in i 1803). The new medium allowed arrtists to draw directly d onto a prepared sto one, allowing arrtists to make prints which aarguably resem mbled drrawings more than any earliier printmakin ng technique. Unlike U many prrintmaking tecchniques, litho ography reequired no speecial training aas artists could d work diirectly onto th he plate and leaave specialist printers to acctually make the t prints. Forr this reason many m painters who w were not trrained printmaakers (such ass Géricault an nd Delacroix) produced lithhographs.

West W (1738-182 20) was an Annglo-Americaan painter of hiistorical scenees around and after the timee of the American A War of Independennce. He was the second prresident of thee Royal Acadeemy in London, serving from 1792 to 18 805 and againn from 1806 un ntil his death. Exx: collection of o the late Honn. C. Lennox-B Boyd; Man, '150 Years of Artists' Lithogrraphs', cat. 1. Stock: 36698

[Counttry cottage, w with homecoming la abourer carrrying an axee] 49 9.

[A Anon. after J Renton, R c.18220] Peen lithograph, very scarce; vverso in ink F.W. F Half Peenny July 25th h, 1818; sheett 215 x 310mm m (8½ x 12 2¼"). Glued to o backing sheeet; internal teaars lower rig ght. Slight ho ole where prevviously folded d. £220 Copy of an 180 09 lithograph bby J. Renton (1799-1841, ( fl.). According to Michael Caampbell, Rentton is nknown as a printmaker p apaart from two early e un po olyautographss, 'however, hee was an activ ve and su uccessful painter of portraits ts, figurative subjects and laandscapes'. Caampbell also suuggests the Laake District ass a likely locattion for this im mage, given th hat he often ex xhibited viewss of the area. E Ex: collection n of the Late Hon. H C. Lennoxx-Boyd. Stock: 36949

West (1738-1820) was an Anglo-Ameriican painter off me of the historical sceenes around annd after the tim American W War of Indepenndence. He waas the second president of tthe Royal Acaademy in London, serving from 1792 too 1805 and agaain from 1806 6 until his deatth. Man, '150 Yeears of Artists' Lithographs', cat. 1. Ex: collection off the late Hon. C. Lennox-Bo oyd. Stock: 36697

50 0. Sagro Monte M di Vaarese. E.T.F. delin.t 1823. h very large m margins. Printted area 245 x Liithograph with 26 65mm (9¾ x 10½"). 1 Paper ttoned. £120 An A amateur print by Lady Ellizabeth Thereesa Feilding. Born Fox-Stran ngways, she m married twice: to William Davenport D Talb bot and Admirral Charles Feeilding. Her so on by her first marriage wass photography y pioneer William W Henry Fox Talbot (FFebruary 1800 0-77). Ex: Collection C of Th he Hon. C. Leennox-Boyd. Stock: 36466

[Ruined church in a field with h tree and seeated figure]]

48.

51 1.

B. West 1801 [first publishhed 1803] Pen lithograpph, sheet 315 x 225mm (12½ x 9"). Glueed to backing shheet; trimmed, losing text below image. Unidentified collector's staamp verso. £22000 Matthew 28:6, in i which the angel a of the Text from M resurrection ddirects womenn looking for the crucified Jesus to 'see the place wheere He was lyiing'. A landmark iin the history of lithograph,, this original print by Benjjamin West haas been descriibed as 'the firrst lithograph off artistic meritt ever done in any country' (Felix Man). It was publishhed as one of the twelve peen lithographs ffrom 'Specimeens of Polyautography', the first set of arrtist's lithograpphs ever publiished (by Philipp Andrré in 1803). Thhe new mediu um allowed artists to draw w directly ontto a prepared stone, s allowinng artists to makke prints whicch arguably resembled drawings moore than any eaarlier printmak king techniquue. Unlike manyy printmaking techniques, liithography required no sspecial traininng as artists could work directly onto the plate and leave specialist printers to F this reason n many painterrs actually makke the prints. For who were noot trained printtmakers (such h as Géricault and Delacroiix) produced lithographs.

Liithograph, verry scarce; sheeet 255 x 330m mm (10 x 13 3"). Damaged, torn. Manusccript in ink veerso: 'By Mrs Arnold A Warring gton [?] An eaarly lithograph hic sketch su upposed to be in 1806'. £130 In nteresting early y lithograph ccombining thee Romantic laandscape tropees of the solitaary figure, ruin ned church an nd gnarled treee.

[The Angel] [Hee is not here: for he is risen. &c.]

Stock: 36809

[Two fiigures by rivver, pouring g milk into pa ails for tran nsport, prob ably in the Netherlands] N 52 2.

Jaames Clarke Hook H [pencil ssignature] Ettching with laarge margins, pplatemark 120 0 x 210mm (4 4¾ x 8½"). Creases £75 One O of few etch hings by landsscape and histtory painter Jaames Clarke Hook H (1819-19907). Hook sp pent two yearss in n Venice study ying Italian artt in the 1840s, and joined th he Etching Clu ub in 1850 (the he same year as a Samuel Paalmer becamee a member). T This scene dem monstrates Hook's H particular interest in rrural labour (h he was paarticularly draawn to seascappes showing fishermen f and -w women at work); milking taakes place in background. b

Although hiss name has falllen into obscu urity, Hook's work was adm mired by Bauudelaire and Ruskin, and artt historian Tim m Barringer claims that 'his best work beaars comparison w with the marinne paintings of the celebrateed nineteenth-ceentury Americcan painter Winslow W Homeer' (DNB). Stock: 35905

[Mad donna and child?] c From m a very rarre etching of tthe same sizze by Andrea a Meldolla iin the Collectiion of Richaard Ford. 53.

R.F. Scul. onnly 20 taken off. 1823. Crayon-mannner etching, alll text in ink mss, m very scarce. Image 170 x 90mm m (10½ x 3½")) £880 A Meldo olla (c. 1510/55An amateur eetching after Andrea 1563, also knnown as Andrrea Schiavone)). Richard Fordd (1796-1858)) was an art co onnoisseur whho travelled widdely in Europee and wrote a guidebook to Spain. Whenn he died of Brright's diseasee he left a fine collection off pictures to hiis widow Mary y. Stock: 36479

[Untiitled landscaape with wa aterfall and wooden briidge, Wales]] 54.

Drawn by Roobert Price Essq.r. Engraved d by James Basire. [n.d.. c.1760.] Etching and aquatint in craayon manner, printed in ½x sepia, with laarge margins, scarce. 290 x 400mm (11½ 15¾"). Tearss and soiling inn margins. £1880 A rare print, apparently froom a sketchbo ook by amateuur artist Robert Price (1717-11761) of Foxleey, Herefordshirre, who was taaught to draw by Giovanni Battista Busiiri while in Roome on his graand tour, whicch commenced in 1738. His son s was Sir Uvedale Price, o the Picturessque' (1794), baronet, authhor of 'Essay on parodied by JJane Austen inn 'Northangerr Abbey'. The engraverr is James Bassire the elder (1730-1802), ( Master of William Blake. BM B 1880,080 07.18: 'probabbly taken from a drawing bookk'. Ex Collectiion of the Honn. Lennox-Boydd. Christopher L Stock: 36411

A Vieew of Caynaaut in the pa arish of Llanvrotheen near Tratth Mawr in Merionethsshire. 55.

Drawn by Roobert Price Essq.r. Engraved d by James Basire. [n.d.. c.1760.] Etching and aquatint in craayon manner, with large 1 Marginns margins, scarrce. 290 x 4000mm (11½ x 15¾"). chipped and soiled. £1880 ook by amateuur A rare print, apparently froom a sketchbo artist Robert Price (1717-11761) of Foxleey, Herefordshirre, who was taaught to draw by Giovanni Battista Busiiri while in Roome on his graand tour, whicch commenced in 1738. His son s was Sir Uvedale Price, o the Picturessque' (1794), baronet, authhor of 'Essay on parodied by JJane Austen inn 'Northangerr Abbey'. The engraverr is James Bassire the elder (1730-1802), ( Master of William Blake. The BM has a similar platee BM 'probably takken from a draawing book' (B 1880,0807.188). Ex Collecttion of the Hon n. Christopheer Lennox-Boydd. Stock: 36410

56 6. [Untitleed landscappe with waterfall and wooden w bridg ge, Wales] Drawn D by Robeert Price Esq.rr. Engraved by y James Basire. [n.d.. c.1760.] uatint in crayoon manner, veery large Ettching and aqu margins, m scarcee. 290 x 400m mm (11½ x 15¾ ¾"). Margins crreased and soiled, three worrm holes top left. l £180 A rare print, apparently from m a sketchbook k by amateur arrtist Robert Prrice (1717-17661) of Foxley,, Herefordshire, H who was taugght to draw by y Giovanni Battista Busiri while w in Rom me on his grand d tour, which ommenced in 1738. His sonn was Sir Uvedale Price, co baaronet, author of 'Essay on tthe Picturesqu ue' (1794), paarodied by Jan ne Austen in 'N Northanger Abbey'. A Th he engraver iss James Basiree the elder (17 730-1802), Master M of Williiam Blake. BM M 1880,0807.1 18: 'probably ta aken from a drrawing book'. Ex Collection n of the Hon. Christopher C Lennox-Boyd. Stock: 36409

57 7. [Motheer and child in a hayfielld] J.C. Hook A.R.A. [with penccil signature] Ettching on indiia with very laarge margins; before plate No; N platemark 120 x 155mm m (4¾ x 6"). Uncut U sheet. £75 One O of few etch hings by landsscape and histtory painter Jaames Clarke Hook H (1819-19907). Hook joined the Ettching Club in n 1850 (the saame year as Saamuel Palmer beecame a memb ber) and this sscene is taken from a po ortfolio publisshed by the cluub in 1857. Th he ag gricultural settting demonstrrates Hook's particular p in nterest in rural labour (he wa was also drawn n to seascapes sh howing fisherm men and -wom men at work). Although his naame has fallen n into obscuritty, Hook's work was ad dmired by Bau udelaire and R Ruskin, and arrt historian Tiim Barringer claims c that 'hiis best work bears b co omparison witth the marine ppaintings of th he celebrated niineteenth-centtury Americann painter Winsslow Homer' (D DNB). Stock: 35906

58 8. [Motheer and child in a hayfielld] 15 J.C. Hook A.R.A. Ettching on indiia with very laarge margins, platemark 12 20 x 155mm (4¾ ( x 6"). Unccut sheet. £75 One O of few etch hings by landsscape and histtory painter Jaames Clarke Hook H (1819-19907). Hook joined the Ettching Club in n 1850 (the saame year as Saamuel Palmer beecame a memb ber) and this sscene is taken from a po ortfolio publisshed by the cluub in 1857. Th he ag gricultural settting demonstrrates Hook's particular p

interest in rurral labour (he was also draw wn to seascap es showing fishhermen and -w women at work k). Although hhis name has falllen into obscuurity, Hook's work w was admired by B Baudelaire andd Ruskin, and art historian Tim Barringeer claims that 'his best work k bears comparison w with the marinne paintings of the celebrateed nineteenth-ceentury Americcan painter Winslow W Homeer' (DNB). Stock: 35907

59. [Shep pherd and family f in thee hills] J.C. Hook A..R.A. Etching on inndia with veryy large margin ns, platemark 120 x 155mm m (4¾ x 6"). Uncut U sheet. Slightly S foxedd. £775 h painterr One of few eetchings by lanndscape and history James Clarkee Hook (1819-1907). Hook joined the Etching Clubb in 1850 (the same year as Samuel Palm mer became a meember) and thiis scene is tak ken from a portfolio pubblished by the club in 1857. The agricultural ssetting of a shepherd, his faamily and flockk, demonstratess Hook's particcular interest in rural labouur (he was also drawn to seasscapes showin ng fishermen me has fallen and -women at work). Althhough his nam into obscurityy, Hook's worrk was admireed by Baudelaaire and Ruskin, aand art historiian Tim Barrin nger claims thhat 'his best workk bears compaarison with the marine paintings of tthe celebratedd nineteenth-ceentury American paainter Winslow w Homer' (DN NB).

2. [Rusticc courtship] 62 Richard Redgraave [pencil siggnature] / RR 1860 1864 [in n plate lower right] Ettching, very laarge margins; platemark 20 00 x 285mm (8 8 x 11¼"). £75 Tw wo figures in a forest settinng, one of few etchings by paainter and artss administratorr Richard Red dgrave (180488 8). Redgrave became b a Royyal Academiciian in 1851, an nd having focu used upon thee struggles of the t poor in hiis early work, moved towarrds landscape themes th hereafter. By the time thiss print was maade Redgrave's output as n artist had decreased as he became an in nfluential arts an ed ducator and ad dministrator. A Along with Heenry Cole he su upervised the South Kensing ngton Museum m (now the Victoria V & Albert Museum), organized thee British art seections for inteernational exhhibitions in Lo ondon and Paaris, and serveed as surveyorr of the queen n's pictures (w writing a 34-vo olume cataloggue of painting gs in the Royal Collectio on). He also w wrote an imporrtant history off British painting (1866). Thhe tranquility of this scene might m be consid dered in relatio ion to the tireless work of Redgrave in theese many capaacities. Stock: 35910

Stock: 35908

60. [Shep pherd and family f in thee hills] J.C. Hook A..R.A. Etching on inndia, very largge margins; pllatemark 120 x 155mm (4¾ x 6"). Uncut sheet. s £775 h painterr One of few eetchings by lanndscape and history James Clarkee Hook (1819-1907). Hook joined the Etching Clubb in 1850 (the same year as Samuel Palm mer became a meember) and thiis scene is tak ken from a portfolio pubblished by the club in 1857. The agricultural ssetting of a shepherd, his faamily and flockk, demonstratess Hook's particcular interest in rural labouur (he was also drawn to seasscapes showin ng fishermen me has fallen and -women at work). Althhough his nam into obscurityy, Hook's worrk was admireed by Baudelaaire and Ruskin, aand art historiian Tim Barrin nger claims thhat 'his best workk bears compaarison with the marine paintings of tthe celebratedd nineteenth-ceentury American paainter Winslow w Homer' (DN NB). Stock: 35909

61. [Mussicians and Nudes.] N Maurin delinneavit. Imp. litthog. de Chabert. Le Georgion feccit. [n.d., c.18335.] Lithograph. S Sheet: 490 x 335mm, 3 (19¼ x 13¼"). Larrge £1440 margins. Ligght foxing in margins. m Exterior scenne in which a pair p of musiciians sit by a well while onne woman fillls up a jug and d a second accomapaniees them on a flute. fl In the disstance a shepherd herrds a flock of sheep. s Stock: 36586

63 3. Callirh hoe. J. B. Cipriani in nv.t. et del. F. Bartolozzi scculp. m, (5 x 6"). Triimmed withinn Sttipple. Sheet: 130 x 155mm pllate and publiccation line. £140 A half-length portrait of the ccharacter Calllirhoe, a prrotagonist from m Chariton's nnovel of the saame name set in n 400 BC Syraacuse in whichh the supernaturally beeautiful Callirhoe marries C Chaereas. How wever, Chaereas' jealou usy causes a cchain of unforrtunate events leeading to yearss of separationn. Evidence of Chariton's no ovel only appeears in a 13th Century manu uscript and th he story was not published uuntil the 18th Century. de V: V 376 II of II. Stock: 36856

[L'Alleegro.] How F Faery Mab the Junket ea at [ms]. 64 4.

C.W. Cope. [Pu ublished for thhe Etching Clu ub by Joseph Cundall, 12, Olld Bond Streett, 1849.] ky, sheet 110 Ettching on indiia, showing faairies in the sk x 165mm (4½ x 6½"). Trimm med. £75

Scene illustrating John Milton's poem 'L'Allegro', by history painter Charles West Cope (1811-90). From an edition of the poem with twenty illustrations by members of the Etching Club, of which Cope was a founding member. Cope is primarily remembered for his frescoes in the House of Lords and the peers' corridor, but in addition to his academic renderings of historical and literary subjects, he was a talented printmaker. Stock: 35887

65. L'Allegro. She was pincht, and pull'd she sed. C.W. Cope [c.1849] [Published for the Etching Club by Joseph Cundall, 12, Old Bond Street, 1849.] Etching on card with letterpress printed in red, showing fairies in the sky, sheet 115 x 165mm (4½ x 6½"). Trimmed £75 Scene illustrating John Milton's poem 'L'Allegro', by history painter Charles West Cope (1811-90). From an edition of the poem with twenty illustrations by members of the Etching Club, of which Cope was a founding member. Cope is primarily remembered for his frescoes in the House of Lords and the peers' corridor, but in addition to his academic renderings of historical and literary subjects, he was a talented printmaker. Stock: 35886

66. L'Allegro Hence loathed Melancholy / Of Cerberus, and blackest midnight born,/ In Stygian Cave forlorn/ 'Mongst horrid shapes, and shreiks, and fights unholy, C.W.C. [Charles West Cope] [Published for the Etching Club by Joseph Cundall, 12, Old Bond Street, 1849] Etching on india, sheet 250 x 165mm (9¾ x 6¼"). Trimmed; slight foxing. £95 Scene illustrating John Milton's poem 'L'Allegro', by history painter Charles West Cope (1811-90). From an edition of the poem with twenty illustrations by members of the Etching Club, of which Cope was a founding member. Cope is primarily remembered for his frescoes in the House of Lords and the peers' corridor, but in addition to his academic renderings of historical and literary subjects, he was a talented printmaker. Stock: 35889

67. L'Allegro To bed they creep [ms] C.W.C. / 1848 [Published for the Etching Club by Joseph Cundall, 12, Old Bond Street, 1849] Etching on india, sheet 130 x 160mm (5 x 6¼"). Trimmed £75 Scene illustrating John Milton's poem 'L'Allegro', by history painter Charles West Cope (1811-90). From an edition of the poem with twenty illustrations by members of the Etching Club, of which Cope was a founding member. Cope is primarily remembered for his frescoes in the House of Lords and the peers' corridor, but in addition to his academic renderings of historical and literary subjects, he was a talented printmaker.

Stock: 35888

68. [Meditation] [by Charles West Cope, c.1844] Etching on india with large margins, platemark 150 x 110mm (6 x 4¼"). £130 A woman sat at a desk with open bible, with painting of the Virgin and Child on the wall. Etching by history painter Charles West Cope (1811-90). From 'Etched Thoughts of the Etching Club', of which Cope was a founding member, and illustrative of a poem by Joseph Hall, Bishop of Norwich. Cope is primarily remembered for his frescoes in the House of Lords and the peers' corridor, but in addition to his academic renderings of historical and literary subjects, he was a talented printmaker. Stock: 35890

69.

[Milton's Dream of his Deceased Wife]

24 C.W. Cope R.A. Etching on india with very large margins, platemark 120 x 120mm (4¾ x 4¾"). Uncut sheet. £150 Etching by history painter Charles West Cope (181190), widely regarded as the finest of his prints. Cope is primarily remembered for his frescoes in the House of Lords and the peers' corridor, but in addition to his academic renderings of historical and literary subjects, he was a talented printmaker. He was a founder member of the Etching Club (whose members also included Samuel Palmer), whose 1857 portfolio this formed part of. Cope, who often depicted themes relating to the poet John Milton, had exhibited a painting of the same subject at the Royal Academy in 1850. Stock: 35893

70. [Morning Prayer] [by Charles West Cope, c.1844] Etching on india with large margins, platemark 155 x 105mm (6 x 4¼"). £130 A woman kneeling in front of a crucifix, with an open bible in front of her. Etching by history painter Charles West Cope (1811-90). From 'Etched Thoughts of the Etching Club', of which Cope was a founding member, and illustrative of a poem by Joseph Hall, Bishop of Norwich. Cope is primarily remembered for his frescoes in the House of Lords and the peers' corridor, but in addition to his academic renderings of historical and literary subjects, he was a talented printmaker. Stock: 35891

74 4.

L'Alleg gro Towers + Battlements it sees

[m ms] [b by Thomas Creswick] [Publlished for the Etching Club by y Joseph Cund dall, 12, Old B Bond Street, 1849] Ettching on indiia, letterpress pprinted in red d, sheet 110 x 16 65mm (4¼ x 6¼"). 6 Trimmeed; very slightt foxing. £75 Sccene illustratin ng John Miltoon's poem 'L'A Allegro', by laandscape paintter Thomas Crreswick (1811 1-69). From an n edition of the poem with ttwenty illustraations by members m of thee Etching Clubb published in n 1849. Creswick exhib bited prolificallly and successsfully at the Royal Academy y throughout hhis career (he became an R.A. in 1851) and a his etchinggs 'demonstrate a sure grrasp of the tecchnique and coonventions off etching (D DNB). Ray 217 71. [The Stolen Kisss] C.W. Cope R R.A. Etching on inndia, with veryy large margin ns; platemark 125 x 105mm m (5 x 4¼"). Uncut U sheet. £1330 A young mann enters through a window to kiss a sleeping wom man. Etching by b history paiinter Charles West Cope (1811-90), from m 'Etchings fo or the ArtE Club', of which Coppe Union of Lonndon by the Etching was a foundiing member. Cope C is primarrily remembered for his frescooes in the House of Lords annd a to hiss academic the peers' corrridor, but in addition renderings off historical annd literary subjjects, he was a talented printtmaker. Stock: 35892

72. L'Alllegro T. Creswick [Published foor the Etching Club by Josepph Cundall, 12, Old Bond Strreet, 1849] r sheet 135 x Etching on inndia, letterpress printed in red, 165mm (6½ x 6¼"). Trimm med. £775 L'Allegro' by Scene illustraating John Miilton's poem 'L landscape paainter Thomas Creswick (18 811-69). From m an edition off the poem (whhich had long been a populaar w twenty illlustrations by subject for viisual artists) with members of tthe Etching Club, C published d in 1849. Creswick exhhibited prolifiically and succcessfully at thhe Royal Acadeemy throughouut his career (h he became ann R.A. in 1851) and his etchhings 'demonsttrate a sure grasp of the ttechnique andd conventions of etching (DNB). Ray 217 Stock: 35899

73. [L'Alllegro] Tho.s Creswiick [Publishedd for the Etchiing Club by Joseph Cunddall, 12, Old Bond B Street, 18 849] Etching on inndia, letterpress printed in red, r sheet 150 x 165mm (6 x 6½"). Trimmeed. £775 L'Allegro' by Scene illustraating John Miilton's poem 'L landscape paainter Thomas Creswick (18 811-69). From m an edition off the poem (whhich had long been a populaar w twenty illlustrations by subject for viisual artists) with members of tthe Etching Club, C published d in 1849. Creswick exhhibited prolifiically and succcessfully at thhe Royal Acadeemy throughouut his career (h he became ann R.A. in 1851) and his etchhings 'demonsttrate a sure grasp of the ttechnique andd conventions of etching (DNB). Ray 217 Stock: 35900

Stock: 35897

75 5.

[L'Alleegro] Towerr'd cities pleease us then

[m ms] [b by Thomas Creswick] [Publlished for the Etching Club by y Joseph Cund dall, 12, Old B Bond Street, 1849] Ettching on indiia, letterpress pprinted in red d, sheet 110 x 16 65mm (4¼ x 6¼"). 6 Trimmeed; slightly du usty. £75 Sccene illustratin ng John Miltoon's poem 'L'A Allegro' by laandscape paintter Thomas Crreswick (1811 1-69). From an n edition of the poem (whicch had long beeen a popular su ubject for visu ual artists) withh twenty illustrations by members m of thee Etching Clubb, published in n 1849. Creswick exhib bited prolificallly and successsfully at the Royal Academy y throughout hhis career (he became an R.A. in 1851) and a his etchinggs 'demonstrate a sure grrasp of the tecchnique and coonventions off etching (D DNB). Ray 217 Stock: 35898

76 6. Edwin.. Paainted by Sir Joshua J Reynoolds / Engraved by C.H. Hodges H Pub.d as a the act direccts Feb.y 18th h by J. Rising No. N 21 Princes St. Cav.sh Sqq.re. Mezzotint M with small marginns, platemark 360 3 x 260mm m (1 14¼ x 10¼"). Paper tone; goood impressio on; collector's stamp of Bernaard Houthakkeer verso. Sligh htly foxed. £320 Character study y after a paintiing from the 1770s 1 by Sir oshua Reynold ds (1723-17922). When the painting p was Jo au uctioned in 17 796 it was idenntified as Edw win, the hero from 'The Minsstrel', a poem ppublished in 1771 1 by Reynolds' friend James Beatttie. The poem m describes th he childhood of o Edwin, a shhepherd boy brrought up in so olitary, mountainous countrry, and his resp ponse to naature. William m Wordsworthh was among the t many who ad dmired the wo ork. Th his impression n formerly in tthe collection n of Bernard Houthakker, H 18 884-1963), Am msterdam-baseed dealer and pu ublisher. A paarticular focuss of Houthakkeer's buying was w the work of Charles How ward Hodges (1764-1837), a British portrait painter and engraver who o moved to he Netherlandss in 1792. th Reynolds' paintting was recenntly sold by Christie's C (3 December D 2013 3). Ex Collectiion of the Latee Hon. C. Leennox-Boyd; Hamilton H p.1447 (only state)); L.1272. Ex Collection C Ladyy Eva Dugdalle, Sotheby's 27/10/1920. 2 Stock: 36504

John nson and Bosswell / To Siir W. Templle 1871 Broad dlands / R.C C. Lucas. 'M Mrs Boswell who was on ne of the larrge class with h small min nds said that sh he had seen a man lead a bear but she never a bear lead a man until she saw Dr Johnson an nd her husbaand'. This class is still a vast majoriity. A lady refused r to in nspect my Johnson deesigns, sayin ng the doctorr nor his works weree prett subjeects for whicch I have given her th he nightmarre making th he doctor an nd his books h her incubus. 77.

R.C. Lucas ssculptor 1865 Etching printted in blue inkk, with very laarge margins; rare; 180 x 270mm (7 x 100½"). £1660 he sculptor Humorous sccene apparentlly etched by th Richard Cockkle Lucas (1800-83). Lucass' works included a statue of Dr Johhnson in Lichffield, adjacentt h combines two t jokes. Thee to the catheddral, and here he first is a depiiction of Johnson leading Boswell B by thee nose; secondd is a parody of o Fuseli's 'Nig ghtmare' in which a wom man of Lucas' acquaintance is haunted byy his sculpture of Johnson (w who she consiidered unfit ass a subject for arrt). The print is sseemingly deddicated to William Francis Cowper-Tem mple (1811-80), politician. Cowper C inherited manny of Lord Paalmerstone's esstates, includiing Broadlands, at Romsey. Luucas himself was w a regular guest at Broaadlands. CS 166.i; Ex: collecction of the Hoon. C. Lennox-Booyd Stock: 36367

When W Oberon lifts l the spell, order is restored once more. m Shakespeeare took the nname of Titan nia from Ovid's O Metamo orphoses, and tthe theme of traansformation is central to thhe play. Stock: 36986

79 9. Paradise Lost. B.55 L.2 R. Westall R.A. del. / Rich. E Earlom Sculp. Publish'd Ju une 4. 1795, by J. & J. Boyddell, & G. Niccol, Sh hakespeare Gaallery, Pall Ma Mall, & No. 90,, Cheapside. Sttipple, sheet 325 x 230mm ((12¾ x 9"). Trimmed T in nside platemarrk. £85 Adam A and Eve in the Gardenn of Eden. One of a series off illustrations to Milton's eppic poem 'Paraadise Lost'. Exx Collection of Christopherr Lennox-Boyd d. Stock: 36527

80 0. Paradise Lost. B.88 L.44 R. Westall R.A. del. / Rich. E Earlom Sculp. Publish'd Ju une 4. 1795, by J. & J. Boyddell, & G. Niccol, Sh hakespeare Gaallery, Pall Ma Mall, & No. 90,, Cheapside. Sttipple, sheet 325 x 230mm ((12¾ x 9"). Trimmed T in nside platemarrk. £75 Ev ve reaches forr the apple whhich was to cau use the Fall off Man. One off a series of illlustrations to Milton's M epic po oem 'Paradise Lost'. Ex Colllection of Chrristopher Leennox-Boyd. Stock: 36526

L'Alleg gro. There tto the Spicy nut-brown alle [ms] 81 1.

R. Redgrave 18 848. [Publisheed for the Etch hing Club by Jo oseph Cundalll, 12, Old Bonnd Street, 1849 9.] Ettching on indiia, letterpress pprinted in red d, sheet 130 x 16 65mm (6½ x 6¼"). 6 Trimmeed. £75 Sccene illustratin ng John Miltoon's poem 'L'A Allegro' by paainter and adm ministrator Ricchard Redgrav ve (1804-88). Frrom an edition n of the poem m (which had lo ong been a po opular subjectt for visual arttists) with tweenty illlustrations by members of tthe Etching Cllub, pu ublished in 18 849. Redgravee became a Ro oyal Academician A in n 1851, and haaving focused d upon the struggles of thee poor in his eaarly work, mo oved towards laandscape them mes thereafter. He was also an a influential arrts administrattor. Ray 217 Stock: 35915

Midssummer Nigghts Dream Act A IV, Scen ne I. Oberon,, Queen of th he Fairies, Puck, P Bottom m and Fairiess attending &c. & 78.

Painted by H Henry Fuseli R.A. R Engraved d by Tho.s Ryder & Thoo.s Ryder Jun..r. Pub. Dec.r, 1803 by J. & J. Boydell at thhe Shakespeare Gallery Palll Mall & at Noo. 90 Cheapsidee London. Stipple, openn letter proof. Fine impressiion. Platemarkk: 480 x 600mm m (19 x 23½")). Small hole in i left margin outside of plaate. Trimmedd inside platem mark on 3 sidees . £3220 m 'A Midsumm mer Night's Drream'; Oberonn A scene from casts a spell oon Titania, soo that she falls in love with the first persoon she sees onn awakening, which happenns to be Bottom m the Weaver, wearing an assses' head.

[Ellen Orford] O ["II from my window w saw hiis blooming bride,/ Andd my seducer smiling at heer side;/ Hope lived till then"] 82 2.

Rich.d Redgrav ve / Etching C Club [1844] Ettching on indiia, very large m margins; plateemark 195 x 16 65mm (7¾ x 6½"). 6 Text efffaced. Uncut. £75 Elllen Orford, One O of few etcchings by pain nter and arts ad dministrator Richard R Redgra rave (1804-88)). In 1837 Redgrave was a founding meember of the Etching E Club, un nder whose au uspices this prrint was publisshed in 1844 (aas part of 'Etch hed Thoughts of the Etching g Club'). Redgrave's worrks of the 18400s focused up pon the plight off the underpriv vileged, as shoown by this print, which illlustrates an ep pisode from G George Crabbee's 'The Borough'.

Crabbe's colllection includeed various stu udies of the poor, along w with indictmennts of the worrkhouse, and discussion off prisons and schools. s One of o the characters waas Ellen Orforrd, described as a having liveed a savage life through whicch an indestrucctible Christiaan faith shines tthrough. Here she looks outt of the windo w and sees her 'seducer' withh his 'blooming g bride'. The mbered now as the source fo for collection is chiefly remem Peter Grimes', in which Benjamin Brritten's opera 'P Britten ampliified the role of o Ellen Orforrd to one of thhe principal rolees opposite the eponymous Suffolk fisherman. d became an In later yearss Redgrave paainted less and influential arrts educator annd administrattor, working with museum ms, internationnal exhibitionss, writing bookks and becominng surveyor off the queen's pictures. p Stock: 35912

[platee from 'Poem ms on the Abolition A of the Slave T Trade'] 83.

Smirke R.A. pinx.t / E. Scriven Sculpt. Pub. by R. Bowyer, Palll Mall, Dec.r 1 1809. Stipple, sheeet 280 x 210mm m (11 x 8"). Trimmed T insidde platemark; sllight foxing. £1110 Plate from a volume of thrree poems to celebrate c the banning of thhe slave trade by Britain in 1805: Montgomeryy's 'The West Indies', I Grahaame's 'Africa Delivered'; aand Elizabeth Benger's B 'A Po oem, Occasioned bby the Abolition of the Slav ve Trade in 1806'. For thhe complete voolume see ref. 21739. Stock: 36929

[platee from 'Poem ms on the Abolition A of the Slave T Trade'] 84.

Smirke R.A. pinx.t / Worthhington Sculp pt. Pub. by R. Bowyer, Palll Mall, Dec.r 1 1809. Stipple, sheeet 260 x 205mm m (10¼ x 8"). Trimmed inside platem mark. £1110 Plate from a volume of thrree poems to celebrate c the banning of thhe slave trade by Britain in 1805: Montgomeryy's 'The West Indies', I Grahaame's 'Africa Delivered'; aand Elizabeth Benger's B 'A Po oem, Occasioned bby the Abolition of the Slav ve Trade in 1806'. For thhe complete voolume see ref. 21739. Stock: 36928

[Saraah Delaval, Countess C off Mexborouggh] 85.

[by Thomas W Worlidge] Etching withh very large margins, platem mark 105 x 85mm (4 x 3¼"). Good im mpression on laaid paper. £1110 ( coun ntess of John Portrait of Saarah Delaval (d.1821), Savile, first eearl of Mexboorough. It was at a visit to their residencce at Cannon Park, Hampsh hire, that actorr and playwrigght Samuel Fooote suffered his h famous accident after being throw wn from the Du uke of York's horse. Worlidge (17000 - 1766), 'th he English By Thomas W Rembrandt' aand a pupil off Alessandro Maria M Grimalddi, whose daughhter Arabella he h married. W42; W D65. Stock: 36931

[Greek k inscriptionn: 'Let no strranger to th he Muses enter'] The Exxhibition of the Royal Academy. A 1787. 6. 86

H. H Ramberg del.t. P.A. Martiini Parm.s feccit Londini. Pu ublish'd as thee Act directs JJuly 1. 1787 by y A.C. De Po oggi, No.7 St Georges Row w, Hyde Park. [but later.] Ettching. Sheet 355 x 485mm m (14 x 19") Thread margins. m £580 Th he Great Room m at Somersett House durin ng the visit of th he Prince of Wales W (George IV), drawn with w detailed reealism but with h a certain hum umorous intenttion. George stands at the fro ont, holding hhis hat, cane an nd catalogue, gu uided by Sir Joshua Reynollds who is holding his eartru umpet. Each picture p is num mbered and can n be id dentified from the R.A. Cataalogue, for example: '26', 'T The assassinatiion of David R Riccio' by Opiie, R.A. elect;; an nd '154', 'Walllworth killing Wat Tyler', by b Northcote, allso R.A. elect. Th he Greek inscription in the title is inscrib bed over the en ntrance to the Great Room. See BM Satirres: 7219. Stock: 35921

[Greek k inscriptionn: 'Let no strranger to th he Muses enter'] The Exxhibition of the Royal Academy. A 1787. 87 7.

H. H Ramberg del.t. P.A. Martiini Parm.s feccit Londini. Pu ublish'd as thee Act directs JJuly 1. 1787 by y A.C. De Po oggi, No.7 St Georges Row w, Hyde Park. [but c.1820.] Ettching. Sheet 370 x 520mm m (14½ x 20½"), watermarked w 18 820. Trimmedd to platemark k, repaired teears. £680 Th he Great Room m at Somersett House durin ng the visit of th he Prince of Wales W (George IV), drawn with w detailed reealism but with h a certain hum umorous intenttion. George stands at the fro ont, holding hhis hat, cane an nd catalogue, gu uided by Sir Joshua Reynollds who is holding his eartru umpet. Each picture p is num mbered and can n be id dentified from the R.A. Cataalogue, for example: '26', 'T The assassinatiion of David R Riccio' by Opiie, R.A. elect;; an nd '154', 'Walllworth killing Wat Tyler', by b Northcote, allso R.A. elect. Th he Greek inscription in the title is inscrib bed over the en ntrance to the Great Room. See BM Satirres: 7219. Stock: 35920

[Greeek inscriptioon: 'Let no stranger s to the Muses eenter'] The Exhibition of o the Royall Academy. 11787. 88.

H. Ramberg del.t. P.A. Maartini Parm.s fecit f Londini. 7 by A.C. De Publish'd as tthe Act directts July 1. 1787 Poggi, No.7 St Georges Roow, Hyde Parrk. mm (15 x Etching withh thread margins 380 x 530m 20¾"). Wearr to edges. Reepaired margin ns on right & left. £7220 The Great Rooom at Somerrset House durring the visit oof the Prince off Wales (George IV), drawn n with detailedd realism but w with a certain humorous h inteention. Georgge stands at the front, holdingg his hat, canee and cataloguue, h his earrguided by Sirr Joshua Reynnolds who is holding trumpet. Eacch picture is nuumbered and can c be C for example: '26',, identified froom the R.A. Catalogue, 'The assassinnation of Daviid Riccio' by Opie, O R.A. eleect; and '154', 'W Wallworth killinng Wat Tyler', by Northcotte, also R.A. eleect. The Greek innscription in thhe title is inscribed over thee entrance to thhe Great Room m. BM Satiress: 7219. Stock: 35918

89. [The Abundancee of Egypt] W.H. Hunt [1854/7] ns, platemark Etching on inndia with veryy large margin 155 x 120mm m (6 x 4¾"). Uncut U sheet. Only O publishedd edition. £2550 hings by PreThe best knoown of the fivee original etch Raphaelite paainter William m Holman Hun nt (1827-19100). Holman Hunnt travelled to the Near Eastt in the 1850s,, visiting Cairoo, Nazareth, Beirut, B the Ced dars of Lebanoon and Damascuus between 18854 and 1856. The visit distanced Hoolman Hunt froom his Pre-Raaphaelite colleagues, bbut resulted in several succeessful artworkks. This etching relates to Hollman Hunt's 'T The Afterglow w in Egypt' (Soouthampton C.A.G.) which he began in Giza in 18544 (a smaller veersion is in thee Ashmolean Museum). t Art Unionn Published in the portfolio 'Etchings for the of London byy the Etching Club' (1857) in an edition oof 500. The porrtfolio also inccluded Holman n Hunt's 'The Desolation of Egypt'. Harttnoll 14; for 'T The Desolatioon of Egypt' seee ref. 35879. Stock: 35878

90. [The Desolation of Egypt.] W.H. Hunt [1854/7]. ns, platemark Etching on inndia, with veryy large margin 50 x 115mm (2 x 4½"). Unncut sheet. On nly published edition. £2550 a Giza. One oof The landscappe surroundingg the Sphinx at five original etchings by Pre-Raphaelite P e painter man Hunt (18827-1910), wh ho visited Egyypt William Holm when travelliing through thhe Near East between b 1854 and 1856. It iis thought thaat the etching was w begun either at Gizaa or Jerusalem m. Published in the portfolio 'Etchings for the t Art Unionn of London byy the Etching Club' (1857) in an edition oof 500. The porrtfolio also inccluded Holman n Hunt's 'The Abundance oof Egypt'. Harrtnoll 15; for 'The ' Abundannce of Egypt' seee ref. 35878. Stock: 35879

91 1. The Ba aby-House J.E E. Millais R.A A. [1872] Ettching on indiia, platemark 1145 x 185mm m (5¾ x 7¼"). Uncut U sheet. £350 Ettching by Pre--Raphaeilite ppainter John Everett E Millais (1 1829-96), who o frequently reeturned to the theme of ch hildhood in his popular etchhings. Lewis Carroll's C 'A Alice in Wonderland' had beeen published in 1865/6 with w John Tenn niel's famous iillustrations, and a this ettching reflectss the widespreead influence of o that book. Th his print was published p the year after Millais' caaricature was published p in 'V Vanity Fair' with w the caaption 'A conv verted Pre-Rapphaelite', dem monstrating ho ow much Milllais' art had chhanged since his h PreRaphaelite yearrs (c.1848-54)). Hartnoll 30 (only pu ublished editio on) Stock: 35881

92 2. [Summ mer Indolencce.] J.E E. Millais 186 61. Ettching, platem mark 180 x 2555mm (7 x 10""). Crease top leeft; soiling and d scuff marks. £160 Tw wo girls in a field, f one of w whom chains together neewly-picked flowers. fl Etchinng by Pre-Rap phaeilite paainter John Ev verett Millais ((1829-96), wh ho frequently reeturned to the theme of childdhood in his popular p ettchings. This print p was madde in 1861, thee year that Millais M returned d from Scotlannd to live in London L (residing in Cro omwell Place,, South Kensin ngton). Th his impression n is a reissue oof the plate daating to 18 874/5 (the orig ginal 1861 pub ublication line has been sccratched out). Hartnoll 28 Stock: 35880

93 3. [Ruth] [JJ.E. Millais A.R.A.] 1858 Ettching on indiia with very laarge margins, platemark 18 80 x 130mm (7 ( x 5"). Uncuut sheet; foxing to margins. £280 Eaarly etching by Pre-Raphaeeilite painter Jo ohn Everett Millais M (1829-9 96). From 'Passsages from th he Poems of Th homas Hood, illustrated byy the Junior Ettching Club' (1 1858). The print illustrates tthe often-anth hologised po oem of the sam me name by H Hood (1799-18 845), sp pecifically the fourth stanzaa: 'And her hatt with shady brrim,/ Made heer tressy forehe head dim;-/ Th hus she stood am mid the stookss/ Praising Good with sweeteest looks'. Th his print was made m during tthe six years Millais M and hiis wife Effie spent living inn Scotland. Efffie had an nnulled her maarriage to the critic (and Miillais' former

mentor) Johnn Ruskin in orrder to marry the t artist, and to escape the biitterness and gossip g surroun nding their controversiall marriage theey lived in Perrth. This perio d saw a changee in Millais' arrt as he moved d away from tthe close observaation of his Prre-Raphaelite period to produce workks more conceerned with evoking an overall moodd. Hartnoll annd Eyre 26 Stock: 35884

94. [The Young Motther] J.E. Millais A A.R.A. [1857]] Etching on inndia, very largge margins, pllatemark 210 x 160mm (8¼ x 6¼"). Uncuut sheet; foxing g to margins. £1880 Early etchingg by Pre-Raphhaeilite painterr John Everettt Millais (18299-96), who freequently depiccted subjects oof children alonne or with theiir mothers in his h popular etchings. This print waas made durinng the six yearrs Millais and his wife Effiee spent living in Scotland (p probably the landscape shhown here). Efffie had annullled her marriage to tthe critic (and Millais' former mentor) Johhn Ruskin in ordder to marry thhe artist, and to t escape the bitterness andd gossip surroounding their controversial c marriage theyy lived in Pertth. This period d saw a changge in Millais' artt as he movedd away from th he close observation oof his Pre-Rapphaelite period d to produce works more cconcerned witth evoking an overall moodd. Published in the portfolio 'Etchings for the t Art Unionn of London byy the Etching Club' (1857) Stock: 35882

95. [The Young Motther] J.E. Millais A A.R.A. [1857]] Etching on inndia, very largge margins, pllatemark 210 x 160mm (8¼ x 6¼"). Goodd impression. Uncut sheet. £2220 Early etchingg by Pre-Raphhaeilite painterr John Everettt Millais (18299-96), who freequently depiccted subjects oof children alonne or with theiir mothers in his h popular etchings. This print waas made durinng the six yearrs Millais and his wife Effiee spent living in Scotland (p probably informing thee landscape shhown here). Effie E had annulled her marriage to thhe critic (and Millais' formeer t artist, and to mentor) Johnn Ruskin in orrder to marry the escape the biitterness and gossip g surroun nding their controversiall marriage theey lived in Perrth. This perio d saw a changee in Millais' arrt as he moved d away from tthe close observaation of his Prre-Raphaelite period to produce workks more conceerned with evoking an overall moodd. Published in the portfolio 'Etchings for the t Art Unionn of London byy the Etching Club' (1857) Stock: 35883

96 6. Etching gs by W.m. Delamotte. Pu ub.d 1837. By y W.m Delamootte RM Colleege, near Bagshot. Laarge folio, original half morrocco gilt presentation biinding, marbleed endpapers w with presentattion label on frontpastedown n; etched fronttispiece and 27 etchings on 20 0 pages. Bindiing very wornn, plates foxed d and dampstained. £750 A collection off topographicaal sketches of English E and Eu uropean sceneery by William m Delamotte (1775-1863), ( pu ublished as a prize p for the R Royal Military y College in Saandhurst, wheere Delamotte was drawing master. In nfluenced by Girtin's G waterccolour style, Delamotte D was w one of a grroup of landsccape artists alsso including Constable and Turner, T who to took to making g oil sketches n the open. in Th he text gilt-em mbossed on thhe cover reads 'Royal Military M Colleg ge. Presented ffor Attention to, t and Prrogress in, Lan ndscape Draw wing'; the Colllege prresentation lab bel reads 'Pressented to Genttleman Cadet [A Alexander B. Rooke] R for Atttention to, and Progress in,, [L Landscape Draawing Novem mber, 1836.]'. Rooke (b b.1822) becam me an ensign (w without purch hase) in the 77 7th Foot the fo ollowing yearr. Stock: 37006

97 7. [The Prrogress of SSeduction.] Paainted by G. Morland. M Engrrav'd by A. Gaabriel. [n.d., c.1790.] gs, complete, sstitched on lefft edge. Each Seet of 6 etching pllate 280 x 320 0mm (11 x 12½ ½") Very larg ge margins, un ncut. Wear to edges. £980 "T The Progress of o Seduction" complete set of six scenes off the downfall and penitencce of Lætitia, seduced s by a faaithless lover. These plates w were engraved d by Amedeo Gabrielli G (1749 - 1817) after the stipples published p by Jo ohn Raphael Smith S in 1789.. See Ref: 36865 for co omplete set. Ex: E Collection of Hon. Chriistopher Leennox-Boyd. D' D Oench 300 copies; Frankkau: 214-19 Stock: 35800

98. [The Progress off Seduction] Painted by G G. Morland. Enngrav'd by A. Gabriel. [n.d.., c.1790.] Five out of siix etchings (laacking plate 3) with large margins. Eacch plate 280 x 320mm (11 x 12½"). Spotting. £6990 m The Progresss of Seductionn Five out of siix scenes from showing the downfall and penitence of Lætitia, L seduced by a faithless loveer. These platees were engraved by Amedeo Gabrielli (1749 - 1817) after thhe D' stipples published by Johnn Raphael Smiith in 1789. D Oench: 300 ccopies. Frankkau: 214-19 Stock: 36865

Vreu ugde over dee Vrede gesllooten tusschen dee Bataafschee Republiek k en Engeland, tte Amiens den d 27 Maarrt A.o 1802. 99.

C. Meijer, innv. et del. J.E. Marcus sculp p. 1802. [Amsterdam c.1802.] with etching, veery scarce; Sh heet 630 x Engraving w 490mm (24¾ ¾ x 19¼"). Reepairs, laid on backing papeer. £5880 A Dutch alleegory of the Trreaty of Amieens in 1802. Thhe people dancee around a plinnth on which Britannia B and a female allegoory of the Batavian Republiic stand together. To the left a female 'War' is kn nocked from th the sky by a lighhtning bolt. Jooy about the peace concludeed at Amiens onn March 27, 1802, between the Batavian Republic andd France and Britain. B On a pedestal standd the British annd Dutch virgins with their flags, among them a cornuucopia with grrape and grain n. To the

ot Ceylon) waas something tto be celebrateed. However no th he ensuing peaace only lastedd a year and Cape C colony was w lost perman nently in 18066. A preparatory sketch s of the bbottom right corner c is in th he Rijksmuseu um. htttps://www.rijkksmuseum.nl//en/collection//RP-T-1888A--1430 Stock: 36855

10 00. [Allego ory of the arrts and scien nces] G.D. G Heuman del d et sculpsott Norib: 1739 En ngraving, plattemark 270 x 180mm (10½ x 7"). tear at bo ottom; bottom m right corner m missing; creasse lower left. £75 A man in his study attended bby two womeen gesturing to owards different books: seem mingly an alleegory of diifferent forms of learning. In the foregrou und a pile of diifferent objectts including a skeleton, cello, measuring in nstruments and d a mask. By George Dan niel Heumannn (1691-1759),, Nuremberg nd engraver. drraughtsman an Stock: 36631

Colourring. From tthe Originall Picture in th he Ceiling in n the secondd room of thee Royal Academy. A 10 01.

Angelica A Kaufffman Pinx.t. Jo John & Josiah Boydell, ex xcudit 1787. F. F Bartolozzi SSculpsit. Publiished Jan.y 1sst 1787 by Joh hn & Josiah B Boydell. No. 90 0 Cheapside, Lo ondon. Sttipple with very large margi gins. Platemark k: 320 x 30 00mm (12½ x 11¾"). £390 A young womaan, seated on lo low rocks by a woodland, ho olding a palattte and brushess in her left haand, and an nother brush in n her right. Shhe extends herr right arm up to owards a rainb bow above. A small chameleon can be seeen on the ground below. W Within an oval. After A Angelica Kauffman, RA (1741 - 180 07), a Swissbo orn Austrian Neoclassical N ppainter who haad a su uccessful career in London and Rome. Stock: 36886

Learnin ng's a Happpiness to Ma an Below; [/] 'Tis from that t source tthe Stream''s of Plenty flow. Seek th here ye Younng, the Anch hor of your Mind; M [/] Theere Suffringg Age, a bless'd Provision find. 10 02.

B. Picart inv. F. Morellon la Cave sculp. [n n.d., c.1780.] ngraving, marrgins on 3 sidees. Sheet: 125 5 x 210mm, (55 En x 8¼"). Some paper p tone. Teears and nicks to edges . £45 Athena, A goddesss of knowledgge, sits on a th hrone su urrounded by gods g and puttii who read bo ooks on the steps below herr. Stock: 36038

monument daances elated people p left sen nd a man with binoculars onn the sea, righht weapons aree buried and used to cut bread. blic of Francee After Hollannd had becomee a sister-repub R in 17 795, she and after the fall of the Dutch Republic her colonies became targetts of the Britissh. The Dutchh us the return oof had suffered considerable losses and thu W Indies (buut Cape Colonyy and their collonies in the West

10 03. Harvesst. Bassan in. B. Lens L Exc. [n.d.., c.1690.] Mezzotint M with small marginns. 160 x 185m mm (6¼ x 7¼ ¼"). Top left tip t creased. £160 An A allegorical 'Summer' scenne, represented with a piicnic scene wiith workers gaathering sheav ves behind. It was w painted by Jacopo Bassaano (c.1510/18 8-1592) and

engraved by Bernard Lenss II (1659-172 25), probably from the enggravings by Johann Sadeler c.1581. BM: 1997,0928.17. Ex Collectiion of the Hon n. Christopherr Lennox-Boydd.

After A the painting 'The Cumaaean Sibyl' (1616-17) by Domenichino D (1581-1641), nnow in the Gaalleria Borghese, Rom me. Stock: 36841

Stock: 36462

104. The H Hours Crow wning Virtuo ous Love. R. Cosway. R R.A. pinx.t. T. Ryder Sculp p.t. Publishe'd as the Act direccts, 15.th. Novv.r. 1786 by S..Watts, No.500 Strand, Londdon. Stipple printeed in sepia wiith small marg gins. Fine. Rarre. Plate: 145 x 190mm, (5¾ x 7½"). Bit du usty. £1660 Set in a rounndel, two childdren representiing 'The Hourrs' a one placess a flank the figuure of Love onn either side and crown of roses upon his heead. Daniell: 186. Stock: 36847

105. [Inno ocence.] [Ph. Mercier Pinxt. / Richdd Houston Feccit] [Printed fo for Map & Printseeller, opposite Fetter Lane, Robt Sayer M Fleet Street. Price 1s 6d.] Mezzotint wiith small marggins, very finee, platemark 355 x 255mm m (14 x 10"). Proof P before letters; l very scarce, uncleeaned title areaa. Collector's stamp of the Late Hon. Chhristopher Lennnox-Boyd veerso. £3660 Young girl hholding a crookk under her arrm, a lamb beside her. O Originally issuued as a pair with w another plate, 'Pride',, in which a giirl with a peaccock's feather in her hair is shhown besides a peacock. After a 'fancyy picture' by Philip P Mercierr (1691-1760) , Berlin-born ppainter and etccher who worrked in Londonn, York and Porrtugal. CS 1355 i/ii Stock: 36506

106. Aprill. [n.d., c.1770.] 5mm, (4¼ x 7 "). Fine copper eengraving. Plaate: 105 x 175 Damage to leeft edge. £665 Figure of Appril leans up aggainst a wall on o which a flower in a pot is perched; behind her arre several treees in full leaf. Stock: 36039

107. May.. [n.d., c.1770.] 5mm, (4¼ x 7 "). Fine copper eengraving. Plaate: 105 x 175 Some slight sstaining to lefft edge. £665 A figure of M May picks flow wers while beh hind her figurres dance aroundd a may pole. Stock: 36040

108. Musiic. Domenichinoo pinxt. M. Beenedetti Sculp p.t. [n.d., c.1797.] S size: 2800 x Stipple; ink ccollector's marrk on verso. Sheet 195mm (11 x 7¾"). Trimm med inside plaatemark. £1990 A seated figuure, wearing a decorative heead-piece, depicted withh a music boook. The subject has the attributes of St. Cecilia, thhe Patron Saint of musicianss music, and thee viola di gam mba, seen in thhe and Church m background tto the right, annd sheet music are indicativve of the artist pportraying the subject as thee saint.

10 09. [The Nightmare.] [aafter Henry Fu useli.] [n.d., c. 1790.] Aquatint, A printeed in sepia, rar are. Printed areea 135 x 16 60mm (5¼ x 6¼"). 6 Some sppotting. £380 Henry H Fuseli's famous f paintiing 'The Nighttmare', with a woman w hanging g over the sidee of her bed, a position su upposed to cau use nightmarees, an incubus sitting on herr stomach. A glassy-eyed horsse pokes its heead throught th he drapes. Fu useli (1741-18 825) exhibitedd the painting at the Royal Academy A in 1782, before sellling it for for twenty gu uineas: a stipp ple by Thomass Burke was published p by Jo ohn Raphael Smith S in Januaary 1783, earn ning more th han £500. Thiss aquatint verssion was appaarently copied from Burke's sttipple. The paiinting is now in the Detroit In nstitute of Artss. Ex Collectioon of the Hon. Christopher Leennox-Boyd. Weinglass: 677B "Le Cocheemar" 1784. Stock: 36460

[The Siick Child] [["Hush my babe b be stilll an nd slumber / Holy angeels guard thy y bed"] 11 10.

Rich.d Redgrav ve / Etch Clubb [1844] Ettching on indiia, very large m margins; plateemark 185 x 13 35mm (7¼ x 5¼"). 5 Proof beefore addition nal text added.. Crease upper leeft margin. £75 One O of few etch hings by paintter and arts ad dministrator Richard Redgraave (1804-88)), in which an angel looks ov ver an unwell child (in the ffinal state it was w acccompanied by y verse by Reedgrave). In 18 837 Redgravee was w a founding member of thhe Etching Clu ub, under whose w auspicess this print waas published in n 1844. Kathryn K Mooree Heleniak (DN NB) writes that: 'it was in th he 1840s that Redgrave R prodduced his mosst memorable paaintings, 'lesso ons of philanthhropic appeal on behalf of th he oppressed and a miserable'', and this prin nt, like many off his works in this period, ddraws attention n to the perils an nd trials facing g humanity. In n later years Redgrave R paintted less and beecame an in nfluential arts educator and administrator, working with w museums, international exhibitions, writing w books an nd becoming surveyor s of thhe queen's picttures. Stock: 35913

14. [The Holy H Virgin aand Infant Jesus] J [In 11 His H Majesty'ss Collection]] [G Guido pinxot. Gondolfi del. t / Gondolfi & Bartolozzi scculp.nt] Ettching and eng graving with llarge margins, platemark 25 50 x 185mm (9¾ ( x 7¼"). R Rare proof befo fore letters. £220 Virgin V and child after the paiinting by Guid do Reni (1 1575-1642) in the Royal Coollection (currently hangingg in n Hampton Co ourt Palace). A According to de d Vesme, the paainting was accquired by Geo eorge III's libraarian Richard Dalton D in Bolog gna, and Daltoon had the paiinting en ngraved by G. Gandolfi in 11770 before en ngaging the more m esteemed Bartolozzi too retouch the plate. p The Royal Collectio on, however, sstate that inventories reecord the paintting as havingg been bought by George III himself. De Vesme 135 i/i/ii 111. [Jaco ob's Vision.]] Drawn & enggraved by Geoorge Sanders [1845]. Mezzotint, very rare; sheet 310 x 240mm m (12¼ x 9½""). Cut down froom large sheett of three Old Testament scenes. £1880 Patriarch Jacoob dreaming of o a staircase tto The biblical P heaven durinng his flight from Esau, as described d in thhe book of Geneesis. Originallly this was parrt of a large (approx 48 x 73cm) sheet consisting of three scenes (the others beeing Moses onn the Mountaiin and Elijah addressing G God). Stock: 36933

Lot A And His Dau ughter. Fro om the Original Piicture in thee Collection of the Proprietor.. 112.

Arnould de G Gelder Pinxit. Dunkarton Scculpsit. Publsihed Appril 25th 17877, by John & Josiah J Boydelll. No. 90 Cheappside, Londonn. Mezzotint wiith large marggins. Fine impression. Rare.. £3550 Lot and one oof his daughteers, in the cave in the mountains, sitting side by side. They aree leaning g in his right r hand fallls towards eachh other as the goblet into her left. He holds her chin, drawing g her towards ment figure, a son s of him. Lot is ann Old Testam Abraham's yooungest brothher. On the desstruction of Sodom, he w was rescued wiith his family by divine intervention, but against innstruction, hiss wife turned back to look at the city, uppon which shee turned into a c pillar of salt. Ex Oettingerr-Wallenstein collection Sotheby's Lot 736, 13/11/997. Ex collectiion of Lennox-Boydd. Christopher L Stock: 36641

113. [Motther and Child.] Elias Martin fecit. Publishhed Decem.br. 1779. m Plate : Hand-coloured stipple with very large margins. m, ( 5 x 6¾"). Fine. £1880 130 x 170mm A scene in w which a motherr holds her bab by to her shoulder whiile behind her a man and an nimals look onn. By Elias Marrtin, A.R.A. Swedish, S born Stockholm inn 1739, died Sttockholm 1818. He came to o London in 1768, becom ming a Royal Academy A studeent the next year and wass elected A.R.A in 1770. Stock: 36334

Stock: 36930

11 15. S: Giov vanni Battist sta. Guido G Reni dip p: Guis: Calend ndi inc: [n.d., c.1800.] c Sttipple with etcching. Sheet siize: 295 x 225 5mm (11¾ x 8¾ ¾"). Trimmed d inside plate. Slight stain on o left. £120 Saaint John the Baptist B preachhing to the mu ultitude in the wilderness, w seated full-lengthh in animal sk kins with crross, pointing upwards; afteer Guido Reni. Stock: 36565

11 16. [The Dream of St. Helena] [tw wo states] Paaulo Veronesee Pinx.t / Lum mb Stocks R.A A. Sculp.t 18 881 Tw wo engravings on india, eacch platemark 255 x 16 60mm (10 x 6¼"). 6 Both hinnged to backin ng sheet. £95 Tw wo states (onee unfinished, oone finished) of an etching off Veronese's 'D Dream of St. H Helena' (Lond don, National Gallery), G rewarrding close com mparison of th he two. By Lumb Stock ks (1812-92), one of the forremost xponents of steel engravingg, elected RA in i 1872. ex Stock: 36388

11 17. [The Im mmaculate C Conception.. Or. the Assumption A of o the Virginn.] From th he Original in n the Possesiion of John Blackwood Esq.r. Bar.t. Murillo pinx.t. p McArddell Fecit. [n.d d., c.1750.] Mezzotint. M Colllector's ink staamp on reversse, 'Kurt Klemperer'. K Plaatemark: 505 x 350mm (20 x 13¾"). Th hread marginss. Light horizoontal creases to t centre. A feew small scufff marks to sheeet. £320 Th he Virgin is seeen with her lo long hair hang ging loose, heer eyes raised upwards and hands across her breast. Sh he is suspendeed on a cloud supported by cherubs caarrying lilies, roses r and palm ms, a crescentt moon under heer feet. More cherubs c can b e seen in the clouds c above. So ometimes cataalogued with tthe title 'Assum mption of the Virgin'. V After A Bartolom mé Esteban Muurillo (1617 - 1682) , paainter of portraits and genree scenes, but especially e reenowned for his h paintings oof children and d his religious works, w includin ng his many veersions of the 'Virgin of th he Immaculatee Conception' dispersed thro oughout in nternational art collections. Fo or a proof beffore letters imppression, see item i ref: 36 6649. Le Blanc: 5. II of II. E Ex collection of

Christopher L Lennox-Boydd. Lugt: K. Kleemperer. Goodwin: 2116.

Stock: 36400

Stock: 36648

12 20. [Woma an Reading.]] [C Charles West Cope, C c.1844..] Ettching on indiia with additioons in pencil, platemark p 10 00 x 70mm (4 x 2¾"). Ms bbelow '1st. retouched by Mr. M Cope'; foxiing to marginss. £200 Prroof etching, retouched r by hhistory painter Charles West W Cope (1811-90) and sim milar to other of his ettchings such as a those for 'Ettched Though hts of the Ettching Club' (1844). Cope w was a founderr member of th he Etching Clu ub.

118. [The Immaculate Conceptio on. Or. the Assumption n of the Virgin.] [Bar.t. Murillo pinx.t. McA Ardell Fecit.] [n.d., c.1750.]] mpression. Mezzotint. Scare proof beffore letters im ( x 13¾"). Thread T marginns. Platemark: 505 x 350mm (20 c £4550 Light horiznttal creases to centre. A scarce prooof before letteers impression n. The Virgin iis seen with herr long hair hannging loose, her h eyes raise d upwards andd hands across her breast. Sh he is suspendeed ng lilies, rosess on a cloud suupported by chherubs carryin and palms, a crescent mooon under her feeet. More cherubs can bbe seen in the clouds abovee. Sometimes ccatalogued witth the title 'Assumption of th the Virgin'. M (1617 - 1682) , After Bartoloomé Esteban Murillo painter of poortraits and gennre scenes, bu ut especially a his religioous renowned forr his paintingss of children and works, includding his manyy versions of th he 'Virgin of the Immaculaate Conceptioon' dispersed th hroughout international art collectionns. 3 Ex For a letteredd impression, see item ref: 36648. collection off Christopher Lennox-Boyd. L Goodwin: 216. Stock: 36649

Stock: 35885

12 21. L'Oreillle m'est chaarmeé... D. D Teniers S.P.I.A. Pictor a C Cubiculis. J. Vanden V Bruggen Fecit et e excudit. Bruux. [Brussels, n.d., c.1660.] Mezzotint M with large margins ns, very rare. 310 x 230mm (1 12¼ x 9"). 'Bru ux' in publicat ation line weak kly inked. £260 An A old letchero ous peasant sittting in a taverrn drinking, lisstening to a yo oung woman pplaying the flu ute. Engravedd an nd published by b Jan Vandenn Bruggen (c.1648-90) affter David Ten niers the younnger (1610-90)). BM: 18 893,1018.46. Ex Collectionn of Christoph her LennoxBo oyd. Stock: 36535

12 22. [Three figures gath hered aroun nd a fire.] Quadro Q di Pietro Paulo R Rubens Alto o Piedi 4. Onz. O 1 Largo o Piedi 3 Onzz. 3 C. Hutin delin. / C.F. Boece Sculps [c.1810] ngraving, plattemark 430 x 3330mm (17 x 13"). Uncut En sh heet with very y large marginns. Fine. £240 Itaalian engravin ng of a scene aattributed to Rubens R of th hree figures in a cave gatherred around a small s fire. Stock: 36532

The C Captive. I beheld b is bod dy half wasted awaay... 119.

Joseph Wrighht, pinxit. Rydder, sculpsit. John J & Josiahh Boydell excuudit 1786. Pubblished Oct 1, 1786, by Johnn & Josiah Boyydell Engraveer No. 90 Cheaapside Londonn. Stipple, printted in colours and hand-finiished with verry large marginns. 375 x 475m mm. Extremely y fine. £13550 S An illustratioon to Laurencee Sterne’s 'A Sentimental Journey' (17668). The noveel comprises th he reflections of the sensitive traveller, Yorrick: in Paris, threatened wiith flects upon thee terrors of thee Bastille, in a arrest, he refl section titledd ‘The Captivee’. By focusing imaginativeely on a single, ssuffering prisooner, Yorick is able to conjure the ddeepest emotioons, which thee reader is invited to shaare. The painting was finished by Wright in Rome in 17744: v changedd. it is now lostt. Egerton: P228 iv/iv, with verse Ex Collectionn of the Hon. Christopher Lennox-Boyd. L

12 23. Basle. A. Drawn D & Etcheed by J.M.W. Turner R.A. Engraved E by C.Turner. Publiished as the A Act directs by J.M.W. J urner, Harley Street. Tu Mezzotint M with some etchingg and very larg ge margins. Pllate: 285 x 210mm, (11¼ x 8¼"). Foxing g. £280 Pllate V from Paart I of Turnerr's 'Liber Stud diorum' 180718 819. A view of o the bridge aacross the Rhin ne in the Sw wiss city of Basel, several m men row in bo oats and rafts. Th he sun shines over the builddings and hillss. Rawlinson: 5 1st Published d State; Whitm man: 867. Stock: 36499

Richard Earlom m to much accl claim some thiirty years eaarlier. In many y ways Turnerr's project invited co omparisons wiith that of his great precursor. Ra awlinson: 45 1st published state. Rare. Stock: 36495

River Wye. W [Letteered above the image 'E E. P.'] 12 26.

Ben A Arthur, Scootland. [Letttered above the image 'M'.] 124.

Drawn & Etcched by J.M.W W. Turner Esq q. R.A. P.P. Engraved byy T. Lupton. London Pub. Jaan 1. 1819 by J.M.W. Turnner, Queen Annne Street. Mezzotint annd etching witth very large margins. m Platemark: 210 x 290mm (8¼ ( x 11¼"). £3660 ween rocky hiillsides which curve down A ravine betw from either sside, with mouuntains in the distance d and boulders in thhe foregroundd. Plate 69 from m Part XII of Turner's T 'Liber Studiorum'. The Liber Stuudiorum was published in several s parts between 1807 and 1819, by b which time Turner's position as thhe pre-eminennt British landscape painter of his day was aassured. In thiis series, excep ptional amonggst Turner printss for the extennt of the artist's involvementt, he sought to emulate the 17th century French artist Claude Lorraaine. Claude's 'Libro di Verrita', a book off drawings sold to the Dukee of Devonshirre, had been engraved by Richard Earloom to much accclaim some thirty years eearlier. In manny ways Turneer's project invited compparisons with that t of his greeat precursor. Rawlinson: 669. State II of IV. Rare. Stock: 36494

125. Peat Bog, Scotland. Drawn & Etcched by J.M.W W. Turner Esq q.r R.A. Engraved byy G. Clint. Pubblished April 23. 2 1812 by J.M.W. Turnner, Queen Annne Street. Mezzotint wiith etching wiith very large margins; Turner's sale blind stamp in i lower right corner. ( x 11¼"). Some foxing Platemark: 210 x 290mm (8¼ Small hole in upper margin. on reverse. S £3880 In the centre,, a morass in deep d shadow, with mountaiins on the right. In the foregroound, men are cutting turf, and to the lefft is a horse annd cart. Rawlinson (pp.110) noted thhat 'Peat Bog has always ranked amonng the great plates of the Lib ber. Finer mezzotint woork than that of o the sky wou uld be impossible; bbut it was of necessity n so deelicate that it can only adequately be seeen in early imp pressions.' m Turner's 'Libber Studiorum m'. The Liber Plate 45 from Studiorum w was published in i several partts between 1807 and 18119, by which time t Turner's position as thhe pre-eminent British landsccape painter off his day was ngst Turner assured. In thhis series, exceptional amon prints for thee extent of the artist's involv vement, he sought to em mulate the 17thh century Fren nch artist Clauude Lorraine. Claaude's 'Libro di d Verita', a bo ook of drawinngs sold to the D Duke of Devonnshire, had beeen engraved bby

Drawn D & Etcheed by J.M.W. Turner Esq. R.A. R P.P. En ngraved by W. W Annis. Publlished May 23 3. 1812, by J.M M.W. Turner.. Queen Annee Street West. Mezzotint M with etching with very large maargins. Pllatemark: 210 x 290mm (8¼ ¼ x 11¼"). £290 Th he river Wye, curving rounnd from the lefft, with cows, a horse and bath hers on the neear bank, a briidge on the faar left and Cheepstow Castle on the steep, wooded, far baank, beneath which w is a bargge. Pllate 48 from Turner's T 'Liberr Studiorum'. The T Liber Sttudiorum was published in several parts between b 18 807 and 1819,, by which tim me Turner's po osition as the prre-eminent British landscappe painter of his h day was asssured. In this series, excepttional amongsst Turner prrints for the ex xtent of the art rtist's involvem ment, he so ought to emulaate the 17th ceentury French h artist Claudee Lo orraine. Claud de's 'Libro di V Verita', a book k of drawings so old to the Duk ke of Devonshhire, had been engraved by Richard Earlom m to much accl claim some thiirty years eaarlier. In many y ways Turnerr's project invited co omparisons wiith that of his great precursor. Ra awlinson: 48. III of V. Stock: 36496

12 27. [Still liffe banquet p piece.] [b by Robert Rob binson and pubblished by Isaaac Beckett, c.1680-1700.] Mezzotint, M platemark 240 x 1180mm (9½ x 7"). Small margins. m £180 Sttill life with crrabs, prawns, fruit and silveer tobacco jaar. Previously attributed to JJohn Smith, th his print has since been reatttributed to thee less well-kno own Robert Robinson (1674 4, fl.-d.1706), decorative paainter and mezzotinter. m Exx Collection of Christopherr LennoxBo oyd. Le Blancc: 481 II of II. I. Stock: 36531

12 28. [The Bravo.] Alt. 228. Lat. 24 unc. u Giorgio G pinx. V.Prenner V inc. [n.d., c.1730.] En ngraving with h mezzotint. Shheet: 160 x 22 25mm, (6¼ x 9""). Trimmed within w plate. L Laid on album sheet. £120 A engraving off 'The Bravo', cc.1520 which was orriginally attibu uted to Giorgiione but has siince been reeattributed to Titian. T One m man grabs another from beehind by his sh houlder. Stock: 36456

Mezzotint, M very y rare & fine. Proof before letters. l Pllatemark: 455 x 330mm (188 x 13"). Ligh ht creasing to sh heet. Small ho ole in left marggin. £480 A white horse starting s backw wards at the lig ghtning in a th hunderstorm, in a forest, witth trees blown n by the wind beehind it and a path proceediing right to lefft lined with bu ushes. After A George Morland M (17622/3 - 1804), paainter, esspecially of sccenes of Engliish rural life an nd piicturesque landscapes. Ex co collection of Christopher C Leennox-Boyd. Stock: 36984

129. Cred dulous Innoccence. [&] Seduction. Painted by G G. Morland. Enngrav'd by J. Young. Y Londoon Pub.d Nov.r 5, 1788, by Iaa.s Birchall No o.473, Strand.. 3 (20 x 14"). Damagge Pair of mezzootints. 506 x 355mm. to upper areaa. £5990 A pair of sceenes set in rusttic settings: a young womaan sitting in a baare interior, unnaware of a young man whho peers slyly thhrough the winndow, listenin ng attentively to another wom man in tatteredd clothes with a broadbrimmed hatt, who reads her palm; and a young womaan wearing a moob cap, shawl and apron, sittting at the dooor of a thatchedd cottage, her left l arm hookeed over the back of her cchair, reading a letter. Theree is a basket upside downn beside her, annd a bird drink king from a plate on the gground next too it. A young man m is seen bribing a seccond woman behind b a tree next n to the 1646 [listed]. cottage to thee right. Chaloner Smith: p.1 Ex collectionn of Christophher Lennox-Bo oyd. Ex Oettingen-W Wallerstein Colllection Sotheb by's 13/11/97.. Stock: 36981

[Fairr Persian.] See S the fair Persian waiting forr the Gleamss. That lightt Devotion in n her artless Breast. Uncconscious th hat her Eyes more poten nt Beams. Chase from dispairing d Lovers balm my Rest. 130.

Painted by M Maria Cosway.. From an orig ginal picture inn the possessioon of the Righht Honorable Elizabeth E Ladyy Dowr Littletoon. Engraved by James Waalker. Publisheed April the 20tth 1784 by Ja.s Walker Upp per Mary le Bone Street, near Titchfielld Street. Very rare. Platemark: 350 x 400mm (13¾ ¾x Mezzotint. V 15¾"). Creasses to sheet. Foxing. Damag ge to upper annd lower left corrners. £4220 A woman dreessed in whitee, with clasped d hands adorinng the sun risingg over mountaains in the disttance. After painterr, miniaturist, draughtswom man, etcher, musician andd educationalist Maria Cosw way (1759 1838). Cosw way studied in Rome and waas elected member of F Florence Acaddemy 1778 and d in London inn 1779. In 1781 she marriedd the painter Richard R Coswaay. mith: 20. State I of II. Ex co ollection of Chaloner Sm Christopher L Lennox-Boydd. Stock: 36983

131. [The Frightened d Horse.] Painted by G G. Morland. Enngraved by E. Bell [in manuscript bbelow image]. London. Publish'd Oct.r 1sst 1800 by E. B Bell, No.45 Isllington R.d, N.r N Sadlers Wells [in maanuscript below w image].

13 32. [Allego orical scene] Glauber G Leon. Schenk exc. [pprobably engrraved c.1670, th his impression c.1720] Mezzotint, M very y scarce; plateemark 220 x 260mm 2 (8½ x 10 0¼"). Glued to o backing sheeet. £420 Eaarly allegoricaal mezzotint. Stock: 36391

13 33. The Go olden Age. Paainted by B. West, W Historica cal Painter to his h Majesty. En ngraved by V. Green, Engrraver to his Majesty, and to th he Elector Palaatine. Publish''d by J. Boydeell, Engraver in n Cheapside, June 4.th 17777. Mezzotint M Plateemark: 475 x 5570mm (18¾ x 22¼"). Th hread marginss. Light creasiing and rubbin ng to surface .£450 A domestic scene in a styliseed Eastern settting. A mother m is seen sitting to the ffront and sewiing, watching heer sleeping young child besi side her. A catt sits in a baasket below. An A elderly couuple, the man seated, are in th he doorway to the right withh a dog. A ruraal landscape caan be seen bey yond. Within aan oval. Fo or a pair, 'The Golden Age [&] The Silveer Age', see iteem ref: 29074 4. CS 159. Whiitman: 203. Ex E Collection: C Thee Late Honourrable Christop pher LennoxBo oyd. Stock: 36646

13 34. The Go olden Age. Paainted by B. West, W Historica cal Painter to his h Majesty. En ngraved by V. Green, Engrraver to his Majesty, and to th he Elector Palaatine. Publish''d by J. Boydeell, Engraver in n Cheapside, June 4.th 17777. Mezzotint M with large margins ns; Platemark: 475 x 57 70mm (18¾ x 22¼"). Lightt foxing and ru ubbing to su urface. £420 A domestic scene in a styliseed Eastern settting. A mother m is seen sitting to the ffront and sewiing, watching heer sleeping young child besi side her. A catt sits in a beesket below. An A elderly couuple, the man seated, are in th he doorway to the right withh a dog. A ruraal landscape caan be seen bey yond. Within aan oval. Fo or an open lettter proof imprression, see iteem ref: 36 6646. For a paair, 'The Goldeen Age [&] The Silver Age', A see item ref: r 29074. CSS: 159. Whitm man: 203. Ex Collection: C Thee Late Honourrable Christop pher LennoxBo oyd. Ex Oetttinger-Wallensstein collectio on Sotheby's Lo ot 736, 13/11//97. Stock: 36645

Mezzotint M with large margins ns. Platemark: 445 x 54 40mm (17½ x 21¼"). A few w very small marks m to prrinted area. £450 Stt Peter, standin ng to the left, is seen warm ming his hands att a fire, while a serving girl points to him m, asking if Peeter is not onee of Christ's foollowers, oppo osite a young man m in a plumeed hat. A tablee with a group p of soldiers, pllaying a game of dice in bacckground. Th he original paainting is now in the Pushkin Museum, Moscow. M Leettered below the image in English and Russian R with a dedication fro om the engravver to 'Catherin ne the Secondd mpress and Autocratrix of aall the Russiass'. Ex Em co ollection of Ch hristopher Lennnox-Boyd. Ex E OettingenWallerstein W Collection, Sotheeby's 13/11/97 7. 135. [Lion n.] I. Graham Piinx.t. J. Daniel Sculp.t. Lon ndon Publish'dd June 29. 1792 by John Muurphey, No.20 Berkely Streeet, Edgeware Rooad. Hand coloureed mezzotint, very scarce. Sheet S size: 48 0 x 610mm (188¾ x 24"). Triimmed to imaage with damage. Laiid on backing sheet. Some repaired r tears.. Rubbing to ssurface. £12550 mage of a Lion emerging fro m A wonderfully striking im wer, crouched on a dark cave, llooking directtly at the view its forelegs aas if ready to pounce. p After John G Graham (1755--1817), painteer and teacher of art. Stock: 36897

136. [Banditti with a female capttive.] Mortimer Pinnxit. J.R. Smitth Sculpsit. Pu ublished Feb.14th 17880 by J. Boydeell Engraver in n Cheapside London. 0 x 12"). Threaad Mezzotint, pllatemark 255 x 305mm (10 margins; glueed to backing sheet at corneers. Good impression oof a rare print. £2660 Banditti scenne after John Hamilton H Morrtimer (174079), publisheed soon after the t artist's deaath. Influencedd by the workss of Salvator Rosa R (immensely popular during the peeriod), Mortim mer incorporatted Rosa's disturbing baanditti and occcult subject matter m in the 1770s. This pprint is usuallyy regarded as a generic banditti scenne: a preparatoory drawing in n the collectionn ( in the Brritish Museum m) of Richard Payne Knight (now hed in was etched bby Robert Blytth and publish November 17780 with the title t 'Banditti Returning'. R However, a rrelated paintinng by Mortimeer (Newcastle , Hatton Galleery) is titled 'T The Sacrifice of o Polyxena'. IIn Euripides' plaays, Polyxenaa was sacrificeed at the end oof the Trojan W War to appeasee the gods. Ex:: collection off the Hon. C. L Lennox-Boyd;; Ex: Collectio on Christopheer Mendez; D'O Oench 145. Frrankau: Not in n. Stock: 36371

137. Peterr Denies Chrrist. Moisé Valenntin pinxit. Jam mes Walker feecit. From the Original Pictture in the Impperial Gallery at St. Petersburg. P Publsih'dJan.yy 1, 1792 asthee Act directs bby Ja.s Walker S St. Petersburgg, W. Hodges Queen Q Street Mayfair and R. Blamire, Strand, S London n.

Stock: 36993

13 38. [Woma an and Childd.] Rembrandt Pinx xit. Ja.s Walkker Eng.r to heer J.M and memb.r m of the Imp.l I Acad.y oof Arts St. Petersburg feecit. Publish'd Jan.y 1. 17922 as the Act directs by Ja.s Walker W S. Peterrsburg, W. Hoodges Queen Street S May Faair and R. Blaamire, Strand, London. Mezzotint M with small marginns. Platemark: 510 x £190 36 60mm (20 x 14¼"). Marks tto surface. An A elderly lady y seated with hher right arm around a a sm mall child, hollding a cameoo in her left haand in her lap. Th he child, leaniing against heer knee, is read ding an open bo ook. Leettered below the image in English and Russian R with a dedication fro om the engravver to 'Catherin ne the Secondd mpress and Autocratrix of aall the Russiass'. Ex Em co ollection of Ch hristopher Lennnox-Boyd. Chaloner C Sm mith: 25. III off III. Stock: 36994

13 39. [Rembr randt's Motther.] Rembrandt pinx x.t. R.Houstonn fecit. Sold by b R.d Houston H near Drummonds, D C Charing Crosss. [n.d., c.1750.] Mezzotint. M Plattemark: 350 x 250mm (13¾ ¾ x 9¾"). Th hread marginss. £190 A portrait of 'R Rembrandt's M Mother', after Rembrandt. R An A elderly wom man plucking fowl, sitting whole-length w to o the left pluck king a large foowl on her lap p. For a proof beefore letters im mpression, seee item ref: 368 820. Ex co ollection of Ch hristopher Lennnox-Boyd. Chaloner C Sm mith: 148. I. Charrington: C 885 II of II. Stock: 36819

14 40. [Rembr randt's Motther.] [R Rembrandt pin nx.t. R.Houstoon fecit.] [n.d., c.1750.] Mezzotint M with small marginns. Proof beforre letters. Collector's blind stamp, 'G' inn lower right corner. ut to Pllatemark: 350 x 250mm (133¾ x 9¾"). Cu pllatemark at bo ottom. £260 A portrait of 'R Rembrandt's M Mother', after Rembrandt. R An A elderly wom man plucking fowl, sitting whole-length w to o the left pluck king a large foowl on her lap p. Fo or a lettered im mpression, seee item ref: 368 819. Ex co ollection of Ch hristopher Lennnox-Boyd. Chaloner C Sm mith: 148. I. Charrington: C 885 I of II. Stock: 36821

141. [Rem mbrandt's Mother.] M [Rembrandt ppinx.t. R.Houuston fecit.] [n.d., c.1750.] Mezzotint wiith large marggins. Proof beffore letters impression. P Platemark: 350 x 250mm (1 13¾ x 9¾"). £3330 A portrait off 'Rembrandt's Mother', afterr Rembrandt. woman pluckinng fowl, sitting g whole-lengtth An elderly w to the left pluucking a largee fowl on her lap. l For a letteredd impression, see item ref: 36819. 3 Ex collection off Christopher Lennox-Boyd. L Chaloner Smith: 148. II. Charringtonn: 85 I of II. Stock: 36820

142. [Judiith and Holo ofernes] Guido Reni IInvent. / W. Vaillant V fe [n.d d., c.1670] Mezzotint, very scarce; plaatemark 390 x 250mm (15¼ ¼ mmed to platem mark; rubbed. £3660 x 9¾"). Trim Judith holdinng the head off Holofernes, whom w she beheaded as he was about to destroy Jud dith's home ciity Mezzotint by Wallerant Vaaillant (1623of Bethulia. M 77), one of thhe early masteers of the med dium. Engraveed after the painnting by Guidoo Reni (1575-1642), the autograph veersion of which is in the Sed dlmayer Collection inn Geneva. Ex: collection of the late Hon. C. Lennox-Boydd

Mezzotint M with large margins ns. Platemark: 500 x 35 55mm (19¾ x 14"). Light fo foxing. A few scratches to prrinted area. £360 A young womaan wearing a m mob cap, shaw wl and apron, sitting at the do oor of a thatchhed cottage, heer left arm ooked over thee back of her chair, reading g a letter. ho Th here is a basket upside dow wn beside her, and a bird drrinking from a plate on the gground next to it. A young man m is seen brib bing a secondd woman behin nd a tree next to o the cottage to o the right. A companion print p to item reef: 36981, 'Creedulous In nnocence'. Ex collection of C Christopher Lennox-Boyd. L Exx Oettingen-W Wallerstein Coollection, Soth heby's 13 3/11/97. Stock: 36990

Stock: 36390

143. Cupiid, in the Ch haracter of a Link Boy. Sir Joshua Reynolds pinx.t / John Dean fecit. Londonn, R. Sayer & J. Bennett, B Map & Printsellerss Printed for R No. 53 Fleet Street: as the Act directs Aug.t A 15, 17777 5¼ x 11"). Sm mall Mezzotint, pllatemark 390 x 280mm (15 margins. £3330 J Engraving affter a 1774 paiinting by Sir Joshua Reynolds, noow in the Allbbright-Knox Art A Gallery, Buffalo. Reyynolds' cupid is i very much the t Georgian street urchin in tattered cloothes; the phalllic positioninng of his torch rreminds us thaat link boys ussed their torchhes to lead loverss (as well as prostitutes) p aro ound the city aat night before street lightingg. Hamilton p.145 iii/iii; Seee Richard Wenndorf, 'Sir Joshhua Reynolds: the Painter iin Society' Stock: 36515

Susan nna and thee two Elderss. It is betterr for me to faall into yourr hands, and d not to do itt, then to Sin in the sightt of the Lord d. susan. verse.23. 144.

P.P. Rubens pinx / J. Simoon fec et excud d [n.d., c.17200] Mezzotint wiith very large margins, platemark 350 x 250mm (13¾ ¾ x 9¾"). Creaase. £2660 Engraving affter a paintingg by Rubens' of o which the present wherreabouts are unnknown. The painting had previously beeen engraved by one of Rub bens' favouredd engravers, Luucas Vorsterm man, and the print p was probably madde directly froom Vorstermaan's print. Ex: collection off the Hon. C. Lennox-Boyd; L Hollstein 4 1 (under Vorstterman, copy);; Schneevogt 11.87 Stock: 36377

145. Sedu uction. Painted by G G. Morland. Enngrav'd by J. Young. Y Londoon. Pub. Nov.r 5. 1788 by Ja.ss Birchall No. 473, Strand.

The Go ood Shepherrd. From th he Original in n the possesssion of T. Liister Parkerr Esq.r 14 46.

J. Northcote pin nx / S.W. Reyynolds sculp.t [c.1810] Mezzotint M with large margins ns, platemark 570 5 x 395mm (2 22½ x 15½"). Fine early imp mpression; creaase upper left; gllue stain lower right. £420 Th he infant Chriist as the Goodd Shepherd, after a a paainting by Jam mes Northcotee (1746-1831),, painter and au uthor, in the co ollection of hiis patron Thom mas Lister Paarker of Brow wnsholme. En ngraved by Saamuel William m Reynolds, th his print is no ot in the stand dard reference book on Reyn nolds' work. Exx Collection of the Late Hoon. C. Lennox--Boyd; Not in Whitman. W Stock: 36503

14 47. The Dr ream. Paainted by R.W Westall. Engravved by J.R.Sm mith. [L London. Published Sept.r 6,, 1791 by J.R.Smith, No 31 King K Street, Co ovent Garden.]]

Mezzotint, shheet 280 x 2955mm (11 x 11 1½"). Trimme d inside platem mark, losing puublication linee. Stain at topp off image. £3220 man asleep hoolding a book. The print waas A young wom originally isssued as a pair to 'the Roman nce', which shows her reading before she s falls asleeep. Text addedd k she read as a to the publishhed state identified the book 'Lovesick talle, / That thrillls the soul and d fans the fire''. A (1765-1836),, a related After Richardd Westall RA watercolour bby whom is inn the Allen Memorial Art Museum, Obberlin College, Ohio. D'Oen nch 318; Frankau 1188 i of ii.; Ex Coollection of th he Late Hon. C C. Lennox-Boydd; for 'The Dreeam' as a pairr with 'The Romance' seee ref. 5623 Stock: 36502

The T Tribute Money From the t Originall Picture in tthe Collectioon of Robertt Udny Esq..r 148.

Bernardo Strrozza, commonly called Preetre Genoese Pinxit / John & Josiah Boyydell Excudit 1787 / Hodgees hn & Josiah Sculpsit Publlished May 1sst 1787 by Joh Boydell No 990 Cheapside,, London Mezzotint wiith large marggins, platemark k 440 x 540m mm (17¼ x 21¼""). Fine. £3990 Large mezzootint after a paainting by Bern nardo Strozzi now in the M Museum of Finne Arts, Budap pest, but whicch at the time beelonged to thee collector and d merchant Robert Udnyy. Jesus, in thee centre of the composition,, responds to tthe Pharisees' devious questtioning with thhe response 'Rennder to Caesaar the things th hat are Caesar''s, and to God thhe things that are God's' (M Matthew 22:17 21). Painted after Strozzi'ss arrival in Venice, the workk shows the inffluence of norrthern European realism on Strozzi's style. Ex: collectiion of the Hon n. C. LennoxF Oettin ngenBoyd; Van deer Feltz 590; From: Wallerstein C Collection, Soothebys 13/11//97 Lot 736. Stock: 36364

A fine mezzotin nt portrait of A Amelia Opie, wife of the arrtist John Opiee, one hand raaised as she tellls a story to a group of five young womenn and children n clustered obably her chilldren. Chalon ner Smith arround her, pro 15 57; Whitman 246. 2 Ex: Colllection of the late Hon. Christopher C Lennox-Boyd. Stock: 36354

15 50. Beautie es of Brightoon. Almack ks_____The Ball B Room. Paainted by T. Harper. H Engravved by A. M. Huffam. Pu ublished by S.S. Folker. Bri righton_J. Bro ooker 5 So outhampton Row, R London, Nov.r 1829. and a T. Rittnerr Boulevard Mon ntmartre, Pariss. Mezzotint M with original handd colour, small margins. On O watermarkeed paper, 'J. W Whatman. 1829 9'. Sheet size: 26 60 x 210mm (10¼ ( x 8¼"). T Trimmed inside plate at lo ower edge. Cu ut at bottom. £160 A fashionably dressed d youngg woman in a ball gown, walking w to the left l and lookinng towards the viewer. Her arrms are crosseed holding a sm mall fan in her right hand, heer hair dressed d up with a rosse. A room with a frieze an nd chandelierss can be seen iin the backgro ound. Stock: 36326

[Hope Deferred] D 'A And hopes and a fears th hat kindle ho ope [...] 15 51.

C.W.C. 1877 mark 260 x 1900mm (10¼ x 7½"). Uncut Ettching, platem sh heet; signed by y artist in penc ncil. Slight creeasing. £150 Ettching by history painter Chharles West Cope C (181190 0), widely regarded as the fi finest of his prrints. Cope is prrimarily remem mbered for hiss frescoes in the t House of Lo ords and the peers' p corridorr, but in additiion to his accademic rendeerings of histoorical and literrary subjects, hee was a talenteed printmakerr. He was a fou under member m of the Etching Club (whose memb bers also in ncluded Samueel Palmer). Th his late etchin ng, which from m the verses below the im mage suggest the t depiction oof thwarted ho opes, was orriginally one of o a pair with hhis etching 'H Hush'. For 'H Hush' see ref. 35895 3 Stock: 35896

149. A Wiinter's Tale.. Engraved byy V. Green, Meezzotinto Eng graver to his blished Dec.r Majesty and to the Electorr Palatine. Pub V. Green and Son, No. 29 Newman N Streeet, 1st 1785 by V Oxford Streeet, London. See vend chez lw wa Freres Torrre, Marchants d''Estamps. Very scarce sscratch letter proof p mezzotiint. 535 x 625mm (21 x 24½"). Veryy fine impressiion, small margins. £6550

15 52. [Hush] C.W.C. 1878 mark 260 x 1900mm (10¼ x 7½"). Uncut Ettching, platem sh heet; signed by y artist in penc ncil. Slight creeasing on rig ght. £140 Ettching by history painter Chharles West Cope C (181190 0), widely regarded as the fi finest of his prrints. Cope is prrimarily remem mbered for hiss frescoes in the t House of Lo ords and the peers' p corridorr, but in additiion to his accademic rendeerings of histoorical and literrary subjects, hee was a talenteed printmakerr. He was a fou under member m of the Etching Club (whose memb bers also in ncluded Samueel Palmer). Th his late etchin ng of a womann caring for a baby b (made so oon before he left London too retire to the country) was orriginally one of o a pair with 'Hope Deferreed'. For 'H Hope Deferred d' see ref. 358996 Stock: 35895

153. [The Companion.] C.W. Cope R.A. Etching on india, with very large margins, platemark 90 x 130mm (3½ x 5"). Uncut sheet. £95 Etching by history painter Charles West Cope (181190), widely regarded as the finest of his prints. Cope is primarily remembered for his frescoes in the House of Lords and the peers' corridor, but in addition to his academic renderings of historical and literary subjects, he was a talented printmaker. He was a founder member of the Etching Club (whose members also included Samuel Palmer), whose 1857 portfolio this formed part of. A related drawing is in the British Museum. Stock: 35894

154. The Culprit Detected. Drawn on Stone by Will.m Fairland, from an original Picture by Rob.t Farrier. Printed by C. Hullmandel. London. Published by J. Dickinson, 114, New Bond S,t 15th, April, 1831. Lithograph on chine collé. 410 x 275mm (16 x 10¾"). Backing paper age-toned at edges of large margins. £160 A boy being caught scrumping, his hat full of apples from the orchard behind, one shoe still caught in the gate. A man raises his belt to beat the him. Ex: Collection of The Hon. C. Lennox-Boyd. Stock: 36464

155. Les Enfants Qui Donnent À Manger Aux Canards. Gravée d'aprés le Tableau de M.r W. Hamilton. W. Hamilton pinx.t. Gravé par Sunlach. [n.d., c.1800.] Engraving with very large margins. Platemark: 175 x 190mm (7 x 7½"). £140 A young boy and girl feeding ducks by a pond. The boy is seen holding back a dog who jumps towards the pond, whilst the girl stands with a basket in the centre. Trees can be seen in the backgrond. Within a oval. Italian copy. Stock: 36459

tender Thought, / To teach the young Idea how to shoot, / To pour the fresh Instruction o'er the Mind, / To breathe th' inspiring Spirit, and to plant / The generous Purpose in the glowing Breast. Emma Crewe, Delin.t. C.W. White Sculp.t. [n.d., c.1780.] Bit later. Etching with stipple, rare. Platemark: 280 x 300mm (11 x 12"). £180 A young woman, seated in profile to the right, reading to three small children, each smiling and looking towards the viewer. Eight lines of verse inscribed below the image from 'Spring' by James Thomson (1700-1748), first published in 1728. Emma Crewe (active c.1780 - 1818) was a 'gifted amateur artist' who painted the frontispiece to Erasmus Darwin's 'The Loves of the Plants'. She also provided designs for Josiah Wedgewood's studio, used for cameos and plaques. Stock: 36987

158. [Girl Playing a Lute.] Gaspard Netscher. Franquinet fecit. Imp.lith.de Chabert, rue Cassette, N.o.20. Lithograph with very large margins. On India. Sheet: 330 x 490mm, (13 x 19¼"). Faint foxing. £140 Portrait of a young woman, dressed in a fur-lined coat playing a lute. Stock: 36712

159. [Mother reading to child.] E. Martin Inv.t & sc. [n.d., c.1799.] Stipple with hand colour, very fine. Platemark: 225 x 145mm (9 x 5¾"). £180 A mother sits in a chair, to the left, in front of a window, reading to a child who stands on a small cushion with her back to the viewer. An open book can be seen on a table below the window. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770. Stock: 36345

The Power of Innocence. [/] Le Pouvoir de L'Innocence. A married couple of fashion havin had a trifling difference together [...] 156.

Tho.s Stothard pinxt. Thane ex. Joseph Strutt sculp. London Publish'd June 1. 1792 by J. Thane, Rupert Street Hay Market. Stipple, fine with very large margins. Platemark: 330 x 355mm (13 x 14"). £260 A scene within a fashionable interior, where a little girl is pleading with her father to make up with her mother, after they have had a disagreement. A groom is seen waiting outside with a horse and carriage in the background to the left. Within an oval . After English painter, illustrator and engraver Thomas Stothard (1755 - 1834). Stock: 36445

157. Instruction. Then infant Reason grows apace, and calls / For the kind Hand of an assiduous Care: / Delightful Task! to rear the

160. [Music Lesson] [n.d., c.1830.] Tinted lithograph with large margins. Sheet: 330 x 495, (13 x 19¼). Cut and laid on sheet as issued. Some faint foxing. £140 An interior scene in which a seated man plays an oboe while another leans over and corrects his playing, a music book lies open between them. Stock: 36713

161. The Vicar of the Parish Receiving His Tithes. [&] The Curate of the Parish Return'd From Duty. Painted by H. Singleton. Engrav'd by T. Burke. London Pub.d Oct.r 31, 1793, by I. Brydon at his Looking Glass & Print Warehouse, Charing Cross. Pair. Stipple printed in colour with large margins. Platemark: 435 x 330mm (17 x 13") each. £450

An interior scene with a yooung lady stan nding by a i a smock whho window, gestturing towardds a little boy in holds a pigleet in a basket of o straw, and looking l at a man who sits to t right at his desk, d holding a stout clergym quill with a ssheaf of paperrs in front of him. h [&] Interiior with a youngg lady sitting holding h a pair of bellows inn her lap, lookiing up to left towards t her husband the curate, who eenters to left, his h daughter walking w besidee him and holdding his hand, a book underr her arm, and a little dog jum mping up at him m. Stock: 36351

16 65. La Surprise. Die U Uberraschun ng. Nach N Rioult lith h v. C.J. Wernner. Druck v. F.W. F Koscky. K Verlag g v. Koscky & Ende in Fran nkfurt [n.d. c. 18 850.] Liithograph with h fine hand coolour. Printed area 230 x £160 34 45mm (9 x 13½"). A pair of naked d woman bathe hers, surprised on the shore. Th he artist, Louiis Edouard Riooult (1790-18 855), painted a number of succh scenes. Ex:: Collection off The Hon. C. Leennox-Boyd. Stock: 36477

162. The P Pipe, the Poot, and the Paper. P [Anon., c.1810] 1 (4½ x Lithograph, sscarce; printedd area 115 x 160mm 6¼"). Soiled. £990 Man smokingg and readingg the paper, wiith his dog sleeping on tthe floor and a boxing pictu ure on the walll. In 1842 an arrticle in Blackkwood's magazine describedd how for manny Londoners, 'the fireside, the t pipe, the pot, and the ppaper, are theiir amusementss: the latter affords them m a reflection, as a it were, of whatever w he crowd, amusement is going forwaard, without th fatigue, or troouble of assistting there'. Exx: collection of the Late Honn. C. Lennox-B Boyd Stock: 36946

The G Golden Age. [&] The Siilver Age. H H. Walton. Ch harles West.. [&] B. Wesst. Facius. 163.

Painted by B B. West Historrical Painter to o His Majesty.. Engraved froom the Originaal Picture by Facius. F [&] H . Walton Pinxiit. Charles Weest Sculpsit. Publish'd P Jan.yy. 1.st. 1778 byy John Boydell Engraver in Cheapside London. [&] Publish'd Seppt.r. 2.d. 1782 by John n. Boydell Engrraver in Cheappside London Stipples prinnted in sanguinne with large margins, m very mm, (12¾ x 11¾"). 1 £4550 rare pair. Plaate: 325 x 300m A pair of imaages depictingg stages of chiildhood. In onne a young mothher watches as her child sleeeps, in the background aan older couplle sit and stan nd by a door way. [&] A ggirl in a bonneet sits looking out across a landscape, neext to her is pllaced a baskett of chickens. For a pair inn mezzotint seee ref: 29674. Stock: 36837

The S Singers. From the Orig ginal Picturee Painted by Hemskirk Jun.r J In thee Collection of Mr Marrisall. 164.

Hemskirk junn.r pinx.t. R.E Earlom fecit. Published P Oct..r 24th 1768, byy J.Boydell Enngraver, in Ch heapside London. m Mezzotint wiith very large margins, raree. 305 x 360mm (12 x 14¼"). £4660 n a tavern, onee Three peasannts sitting arouund a barrel in holding up a glass, anotherr holding a lon ng printed sonng, m smoking whiile singing. A foourth man stannds over them a fifth man uurinates in the corner. Engraved byy Richard Earloom after Egbeert van Heemskerck II (c.1674 - 1744). Ex: Colllection of Thee Hon. C. Lennnox-Boyd. Exx Oettinger-Wa Wallenstein Collection Sootheby's Lot 736, 7 18/11/97. Stock: 36463

16 66. Leonid das. Paainted by Benj nj.n West, Esqr qr. Engrav'd by y C.H. Hodges. H Publish'd May 1st. 11789, by John n & Josiah Boydell, No. 90 0, Cheapside, London. ngraving with h etching, raree. 495 x 600mm m (19½ x En 23 3½"),, with tisssue cover as iissued. Narrow w margins to op and bottom, as issued, daamp stain on right. r £520 Leeonidas II, kin ng of Sparta 2254-235 BC, sitting in ju udgement on his h son-in-law w Cleombrutus, who had ussurped his thro one (ruling ass Cleonbrutus II, 242-241 BC). Leonidas's daughter ple leads for her husband's h life, ment. reesulting in the pair's banishm Benhamin Wesst (1738-1820)), the Pennsylvanian paainter best kno own for his 'D Death of Wolfee', took a story from Plutarch for this ppainting, whicch he showed att the second ex xhibition of thhe newly-form med Royal Academy, A 1768 8. The painting ng now residess in the Tate Gallery. G Ex: Co ollection of thee Hon. Christopher Leennox-Boyd. Stock: 36536

16 67. [Landscape with trrees and mo ountains.] [W William Pether after Alexannder Cozens.] Mezzotint, M scarrce & fine; verry large margiins, pllatemark 240 x 320mm (9½ ½ x 12½"). Un ncut. £420 Illlustration to 'A A New Methood for Assistin ng the In nvention in Drrawing Originnal Compositio ons of Laandscape' (1786) by Alexannder Cozens (1717-86), laandscape paintter. Publishedd shortly beforre his death, th his publication n was the culm mination of thee system for in nventing landsscapes which C Cozens had worked w on th hroughout his life, and for w which he is mo ost famous. Th he system desscribed how acccident and ch hance (p particularly ink k blots) couldd assist in com mposition. While W the text and a most platees are by Cozeens, the ceelebrated mezzzotinter Williaam Pether eng graved the fin nal five platess (including thhis one), repro oducing a blot

and five drawings made from it. Ex: collection of the Hon. C. Lennox-Boyd; a related drawing is in the British Museum (1941,1213.717). Stock: 36365

168. [Moonlit river scene with rowing boat] Thomas Creswick / Etching Club March 1839 Etching on india with large margins, platemark 95 x 150mm (3¾ x 6"). £75 Skilful etching in the Dutch manner by landscape painter Thomas Creswick (1811-69), published in the portfolio 'Etched Thoughts by the Etching Club' (the influential printmaking society which Creswick was part of, alongside Samuel Palmer and Charles West Cope, among others). Creswick exhibited prolifically and successfully at the Royal Academy throughout his career (he became an R.A. in 1851) and his etchings 'demonstrate a sure grasp of the technique and conventions of etching (DNB). Stock: 35901

169. [Landscape with figures; river and moutnains in distance] Etching Club / Thomas Creswick May 1839 Etching on india with large margins, platemark 65 x 160mm (2½ x 6¼"). Slight foxing. £75 Skilful etching in the Dutch manner by landscape painter Thomas Creswick (1811-69), published in the portfolio 'Etched Thoughts by the Etching Club' (the influential printmaking society which Creswick was part of, alongside Samuel Palmer and Charles West Cope, among others). Creswick exhibited prolifically and successfully at the Royal Academy throughout his career (he became an R.A. in 1851) and his etchings 'demonstrate a sure grasp of the technique and conventions of etching (DNB). Stock: 35902

170. [An Evening Walk] T. Creswick R.A. [published 1857] Etching on india with very large margins, platemark 160 x 145mm (6¼ x 5¾"). Uncut sheet. £75 Etching by landscape painter Thomas Creswick (181169), published by the Etching Club in 1857. The Etching Club was the influential printmaking society which Creswick was part of, alongside Samuel Palmer, who is believed to have been influenced by Creswick in his own printmaking. Creswick exhibited prolifically and successfully at the Royal Academy throughout his career (he became an R.A. in 1851) and his etchings 'demonstrate a sure grasp of the technique and conventions of etching (DNB). Stock: 35903

171. The Overshot hill [ms] T. Creswick R.A. [published 1857] Etching on india with very large margins, platemark 145 x 125mm (5¾ x 5"). Uncut sheet. £75 Etching by landscape painter Thomas Creswick (181169), published by the Etching Club in 1857. The Etching Club was the influential printmaking society which Creswick was part of, alongside Samuel Palmer, who is believed to have been influenced by Creswick

in his own printmaking. Creswick exhibited prolifically and successfully at the Royal Academy throughout his career (he became an R.A. in 1851) and his etchings 'demonstrate a sure grasp of the technique and conventions of etching (DNB). Stock: 35904

172. [Set of Six Decorative Landscapes.] Viveres delin. et sculp. London, Printed for Rob.t. Sayer; Printseller in Fleet Street, 1787. Etching with very large margins. Plate: 125 x 80mm, (5 x 3¼"). £190 Set of six etchings depicting pastoral scene which include figures sailing, walking and fishing. Stock: 36446

173. [Riverside Cottage.] E. Martin Inv.t & Sculp.t. Publi.d December 14. 1799. No. 8. Leicester Street. Etching with hand colouring, large margins and very fine. 145 x 125mm (5¾ x 5"). Paper worn in small area of bottom left corner, inside the platemark. Light staining to sheet. £160 A picturesque view of a large thatched cottage to the right of a shallow river which is in the centre. Three figures are seen on the left bank, whilst a man rides a horse and leads another in the water. Other buildings can be seen in the distance. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770. Stock: 36343

174. "Christmas" From Bampfylde's Sonnet S. Palmer [etched 1850, this impression 1882]. Etching with very large margins, platemark 120 x 105mm (4¾ x 4"). Blindstamp in plate lower right. £750 Shepherd returning home with his flock for Christmas. Early etching by Samuel Palmer (1805-81), a key figure in English Romantic painting and follower of William Blake. The work was inspired by a sonnet by Sir Joshua Reynolds' contemporary John Bampfylde, which imagines the pleasure of the shepherd at Christmas 'Who when his teeming flocks are homeward had,/ To blazing hearth repairs, and nutbrown beer'. The critic P.G. Hamerton described the print as 'one of the most thorough pieces of etched chiaroscuro in existence, the notes of light and dark being all faultlessly in tune, like the notes of a wellplayed melody'. Lettered as published in 'Samuel Palmer, A Memoir', by the artist's son A.H. Palmer (1882), in which he writes that it was one of his father's 'most successful plates'. Alexander 4 (iv of v). Stock: 35875

175. [The Herdsman's Cottage; or, Sunset.] Sunrise [ms]. S.P. [Samuel Palmer, etched 1850, this impression c.1872-80.] Etching with very large margins, platemark 125 x 105mm (5 x 4"). Slightly dusty in margins on left. £480

Sunset (ratheer than a sunriise, as it was often o thought tto have shown) by Samuel Paalmer (1805-8 81), a key figuure wer of William m in English Roomantic paintting and follow Blake. The critic P.G. Ham merton wrote of o the print: 'inn me pearl or diam mond withoutt a its own way, it is like som c thinggs flaw, but peaarls and diamoonds are very common upon the eartth in comparisson with etchiings of this quality'. blications This etching was published in three pub between 1872 and 1880, without w changees to the platee. i known to haave been The plate forr this etching is destroyed byy 1882. Alexannder 3 (ii of ii)). Stock: 35877

ompleted etchings (made affter he joined the t Etching co Club in 1850) are a consideredd some of his finest f T work recaalls the pastorral landscape acchievements. The off Palmer's earllier Shoreham m period. An im mpression of th he print is know wn which beaars an inscriptiion in Paalmer's hand from f 'L'Allegrro' by John Milton, thought to o be the sourcee for this subjeect: 'To hear the t lark begin hiis flight,/ And singing startlle the dull night,/ From his watch-towre w in the skies,/ Tilll the dappled d dawn doth risse'. Pu ublished in thee portfolio 'Ettchings for thee Art Union off London by th he Etching Clu lub' (1857). Allexander 2 (vvii of viii). Stock: 35874

['Thee Rising Moon', also known as 'An English Pastoral] 176.

Samuel Palm mer [1857] Etching on inndia, with veryy large margin ns, platemark 150 x 220mm m (6 x 8¾"). Slight S foxing lower l left around platem mark. Uncut sheet. Dusty at edges. £6220 Pastoral scenne by Samuel Palmer (1805-81), a key figure in Engglish Romanticc painting and d follower of William Blakke. When Palm mer made thiss print, it was the largest pllate he had etcched in his carreer. Accordinng to the artist's son A.H. Palm mer, the desig gn was first hind houses aat suggested byy bars of moonnlight seen beh Margate, whiile it also refeerences time sp pent by Palmeer in Shoreham m and Villa d'E Este. t Art Unionn Published in the portfolio 'Etchings for the of London byy the Etching Club' (1857). Alexander 4 (vii of ix). Stock: 35876

17 78. Silver Thames. T R. Redgrave 18 887. Ettching on indiia, very large m margins; plateemark 200 x 28 85mm (8 x 11¼"). £130 View V on the Th hames with a ppunt, sailing boats b and an ngler, executed by the paintter and arts ad dministrator Richard Redgraave (1804-88)) shortly beforre his death. Redgrave becam me a Royal Ac Academician in n 1851, and haaving focused upon the struuggles of the poor p in his eaarly work, moved towards llandscape them mes th hereafter. By the time thiss print was maade Redgrave was esssentially in reetirement, havving spent the second half off his career priimarily as an iinfluential artts educator an nd administrattor. Along witth Henry Colee he su upervised the South Kensing ngton Museum m (now the Victoria V & Albert Museum), organized thee British art seections for inteernational exhhibitions in Lo ondon and Paaris, and serveed as surveyorr of the queen n's pictures (w writing a 34-vo olume cataloggue of painting gs in the Royal Collectio on). He also w wrote an imporrtant history off British painting (1866). Inn this late etch hing he an nticipates the etching e revivaal which was gathering g momentum m at this time, and iin which view ws of the Th hames would be amongst thhe favoured su ubjects of its prractitioners. Stock: 35914

[The Su urvivers (sicc)] ['Just ho opeless on th he melancho oly main'] 17 79.

177. [The Skylark] Samuel Palm mer [etched 18850, this impreession 1857]. Etching on inndia with veryy large margin ns, platemark 120 x 100mm m (4¾ x 4"). Uncut U sheet. £6550 Rural morninng scene, an early work by Samuel Palmeer (1805-81), a key figure in English Romantic paintingg B Palmer's thirteen and followerr of William Blake.

Rich.d Redgrav ve / Etch Clubb [1844] Ettching on indiia, very large m margins; plateemark 105 x 14 40mm (4 x 5½ ½"). Proof befo fore additionall text added. £75 Fiive survivors of o a storm loook upon a less fortunate sh hipmate, in an illustration too a poem by Bishop B Jeeremy Taylor (1613-67). Onne of few etch hings by paainter and artss administratorr Richard Red dgrave (180488 8). In 1837 Reedgrave was a founding member of the Ettching Club, under u whose aauspices this print p was pu ublished in 18 844. Kathryn M Moore Heleniak (DNB) writes w that: 'it was w in the 18440s that Redgrrave producedd hiis most memorable paintinggs, 'lessons of philanthropicc ap ppeal on behallf of the oppreessed and miserable', and th his print, like many m of his w works in this peeriod, draws atttention to the perils and triaals facing hum manity. In n later years Redgrave R paintted less and beecame an in nfluential arts educator and administrator, working

with museums, international exhibitions, writing books and becoming surveyor of the queen's pictures. Stock: 35911

180. Falstaff & The Merry Wives of Windsor. Pub.d Aug.t 1813. Mezzotint with large margins. Part printed in colour with additional hand colouring, very fine. Platemark: 555 x 450mm (23¾ x 17¾"). Light creases to sheet. Small ink stain in title area. Small scuff to prnted area. £450 A scene from Shakspeare's The Merry Wives of Windsor'. Falstaff as Herne the Hunter, with stag's horns on head, standing beside Mrs Page and Mrs Ford, in the dense woodland of Windsor Forest, in front of 'Herne's Oak'. The faces of a procession of three fairies can be seen in the background to the right. Ex collection of Christopher Lennox-Boyd. Stock: 36643

181. Around my Fire an evening group to draw, And tell of all I felt and all I saw.

E. Martin inv.t. J. Fred.k Martin Sculp.t. Publish'd as the Act directs 1778. No. 8 Leicester Street, Leicester Square, London. Etching printed in brown ink, large margins. On watermarked paper. Platemark: 175 x 200mm (7 x 8"). £160 An interior scene. A group are gathered around a large roaring fire, listening to a gentleman speaking about his life. Two small children and two dogs are sat on the floor, with a number of adults sat around them. Books, paintings, a mirror, and a bust on a plinth, furnish the room. The title of the print is taken from the poem, 'The Deserted Village' by Oliver Goldsmith (1730 - 1774), published in 1770. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770. After Elias Martin, engraved by his younger brother, Johann Frederick (1745-1808). Stock: 36348

Miilton's Paradiise Losst illusttrated by b Joh hn Marrtin

Book k 2, Line 1. [Satan [ presiding at the Infernal Coouncil] Prooof. 182.

Designed & E Engraved by J. J Martin Esq..r. J. Martin. 1824 [inscribbed in plate]. London L Publisshed by Septimus Proowett, 23 Old Bond Street. 1825. Mezzotint. P Proof impressioon. Fine impression. ( x 13¾"); sheet s size: 3188 Platemark: 255 x 350mm (10 L margins. £15000 x 426mm (122½ x 16 ¾"). Large Satan presidiing at the Infeernal Council; Satan, with hhis right arm raissed, sitting onn a throne set on o a sphere, raised in the centre of a buuilding crowdeed with rebel b rings of ligh ht. One of angels on tierred seats, lit by Martin's finest mezzotints.. Fully letteredd proof impresssion. From a series of prinnts illustrating Joohn Milton's (1608–1674) ( 'Paradise Lostt', first publisheed in 1667, consisting of ten n books with over ten thouusand lines of verse. The po oem concerns the Biblical sstory of the Faall of Man, thee temptation oof Adam and Evve by the falleen angel Satan n and their expulsion froom the Gardenn of Eden. Beg gun by early 1824, this serries of engravvings was the result r of a comission froom a little knoown American n publisher Septimus Proowett, who appproached Marrtin to produc e mezzotint illuustrations to accompany a an n issue of Milton's text. Prowett's puublication was released in foour different prooof forms; this print is from the 'Imperial Folio Editionn' but not bounnd up at publication time. Balston 94. ((a) 4. CW: 300 Stock: 36909

Book k 10, Line 1008. [Adam hearing h the voice of thee Almighty] Proof. 183.

Designed & E Engraved by J. J Martin Esq..r. Printed by J. Lahee. Published by Septimus Prowett, 62 Paternosteer Row. 1826. Proof impressioon. Fine impression. Mezzotint. P ( x 13¾"); sheet s size: 3188 Platemark: 255 x 350mm (10 L margins. Light foxinng. x 426mm (122½ x 16 ¾"). Large £5550 y; Adam and Adam hearinng the voice off the Almighty Eve coweringg in the depthhs of a forest, Adam A claspinng his hands toggether and cranning his head up and away from the lighht which strikees through thee branches on the left, ashaamed when he hears the voicce of God. Evve

bo owing her heaad, covering he herself with heer hair and leeaves. Fu ully lettered proof impressioon. From a seeries of prints illlustrating John n Milton's (16608–1674) 'Paaradise Lost', firrst published in i 1667, consiisting of ten books b with ov ver ten thousaand lines of veerse. The poem m concerns th he Biblical story of the Fall of Man, the teemptation of Adam A and Eve by the fallen aangel Satan an nd their ex xpulsion from the Garden oof Eden. Begun n by early 18 824, this series of engravinggs was the ressult of a co omission from m a little know wn American publisher p Seeptimus Prowett, who approoached Martin n to produce mezzotint m illusttrations to acccompany an isssue of Milton's M text. Prowett's publiication was released in fourr diifferent proof forms; this prrint is from thee 'Imperial Fo olio Edition' but b not bound up at publicattion time. Ba alston 94. (a) 4. CW: 44. Stock: 36903

18 84. Book 5, Line 136. [[Paradise - Adam A and Eve E - The Mo orning Hym mn] Proof. Designed D & En ngraved by J. M Martin Esq.r. Printed by J. Laahee. Publisheed 1825 by Seeptimus Proweett, 23 Old Bond Street. Mezzotint. M Proo of impressionn. Fine impresssion; T. Dupuy D watermaark. Platemarkk: 255 x 350m mm (10 x 13 3¾"); sheet sizze: 318 x 426m mm (12½ x 16 ¾"). Large margins. m Light foxing. £900 Paaradise - Adam m and Eve - T The Morning Hymn; H a view w off Paradise, witth a lake in the he centre, treess on the op pposite bank, surrounded byy woods behin nd. Swans aree seeen on the watter, preparing to fly, with Adam A and Eve to o the left, bowing in prayer, as sunlight brreaks across th he horizon. Fu ully lettered proof impressioon. From a seeries of prints illlustrating John n Milton's (16608–1674) 'Paaradise Lost', firrst published in i 1667, consiisting of ten books b with ov ver ten thousaand lines of veerse. The poem m concerns th he Biblical story of the Fall of Man, the teemptation of Adam A and Eve by the fallen aangel Satan an nd their ex xpulsion from the Garden oof Eden. Begun n by early 18 824, this series of engravinggs was the ressult of a co omission from m a little know wn American publisher p Seeptimus Prowett, who approoached Martin n to produce mezzotint m illusttrations to acccompany an isssue of Milton's M text. Prowett's publiication was released in fourr diifferent proof forms; this prrint is from thee 'Imperial Fo olio Edition' but b not bound up at publicattion time. Ba alston 94. (a) 4. CW: 38 Stock: 36917

th he Biblical story of the Fall of Man, the teemptation of Adam A and Eve by the fallen aangel Satan an nd their ex xpulsion from the Garden oof Eden. Begun n by early 18 824, this series of engravinggs was the ressult of a co omission from m a little know wn American publisher p Seeptimus Prowett, who approoached Martin n to produce mezzotint m illusttrations to acccompany an isssue of Milton's M text. Prowett's publiication was released in fourr diifferent proof forms; this prrint is from thee 'Imperial Fo olio Edition' but b not bound up at publicattion time. Ba alston 94. (a) 4. CW: 48. Stock: 36899

Book k 1, Line 1922. 9 [Satan on o the Burning Laake] Proof. 185.

Designed & E Engraved by J. J Martin Esq..r. Printed by Chatfield & cco. Published by Septimus Prowett, 62 Paternoster R Row. 1825. Mezzotint. P Proof impressioon. Fine impression. ( x 13¾"); sheet s size: 3188 Platemark: 255 x 350mm (10 L margins. £15000 x 426mm (122½ x 16 ¾"). Large Satan on the Burning Lakee; a fantastic image depictinng s supportiing himself onn Satan, with a helmet and spear, his shield, roolling on the fiiery waves of a burning lakke flowing amonng the rocks in i a dark caverrn, looking towards Beellzebub who fllounders besid de him. Fully letteredd proof impresssion. From a series of prinnts illustrating Joohn Milton's (1608–1674) ( 'Paradise Lostt', first publisheed in 1667, consisting of ten n books with over ten thouusand lines of verse. The po oem concerns the Biblical sstory of the Faall of Man, thee temptation oof Adam and Evve by the falleen angel Satan n and their expulsion froom the Gardenn of Eden. Beg gun by early 1824, this serries of engravvings was the result r of a comission froom a little knoown American n publisher Septimus Proowett, who appproached Marrtin to produc e mezzotint illuustrations to accompany a an n issue of Milton's text. Prowett's puublication was released in foour different prooof forms; this print is from the 'Imperial Folio Editionn' but not bounnd up at publication time. Balston 94. ((a) 4. CW: 27

18 87. Book 5, Line 308. [Paradise - with the Approach A of the Archanngel Raphaell] Proof. Designed D & En ngraved by J. M Martin Esq.r. Printed by J. Laahee. Publisheed 1825 by Seeptimus Proweett, 23 Old Bond Street. Mezzotint. M Proo of impressionn. Fine impresssion. Pllatemark: 255 x 350mm (100 x 13¾") sheeet size: 318 x 426mm (12½ ½ x 16 ¾"). Lar arge margins. Light L foxing n margins. in £750 Paaradise - with the Approachh of the Archaangel Raphael; a scen ne in the Gardden of Eden, with w Adam an nd Eve pointin ng towards thee Archangel visible v am mongst the treees in the distaance. Fu ully lettered proof impressioon. From a seeries of prints illlustrating John n Milton's (16608–1674) 'Paaradise Lost', firrst published in i 1667, consiisting of ten books b with ov ver ten thousaand lines of veerse. The poem m concerns th he Biblical story of the Fall of Man, the teemptation of Adam A and Eve by the fallen aangel Satan an nd their ex xpulsion from the Garden oof Eden. Begun n by early 18 824, this series of engravinggs was the ressult of a co omission from m a little know wn American publisher p Seeptimus Prowett, who approoached Martin n to produce mezzotint m illusttrations to acccompany an isssue of Milton's M text. Prowett's publiication was released in fourr diifferent proof forms; this prrint is from thee 'Imperial Fo olio Edition' but b not boundd up at publicaation time. Ba alston 94. (a) 4. CW: 39. Stock: 36918

Stock: 36905

Book 10, Line 312 & 347. [Briidge over Chaos] C Prooff. 18 88.

Book k 11, Line 2226. [ The ap pproach of th he Archangel Michael] Prroof. 186.

Designed & E Engraved by J. J Martin Esq..r. Printed by Chatfield & cco. Published by Septimus Prowett, 62 Paternoster R Row. 1826. Mezzotint. P Proof impressioon. Fine impression. ( x 13¾"); sheet s size: 3188 Platemark: 255 x 350mm (10 L marginss. Light foxingg. x 426mm (122½ x 16¾"). Large £4880 The approachh of the Archaangel Michaell; Adam and Eve, clothed in animal skinns, are seen sttanding in Paradise. Addam holds Evee by the arm ass they look towards a ligght breaking behind a tree covered mountain in tthe distance too the right, heeralding the approach of tthe archangel.. Fully letteredd proof impresssion. From a series of prinnts illustrating Joohn Milton's (1608–1674) ( 'Paradise Lostt', first publisheed in 1667, consisting of ten n books with over ten thouusand lines of verse. The po oem concerns

Designed D & En ngraved by J. M Martin Esq.r. Printed by Chatfield & co.. Published byy Septimus Prowett, 62 w. 1826. Paaternoster Row Mezzotint. M Proo of impressionn. Fine impresssion. Pllatemark: 255 x 350mm (100 x 13¾"); sheeet size: 318 x 426mm (12½ ½ x 16 ¾"). Lar arge margins. Light L foxing n margins. in £1500 Bridge over Ch haos; a powerfful and mysterrious image nderworld, coonsidered Marrtin's finest deepicting the un mezzotint. m A brridge is suspennded over the bottomless ab byss of Chaos, with the figuures of Satan, Sin and Death D looking in i awe of this new creation. Fu ully lettered proof impressioon. From a seeries of prints illlustrating John n Milton's (16608–1674) 'Paaradise Lost', firrst published in i 1667, consiisting of ten books b with ov ver ten thousaand lines of veerse. The poem m concerns th he Biblical story of the Fall of Man, the teemptation of Adam A and Eve by the fallen aangel Satan an nd their ex xpulsion from the Garden oof Eden. Begun n by early

1824, this serries of engravvings was the result r of a comission froom a little knoown American n publisher Septimus Proowett, who appproached Marrtin to produc e mezzotint illuustrations to accompany a an n issue of Milton's text. Prowett's puublication was released in foour different prooof forms; this print is from the 'Imperial Folio Editionn' but not bounnd up at publication time. Balston 94. ((a) 4. CW: 45 Stock: 36902

Book k 1, Line 3144. [Satan aro ousing the fallen Angeels] Proof. 189.

Designed & E Engraved by J. J Martin Esq..r. Printed by Chatfield & C Coleman. Lonndon Publisheed by Septimuus Prowett, 23 O Old Bond Streeet. [1825.] Mezzotint. P Proof impressioon. Fine impression. ( x 13¾") sheet size: 3188 x Platemark: 255 x 350mm (10 ½ x 16 ¾"). Laarge margins. £15000 426mm (12½ Satan arousinng the fallen Angels; A Satan on the right, iis seen holding his spear withh his arms raised, standing on a cliff overhaanging the burrning lake in a cavern of heell, rousing the ffallen angels below, b one of Martin's M finesst mezzotints. Fully letteredd proof impresssion. From a series of prinnts illustrating Joohn Milton's (1608–1674) ( 'Paradise Lostt', first publisheed in 1667, consisting of ten n books with over ten thouusand lines of verse. The po oem concerns the Biblical sstory of the Faall of Man, thee temptation oof Adam and Evve by the falleen angel Satan n and their expulsion froom the Gardenn of Eden. Beg gun by early 1824, this serries of engravvings was the result r of a comission froom a little knoown American n publisher

Fo olio Edition' but b not bound up at publicattion time. Ba alston 94. (a) 4. CW: 28 Stock: 36907

Book 7, Line 339. [Creation of o Light] Proof. 19 90.

Designed D & En ngraved by J. M Martin Esq.r. Printed by Charfield & Co oleman. Londoon Published by b Septimus d Bond Street.. 1825. Prrowett, 23 Old Mezzotint. M Proo of impressionn. Fine impresssion. Pllatemark: 255 x 350mm (100 x 13¾"); sh heet size: 318 x 426mm (12½ ½ x 16 ¾"). Lar arge margins. Foxing.£1500 F 0 ght; a dramaticc image of Go od dividing Creation of Lig h image seenn in the sky ab bove the sea. niight and day, his Martin M exhibiteed a large oil ppainting of thiis subject en ntitled 'The Crreation' at the Society of Brritsh Artists inn 18 825. Fu ully lettered proof impressioon. From a seeries of prints illlustrating John n Milton's (16608–1674) 'Paaradise Lost', firrst published in i 1667, consiisting of ten books b with ov ver ten thousaand lines of veerse. The poem m concerns th he Biblical story of the Fall of Man, the teemptation of Adam A and Eve by the fallen aangel Satan an nd their ex xpulsion from the Garden oof Eden. Begun n by early 18 824, this series of engravinggs was the ressult of a co omission from m a little know wn American publisher p Seeptimus Prowett, who approoached Martin n to produce mezzotint m illusttrations to acccompany an isssue of Milton's M text. Prowett's publiication was released in fourr diifferent proof forms; this prrint is from thee 'Imperial Fo olio Edition' but b not bound up at publicattion time. Ba alston 94. (a) 4. CW: 41. Stock: 36919

Book 3, Line 365. [The Courtts of God] Proof. 19 91.

Septimus Proowett, who appproached Marrtin to produc e mezzotint illuustrations to accompany a an n issue of Milton's text. Prowett's puublication was released in foour different prooof forms; this print is from the 'Imperial

Designed D & En ngraved by J. M Martin Esq.r. Printed by Chatfield & Co o. London Pubblished by Sep ptimus d Bond Street.. 1825. Prrowett, 23 Old Mezzotint. M Proo of impressionn. Fine impresssion. Pllatemark: 255 x 350mm (100 x 13¾") sheet size: 318 x 42 26mm (12½ x 16 ¾"). Largge margins. Sm mall rust spot in n lower right corner. c £1500 Th he Courts of God; G A city, seeen above an open court su urrounded by colonnades, c fu full of angels, with several in n the foregroun nd. Two are fa facing each oth her, playing haarps. Fu ully lettered proof impressioon. From a seeries of prints illlustrating John n Milton's (16608–1674) 'Paaradise Lost', firrst published in i 1667, consiisting of ten books b with ov ver ten thousaand lines of veerse. The poem m concerns th he Biblical story of the Fall of Man, the teemptation of Adam A and Eve by the fallen aangel Satan an nd their ex xpulsion from the Garden oof Eden. Begun n by early 18 824, this series of engravinggs was the ressult of a co omission from m a little know wn American publisher p Seeptimus Prowett, who approoached Martin n to produce mezzotint m illusttrations to acccompany an isssue of Milton's M text. Prowett's publiication was released in fourr diifferent proof forms; this prrint is from thee 'Imperial Fo olio Edition' but b not bound up at publicattion time. Ba alston 94. (a) 4. CW: 32 Stock: 36912

ve at the Foun ntain; Eve stannding at the ed dge of a pool, Ev diipping one toee in the water, raising her haand to her heead, surprised as she discovvers her reflection. In a laandscape with banks of wildd, overhanging g trees. Fu ully lettered proof impressioon. From a seeries of prints illlustrating John n Milton's (16608–1674) 'Paaradise Lost', firrst published in i 1667, consiisting of ten books b with ov ver ten thousaand lines of veerse. The poem m concerns th he Biblical story of the Fall of Man, the teemptation of Adam A and Eve by the fallen aangel Satan an nd their ex xpulsion from the Garden oof Eden. Begun n by early 18 824, this series of engravinggs was the ressult of a co omission from m a little know wn American publisher p Seeptimus Prowett, who approoached Martin n to produce mezzotint m illusttrations to acccompany an isssue of Milton's M text. Prowett's publiication was released in fourr diifferent proof forms; this prrint is from thee 'Imperial Fo olio Edition' but b not bound up at publicattion time. Ba alston 94. (a) 4. CW: 34. Stock: 36913

Book 3, Line 501. [Satan view wing the asscent into Heaven] H Prooof. 19 94.

Book k 1, Line 44. [The fall off the Rebel Angels] Prooof. 192.

Designed & E Engraved by J. J Martin Esq..r. London Published byy Septimus Proowett, 23 Old Bond Street. 1825. Proof impressioon. Fine impression. Mezzotint. P ( x 13¾"); sheet s size: 3188 Platemark: 255 x 350mm (10 ns. £15000 x 426mm (122½ x 16 ¾").. Large margin The fall of thhe Rebel Angeels; a fantasticc image of helll showing inside of a chasm m, into which flee f rebel ying with a staaff angels. A figgure in the cenntre is seen fly in one hand, holding his shhield above hiis head with hhis left arm. Fully letteredd proof impresssion. From a series of prinnts illustrating Joohn Milton's (1608–1674) ( 'Paradise Lostt', first publisheed in 1667, consisting of ten n books with over ten thouusand lines of verse. The po oem concerns the Biblical sstory of the Faall of Man, thee temptation oof Adam and Evve by the falleen angel Satan n and their expulsion froom the Gardenn of Eden. Beg gun by early 1824, this serries of engravvings was the result r of a comission froom a little knoown American n publisher Septimus Proowett, who appproached Marrtin to produc e mezzotint illuustrations to accompany a an n issue of Milton's text. Prowett's puublication was released in foour different prooof forms; this print is from the 'Imperial Folio Editionn' but not bounnd up at publication time. Balston 94. ((a) 4. CW: 266

Designed D & En ngraved by J. M Martin Esq.r. Printed by Chatfield & Co o. London Pubblished by Sep ptimus d Bond Street.. 1825. Prrowett, 23 Old Mezzotint. M Proo of impressionn. Fine impresssion. Pllatemark: 255 x 350mm (100 x 13¾"); sheeet size: 318 x 426mm (12½ ½ x 16 ¾"). Lar arge margins. £1500 t ascent intoo Heaven; Sattan, seen Saatan viewing the crrouching on daark rocks on tthe left, holdin ng his spear in n his left hand,, looking backk over his shou ulder towardss a broad staircasse rising towarrds the shining gates of Heaven, H where angels ascendd. One of Maartin's finest mezzotints. m Fu ully lettered proof impressioon. From a seeries of prints illlustrating John n Milton's (16608–1674) 'Paaradise Lost', firrst published in i 1667, consiisting of ten books b with ov ver ten thousaand lines of veerse. The poem m concerns th he Biblical story of the Fall of Man, the teemptation of Adam A and Eve by the fallen aangel Satan an nd their ex xpulsion from the Garden oof Eden. Begun n by early 18 824, this series of engravinggs was the ressult of a co omission from m a little know wn American publisher p Seeptimus Prowett, who approoached Martin n to produce mezzotint m illusttrations to acccompany an isssue of Milton's M text. Prowett's publiication was released in fourr diifferent proof forms; this prrint is from thee 'Imperial Fo olio Edition' but b not bound up at publicattion time. Ba alston 94. (a) 4. CW: 33 Stock: 36911

Stock: 36906

19 95. Book 4, Line 502. [Satan conttemplating Adam A and Ev ve in Paradiise] Proof.

Book k 4, Line 4533. [Eve at th he Fountain]] Proof.

Designed D & En ngraved by J. M Martin Esq.r. Printed by Chatfield & Co o. London Pubblished by Sep ptimus d Bond Street.. 1825. Prrowett, 23 Old Mezzotint. M Proo of impressionn. Fine impresssion. Pllatemark: 255 x 350mm (100 x 13¾"); sheeet size: 318 x 426mm (12½ ½ x 16 ¾"). Lar arge margins. Foxing. F £750 Saatan contempllating Adam aand Eve in Parradise; Adam an nd Eve sitting together on thhe left, watcheed by Satan who w hides behind a tall tree iin the right forreground, in

193.

Designed & E Engraved by J. J Martin Esq..r. Printed by J. Lahee. London Published by Septimus Prowett, P 23 O Old Bond Street. 1826. Proof impressioon. Fine impression. Mezzotint. P ( x 13¾") sheet size: 3188 x Platemark: 255 x 350mm (10 ½ x 16 ¾"). Laarge margins. £8550 426mm (12½

a landscape w with banks of trees on eitheer side and a valley in the centre. Fully letteredd proof impresssion. From a series of prinnts illustrating Joohn Milton's (1608–1674) ( 'Paradise Lostt', first publisheed in 1667, consisting of ten n books with over ten thouusand lines of verse. The po oem concerns the Biblical sstory of the Faall of Man, thee temptation oof Adam and Evve by the falleen angel Satan n and their expulsion froom the Gardenn of Eden. Beg gun by early 1824, this serries of engravvings was the result r of a comission froom a little knoown American n publisher Septimus Proowett, who appproached Marrtin to produc e mezzotint illuustrations to accompany a an n issue of Milton's text. Prowett's puublication was released in foour different prooof forms; this print is from the 'Imperial Folio Editionn' but not bounnd up at publication time. Balston 94. ((a) 4. CW: 355 Stock: 36914

Book k 5, Line 5199. [Raphael conversing with Adam m and Eve] Proof. P 196.

Designed & E Engraved by J. J Martin Esq..r. London Published byy Septimus Proowett, 23 Old Bond Street. 1826. Proof impressioon, extremely y rare. Fine Mezzotint. P Platemark: 255 x 350mm (1 10 x 13¾"); impression. P sheet size: 3118 x 426mm (12½ ( x 16 ¾")). Large margins. Veery slight wrinnkling in centrre. £15000 Raphael convversing with Adam A and Evee; the Archangel R Raphael sitting with Adam and a Eve, gesturing as hhe talks to theem, at the mou uth of a mossyy cave in lowerr left, with talll trees on the higher groundd above. It apppears that no 'fformal' lettered proofs weree issued of thiss mezzotint annd only a very y few impressions w with the scratched 'proof', such s as this example, seeem to have beeen pulled. Fully letteredd proof impresssion. From a series of prinnts illustrating Joohn Milton's (1608–1674) ( 'Paradise Lostt', first publisheed in 1667, consisting of ten n books with over ten thouusand lines of verse. The po oem concerns the Biblical sstory of the Faall of Man, thee temptation oof Adam and Evve by the falleen angel Satan n and their expulsion froom the Gardenn of Eden. Beg gun by early 1824, this serries of engravvings was the result r of a comission froom a little knoown American n publisher Septimus Proowett, who appproached Marrtin to produc e mezzotint illuustrations to accompany a an n issue of Milton's text. Prowett's puublication was released in foour different prooof forms; this print is from the 'Imperial Folio Editionn' but not bounnd up at publication time. Balston 94. ((a) 4. CW: 400 Stock: 36921

Book 12, Line 641.. [Adam and d Eve drriven out off Paradise] P Proof. 19 97.

Designed D & En ngraved by J. M Martin Esq.r. Printed by J. Laahee. Publisheed by Septimuus Prowett, 62 2 Paternoster Row. 1827. Mezzotint. M Proo of impressionn. Fine impresssion. Pllatemark: 255 x 350mm (100 x 13¾"); sheeet size: 318 x 426mm (12½ ½ x 16 ¾"). Laarge margins. Light foxing. he conclusion n to 'Paradise L Lost': "Adam and Eve Th drriven out of Paaradise". The figures are seeen in wilderness w on a rocky path at the lower rig ght of the sccene. The etheereal light of E Eden is visiblee between ro ocks behind th hem. Broodingg skies are seeen in the diistance, in the valley are two wo dinosaurs. Fu ully lettered proof impressioon. From a seeries of prints illlustrating John n Milton's (16608–1674) 'Paaradise Lost', firrst published in i 1667, consiisting of ten books b with ov ver ten thousaand lines of veerse. The poem m concerns th he Biblical story of the Fall of Man, the teemptation of Adam A and Eve by the fallen aangel Satan an nd their ex xpulsion from the Garden oof Eden. Begun n by early 18 824, this series of engravinggs was the ressult of a co omission from m a little know wn American publisher p Seeptimus Prowett, who approoached Martin n to produce mezzotint m illusttrations to acccompany an isssue of Milton's M text. Prowett's publiication was released in fourr diifferent proof forms; this prrint is from thee 'Imperial Fo olio Edition' but b not bound up at publicattion time. Ba alston 94. (a) 4. CW: 49 Stock: 36898

19 98. Book 1, Line 710. [[Pandemoniium] Proof. Designed D & En ngraved by J. M Martin Esq.r. J. Martin. 18 824 [inscribed d in plate]. Lonndon Publisheed by Seeptimus Prowett, 23 Old Boond Street. 1825. Mezzotint. M Proo of impressionn. Fine impresssion. Pllatemark: 255 x 350mm (100 x 13¾") sheet size: 318 x 42 26mm (12½ x 16 ¾"). Largge margins. Light foxing. £1500 Paandemonium; Satan standinng on a cliff in n the fo oreground, hollding his spear ar, addressing hordes of reebel angels asssembled on thhe rocks below w him, geesturing with his h right handd towards the city c of paandemonium, with a dome llooming in the darkness beehind thick, fo ortified walls. One of Martin's finest im mages. An opp posing illustraation to Heaveen, The Rivers of Bliss (CW: 47); Reef: 36900. Fu ully lettered proof impressioon. From a seeries of prints illlustrating John n Milton's (16608–1674) 'Paaradise Lost', firrst published in i 1667, consiisting of ten books b with

over ten thousand lines of verse. The poem concerns the Biblical story of the Fall of Man, the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Begun by early 1824, this series of engravings was the result of a comission from a little known American publisher Septimus Prowett, who approached Martin to produce mezzotint illustrations to accompany an issue of Milton's text. Prowett's publication was released in four different proof forms; this print is from the 'Imperial Folio Edition' but not bound up at publication time. Balston 94. (a) 4. CW: 29 Stock: 36908

first published in 1667, consisting of ten books with over ten thousand lines of verse. The poem concerns the Biblical story of the Fall of Man, the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Begun by early 1824, this series of engravings was the result of a comission from a little known American publisher Septimus Prowett, who approached Martin to produce mezzotint illustrations to accompany an issue of Milton's text. Prowett's publication was released in four different proof forms; this print is from the 'Imperial Folio Edition' but not bound up at publication time. Balston 94. (a) 4. CW: 47. Stock: 36900

Book 2, Line 727. [The conflict between Satan and Death] Proof. 199.

Designed & Engraved by J. Martin Esq.r. Printed by Chatfield & Coleman. London Published by Septimus Prowett, 23 Old Bond Street. 1825. Mezzotint. Proof impression. Fine impression. Platemark: 255 x 350mm (10 x 13¾") sheet size: 318 x 426mm (12½ x 16 ¾"). Large margins. £1500 The conflict between Satan and Death; Satan at the gates of Hell, standing on the left with his spear poised to strike Death, a dark monstrous figure, of whom only the crown, eyes, claw and spear are visible, while Sin, rushes between them with her arms outstretched, to stop Satan attacking his son. Fully lettered proof impression. From a series of prints illustrating John Milton's (1608–1674) 'Paradise Lost', first published in 1667, consisting of ten books with over ten thousand lines of verse. The poem concerns the Biblical story of the Fall of Man, the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Begun by early 1824, this series of engravings was the result of a comission from a little known American publisher Septimus Prowett, who approached Martin to produce mezzotint illustrations to accompany an issue of Milton's text. Prowett's publication was released in four different proof forms; this print is from the 'Imperial Folio Edition' but not bound up at publication time. Balston 94. (a) 4. CW: 31 Stock: 36910

200. Book 11, Line 78. [Heaven, The Rivers of Bliss] Proof. Designed & Engraved by J. Martin Esq.r. Printed by Chatfield & co. Published by Septimus Prowett, 62 Paternoster Row. 1825. Mezzotint. Proof impression. Fine impression. Platemark: 255 x 350mm (10 x 14"); sheet size: 318 x 426mm (12 x 16"). Large margins. Light foxing. £1150 Heaven, The Rivers of Bliss; A trumpet has been sounded in Heaven to call the angels to witness a proclamation from God. Two angels, one playing a harp, the other, a trumpet, are seen on a rock in the foreground, with a lake surrounded by trees and hills behind, wiith groups of angels on the banks. An opposing illustration to Pandemonium (CW: 29) Ref: 36908. Fully lettered proof impression. From a series of prints illustrating John Milton's (1608–1674) 'Paradise Lost',

201. Book 9, Line 780. [Satan tempting Eve] Proof. Designed & Engraved by J. Martin Esq.r. London Published by Septimus Prowett, 23 Old Bond Street. 1826. Mezzotint. Proof impression, extremely rare. Fine impression. Platemark: 255 x 350mm (10 x 13¾") sheet size: 318 x 426mm (12½ x 16 ¾"). Remainder of Printer's name in right of title area very faint. £1500 Satan tempting Eve; Eve standing under a tree at the edge of a pool, reaching up with one hand to hold a bough, around which Satan, disguised as a serpent, is entwined, holding an apple in the other, listening to the snake. An early proof impressions such as this example, is considered amongst the most beautiful and atmospheric of Martin's 'Paradise Lost' mezzotints. It appears that no 'formal' lettered proofs were issued of this mezzotint and only a very few impressions with the scratched 'proof', such as this example, seem to have been pulled. Fully lettered proof impression. From a series of prints illustrating John Milton's (1608–1674) 'Paradise Lost', first published in 1667, consisting of ten books with over ten thousand lines of verse. The poem concerns the Biblical story of the Fall of Man, the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Begun by early 1824, this series of engravings was the result of a comission from a little known American publisher Septimus Prowett, who approached Martin to produce mezzotint illustrations to accompany an issue of Milton's text. Prowett's publication was released in four different proof forms; this print is from the 'Imperial Folio Edition' but not bound up at publication time. Balston 94. (a) 4. CW: 42. Stock: 36920

18 824, this series of engravinggs was the ressult of a co omission from m a little know wn American publisher p Seeptimus Prowett, who approoached Martin n to produce mezzotint m illusttrations to acccompany an isssue of Milton's M text. Prowett's publiication was released in fourr diifferent proof forms; this prrint is from thee 'Imperial Fo olio Edition' but b not bound up at publicattion time. Ba alston 94. (a) 4. CW: 46 Stock: 36901

Book 4, Line 866. [The Angels guarding Paradise at night] n Proof.. 20 04.

Book k 4, Line 8133 [Eve's Dreeam. Satan aroused] Prroof. 202.

Designed & E Engraved by J. J Martin Esq..r. Printed by Chatfield & C Co. London Published P by Septimus S Prowett, 23 O Old Bond Streeet. 1825. Mezzotint. P Proof impressioon. Fine impression. ( x 13¾") sheet size: 3188 x Platemark: 255 x 350mm (10 ½ x 16 ¾"). Laarge margins. Foxing. £12550 426mm (12½ Eve's Dream m. Satan arouseed; Satan, with h his shield raised behindd his head, graasping his spear, opposite Ithuriel, whoo stands on thee left with Zep phon, while Adam and Evve sleep in thee background.. Fully letteredd proof impresssion. From a series of prinnts illustrating Joohn Milton's (1608–1674) ( 'Paradise Lostt', first publisheed in 1667, consisting of ten n books with over ten thouusand lines of verse. The po oem concerns the Biblical sstory of the Faall of Man, thee temptation oof Adam and Evve by the falleen angel Satan n and their expulsion froom the Gardenn of Eden. Beg gun by early 1824, this serries of engravvings was the result r of a comission froom a little knoown American n publisher Septimus Proowett, who appproached Marrtin to produc e mezzotint illuustrations to accompany a an n issue of Milton's text. Prowett's puublication was released in foour different prooof forms; this print is from the 'Imperial Folio Editionn' but not bounnd up at publication time. Balston 94. ((a) 4. CW: 366. Stock: 36915

Designed D & En ngraved by J. M Martin Esq.r. Printed by J. Laahee. London Published byy Septimus Pro owett, 23 Old Bond Street. 18 826. Mezzotint. M Proo of impressionn. Fine impresssion. Pllatemark: 255 x 350mm (100 x 13¾"); sheeet size: 318 x 426mm (12½ ½ x 16 ¾"). Lar arge margins. Light L foxing n margins. in £750 Th he Angels guaarding Paradisse at night; an n angel with a heelmet and speaar standing onn a clifftop, sh hining with lig ght in the dark kness, with sev everal smaller spirits arround it, keepiing watch, witth Paradise beelow, the moon m and stars above and a ssmall patch off light among th he trees where other angels kkeep watch on n land, to the lo ower left. Fu ully lettered proof impressioon. From a seeries of prints illlustrating John n Milton's (16608–1674) 'Paaradise Lost', firrst published in i 1667, consiisting of ten books b with ov ver ten thousaand lines of veerse. The poem m concerns th he Biblical story of the Fall of Man, the teemptation of Adam A and Eve by the fallen aangel Satan an nd their ex xpulsion from the Garden oof Eden. Begun n by early 18 824, this series of engravinggs was the ressult of a co omission from m a little know wn American publisher p Seeptimus Prowett, who approoached Martin n to produce mezzotint m illusttrations to acccompany an isssue of Milton's M text. Prowett's publiication was released in fourr diifferent proof forms; this prrint is from thee 'Imperial Fo olio Edition' but b not bound up at publicattion time. Ba alston 94. (a) 4. CW: 37. Stock: 36916

Book k 10, Line 8663. [Adam reproving Eve] Prooff. 203.

Designed & E Engraved by J. J Martin Esq..r. Printed by J. Lahee. Published by Septimus Prowett, 62 Paternosteer Row. 1826. Proof impressioon. Fine impression. Mezzotint. P ( x 13¾"); sheet s size: 3188 Platemark: 255 x 350mm (10 L margins. Light foxinng. x 426mm (122½ x 16 ¾"). Large £5550 n the left, Adam reprovving Eve; Adaam standing on clothed in annimal skins, is seen raising his h left arm ass he reproves E Eve, who kneeels in front off him, coveringg her face withh her hands annd hair. Fully letteredd proof impresssion. From a series of prinnts illustrating Joohn Milton's (1608–1674) ( 'Paradise Lostt', first publisheed in 1667, consisting of ten n books with over ten thouusand lines of verse. The po oem concerns the Biblical sstory of the Faall of Man, thee temptation oof Adam and Evve by the falleen angel Satan n and their expulsion froom the Gardenn of Eden. Beg gun by early

Book 9, Line 995. [Eve presen nting the fo orbidden fru uit to Adam]] Proof. 20 05.

Designed D & En ngraved by J. M Martin Esq.r. J. Martin 18 824 [inscribed d in plate]. Prin inted by J. Lah hee. Pu ublished 1827 7, by Septimuss Prowett, 62 Paternoster Row.

Mezzotint. Proof impression. Fine impression; T. Dupuy watermark. Platemark: 255 x 350mm (10 x 13¾"); sheet size: 318 x 426mm (12½ x 16 ¾"). Large margins. Light foxing. £550 Eve presenting the forbidden fruit to Adam; Eve, standing on the right with one hand on the bough of the tree, around which Satan, disguised as a serpent, is entwined, holding out an apple in the other to Adam, who sits on a rock under the tree. Fully lettered proof impression. From a series of prints illustrating John Milton's (1608–1674) 'Paradise Lost', first published in 1667, consisting of ten books with over ten thousand lines of verse. The poem concerns

the Biblical story of the Fall of Man, the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Begun by early 1824, this series of engravings was the result of a comission from a little known American publisher Septimus Prowett, who approached Martin to produce mezzotint illustrations to accompany an issue of Milton's text. Prowett's publication was released in four different proof forms; this print is from the 'Imperial Folio Edition' but not bound up at publication time. Balston 94. (a) 4. CW: 43. Stock: 36904

206. The Spell. [Anon.] London. Publish.d Jan.y 30 1783 by J. R. Smith. no. 83 Oxford Street. Stipple printed in brown ink, small margins. Platemark: 275 x 215mm (10¾ x 8½"). £160 An illustration to John Gay's 'The Spell'. The character of Hobnelia stands in the clearing of a woodland, looking down at the 'unbroken paring' or peel from the apple which lies on the ground behind her. She smiles and holds her hands open, realising the peel has formed the initial of her 'true love', Luberkin. Six lines of Gay's poem 'The Spell' are inscribed below. Stock: 36324

207. William and Margaret. Twas at the silent solemn hour when night and morning meet. In glided Margarets grimly ghost and stood and William's feet. Painted by J. Wright. Engraved by J. R. Smith. Mezzotint Engraver to His Royal Highness the Prince of Wales. London Publish'd April 12th - 1785 by J. R. Smith No. 31. King Street, Covent Garden. Mezzotint with large margins. Part printed in colour. Platemark: 450 x 545mm (17¾ x 21½"). £520 The ghost of Margaret stands on the left, wrapped in a sheet, holding up her left hand to frighten the man who deserted her, who sits up, terrfied, in his four-poster bed, raising the sheets above his head with his right arm. From the celebrated ballad in 'Piercies Reliques of Antient English Poetry Vol. 3 XVI', (1765) by Thomas Percy, Bishop of Dromore (1729 - 1811), the first of the great ballad collections, which was responsible for the ballad revival in English poetry that was a significant part of the Romantic movement. Ex collection of Christopher Lennox-Boyd. State II of III. Frankau: 377; D' Oench: 257 I of II; Clayton 1990: pg 26. Stock: 36644

208. A Collection of Favorite Anthems, Services &c. in Score, Selected from the Works of Drs. Nares, Clarke, Stevens, Pratt and other eminent composers [in image] No.11 [in ink] G.B. Cipriani inv. / F. Bartolozzi sculp aqua fortis London, Published by Coventry & Hollier, 71, Dean Street, Soho. Ent. Sta. Hall. Price 4/Etching printed in brown, sheet 320 x 230mm (12½ x 9"). Trimmed inside platemark. £120 Frontispiece to a volume of music, probably a late state. The plate was likely used originally for another purpose, with the plate later altered and the new text added. Stock: 35961

209. [Woman mourning and embracing a tomb in the form of a pot] G.B. Cipriani inv. / F. Bartolozzi sculp. Published as the Act directs Nov. 20 1776 Etching, sheet 155 x 160mm (6 x 6¼"). Trimmed inside platemark; slight foxing. £70

Title page to 'Miscellaneous works of Ph. D. Stanhope, Earl of Chesterfield' (1777). In a later state this print was identified as Bathsheba mourning her husband Uriah. de Vesme 1694.2 Stock: 35960

210. Wisdom is the principal thing... The Explanation of the Frontispiece. [/] Wisdom casting forth the Rays of Learning and Knowledge over the Island of [/] Great Britain & Ireland and Britania on herright hand with and Angel [/] decending to her with a Crown of Laurel. [John Hinton, at the King's Arms in St. Paul's ChurchYard, London.1749.] Engraving. Sheet: 130 x 200mm, (5 x 8"). Some paper tone on left edge. £60 The figure of Wisdom stands holding a large book and an oil lamp while light radiates from her over a map of the British Isles. Frontispiece to 'The Universal Magazine' Vol IV, 1749. Stock: 36042

211. Boy & Dog. In the Collection of his Grace the Duke of Norfolk. B. Murillo Pinxit. Caroline Watson Sculpsit. Publish'd Sep.r 1st 1781 by John Boydell Engraver in Cheapside London. Stipple with very large margins. 230 x 180mm (9 x 7"). Uncut. £130 An oval portrait of a boy feeding his dog, after Spanish painter Bartolomé Esteban Murillo (1617-82). The engraver, Caroline Watson (1760-1814), was the daughter of James Watson: she was one of the few female print engravers and publishers of the period. Ex: Collection of The Hon. C. Lennox-Boyd. Stock: 36468

The History and Dscription, with Graphic Illustrations, of Cassiobury Park, Hertfordshire: The Seat of the Earl of Essex. 212.

By John Britton, F.S.A. London: Published by the Author, Burton Street. MDCCCXXXVII [1837]. Large folio, modern half calf gilt, new endpapers; pp. 32, 22 aquatint plates with wood engravings in the text. Frontis with repaired tear, all plates with some foxing. £550 First published 1816. Four of the plates are after paintings by Joseph Mallord William Turner (1775 1851) and six after Augustus Charles Pugin (1762– 1832), who were invited to sketch Cassiobury by the owner, George Capell-Coningsby, 5th Earl of Essex, in 1797. Rawlinson: 818-821. Stock: 37005

213. Scrap title. Published 1833 _ by Ackermann & Co. Strand. Aquatint with superb hand colour with gold highlights; 1830 J. Whatman watermarked paper. 305 x 245mm (12 x 9¾"). £120

A title page ffor a scrap albbum, with an architectural a caprice with a macaw, monkey, greyhou und, vase withh flowers, guitar and goldfissh bowl, with space in the middle for ann inscription. The colour is particularly fine. Stock: 35791

214. [Unu used visiting card of puttti.] [n.d., c.1780.] £995 Stipple, rare. 85 x 130mm (3½ x 5¼"). A visiting caard with blankk central areas for the inscription, ffeaturing a paiir of putti, onee wearing a winged helm met and tying a bale, the otheer writing in a notebook.

ws of the Princcipal Pllate from 'Pictturesque View Monuments M in the Cemetery of Père La Ch haise, near Paaris', which co omprised of teen coloured litthographs by Jo ohn Thomas Serres S (1759-11825). Serres, who like his faather Dominic specialized inn marine painting, was alsoo a skilled printm maker althoughh his later yeaars were ogged by finan ncial difficultities. Serres dieed in the do saame year that this t volume w was published.. Ex: co ollection of thee Late Hon. C C. Lennox-Boyyd; Abbey 11 15.8 Stock: 36764

Stock: 35853

The S Sepulchral Chapel C & Sa arcophagus.. / Of Abelard d & Eloise. 215.

J.T. Serres [iin image] Lithograph w with fine handd-colouring, veery scarce; sheeet 420 x 265mm m (16½ x 10½ ½"). Trimmed on left. Paperr watermarkedd J. Whatman 1824. £1440 The tomb of Peter Abelardd (1079-1142)) and Héloïse haise Cemeteryy, d'Argenteuil (1092?-1164)) in Père Lach c loveers in history, Paris. Amonggst the most celebrated Abelard and Héloïse were separated by circumstance but continuedd a passionatee corresponden nce, and the survival of thheir letters proovided the bassis for their posthumous celebrity. In thhe 18th century works by Alexander Poope and Jean-Jacques Roussseau celebrateed their love. Thhe remains off the couple weere moved in 1817 to the G Gothic tomb shhown here, which drew maany visitors to thee cemetery.

21 16. [Monument to Abeelard and Héloïse] H J.T. Serres fec.tt [in image] h fine hand-coolouring, very y scarce; Liithograph with Paaper watermarrked J. Whatm man 1824; sheeet 420 x 26 65mm (16½ x 10½"). £160 Th he tomb of Peeter Abelard (11079-1142) an nd Héloïse d'Argenteuil (1092?-1164) inn Père Lachaisse Cemetery, Paaris. Amongstt the most celeebrated loverss in history, Abelard A and Hééloïse were seeparated by cirrcumstance bu ut continued a passionate coorrespondencee, and the su urvival of their letters provid ided the basis for their po osthumous cellebrity. In the 18th century works by Alexander A Popee and Jean-Jaccques Rousseaau celebrated th heir love. The remains of thee couple weree moved in 18 817 to the Gotthic tomb show wn here, whicch drew manyy viisitors to the cemetery. c Threee such visitorrs can be seeen here conteemplating the m monument. Pllate from 'Pictturesque View ws of the Princcipal Monuments M in the Cemetery of Père La Ch haise, near Paaris', which co omprised of teen coloured litthographs by Jo ohn Thomas Serres S (1759-11825). Serres, who like his faather Dominic specialized inn marine painting, was alsoo a skilled printm maker althoughh his later yeaars were

dogged by finnancial difficuulties. Serres died d in the same year thaat this volumee was publisheed. Ex: collection off the Late Hon. C. Lennox-B Boyd; Abbey 115.9 Stock: 36770

217. The C Chapel J.T. Serres [iin image] Lithograph w with fine handd-colouring, veery scarce; sheeet 420 x 265mm m (16½ x 10½ ½"). Slight staiining lower right off imagge. £1220 The chapel oof Père Lachaiise Cemetery in i the suburbss of Paris, withh funerary proocession. Com mpleted in 182 3, the chapel was designed byy the neo-classsical architecct Étienne-Hipppolyte Godde (1781-1869), who was alsoo responsible ffor the entrancce to the cemeetery. The immense mauusoleum of poolitician and historian h Adolphe Thiers (1797-18777) was later built b next to itt. Picturesque Viiews of the Priincipal Plate from 'P Monuments iin the Cemeteery of Père La Chaise, near Paris', whichh comprised off ten coloured lithographs bby John Thomass Serres (17599-1825). Serrees, who like hiis father Dominnic specializedd in marine paainting, was allso a skilled prinntmaker althouugh his later years y were dogged by finnancial difficuulties. Serres died d in the same year thaat this volumee was publisheed. Ex: collection off the Late Hon. C. Lennox-B Boyd; Abbey 115.1 Stock: 36772

218. [The Dragon Tomb, Père La achaise Cemetery] J.T. Serres [iin image] Lithograph w with fine handd-colouring, veery scarce; sheeet 420 x 265mm m (16½ x 10½ ½"). Staining to o edges. £1330 The 'Dragon tomb' (namedd after the 'bossquet du Dragon grove' where it is sittuated) in Pèree Dragon' or 'D Lachaise Cem metery, Paris. A designated d historical monument, itt contains som me of the first monuments inn the cemeteryy. On the left is the cenotaph h dedicated too Antoine de G Guillaume-Laggrange (1781--1807), a military officcer killed in Poland during the t Napoleoniic Wars. Designned by the neoo-classical arcchitect ÉtienneeHippolyte Goodde (1781-18869), it showss a portrait of the dedicateee, with an alleggory of sorrow w. Plate from 'P Picturesque Viiews of the Priincipal Monuments iin the Cemeteery of Père La Chaise, near Paris', whichh comprised off ten coloured lithographs bby John Thomass Serres (17599-1825). Serrees, who like hiis father Dominnic specializedd in marine paainting, was allso a skilled prinntmaker althouugh his later years y were dogged by finnancial difficuulties. Serres died d in the same year thaat this volumee was publisheed. Ex: collection off the Late Hon. C. Lennox-B Boyd; Abbey 115.3/4 Stock: 36771

[Tom mbs of La Foontaine, Mollière and Jacques DeeLille.] 219.

J.T. Serres [iin image] Lithograph w with fine handd-colouring, veery scarce; sheeet 420 x 265mm m (16½ x 10½ ½"). Slight marrks lower righht off subject. £1880

Th he tombs of th he fabulist Jeaan de La Fontaaine (162195 5), playwrightt Molière (16222-73) and poet Jacques Delille D (1738-1813) at Père L Lachaise Cem metery in the su uburbs of Paris. When the ccemetery open ned in 1804 it was w located far from the centtre of the city and attracted feew funerals. The transfer off the remains of o La Fo ontaine and Molière M were ppart of a strategy to raise th he profile of th he cemetery. Pllate from 'Pictturesque View ws of the Princcipal Monuments M in the Cemetery of Père La Ch haise, near Paaris', which co omprised of teen coloured litthographs by Jo ohn Thomas Serres S (1759-11825). Serres, who like his faather Dominic specialized inn marine painting, was alsoo a skilled printm maker althoughh his later yeaars were ogged by finan ncial difficultities. Serres dieed in the do saame year that this t volume w was published.. Ex: co ollection of thee Late Hon. C C. Lennox-Boyyd; Abbey 11 15.5/6/7 Stock: 36765

22 20. Miscelllaneous Tom mbs. J.T. Serres [in image] i h fine hand-coolouring, very y scarce; sheett Liithograph with 42 20 x 265mm (16½ ( x 10½").. £120 To ombs in Père Lachaise Cem metery in the suburbs s of Paaris. Plate from m 'Picturesquee Views of thee Principal Monuments M in the Cemetery of Père La Ch haise, near Paaris', which co omprised of teen coloured litthographs by Jo ohn Thomas Serres S (1759-11825). Serres, who like his faather Dominic specialized inn marine painting, was alsoo a skilled printm maker althoughh his later yeaars were ogged by finan ncial difficultities. Serres dieed in the do saame year that this t volume w was published.. Ex: co ollection of thee Late Hon. C C. Lennox-Boyyd; Abbey 11 15.3/4 Stock: 36768

22 21. Miscelllaneous Tom mbs J.T. Serres [in image] i h fine hand-coolouring, very y scarce; sheett Liithograph with 42 20 x 265mm (16½ ( x 10½").. Slight stainin ng lower rig ght off image. £140 To ombs in Père Lachaise Cem metery in the suburbs s of Paaris. Plate from m 'Picturesquee Views of thee Principal Monuments M in the Cemetery of Père La Ch haise, near Paaris', which co omprised of teen coloured litthographs by Jo ohn Thomas Serres S (1759-11825). Serres, who like his faather Dominic specialized inn marine painting, was alsoo a skilled printm maker althoughh his later yeaars were ogged by finan ncial difficultities. Serres dieed in the do

same year that this volume was published. Ex: collection of the Late Hon. C. Lennox-Boyd; Abbey 115.3/4 Stock: 36773

222. The Paraclete. J.T. Serres [in image] Lithograph with fine hand-colouring, very scarce; sheet 420 x 260mm (16½ x 10½"). Slight marks lower right off subject. £120 The Oratory of the Paraclete, a Benedictine monastery founded by Peter Abelard (1079-1142) in FerreuxQuincey, France. After Abelard became abbot of the Abbey at Saint-Gildas-de-Rhuys he left the Paraclete to his wife Héloïse d'Argenteuil (1092?-1164), who became its abbess and spent the rest of her life there. Their remains were buried there but later moved twice, first to the church of Nogent-sur-Seine and then to Père Lachaise Cemetery, Paris. Plate from 'Picturesque Views of the Principal Monuments in the Cemetery of Père La Chaise, near Paris', which comprised of ten coloured lithographs by John Thomas Serres (1759-1825), including one of the joint tomb of Abelard and Héloïse in the cemetery. Serres, who like his father Dominic specialized in marine painting, was also a skilled printmaker although his later years were dogged by financial difficulties. Serres died in the same year that this volume was published. Ex: collection of the Late Hon. C. LennoxBoyd; Abbey 115.10. For the tomb of Abelard and Héloïse see ref. 36764 Stock: 36766

223. [Tombs in Père Lachaise Cemetery.] J.T. Serres [in image] Lithograph with fine hand-colouring, very scarce; sheet 420 x 265mm (16½ x 10½"). £130 The tombs of Catherine-Dominique de Pérignon, 1st Marquis de Grenade (1754-1818), François Joseph Lefebvre, First Duke of Danzig (1755-1820), and André Masséna, 1st Duke of Rivoli, 1st Prince of Essling (1758-1817), at Père Lachaise Cemetery in the suburbs of Paris. A soldier sits contemplating the tomb of Pérignon. All three commanders occupied prominent roles in the French military during the rule of Napoleon. Plate from 'Picturesque Views of the Principal Monuments in the Cemetery of Père La Chaise, near Paris', which comprised of ten coloured lithographs by John Thomas Serres (1759-1825). Serres, who like his father Dominic specialised in marine painting, was also a skilled printmaker although his later years were dogged by financial difficulties. Serres died in the same year that this volume was published. Ex: collection of the Late Hon. C. Lennox-Boyd; Abbey 115.5/6/7 Stock: 36767

224. The Porter's Lodge. J.T. Serres [in image] Lithograph with fine hand-colouring, very scarce; sheet 420 x 265mm (16½ x 10½"). Slight staining lower left. £120

Porter's lodge at the entrance to Père Lachaise Cemetery in the suburbs of Paris, with mourning visitors and view towards the city in the distance. Plate from 'Picturesque Views of the Principal Monuments in the Cemetery of Père La Chaise, near Paris', which comprised of ten coloured lithographs by John Thomas Serres (1759-1825). Serres, who like his father Dominic specialized in marine painting, was also a skilled printmaker although his later years were dogged by financial difficulties. Serres died in the same year that this volume was published. Ex: collection of the Late Hon. C. Lennox-Boyd; Abbey 115.2 Stock: 36769

Rocher de Gayette lequel se sentit en deux lors ede la passion de Nostre Seigneur Chapelle de la Trinité 225.

Gravé par Israel Silvestre. P. Mariette ex Avec privil. du Roy [c.1670] Etching, platemark 120 x 205mm (4¾ x 8¼"). Creased in middle. £95 The city of Gaeta in the province of Latina, Italy, emphasising the 'Montagna Spaccata', the vertical cliffs jutting onto the coast. From a series of 'Diverses vues de ports de mer d'Italie et autres lieux' by French printmaker Israel Silvestre. Stock: 36395

226. Ponte Senatorio oggi detto Ponte rotto. Israel Silvestre del. Piranesi sc. [n.d., c.1748.] Etching. 130 x 255mm (5 x 10"). £220 Senatorial Bridge, today called the Broken Bridge, with a collapsed span. Published in Piranesi's 'Antichità Romanae de Tempi della Repubblica, e de' primi Imperatori', after a design by the 17th century French artist Israel Silvestre. Stock: 36480

227. Hannibal's Arch in Manorel in Catalonia. Plate III. 1775. H. Swinburne [pencil signature]. Etching, rare; Sheet 175 x 155mm (7 x 6¼"). Trimmed within plate, mounted on album paper. £130 A sketch of a steep bridge with a decrepid arch at one end. Henry Swinburne (1743-1803) travelled through Spain with Sir Thomas Gascoigne 1775-6, publishing 'Travels through Spain in the Years 1775 and 1776 in which several monuments of Roman and Moorish Architecture are Illustrated by Accurate Drawings taken on the Spot' in 1779. State i of ii, before rework in sky and on buttress of bridge. Ex: Collection of The Hon. C. Lennox-Boyd. Stock: 36481

228. Hannibal's Arch in Manorel in Catalonia. Plate III. 1775. H. Swinburne [pencil signature]. Etching, rare. Sheet 175 x 155mm (7 x 6¼"). Trimmed within plate, mounted on album paper. £130 A sketch of a steep bridge with a decrepid arch at one end.

Henry Swinbburne (1743-1803) travelled d through Spai ain with Sir Thom mas Gascoignne 1775-6, pub blishing 'Travels throuugh Spain in the t Years 177 75 and 1776 inn which severaal monuments of Roman an nd Moorish Architecture are Illustratedd by Accuratee Drawings taken on the Spot' in 1779. State ii of ii, with rework in sky and on buuttress of briddge. Ex: Colleection of The Hon. C. Lennnox-Boyd. Stock: 36482

Beau uties of Brigh hton. No. 5 Almacks______The Carrd Room. 229.

Painted by T T. Harper. Enggraved by A. M. M Huffam. Published byy S.S. Folker. Brighton_J. B Brooker B 5 Southamptonn Row, Londoon, Nov.r 1829 9. and T. Rittnner Boulevard M Montmartre, Paaris. Mezzotint wiith original haand colour and d very large margins. Plattemark: 250 x 195mm (9¾ x 7¾"). Lightt mount burn. £2330 A fashionablly dressed youung woman staanding in a baall room hung w with chandeliers, wearing a pale gown wiith puffed sleevees, head tilted to right, with h her hair dressed up w with pearls.

bbons and a muff. m Amarylliis was a charaacter in the rib firrst of the threee major workss of the Latin poet Virgil, Th he Eclogues. By George Tow wnley Stubbs ((1748 - 1815??), son of paainter George Stubbs (17244 - 1806). Stock: 36550

The sprrightly Sylvvia trips alon ng the grreen, [/] Shee runs, but hhopes she do oes not run un nseen; [/] While W a kind glance at heer pursuer flies, [/] How much at var ariance are her h feet and ey yes. 23 32.

En ngrav'd by Geeo. Townley SStubbs. Pub.d. March 10, 17 784 as the Actt directs, Londdon. Sttipple printed in brown ink with large maargins. Pllatemark: 240 x 190mm (9½ ½ x 7½"). £240 A fashionably dressed d youngg woman stand ds with her baack to the view wer, turned fac acing the left. She S wears a pllumed hat and d holds a fur m muff. Below the imag ge is a verse taaken from 'Th he First mon', by Alexxander Pope (1688–1744). Paastoral, or Dam By George Tow wnley Stubbs ((1748 - 1815??), son of paainter George Stubbs (17244 - 1806). Lenn nox-Boyd: 28 Stock: 36549

Stock: 36825

23 33. The Yo oung Anglerrs. Drawn D from Naature and on SStone by the Rev.d R T. Kilby. K Printed by b T.H. Skeltoon, Southamp pton. [n.d., c.1850.] ph on india wi with very large margins. Tiinted lithograp Prrinted area 310 x 255mm (112 x 10"). Fox xing. £90 Th he Reverend Thomas T Kilbyy (1794-1868)) is best kn nown for his 'S Scenery in thee Vicinity of Wakefield', W 18 843. Stock: 35812

230. Savoir Vivre__S Sans Six Sous. [&] Savoiir Vivre___Saans Souci. Pub.d as the Act directs 222.d Dec.r 1783 3 and Engrav'dd by Geo. Tow wnly Stubbs Loondon. Pair of stipplles with etchinng, printed in brown, b large margins. Plattemark: 240 x 190mm (9½ x 7½") each. Slight staininng right of Sanns Souci. £4550 A pun in Frennch: A womaan standing with a bonnet annd a striped skirrt, looks at herr purse as she holds it upsidde down (roughhly, without sixxpence); [&] A fashionablyy dressed younng woman in half-profile h to the left lookss with a smile at a wine glasss she is holdin ng in her raiseed right hand. Inn the left handd she has a botttle of wine. (without a caare). By George T Townley Stubbbs (1748 - 181 15?), son of painter Georgge Stubbs (17724 - 1806). CLB C List G T Stubbs 26 & 27. Stock: 36548

231. Amaryllis. Videe Spectator No. N 144. Engraved byy Geo. Townleey Stubbs. Pub blish'd Feb.y 20.th 1784 ass the Act Direects, London. Stipple printeed in brown innk with large margins, m veryy scarce. Platem mark: 240 x 190mm 1 (9½ x 7½"). £3220 A fashionablly dressed youung woman staands to the front, facing the right. Shee wears a fur robe, a hat with th

23 34. Gimcra ack. George G Stubbs pinx.t. Geo T Townley Stubb bs sculp.t. En ngraver to Hiss R.H. the Prinnce of Wales. London, Republished Ju un 4th 1817, byy Edw.d Orm me, Bond Sttreet. Hand H coloured stipple with vvery large marrgins. Pllatemark: 200 x 250mm (8 x 9¾") £950 Th he racehorse Gimcrack, G stan anding to the right, r held by th he reigns by hiis trainer. Gimcrack G was one o of the moost admired off all eiighteenth century race horsees and the pain nting was co ommissioned in 1765 by hiss owner Fredeerick St John, 2n nd Viscount Bolingbroke. B O Only 14 handss high the ho orse won its fiirst ever race aat Newmarkett that year.

Though smalll Gimcrack went w on to racee against all thhe top racehorsees of the day, with 27 wins out of 36 racees. This plate is from the reisssue by Edward d Orme of a remaining plates p after 1817, after hhe purchased all Stubbs' deathh. Lennox-Boyyd: 123 III Stock: 36893

A fine portrait of o one of the m most famous racehorses r of alll time, Eclipse, standing to right in a land dscape near on ne of the four rubbing-downn houses at Newmarket, its reeins held by a groom as his jjockey, Samu uel Merrit, ap pproaches. Eclipse achievedd notable victo ories for his ow wners William m Wildman annd later, Dannis O'Kelly an nd concluded his career as a successful sttallion. After A printmakeer and painterr George Stubb bs (1724 18 806). Stubbs was w a painter oof portraits, an nimal piictures, heroicc animal historries and poeticcal scenes of ru ural life. In 1758, he began hhis dissections of horses, which w led to hiss most famouss engraved wo ork 'The Anatomy A of thee Horse' in 17666. ARA 1780 0, see item reef: 5777. Lenn nox-Boyd stattes that no imaage of this state has been seen. s Lennox-B Boyd: 125, sta ate I of II. Stock: 36547

235. Mam mbrino. George Stubbbs pinx.t. Geoorge Townley Stubbs sculp..t. Engraver to H His R. H. the Prince of Walles. London, Republished June 4th 18177 by Edw.d Orme O Bond Street. Stipple with hand colourinng with very laarge margins. ( x 9¾"). £9550 Platemark: 200 x 250mm (8 t left, with a The racehorsse 'Mambrino', standing to the landscape beehind. A cottagge and fence are a seen beyonnd at the left. was intended to t be an illustrration to 'Mambrino' w 'Review of thhe Turf', 17944, Stubbs havin ng commissioneed his son to engrave e the plaates in the earrly 1790s. Howeever, this platee is from the reissue r by Edward Orm me of 1817, aftter he purchased all remaining plates after Stubbbs' death. Len nnox-Boyd: 1 09 III. Stock: 36892

23 37. Volunteer. George G Stubbs pinx.t. Geo: T Townley Stubbs Sculp.t En ngraver to Hiss R.H. the Prinnce of Wales. London, Pu ub.d. Dec.r 17 794 by Messrss. Stubbs; Turf Gallery, Conduit Street. hing, printed iin colour with h large Sttipple and etch margins, m very rare in this statte. Platemark:: 205 x 25 55mm (8 x 10 0"). £1250 A vivid portraitt of Volunteerr, a chesnut so on of Eclipse ou ut of a mare by Tartar, foaleed in 1780 and d bred by Dennis D O'Kelly y who originallly called him Comet but ch hanged his nam me to Volunteeer in 1785. In n 1793 Volunteer V was covering marees at the O'Keelly stud at Canons for 10 guineas. g After A printmakeer and painterr George Stubb bs (1724 18 806). Stubbs was w a painter oof portraits, an nimal piictures, heroicc animal historries and poeticcal scenes of ru ural life. In 1758, he began hhis dissections of horses, which w led to hiss most famouss engraved wo ork 'The Anatomy A of thee Horse' in 17666. ARA 1780 0, see item reef: 5777. Lennox-Boyd: 1177, state II of III II. Stock: 36546

236. Eclip pse. George Stubbbs pinx.t. Geoo. Townley Stu ubbs sculp.t Engraver to hhis R.H. th Priince of Waless. London, Published Seept.r. 1. 1796, by Messr.s Sttubbs, Turf Gallery, Connduit Street, Hanover H Square. Stipple printeed in colour with w large margins, open letters, extrem mely rare. Plaatemark: 205 x 255mm (8¼ ¼x 10"). £15000

23 38. Americ can Eclipse. Fiisher P.b. And derson. [n.d., cc.1825.] Wood W engravin ng, rare. Sheett: 225 x 130mm, (9 x 5"). £120 Illlustration from m 'The Sportinng Magazine' of American Ecclipse (1814-4 47) an undefeaated thorough hbred American A raceh horse. Stock: 36333

Portrraits of theirr Majesty's and the Royal Fam mily Viewing the Exhibittion of the Royal Acad demy, 1788. 239.

The Portraitss Design'd by P. Ramberg. P.A. P Martini Sculp.t. Pub.d March 6 1789 by A. Pogg gi, St Georgess Park. Row, Hyde P Etching and engraving witth thread marg gins. 395 x ½ x 20¾"). Weear to edges. Crease just 525mm (15½ above publiccation. £7550 The Great Rooom at Somerrset House durring the visit oof George III annd his family, soon after thee King's recovery from m the porphyrria that had caaused the Regency. Sir Joshua Reynnolds stands to o the right, B West stands to thee holding his eear-trumpet; Benjamin left, instructiing three of thhe younger prin nces. The Kinng and the Princce of Wales haave a noticable gap betweenn them; in fact the record off the King's vissit on the 25thh April does noot mention thee Prince's pressence. The composiition is the sam me as the Ram mberg's scene of the 1787 exhhibition, with the t detailed reealism, including thee catalogue nuumbers of the painting. p However forr the King's visit the access doors are pointedly cloosed, keeping out the crowd ds of the earlieer scene. BM: G G,6.101, trimm med.

ns. Ex affter master paiintings in Brittish collection Collection C of th he Late Hon. C C. Lennox-Boyyd. Stock: 36530

[Three--masted shipp with brok ken fo oremast on stormy s sea.]] E. Collectiione Richardi R Loy yd Generosi 24 42.

W. W Vanderveld d Pinx. / E. Kirrkall Fecit. [Printed & sold by y E. Kirkall in n West Office Court, Fleet Street] S Mezzotint M printted in sea-greeen ink with veery large margins, m platem mark 335 x 4005mm (13¼ x 16"). £750 Pllate twelve fro om Elisha Kirk rkall's 'Set of Sixteen S Sea Piieces' (c.1727)). Kirkall (16881/2-1742) alllegedly made allmost £1000 from fr this very successful series of large prrints after masster paintings iin British colllections. Ex Collection C of th he Late Hon. C C. Lennox-Boyyd. Stock: 36529

Stock: 35919

240. [The Fishery] Browne 17644 [after Richarrd Wright] Etching withh very large daamaged margins, platemarkk 440 x 560mm m (17¼ x 22")). Hole and daamage around lower platem mark. Unfinishhed proof befo ore letters; very ry scarce. £4880 Several shipss on a turbulennt sea; on the shore in the foreground, m men unload thheir fishing bo oats, a lighthouse annd building inn the distance on o the left, a horse-drawn cart approachhing the shore on the right. he most famouus Unfinished eengraving of 'tthe Fishery', th work by marrine painter Riichard Wrightt (c.1720c.1775). Verssions of the paainting are in the Walker A Art Gallery, Liveerpool and Yaale Centre for British Art, New Haven. The scene woon a premium of 50 guineass for Wright inn 1764. Etched by Joohn Browne (11741-1801), a pupil of the celebrated enngraver Williaam Woollett. This T seems to be the first sttate of a print published in 1768 1 with Woollett nam med as sole enngraver. Browne probably ddid the early worrk shown heree, with his masster completinng the plate. Seee ref. 19177 foor Woollett's plate. p Fagan:: LXI I of VI. Stock: 36623

[Busyy harbour scene.] E Co ollectione Pauli Meth huin. 241.

W. Vanderveeld Pinx. E. Kirkall K Fecit. [P Printed & soldd by E. Kirkalll in West Office Court, Fleeet Street.] Mezzotint prrinted in sea-ggreen ink with very large margins, plattemark 400 x 575mm (15¾ x 22½"). Repaired tearr on left. £7550 Plate from Ellisha Kirkall'ss 'Set of Sixteeen Sea Pieces'' (c.1727). Kirrkall (1681/2-1742) alleged dly made almoost £1000 from tthis very successful series of o large prints

24 43. [Three--masted ship p on heavy seas.] s E. Collectione C Philippi P Holllingworth W. W Vanderveld d Pinx. / E. Kirrkall Fecit. [Printed & sold by y E. Kirkall in n West Office Court, Fleet Street] S Mezzotint M printted in sea-greeen ink with veery large margins, m platem mark 335 x 4005mm (13¼ x 16"). Repaired hole. £550 Pllate fifteen fro om Elisha Kirkkall's 'Set of Sixteen S Sea Piieces' (c.1727)). Kirkall (16881/2-1742) alllegedly made allmost £1000 from fr this very successful series of large prrints after masster paintings iin British colllections. Ex Collection C of th he Late Hon. C C. Lennox-Boyyd. Stock: 36528

24 44. A Sea Storm S on thhe Coast of Italy. Vernet V Pinx.t. C. C Corbutt feccit. London, Prrinted for & So old by Rob.t Sayer S Map & PPrintseller at the t Golden Buck near Serjeeants Inn, Fleeet Street. Mezzotint M with narrow marggins; 255 x 355 5mm (10 x 14 4"). Creasing; some toning,, some repairs. £240 A ship in trouble of a rocky sshore, men wo orking to saave sailors from the water, aafter Joseph Vernet V (171489 9, father of Caarle Vernet). T The engraver''s name is Charles Corbutt, of whom noothing can be traced other han his prints. It is generallyy believed that the name is th a pseudonym used by Richarrd Houston an nd probably d Purcell. BM:: 2010,7081.3 3227 (from allso by Richard th he Lennox-Boyyd collection).. Stock: 35846

245.

[A liffeboat stugggling to reach a swampeed

ship.] E.W. Cooke.. [n.d., c.1880.] Woodblock, touched proof with artist's pencilled i image. Laidd comments inn margins and inked marks in on board. £1880 A working prroof, with littlle sketches in the margins with instructiions to changee the image, for f example 'T The Stays must be made strongger' & '2 or 3 more m men in boat. Edward Willliam Cooke (11811-80), mariine painter, R.A. Ex: Colllection of Thee Hon. C. Lennox-Boyd. Stock: 36476

246. The D Dangerous Rock R / Ecueeil Dangereu ux J. Vernet pinnx.t / J. Dixon fecit Printed for f John Bowles, at N No. 13 in Cornnhill Mezzotint wiith very large margins, platemark 255 x £3220 360mm (10 x 14"). Slight creasing. Shipwreck w with survivors clambering on nto the rocks. One of manyy British printss from the draamatic landscapes of Joseph Vernnet (1714-89). Ex: collectionn Hon. C. Lennoxx-Boyd. of the Late H Stock: 36203

247. ['Metteor' Racing g on the Soleent?] London, Julyy 31st 1894. Published P by Mess.rs M Borgenn & Turner, Thhe Carlton Gaallery, 46, Pall Mall S.W. Copyright registered. Printted in Vienna. Photogravuree on chine colllé, signed by the artist in pencil. 540 x 890mm (21¼ ¼ x 35") Somee wear to backing papeer. £3660 Racing yachtts on the Solennt, a Martello tower to the left.

49. [Scene from the Coolonial War r: A Negro 24 on n a Rearing Horse.] Jaayler, d'après Géricault. G Lithh. de Villain. Liithograph, printed area 215 x 260mm (8½ ½ x 10¼"). Rare. £380 Liithograph reprroducing in reeverse a drawiing (in a prrivate collectio on) by Theodoore Géricault,, showing an African A on a magnificient staallion and otheer Africans fig ghting French h soldiers. Thiis short-lived French F artist was w celebrated as one of the most important artists of th he early 19th century c with a reputation that chiefly reests upon his vast v 'Raft of thhe "Medusa"' (Louvre) ( and hiis portraits of sufferers from m mental illnesses and maladies. m Howeever much of his output con nsisted of eq questrian subjects, whether sporting or in n battle. Stock: 36622

25 50. The Ba attle of Wateerloo. Paainted by J.A. Atkinson. Thhe Portraits by y A.W. Dervis. D Drawn & Engraved bby John Burneet. London, J. Hagger, H 67 Pateernoster Row.. [n.d., c.1850 0.] Ettching and eng graving. Sheeet 510 x 690m mm (20 x 37 7¼"). Trimmeed to plate. £360 Th he Duke of Wellington, W moounted, hat in hand, the baattle being fou ught across thee fields behind d. To the rig ght Highlandeer foot soldierrs fight French h cavalry. A re-engraved plate, p first pubblished 1819. Stock: 36761

Stock: 36853

248. [The Drums of th he Fore and d Aft.] EMH [Edwaard Matthew Hale] H 95. [Etch hed by Franz 5 by Arthur Hanfstaengl.] London Pubblished in 1895 N Bond S.W W. Lucas the Prooprietor, 31 New Photogravuree on chine colllé, signed in pencil p by the artist. 470 x 6650mm (18½ x 26¼"). Prin ntsellers' Association bblindstamp. Slight creasing g at top and stains. £5220 m Rudyard Kippling's poem 'The Drums off A scene from the Fore and Aft'. Jakin annd Lew, a pair of delinquentt drummer boyys serving witth an inexperieenced regimennt in Afghanistaan: during a battle b the regim ment gets overwhelmedd by Ghazis annd break. How wever Jakin annd Lew, not quite sober, remaain and attemp pt to rally the G on n drum and troops by plaaying 'British Grenadiers' flute; shamedd and encouraaged by their bravery, b the regiment retuurns to win thee battle but no ot before the two boys aree slain. Part off Kipling's verse is inscribedd bottom right.. The original oil, nearly tw wo metres widee, is in the Leeds Art Gaallery. Stock: 36854

25 51. The Ba attle of Wateerloo. To th he Prince Regent R this Plate P is with His Most Gracious G Permission Humbly H Deddicated by His H Royal Highnesses H Obliged O Devooted & Faith hful Seervants T. Clay C and R.. Lambe. [& &] To Field Marshal M H.R R.H. the Dukke of York th his Plate is with w Permission most Huumbly Dediccated by

His Royal H Highness's Obliged O Dev voted & Faithful Seervants R. Lambe L and T. T Clay. Alexander Saauerweid Pinxx.t. John W. Cook C [& H.R. Cook], Sculppt. London: Puub.d Mar. 1. [& & June 18th.] 1819, by R. L Lambe, 96, Grracechurch Sttreet and T. Clay, 18, Luddgate Hill. Pair of mixedd method engrravings with small s marginss. 550 x 820mm m (21½ x 32¼ ¼"). Some weaar to edges. Repairs & daamaged. Sky scuffed. £9550 Pair of large rare scenes frrom the Battlee of Waterloo. o the Duke of o Wellington,, The first scenne is focused on shown on hoorseback with a telescope in n his right handd, o the British having givenn the order for the advance of troops. The ssecond shows the charge off the British heavy cavalrry led by Geneeral Henry Pag get (17681854), Earl oof Uxbridge, against a Comte d'Erlon's column, whicch checked thhe French advaance. One of tthe last cannonbaalls shot that day d hit Paget'ss right leg necessitatingg its amputatioon. He was creeated Marquesss of Anglesey the followingg month. Alexander Saauerweid (17882 - 1844) was a Baltic German painnter who speciialised in battlle scenes and horses. He sttudied in Dressden and received commissionss of horse porttraits from Naapoleon beforee moving to Stt Petersburg too paint official portraits of Russian troopps and their unniforms for Alexander A I. H e also instructeed the sons off Nocholas I in n drawing. In 1831 he bcam me a director of o the St Peterrsburg Academy.

An A intense battle scene, withh British infantry closing in on n the French cavalry c from bboth sides. A mortar m ex xplodes in the foreground an and cannon balls streak accross the sky. Stock: 36817

25 54. Etch'd Thoughts. Lo ondon: Printed for the Etchhing Club. 184 44. Laarge folio, greeen morocco bboards, 62 etch hed plates. Bottom right co orner of front bboard damageed. £1500 e as issuued in 1844 in n one of the Frrom the only edition, Ettching Club’s earliest publiications. Stock: 37004

Stock: 36757

Bataiille in der geegendt Mon ns, So gesschefen A.o. 1709 den d 33. 7briss. 252.

Paul: Deckerr Srchit. delineeav. Ioh Iac: Kleinschmid. K Sculpsit. Cum m Grat: et Privvilegio Sac: Coes: C Mejest. Ier: Wolff exxcud: Aug: Vinnd. Engraving. S Scarce. Plate: 400 4 x 500mm m, (15¾ x 19¾ ¾"). Trimmed witthin plate. Staaining. Damag ge to corners. Small tears inn edges. £2660 A view of a bbattle in the Wars W of the Spanish Succession, eenclosed withhin an ornate ro ococco surround in w which several figures are deepicted. The Wars of the S Spanish Succeession lasted from f 1701 unttil 1714 followiing the decisioon of the dying g, childless Charles II, K King of Spain to t leave the en ntirety of the Spanish Hapsburg inheriteence to the Freench Duke of Anjou, thus sseverly alterinng the balancee of power in Europe. Stock: 36972

The B Battle of Waaterloo Junee 18th. 18155. Dedicated w with permisssion to Lieu u.t General the Most N Noble Henry William Pa aget, Marqu uis of Angleseyy & Earl of Uxbridge U G:C:B: G K.M.T. & K K.S.G. [By Lieu.t L R.P. Read.] R 253.

Drawn & Etcched by W. Heath. Aquatinted by R. Reeve. [Londdon. Publish'dd, June 4th 1816. for the Porprietor: by J. & M. Ripppin No.21 Th heobald's Roadd.] 3 x 545mm (15½ x 21½" ) Coloured aquuatint. Sheet 395 Trimmed witthin image onn three sides, lo osing end of th the dedication annd publicationn line at bottom m; some surfaace abrasion, collour faded. £4550

25 55. [Scaffolding at Ken nsington.] Frrank Brangwy yn. [Signed in pencil.] [n.d., c. 1924.] Ettching. Platem mark: 480 x 5330mm (18¾ x 20¾"). Ex xtremely largee margins. £850 A view in Kenssington showin ing a building under co onstruction, with w scaffoldinng in the centree and to the rig ght. Workers are seen in thee foreground, with a tree too th he left. Frrank William Brangwyn (18867 - 1956) was w one of the most m influentiall etchers of thhe early twentiieth century, an nd had already y established hhis reputation as a major paainter and wattercolourist beefore he attem mpted his first ettching in 1900 0. He was draw wn to the man ny po ossibilities of this medium aand by 1926 had h co ompleted 331 original etchin ings. Most of Brangwyn's B arrt concentrated d upon figure studies, architectural and marine m subjectss. Fine Art Socciety: 178 II of o II. Stock: 36492

25 56. Calend darium Londdinense or th he London Almanack A for the Year 11919. The War W Office. Lo ondon. Published by W. Moonk. Drawn Etched E and Prrinted by W. Monk, M 118, N New Bond Streeet, W. Ettched image, 180 x 250mm m (7 x 9¾"), with w calendar un nderneath, sheeet 400 x 290m mm (15¾ x 12 2"). £180 View V of William m Young's neeo-baroque War Office bu uilding at nigh ht with a full m moon and the anti-aircraft seearchlights, a gun g carriage in the foregrou und. After A the abolittion of the Waar Office, the building b co ontinued to bee used by the M Ministry of Deefence, but was w recently so old and is beinng converted in nto a luxury ho otel. Very atm mospheric. Ann issue of 'Mo onk's

Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004. Stock: 36790

257. Calendarium Londinense or the London Almanack for the Year 1924. Piccadilly Circus London. Published by W. Monk. Drawn Etched and Printed by W. Monk, 118, New Bond Street, W.1. Etched image, 175 x 255mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through centre. Slight staining in margins. £130 View looking across Piccadilly Circus, with Regent Street curving away to the right. In the centre is Alfred Gilbert's statue 'Eros' (1893), designed and erected in memory of the philanthropic 7th Earl of Shaftesbury. Behind it is the department store Swan & Edgar. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (18631937) and published yearly until the year 2004. Stock: 36789

258. Calendarium Londinense or the London Almanack for the Year 1925. Trafalgar Square. London. Published by W. Monk. Drawn Etched and Printed by W. Monk, 118, New Bond Street, W.1. Etched image, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through centre of "Calendarium". Few marks. £95 View taking in Nelson's Column and the National Gallery, St Martin's in the Fields on the right. In the foreground on the right is the equestrian statue of Charles I by Hubert le Sueur (c.1633). An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (18631937) and published yearly until the year 2004. Stock: 36788

Calendarium Londinense or the London Almanack for the Year 1927. The Strand. 259.

London. Published by W. Monk. Drawn, & Etched, by W. Monk, 118, New Bond Street, W.1. Etched image, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). £130 View looking along the Strand from near the north side of Waterloo Bridge. On the left is the New Gaiety Theatre, advertising a Mozart production. Built in 1903, the theatre was demolished in 1957 and the site was recently redeveloped to become a luxury hotel. James Gibbs' baroque church of St Mary-Le-Strand (1717) is in the centre, with the facade of Somerset House on the right. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (18631937) and published yearly until the year 2004. Stock: 36787

260. Calendarium Londinense or the London Almanack for the Year 1928. London River. W. Monk [pencil signature.] London. Published by W. Monk at 118, New Bond Street, W.1. Drawn, & Etched. by W. Monk. Etched image with large margins, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Slight staining in margins; cut to platemark at bottom. £160 View looking across the Thames towards Custom House and the Tower of London, with the river full of working barges. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (18631937) and published yearly until the year 2004. Stock: 36786

261. Calendarium Londinense or the London Almanack for the Year 1929. Old Watling Way, Sunday in the City. W. Monk [pencil signature.] London. Published by W. Monk at 118 New Bond Street, W.1. Drawn, & Etched, by W. Monk. Etched image, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through centre of "Calendarium". £140 View looking down Watling Street towards St Paul's Cathedral. The street, considered the oldest in London, was the principal street of Roman London, the 'Noble' or 'High' street of the city. It subsequently became the Saxon Athalingastrate (noble street) before becoming Wathling Street. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (18631937) and published yearly until the year 2004. Stock: 36785

262. Calendarium Londinense or the London Almanack for the Year 1935. Doctor Johnson's House / Gough Square, Fleet Street. W. Monk [pencil signature.] London, Published by W. Monk at 118, New Bond Street, W.1. Drawn & Etched, by W. Monk. Etched image, 175 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through centre of "Calendarium"; pinhole lower left. £120 Dr Johnson's House at 17 Gough Square in London. Built at the end of the 17th century, the house was home to Johnson in the 1750s (he moved there to work on his Dictionary of the English Language). It is now open to the public and has a collection and library relating to Johnson. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (18631937) and published yearly until the year 2004. Stock: 36783

263.

Calen ndarium Loondinense orr the London n Almanack for the Yearr 1932. Num mber 10 Downing Street Whitehall.

26 65. Calend darium Londdinense or th he London Almanack A for the Year 11934. [Charlles Dickens House.] H

W. Monk [peencil signaturee.] London. Pu ublished by W W. Monk & By Walker's Gallleries Ltd, 118 8, New Bond Drawn, & Etcched. by W. Monk. M Street, W.1. D Etched imagee, 180 x 250m mm (7 x 9¾"), with calendarr underneath, ssheet 400 x 2990mm (15¾ x 12"). Horizontal foold through ceentre of "Calen ndarium". £1440 View of the P Prime Ministeer's official ressidence from under the arcches opposite. An issue of 'M Monk's Calenndar', a publicaation for printt collectors fouunded in 19022 by William Monk M (18631937) and puublished yearlyy until the yeaar 2004.

Lo ondon. Published by W. Moonk at 118, New N Bond Sttreet, W.1. Drawn & Etchedd, by W. Mon nk Ettched image, 185 x 255mm m (7¼ x 10"), with w calendar un nderneath, sheeet 395 x 290m mm (15¾ x 12 2"). Slightly tim me stained at edges. Creasee through "Caalendarium" £70 Charles Dicken ns' house on D Devonshire Terrrace, which i 1839 after lleaving the Do oughty Street hee moved into in reesidence which h is now a muuseum. An A issue of 'Mo onk's Calendaar', a publicatio on for print co ollectors, that year illustrateed with an etch hing of St Jaames's Palace. Founded by W William Monk (186319 937) it was pu ublished yearlyy until the yeaar 2004.

Stock: 36791

Stock: 36781

26 66. Calend darium Londdinense or th he London Almanack A for the Year 11935. The Brritish Museum. M Thee Portico. W. W Monk [penccil signature.] London & Ch hester. Pu ublished by W. W Monk at Thhe Studio, Barrrel Well, Chester. Drawn n, & Etched. bby W. Monk. m (7 x 9¾"), with w calendar Ettched image, 180 x 250mm un nderneath, sheeet 400 x 290m mm (15¾ x 12 2"). Horizontal H fold d through centr tre. Very sligh ht crease th hrough "Calendarium" £140 Th he portico of the t British Muuseum, the larrgest and beest-known buiilding by archhitect Robert Smirke. S An A issue of 'Mo onk's Calendaar', a publicatio on for print co ollectors found ded in 1902 by William Mo onk (186319 937) and published yearly uuntil the year 2004. 2 Stock: 36782

Calend darium Londdinense or th he London Almanack A for the Year 11936. Buckin ngham Palace From St James's P Park (floodlit). 26 67.

Calen ndarium Loondinense orr the London n Almanack for the Yearr 1933. Lond don from th he wn from Tow wer Bridge. Pool, Draw 264.

W. Monk [peencil signaturee.] London. Pu ublished by W W. Monk at 118, New Bond Street, S W.1. Drawn, D & W. Monk. Etched. by W Etched imagee, 180 x 250m mm (7 x 9¾"), with calendarr underneath, ssheet 400 x 2990mm (15¾ x 12"). £1880 View from nnear Tower Bridge, looking upstream from m the Thames ttowards Londoon Bridge. Th he dome of St Paul's and the Monument can c be seen am mong the industrial chiimneys on thee right. A finee view of London. Monk's Calenndar', a publicaation for printt An issue of 'M collectors fouunded in 19022 by William Monk M (18631937) and puublished yearlyy until the yeaar 2004. Stock: 36794

W. W Monk [penccil signature.] London & Ch hester. Pu ublished by W. W Monk at Thhe Studio, Barrrel Well, Chester. Drawn n, & Etched. bby W. Monk. Aquatint A and ettching. Image 180 x 250mm m (7 x 9¾"), with w calendar underneath, u shheet 400 x 290 0mm (15¾ x 12 2"). Horizontaal fold throughh middle. £130 View V across St James' park to towards Buckiingham Paalace. Text beelow explaininng the history and various allterations mad de to the buildiing since John n Nash's orriginal design.. An A issue of 'Mo onk's Calendaar', a publicatio on for print co ollectors found ded in 1902 by William Mo onk (186319 937) and published yearly uuntil the year 2004. 2 This ed dition was the first to use aqquatint for thee scene. Stock: 36792

26 68. [Cheyn ne Walk] C.E. Holloway '81 [in imagee lower right]. nscription 'CE Ettching with veery large marggins, Pencil in Holloway H to Daavid Law' low wer left; platem mark 275 x 45 50mm (10¾ x 17¾"). Uncuut. £320 Cheyne Walk in n Chelsea, Loondon. This hiistoric street, whose w 19th cen ntury residentss included Rossetti, Sw winburne, Wh histler and Turrner, was a fav voured su ubject for man ny printmakerss of the Victorrian period.

By Charles E Edward Hollow way (1838-97 7), painter andd printmaker sppecialising in marine and laandscape subjects. Hiss work is held in several nattional T This imp pression was a collections, iincluding the Tate. gift from Hollloway to his contemporary y, painter and printmaker D David Law (18831-1901).

pllatform on thee right. By Hennry Macbeth Raeburn R (1 1860-1947), po ortrait painterr and printmak ker active in Lo ondon, who ex xhibited at thee RA 1881-19 904. 'A good ettcher' (Guichard). Ex: collecction of the La ate Hon. C. Leennox-Boyd. Stock: 36797

Stock: 36778

269. [Facttories on thee Thames] H. Macbeth-R Raeburn Sct. [n.d., c.1910] Signed etchinng with very large l margins,, platemark 2555 x 355mm (100 x 14"). £2220 View across the Thames toowards factories and M warhouses accross the riverr. By Henry Macbeth Raeburn (18660-1947), porrtrait painter an nd printmakerr active in Lonndon, who exhhibited at the RA R 1881-19044. 'A good etcher' (Guichard)). Ex: collectio on of the Latee Hon. C. Lennnox-Boyd.

27 72. [Steam m cranes, Waaterloo Bridge] H. H Macbeth-Raaeburn Sct. [n..d., c.1910] Siigned etching with very largge margins, pllatemark 200 x 300mm (8 x 11¾"). 1 £260 ndustrial scenee on the southh bank of the river Thames, In with w steam cran nes on scaffoldding hoisting pails, su urrounded by boats b to let. B By Henry Macbeth Raeburnn (1 1860-1947), po ortrait painterr and printmak ker active in Lo ondon, who ex xhibited at thee RA 1881-19 904. 'A good ettcher' (Guichard). Ex: collecction of the La ate Hon. C. Leennox-Boyd.

Stock: 36798

Stock: 36796

270. [Facttories on thee Thames.] H. Macbeth-R Raeburn Sct. [n.d., c.1910] Signed etchinng with very large l margins,, platemark 2555 x 355mm (100 x 14"). '1st state' s in pencill lower left. £2220 View across the Thames toowards factories and M warhouses accross the riverr. By Henry Macbeth Raeburn (18660-1947), porrtrait painter an nd printmakerr active in Lonndon, who exhhibited at the RA R 1881-19044. 'A good etcher' (Guichard)). Ex: collectio on of the Latee Hon. C. Lennnox-Boyd.

27 73. [The Thames and C City of London from Westminster] W ]

Stock: 36799

W.Walcot W [pen ncil signature.]] [n.d., c.1910 0] Ettching with veery large marggins, signed in n pencil, pllatemark 130 x 130mm (5 x 5"). Uncut. £290 Bird's-eye view w of London frrom near Whiitehall, ooking towards the City of L London, show wing St Pauls lo Cathedral on th he left and Tow wer Bridge in the distance n the right. on Ettching by William Walcott R.E (1874 - 1943), 1 who was w described by b Furst as 'neext to Brangw wyn the grreatest decorattive etcher thiis country has produced'. Walcot W was in fact f born in R Russia and stud died in St Peetersburg and Paris, subsequ quently practiccing arrchitecture in Moscow M befor ore moving to London early in n the 20th centtury. Walcot'ss training is ev vident in his prrints, which arre concerned w with architectu ure and deecoration rather than humann life. Stock: 36780

27 74. [Brentfford Bridge]] [b by H. George Webb, W 1906] Ettching with veery large marggins, platemarrk 105 x 13 30mm (4 x 5"). £140 Fiigures on a co overed barge ppassing beneatth Brentford Bridge in west London. By H Harry George Webb (1882914), landscap pe and architec ectural painter and etcher 19 who w exhibited at a the Royal A Academy and the Royal So ociety of Etch hers. He set upp the Caradoc Press in Chiswick in 1899 with his w wife Hesba. Imp pression in m, museum no.. 1949,0411.2 2261. Ex: Brritish Museum co ollection of thee Late Hon. C C. Lennox-Boyyd. Stock: 36795

271. [Shott Tower, Th hames] H. Macbeth-R Raeburn Sct. [n.d., c.1910] Signed etchinng with very large l margins,, on Chine, platemark 2555 x 150mm (10 x 6"). £1660 View along tthe south bankk of the river Thames T towarrds St Pauls cathhedral and Souuthwark Bridg ge. Warehousees and shot tow wer on the righht, a figure stoo od on a woodeen

27 75. [The Valentré Brid dge, Cahors.] Frrank Brangwy yn. [Signed in pencil.] [n.d., c.1911.] Ettching with laarge margins, rrare. 1st state of 100 prroofs. This is the second sta tate of 25 proo ofs. Pllatemark: 540 x 800mm (211¼ x 31½"). £850 Th he Valentre Bridge, B locatedd in Cahors in the south of Frrance, is someetimes consideered the finestt and most well-preserved w bridge in Eurrope. In addition, it has beecome perhaps the most hisstorically fableed of the

78. [The Royal R Exchannge, Manchester.] 27 Frred. W. Goold den inv. et dell. [pencil signaature, lower rig ght.] Fred. W. Goolden/13 [etched in plaate lower leeft.] [1913.] Ettching with veery large marggins, very finee, platemark 40 05 x 290mm. 16 x 11½". £160 Th he Royal Exch hange in Mannchester, located in the city ceentre on the laand bounded bby St Ann’s Sq quare, Markett Sttreet and Crosss Street. The bbuilding now houses the Royal Exchang ge Theatre andd the Royal Ex xchange sh hopping centree. Remarque of a beehive lower er left. Ex: Agn news. Stock: 36775

many famouss 'Devil's Briddges.' These brridges, most oof them locatedd in France andd Switzerland d, were built under such chhallenging conditions that the t builders' efforts were llater hailed ass heroic. Legends and folk tales describee pacts made by b passing traavelers with thhe Devil in ordeer to cross the precariously located bridgees. Building of tthe Valentre Bridge B began in i 1308 and ended in 13778, with restorration by Paul Gout in 18799. Upon finishinng the restoraation, Gout had d a devil's heaad carved into thhe top of the central c tower as a a reminder of the legend. Frank Williaam Brangwyn (1867 - 1956)) was one of thhe most influenttial etchers off the early tweentieth centuryy, and had alreaady establisheed his reputatio on as a major painter and w watercolourist before he atteempted his firrst etching in 19900. He was drrawn to the many m possibilities oof this medium m and by 1926 6 had completed 3331 original etcchings. Most of o Brangwyn'ss art concentraated upon figuure studies, arcchitectural andd marine subjeects. Fine Art Society: S 178 II I of II. Stock: 36493

276. [The Gate of thee Farm.] Frank Brangw wyn. [signed in pencil.] [n.d., c.1907.] Etching withh mezzotint. Pllate: 300 x 250mm, (11¾ x 9¾"). £4880 French farm in i which figurres, some A view of a F carrying largge baskets on their t backs, walk w through a large, half-oppen gate. Frannk Brangwyn (1867-1956) ( tthe Anglo-Welshh artist, painteer and virtuoso o engraver andd illustrator. Fiine Art Society ty: 90. Stock: 36966

277. [Crosss Street Ch hapel, Manchester] Fred. W. Gooolden inv. et del. d [pencil sig gnature, lowerr right.] Fred. W W. Goolden/110 [etched in plate p lower left.] [1910.]] Etching withh very large margins, platem mark 255 x 345mm (10 x 13½"). Uncuut. £2220 Cross Street Chapel in Maanchester, the first Nonconformist place of worshhip in the city. Bombed duriing World War III, in 1959 a new chapel waas constructed t first placee on the site. Inn 2012 this chhapel became the of worship inn Britain to recceive a licence to conduct civil partnersship ceremoniies. Ex: Agnew ws. Stock: 36776

[Silentlly Homewarrd. In the Shadows of tw wilight or su unny mid-daay - Eliza Co ook.] 27 79.

Charles O. Murrray [pencil siignature]. Cop pyright. November N 1902 2 by C. Klackkner_ 7 West 28th 2 Street, New N York. Pub blished 1902 bby C. Klackneer, 12 Haymarket, H London S.W. Coopyright registered_ Prrinted in Lond don by Paul M Moglia. Mezzotint, M prin nted in sepia, aartist's remarq qued proof lim mited to 275, remarque of a crook with vine v leaves. 40 05 x 695mm (19 ( x 27½"), PPrintsellers' bllindstamp. £230 A shepherd and d flock in mistty winter land dscape with watery w sun. Stock: 35922

28 80. [Tangie ers Market]] H Macbeth Raeeburn Sct [penncil signature lower right] Ettching, platem mark 260 x 1655mm (10¼ x 6½"). £160 Market M scene in n Tangiers, M Morocco, by Heenry Macbethh Raeburn (1860--1947), portraait painter and printmaker acctive in Londo on, who exhibbited at the RA A 1881-1904. 'A A good etcher' (Guichard). LLimited to 50 impressions. Exx: collection of o the Late Hoon. C. Lennox--Boyd. Stock: 36777

28 81. [The Sw wingbridge..] C.F.Tunnicliffee signed in penncil. Limited 1/75. [n.d., c.1928.] P 2005 x 275mm (8¼ x 10¾"). Ettching. Rare. Platemark: £620 A rural scene sh howing a farm mer with a horrse, driving caattle across briidge to the rigght. Wildlife W artist Charles C Frederrick Tunniclifffe, R.A. R.E. (1 1901 - 1979) liived on Angleesey having sttudied at the R.C.A. This wo ork is characteeristic of his ro obust deeply biitten etchings steeped in rurral life. In all he h produced so ome sixty etch hings. Stock: 36718

Colonn ne Nationalee. Fastes militaires de la a France de 1792 à 18155. 28 82.

Houite H Sculp. Paris, P chez Binnet, Rue Aubrrey-leBoucher, 34. ngraving. Sheeet 900 x 625m mm (35½ x 24 4½"). A few En reepairs, laid on backing sheett. £420 Napoleon's N triumphal columnn in the Place Vendôme, orriginally erected in 1810 buut here showin ng the statue off Napoleon in military dresss replaced by LouisPh hilippe I (reigned 1830-46),, because the first statue

had been mellted down at the t Bourbon Restoration. R Thhe Paris Commuune pulled dow wn the whole column in 1871, but it w was re-erectedd three years laater with a coppy of the originaal statue. The column w was based on Trajan's Colu umn in Rome, with scenes ffrom Napoleon's career in a spiral up the colymn. Heree the column is i flanked tables of events grouped by m month rather than year Stock: 36852

85. [The Crab Rider.] 28 [n n.d., c.1812.] Coloured etchin ng with very llarge margins.. 120 x 00mm (4¾ x 8"). 8 20 £220 A satire on Nap poleon's retreaat from Mosco ow in 1812, with w Bonapartee riding on a loobster, a laureel branch beeing knocked from his handd by a cossack k rider's lance.. Seee BM 1925,0615.167 for a German verssion titled 'D Der Krebsreiteer'. Stock: 36753

28 86. Napole eon Musing. on n Stone by A. Picken. W. D Day lith to the King. [n.d., c. 1840.] mm (5½ x 7")). £95 Liithograph. Sheeet 140 x 175m An A invented vieew of Napoleoon standing on n a rock lo ooking down onto o a harbourr of Elba. Stock: 36752

283. Napo oleone Buon naparte. Engraved byy Henry Richteer from the celebrated Bust by Ceracchi llately broughtt from Paris, and a now in hiss Possession. P Published June 1.st 1801, by y H. Richter, No. 26, New wman Street, Oxford O Street Where W Casts from the origginal Bust mayy be had. Stipple with thread marginns. 525 x 420m mm. 20½ x 16½". Repairred tear on rigght. £4660 Bonaparte ass general of thhe Republican army, after thhe bust by Ceracchi; on piedoouche, looking g to the right, sporting longg hair, wearingg a double-breeasted jacket embroidered with bands of foliage. Stock: 36760

284. Bona aparte 1.er. Consul. Appiani Pinxx.t. Moret Scuulpsit. A paris,, chez Drouhinn, Editeur, Rue de Vaugirardd, N.o. 1348, enface e du Jarddin des Carmes. [n.d., c.1800.] Mezzotint prrinted in colouur. Sheet: 305 x 415mm, (122 x 16½"). Trim mmed within plate. £4220 A portrait sett within a ovaal of Napoleon n Bonaparte. Bonaparte w was named the First Consul following f the Brumaire, whicch took place on the 9th coup of 18 B November 17799, in which Bonaparte an nd his follower ers overthrew Thhe Directory, who w were in control c of France at thee time, and creeated the Conssulate which ruled until thhe formation of o the Napoleo onic Empire inn 1804. Stock: 36965

28 87. Spoone er's Proteann Views, No. 10. Napoleon N Pow werful and N Napoleon Powerless. The T print rep presents the fallen Warrrior in exile on n the sea girrt isle alone & contempllating the mighty m ocean n which sepaarates him afar a from th he Continent which wass the theatree of his trriumphs and d his power.. The scene is i changes an nd Napoleon n is again poowerful surrrounded by hiis Veterans and his Leggions in the Champ C de Mars. M Lo ondon, Williaam Spooner, N No. 337 Strand d. [n.d., c.1820's.] graph, rare; 1550 x 170mm, trimmed t and Coloured lithog laaid on card witth title label, bbacked with tiissue, as issued. Foxing. £350 he scene chan nges when heldd up to a lightt source. Th Stock: 36755

Beggarr's Opera, A Act III. as Originally O peerform'd at Lincolns Innn Fields, 17 727. 28 88.

Pu ublish'd July 1st. 1 1790 by J . & J. Boydelll, Cheapside, & at the Shakesspeare Galleryy Pall Mall Lo ondon. En ngraved keypllate. 145 x 2220mm (5¾ x 8¾"). Trrimmed just within w plate at bottom. £260 Th he keyplate to o Hogarth's paainting of the Beggar's B Opera, O as engraaved by Williaam Blake for the t Boydells. Th he Performerss: Macheath - Mr. Walker, Lockitt L - Mr. Hall, H Peachum - Mr. Hippisleey, Lucy - Mrrs. Egerton,

Polly - Miss Fenton, afterwards Dutchess of Bolton. The Audience: Duke of Bolton, Major Paunceford, Sir Robert Fagg, Mr. Rich, the Manager, Mr. Cock, the Auctioneer, Mr. Gay, Lady Jane Cook. Anthony Henley Esq.r, Lord. Gage, Sir Conyers D'Arcy, Sir Tho.s Robinson. A scene from John Gay's innovative and pioneering ballard-opera 'The Beggar's Opera', first painted by Hogarth in 1728. John Rich of the Lincoln's-Inn-Fields was eventually persuaded to take on the piece, and the first performance, on January 29, began, it is said, with some concern on the part of the audience, for the departure from the conventions of the day was considerable. However, the sparkling dialogue, witty satire, and ingenious ballads set to well-loved familiar tunes carried their own weight, and we have a report from Pope, as remembered by Joseph Spence: Ex: collection of the Hon. Christopher Lennox-Boyd.

Rare etching with letterpress, printed in blue. Sheet 285 x 225mm 11¼ x 9"). Laid on canvas, paper age toned. £350 The key and prospectus for an engraving of Francis Danby's 'An Attempt to illustrate the Opening of the Sixth Seal'. According to the text 'Each Subscriber of One Guinea shall receive one Share, securing One of the Splendid Mezzotinto Engravings of the Picture; and the chance of obtaining either the Grand Original Painting, valued at 1000 Guineas, or the Engraved Steel Plate, which cost 650 Guineas; and shall also receive a Free Admission Ticket admitting one person during the Exhibition'. Danby accused John Martin of stealing the idea of his 'The Deluge' from this painting, which Martin saw during a visit to Danby's studio. Ex: collection of the Hon. Christopher Lennox-Boyd. Stock: 36968

Stock: 36973

Chelsea Pensioners reading the Gazette of the Battle of Waterloo. 289.

J. Moyes, Castle Street, Leicester Square. [London, Moon, Boys, & Graves, c.1831.] Etching with letterpress. Sheet 850 x 570mm (33½ 22½"). Folds with worn holes, foxed. £280 Keyplate and list of subscribers for David Wilkie's lively scene of Chelsea pensioners sitting round a wooden table outside the Duke of York inn, listening to one reading the news of the Battle of Waterloo. The key lists the variant uniforms of the old soldiers. The extensive list of subscribers include the Duke of Wellington, the artist and Francis Moon, one of the publishers. Stock: 36975

Key of Reference to the print of The Battle of Waterloo, June 18th, 1815. The period of time is towards the Close of the Day when the whole French Army were thrown into Confusion. The Marquis of Anglesey having broken the French Lines and pass'd the high road, pursues the Enemy into a hollow, and the Cavalry charge and capture their Artillery. 290.

London; Published June 18th, 1819, by R.Lambe, 96, Gracechurch Street, and T.Clay, 18, Ludgate Hill. Etched key plate. Sheet 390 x 530mm, 15¼ x 21", watermarked 'J Whatman'. Folded at centre, bottom corner torn £360 Keyplate to a painting by Alexander Sauerweid, as engraved by H.R.Cook, with a 19-point key of persons and a 15-point key of the battle. BM: 1872-5-11-449. Ex: collection of the Hon. Christopher Lennox-Boyd. See item 36757 for the engraving. Stock: 36970

291. Key to the Splendid Mezzotinto Engraving, by G.H. Phillips, Esq from Danby's Sublime Painting of the Opening of the Sixth Seal. [n.d., c.1830.]

292. Key to the plate of the Royal Academicians. Pub. by C. Bestland 1802. [but later.] Stipple. 295 x 380mm (11½ x 15"). Tear in lower margin. £180 Keyplate to the stipple by C. Bestland after Henry Singleton. The artists include Thomas Lawrence, William Beechey, Angelica Kaufman, James Northcote, Henry Fuseli, John Singleton Copley, the Sandby brothers and, sitting in the President's chair, Benjamin West. Ex: collection of the Hon. Christopher Lennox-Boyd. Stock: 36974

293.

Key to the Battle of Waterloo, by Lieut.

Read. G.W. Ginger, College Street, Westminster. [n.d., watermarked 1836.] Etching with letterpress. Sheet 450 x 560mm (17¾ x 22"). Watermarked 'Sweetapple 1836', Wear to edges. £360 Keyplate to the aquatint drawn and etched by William Heath after Lieut. R.P. Heath, first published by Reeve in 1816. This keyplate is for a later issue as the letterpress 'Summary Account of that Decisive Victory' has been updated to include Napoleon's death on St Helena in 1821. Ex: collection of the Hon. Christopher Lennox-Boyd. Stock: 36969

294. [Keyplate to the Battle of Waterloo, by William Heath.] [n.d., c.1880.] Wood engraving. Printed area 120 x 360mm (4¾ x 14¼"). £85 Keyplate to the aquatint by Fry & Sutherland after William Heath, first published by Reeve in 1817. It names Wellington, Clinton, and Anglesea, with Napoleon Bonaparte in the background. Ex: collection of the Hon. Christopher Lennox-Boyd. Stock: 36971

295. [Don nkey Racing..] E. Martin Invv.t. J. F. Martiin sculp.t. [n.d d., c.1799.] Stipple with hand colour, large l margins. Platemark: m (7 x 9½"). Light L staining in margins. 180 x 240mm Small repair in centre. Bitt dusty. £2220 onkeys over a A scene depiicting nine figgures racing do small bridge,, to the right, past p two specttators in the centre, and ooff into the disstance to the leeft. To the righht, a goat leaps iin front of a riider, throwing g him from hiss donkey, in frront, a small child rides with h an adult, andd further aheadd another riderr falls from hiis animal. By Elias Marrtin, A.R.A. Swedish, S born Stockholm inn 1739, died Sttockholm 1818. He came to o London in 1768, becom ming a Royal Academy A studeent the next year and wass elected A.R.A in 1770. Affter Elias Martin, engraaved by his yoounger brotheer, Johann Frederick (17745-1808).

E. Martin Inv.t & Sculp.t. Puublish'd as the Act Directs, 779. 17 Sttipple with hand colouring w with very larg ge margins; Pllatemark: 190 x 150mm (7¾ ¾ x 6"). £140 A child sits looking down tow wards a smalll dog to the leeft, with its paw ws on the chillds lap. By Elias Martin n, A.R.A. Sweedish, born Sttockholm in 739, died Stocckholm 1818. He came to London L in 17 17 768, becoming g a Royal Acaademy studentt the next yeear and was ellected A.R.A iin 1770. Stock: 36335

Stock: 36344

296. [The Fair.] F. Wheatley inv. F. Bartollozzi Sculp.t. [n.d., [ c.1789.]] Stipple, fine with very largge margins. Prroof impressioon before letterss. Platemark: 200 2 x 230mm m (8 x 9"). £2660 An exterior sscene at a counntry fair, with h five childrenn standing besiide a stall. The two boys in the centre plaay a small drum m, hanging from m one of theirr necks, as a ggirl sits on a baskket to the left, playing a smaall clarinet shaped instruument. To the right, a girl holds h a rifle ovver her shoulder,, most likely used u at the sho ooting galleryy at the fair to wiin prizes. De Vesme. V 1274: I of III. Stock: 36416

297. Huntt the Slipperr [&] Hot Co ockles. W. Hamiltonn inv.t. F. Barttolozzi Sculp.tt. Publish'd Juuly 2.d, 1787 by W. Palmer No. N 163 Strand d. marks 195 x 225mm 2 (7¾ x Pair of fine sstipples. Platem 8¾"). Threadd margins. £4880 Two scenes oof children plaaying: in 'Hun nt the Slipper' a group of chilldren sit in a circle c playing, as one boy searches for tthe hidden slippper; in 'Hot Cockles' C one person placess their head inn anothers lap and guesses who is hittingg them from behind, b a variaation of the classic 'Blindd Man’s Buff'. De Vesme. 1263 & 1264, both IV of IV V. Stock: 36413

298.

The m mind uncum mber'd playss.

29 99. Dame en e habit de B Ballet. lee Pautre delin. et Sculp. cum m privil Regis.. Ce vende so ous les charnieers Sts Inocenns. [n.d., c.167 75.] Ettching, rare; 18th century w watermark. Plaatemark: 295 x 195mm (11½ ½ x 7¾"). Few very small pin holes to urface. su £260 A woman, standing whole-leength, dressed d in a richly orrnate ballet co ostume with a long striped stole, s holding a mask in her leeft hand and ddancing. Two other figures ng beside stepss to the left. arre seen dancin Prrint made by Jean J Lepautree (1618 - 1682 2), designer, ettcher, publisheer and the firstt of the Lepau utre dynasty, brrother of Anto oine the archite tect, and father of Jacques an nd Pierre. Stock: 36991

30 00. [Decorative music book cover?] F.. Bartolozzi scculp. Gouldingg, D'Almaine,, Potter & Co.. Music M Publisheers [c.1809] Ettching with veery small marggins, platemarrk 115 x 21 10mm (4½ x 8¼"). 8 £190 Decorative D desiign in proof sttate before tex xt, by Frrancesco Bartolozzi (1725- 1815). Born in n Florence, Bartolozzi was elected a founnding member of the Royal Academy y in 1768 (thee RA did not admit a en ngravers at thiis time but maade an exceptiion in his

case). He waas already hailed as the best engraver in Italy when hee met George III's librarian Richard Daltton in 1763. Daltton invited Baartolozzi to Lo ondon with a promise of ann appointmennt as engraver to the king. Inn England he bbecame the moost celebrated d exponent of the 'stipple' teechnique wheereby he produ uced prints using dots raather than liness. In 1801 Barrtolozzi was invited to Lissbon to reform m the royal priinting press, aand he spent his ffinal years in Portugal. Thiss portrait was published aftter Bartolozzi had left England for the continent. Stock: 35839

301. [Viollinist Asleep p Below a Trree.] Vien fecit. Frranquinet del..t. Lith. de Chabert; r. Cassette, N.220. Lithograph w with very largee margins. Plaate: 335 x 495mm, (13¼ ¼ x 19½"). £1440 An old man, asleep holdinng a voilin in one o hand and the bow in annother. A skulll, Stock: 36596

302. [The Gallery.] [& &] The Pit [Tragedy]. Printed by G Graf & Soret 144, Newm[an Street.] S [Published byy R. Ackermaann, 96, Strand d.] [n.d., c.1830.] ur, very scarcee. Pair of lithoggraphs with finne hand colou Each sheet c..155 x 175mm m (6 x 7"). Trimmed within images, losinng most of thee inscriptions, mounted on album paper.. £2880 Two views oof an audiencee: a family in the t gallery, presumably w watching a comedy; and a similar s familyy in the pit, watchhing (accordinng to the full inscription i of an example in thhe V&A) a traagedy. Ex: Co ollection of Thhe Hon. C. Lennnox-Boyd.

Exx Collection of the Hon. Chhristopher Len nnox-Boyd & Collection C of Siir Algernon Tu Tudor Craig. Stock: 36866

30 05. The Re ev.d John W Wooll D.D. Master M of Rugby R Schoo ol. Proof. Paainted by Tho.s Lawrence E Esq.r R.A. Paiinter in Ordinary O to Hiss Majesty. Enggraved by C. Turner T Warren W Street Fitzroy F Squaree. London: Pu ub.d Nov.r 24 18 813, by Mess.rs Colnaghi & Co, Cockspu ur Str.t Hay Market. M Prroof mezzotin nt with very lar arge margins. 400 4 x 300mm m (1 15¾ x 11¾"). Mounted on aalbum paper. Uncut. £240 Jo ohn Wooll (17 767-1833, head admaster of Ru ugby School from 1806 to 18 827. Ed ducated at Wiinchester Colllege, Balliol College C Oxford O and New w College, W Wooll held a fellowship at New N College frrom 1788 untiil 1799, when he was ap ppointed headmaster of Middhurst Free Grrammar Scchool. He bacame headmasster at Rugby School S in 18 807 and embaarked on a rebuuilding prograamme which in ncluded a chap pel in 1820. Innitially the num mbers of pu upils grew, ex xceeding 380, making Rugb by second on nly in size to Eton, E but afterr 1818, perhap ps because of hiis reputation for f excessive fflogging, num mbers fell, drropping to 123 3 by the end oof 1827, promp pting his reesignation in 1828. Wooll seettled in Wortthing, Sussex, where w he died in i 1833. A moonument was erected e to his memory m in the school chapell at Rugby. Whitman W 625, i off ii. Ex: collection of the Hoon. Christopheer LennoxBo oyd. Stock: 36587

Stock: 36469

Samu uel Berdmorre S.T.P. Sccholae Carthusiaee Magister, MDCCLXX M XXVIII. 303.

Painted in M Miniature by S.. Shelley / Eng graved by W. Nutter Publissh'd Oct.r 28 1788 1 by R. Crribb N. 288 High Holborn rn Stipple with very large maargins, platemark 205 x £1220 150mm (8 x 6"). Samuel Berddmore (1739-11802), headmaaster of Charterhousee School from m 1769 to 1791 1 where he maintained thhe reputation and finances of o the school. Bredmore waas also a keenn literary schollar, publishingg 'Specimens oof Literary Resemblance in the Works off Pope, Gray, aand other Celeebrated Writers' in 1801, annd he was a mem mber of the Unincreasable U Club, C meetingg in Holborn thhat included thhe painter Geo orge Romney amongst its m members. Stock: 35836

304. Rich..d. Rawlinso on L.L.D. Vertue delin.. Smith Fecit. [n.d., c.1775.] Mezzotint, raare. Sheet: 1800 x 250mm, (7 7 x 9¾"). Trimmed to pplate. £2660 A half-lengthh portrait set inn an oval of Richard R Rawlinson (11690-1775), antiquarian, a co ollector and Jacobite. Hee bequeathed most m of his collection to thee Bodleian Libbrary, Oxford. CS: 3 II. Sha arpe: 602 II.

[Lawreence Alma-T Tadema, R.A A., in his sttudio] 30 06.

[T T.L. Atkinson after John Coollyer, pencil signatures] s [P Published by T.H. T Lefèvre, June 1 1885]

Mezzotint on india, very large margins; platemark 550 x 420mm (21½ x 16½"). Printsellers' Association blindstamp. Very scarce. £520 Lawrence Alma-Tadema (1836-1912), London painter of Greek and Roman settings, etcher, stage designer and decorative artist. Shown in his studio holding palette and brushes, an unfinished canvas behind him. After training in Antwerp, Alma-Tadema moved to London in 1870 and became a member of the Royal Academy in 1879. He was knighted in 1899. After the portrait by John Collier (1850-1934), portrait painter who received guidance and encouragement from Alma-Tadema as a young artist. The print was originally sold as a companion to a portrait of another 19th century artist, Rosa Bonheur. PSA limited to 275 artist's proofs (plate destroyed); ex: collection of the Late Hon C. Lennox-Boyd. Stock: 36360

307. R. Crosse, Esq.r. Painter in Enamel to His Majesty. Painted by Himself / Engraved by R. Thew [published 1 September 1792]. Stipple, sheet 165 x 120mm (6½ x 4¾"). Trimmed inside platemark. £140 Richard Crosse (1742-1810), miniature painter who while not now ranked among the pre-eminent miniaturists of the 18th century, was probably appointed painter in enamel to George III circa 1789. Crosse's ledger in the National Art Library reveals that during his most productive years he painted around 100 miniatures per year. He appears to have given up his London practice in 1798 and to have retired to Somerset. This engraving reproduces Crosse's selfportrait of circa 1780 (Victoria & Albert Museum). In BM 1852.0214.316. Stock: 35829

308. W. Dobson. Ipse pinx. Geo: White Fecit. Sold by Sam.l Sympson in ye Strand. Mezzotint with small margins, platemark 350 x 245mm (13¾ x 9¾"). Damaged. £160 William Dobson (bap.1611-d.1646), portrait painter, after a self-portrait. Often regarded as the first major British painter, he was (with the exception of the miniaturists Hilliard and Oliver) the first home-bred painter at the English court. Following the death of Van Dyck in 1641, Dobson was called upon to paint Charles I and his royalist supporters, who had fled to Oxford after Civil war broke out. CS 16.i; Ex: collection of the Hon. C. Lennox-Boyd Stock: 36366

309. [Portrait of François du Quesnoy] Hic ille est quondam Fratri vix dispar in arle, felix! [...] Tabulae per A: Van Dyck ad vivum depictae R. Brookshaw fc.t Bruxellis Annon Salutis 1779 Mezzotint, sheet 205 x 160mm (8 x 6¼"). Trimmed inside platemark; false margins added. Rare. £140 François du Quesnoy (1597-1643), sculptor and draughtsman, gesturing towards a small bust. Du

Quesnoy moved to Rome in 1618 (he was a friend and housemate of Nicholas Poussin) and spent the rest of his life in Italy (earning the sobriquet 'il Fiammingo''the Flemish'). Apparently after a portrait by Van Dyck, and published by the British engraver Richard Brookshaw when he was briefly resident in du Quesnoy's hometown of Brussels. CS p.99; Ex: collection of the Hon. C. Lennox-Boyd. Stock: 36373

310. Thomas Hayley the Disciple of John Flaxman / from a Medallion. Blake sc. [n.d., c.1800 Stipple, platemark 165 x 110mm (6½ x 4¼"). Late. £40 Thomas Alphonso Hayley (1780-1800), sculptor who was taught by Joseph Wright of Derby and admired by George Romney before dying aged just nineteen. Engraved by William Blake. Stock: 35833

311. Jean Baptiste Monoyer Peintre des Fleurs. Illustrissimo Principi Joanni Duci de Montagu &c [...] G. Kneller Baronettus pinx Printed for & Sold by Henry Overton at the White Horse without Newgate London. Mezzotint with very large margins, platemark 340 x 240mm (13¼ x 9½") £260 Jean Baptiste Monoyer (1635-99), painter of flower still lives. He was employed at Versailles before being brought to England by the Duke of Montagu (to whom this print is dedicated). He then worked at Montagu House, painting over fifty panels of fruit and flowers for overmantels and overdoors, some of which were later transferred to Boughton House, Northamptonshire. Stock: 36634

312. Jean Baptiste Monoyer Peintre des Fleurs. G. Kneller S.R.J. Equ: Aur; et Mag: Brit: Equ: Aur: et Baronettus Pinx. E. Fisher fecit. [n.d., c.1715.] Mezzotint. 345 x 245mm (13½ x 9½"). £230 Jean Baptiste Monoyer (1635-99), painter of flower still lives. He was employed at Versailles before being brought to England by the Duke of Montagu. He then worked at Montagu House, painting over fifty panels of fruit and flowers for overmantels and overdoors, some of which were later transferred to Boughton House, Northamptonshire. Ex: Collection of the Hon. Christopher Lennox-Boyd. CS: 42. Stock: 36311

313. Nicholas Pocock. Painted by J. Pocock. Engraved by Edw.d. Scriven. Historical Engraver to His Majesty. Engraving with very large margins. Proof. On India, laid. Plate: 190 x 250mm, (7½ x 9¾"). Some surface dirt. Hole in lower margin. £95 Half portrait of British artist Nicholas Pocock (17401821) famed for his battle scenes. Stock: 36418

ollection of thee late Hon C. Lennox-Boyd d; CS 226 co (o only state) Stock: 36632

31 17. Charles Smith, Paiinter to the Great Mogul. M Ip pse pinx.t. S.W W. Reynolds scculp.t. [n.d., c. c 1795.] Sttipple. Sheet size: s 175 x 95m mm (7 x 3¾")). Fine im mpression, cutt nearly to imaage. £75 A portrait of Ch harles Smith ((1749 - 1824) half-length, diirected to the left, l facing tow wards the fron nt. He is wearing w a turbaan and a dark ccloak with a light frill, ho olding rolled up u papers in hhis right hand. Sm mith was a Sccottish artist w who worked in nitially as a paainter of portraits but later aalso painted mythological m an nd whimsical subjects. Smitth left Englan nd for India in 17 783 and travellled widely, sppending time in Calcutta, Madras, M Lucknow and probaably Delhi, wh here he may haave painted th he Mughal empperor. Whitma an: 267A. Stock: 36888

[Rem mbrandt as a Standard Bearer.] B Dee Origineele Schildery iss in de Colleectie van den n Heer J.M Q Quinkhard. 314.

Rembrand piinxt. P. Lauw fec. te Amsterdam by P. Fouquet Juniior [n.d., c.17550.] Mezzotint wiith very large margins; plattemark 400 x 295mm (15¾ ¾ x 11½"). Sliight cockling. Very slight crease in cenntre. £4550 Engraving off Rembrandt'ss 1636 painting g (collection oof Elle de Rothsschild, Paris). Charington 103 1 ii/ii Stock: 36523

315. [Self--portrait by y Rembrandt] 23 [Andrew Gedddes after Rem mbrandt] Etching withh very large margins, platem mark 70 x 65m mm (2¾ x 2½"). £1220 Copy in reveerse of Rembraandt's 1634 ettched selfportrait, by thhe Scottish paainter and etch her Andrew Geddes (1783-1844). The Oxford DNB states that 'ass an etcher Gedddes ranks higgher than as a painter; his plates may be regarded as among the veery earliest modern Britissh art of the brrilliancy, examples in m concentrationn, and spiritedd selection of line l proper to a ‘painter's-etcching’'. CD 388.ii; Hollstein 133 copy i; Hind 57 (coppy) Stock: 36805

Godffridus Schallcken Hanc suam Effigiem piinxit Londin ni 1694 316.

J. Smith fec. &. exc. 3½ x 9¾) Mezzotint, pllatemark 340 x 250mm (13 Thread marggin; crease throough centre. £1220 Mezzotint affter a self-porttrait by the Du utch artist Godfried Schhalcken (16433-1706) who worked w for many years iin London andd noted for hiss mastery of candlelit scennes such as thhis. Fluted pillar on left and two fragments of ancient statuary s lowerr right. Ex:

31 18. J. W. M. M Turner E Esq.r. R.A.P.P Geo. G Dance.dell.t. March 18000. Published. by W.m. Sm mith N.o.24 Lisle L Street, Leeicester Squarre, London. May M 10. 1827. Ettching with laarge margins. PPlate: 200 x 280mm, 2 (8 x 11 1"). £220 A half-length portrait in proffile of artist Jo oseph Mallordd William W Turnerr (1775-1851)) aged 25. Stock: 36860

H.L. Wellington W R Royal Colleg ge of Art / 19 923 - 19 31 19.

D. D Smith 1929 [pencil signatture lower righ ht] Aquatint A with very v large marrgins, very scaarce, pllatemark 200 x 230mm (8 x 9").

£240

Probably a portrait of Hubbert L. Welling gton (1879n arrived at thee 1967), artist and art teacheer. Wellington dham Lewis, Slade to studdy at the same time as Wynd and was closse friends withh Camden Tow wn Group man. members Speencer Gore annd Harold Gilm Wellington's work is in thee Tate collectiion, but it wass h most impo ortant as a teacher tthat he made his contribution,, working as leecturer and registrar from 1923-32 (durring which tim me this print was w made), andd later becominng principal at a Edinburgh College C of Artt and the Sladee. Wellington''s DNB entry was written bby Sir William C Coldstream, whose w time at the Slade overlapped w with Wellingtoon's.

La ate Hon. C. Leennox-Boyd; C CS 58 i/ii [witth 1729 date seeemingly scrattched out] Stock: 36507

Stock: 36385

Benjaamin West, Esq.r President of the Royal Acad demy in Lon ndon: Dediccated to the Directors oof the British h Institution n by their ob b. Serv.t William Johnstoone White 320.

W.J. Newtonn Pinx.t / C. Heath H Sc.t Publlished Jan.y 1 st 1818 by W.JJ. White 14 Brrownlow Streeet, Holborn, London Engraving onn india with laarge margins, platemark 3800 x 290mm (155 x 11½"). £1440 Benjamin West (1738-18220) American painter of historical sceenes, with Winndsor Castle in the distancee. In 1760 he beecame the firsst American painter to traveel to Italy, spennding three yeaars there. Wesst met Georgee III's librariann Joseph Daltoon in 1762, wh ho gave him a royal commission to paint the lovers Cy ymon and Iphigenia. It was partly duue to Dalton's encouragemennt w to spend that West arrrived in Londoon, where he was the rest of hiss career. In 17768 West play yed an instrumental role with the king in obtain ning patronagee Academy of Arts, A joining otther charter for a Royal A members in hhelping to elecct Reynolds as its first president. Evventually, desppite his Ameriican origins, West becamee historical paainter to the kiing in 1772, surveyor of tthe king's pictuures in 1791, and second president of tthe Royal Acaademy in 1792 2, after Reynolds's ddeath. Stock: 36519

321. Harrry Carey. J. Worsdale ppinx / J Faber Fecit [1729] Mezzotint, pllatemark 190 x 150mm (7½ ½ x 6"). Smalll margins. Rarre. £1660 Henry Careyy (1687-1743),, poet and son ngwriter. Allegedly thee illegitimate son of the George Savile, marquess of Halifax, Careey is best know wn for his satires and coomedies for thhe theatre todaay. He also taught musicc and published poetry. The great music historian Chaarles Burney wrote w of him: 'Honest Harryy Carey … invvented many very v pleasing and a natural melodies, whhich neither obbscured the seense of the words, nor reequired much science to heaar'. A defendeer of indigenouus musical tradditions, Carey attacked Italiaan ntal performerrs, opera, and soometimes paticular continen in satires likee 'Faustina, orr, The Roman Songstress'. Despite the ggreat success of o works such h as 'the Dragoon of Wantley' ((1737), whosee popularity ecclipsed even 'The Beggar's Opera', Careey committed suicide soon ollection of thee after the deatth of his son inn 1743. Ex Co

32 22. [Geoffr rey Chaucerr.] [F From an Original Painting inn the Picture Gallery G at Oxford. O Engrav ved by P. Cond nde] [Published d Feb.y 14 18 804 by Richarrd Philips. No .71 St. Paul's Church Yard,, Lo ondon.] Very V rare stipplle with etching ng. Proof beforre letters. Sh heet size: 255 x 180mm (100 x 7"). Trimm med inside pllate. £320 Geoffrey G Chauccer (c.1343 - 11400) was an English au uthor, poet, ph hilosopher, buureaucrat, courrtier and diiplomat. Altho ough he wrotee many works,, he is best reemembered for his unfinisheed frame narrative 'The Canterbury Tales'. Sometimees called the father fa of nglish literatu ure, Chaucer iss credited by some s scholarss En ass the first auth hor to demonsttrate the artisttic legitimacy off the vernaculaar English lannguage, rather than French orr Latin. Stock: 36894

[Portra ait of Vincennzo Martineelli with co ornucopia below] 32 23.

G.B. G Cipriani Fiorentino F diseegno / F. Bartolozzi scalpi [1 1766] En ngraving with h very large m margins, fine, platemark p 205 x 140mm (8 x 5½"). 5 £160 ortrait of the Italian I author V Vincenzo Maartinelli, from Po hiis edition of Boccaccio's B 'Deecameron' pub blished in Lo ondon in 1766 6. En ngraved by Frrancesco Bartoolozzi (1725-1815), Fllorentine engrraver and founnding memberr of the Royal Academy A in 1768. After meeeting George III's I librarian Richard Dalton n in Italy in 17763, Dalton invited Bartolozzi to London with a promise of an n appointmentt t king. In Enngland he beccame the mostt ass engraver to the ceelebrated expo onent of the 'sttipple' techniq que whereby hee produced priints using dotss rather than lines. l This

was the mediium employedd for many of his prints although thiss print uses thee more establiished techniquue of etching. D De Vesme 872 (only state). Stock: 36621

324. Mr. P Pope. G. Kneller Piinx. Sold by S. S Sympson in n Maiden Lanee Cov.t Gardenn. [n.d., c.17322.] Mezzotint wiith thread marrgins. Very fin ne & rare. Platemark: 200 x 150mm (8 ( x 5¾"). £2440 A portrait off author and pooet Alexanderr Pope (1688 s to thee left, resting oon 1744), seatedd half length, slightly his left arm, w which is on a book on the table t in front oof him. Alexandder Pope, the 18th century English E poet, was best knoown for his sattirical verse an nd for his translation off Homer. Ex collection c of Christopher C Lennox-Boydd. Chaloner Sm mith: 84. II off II. Stock: 36887

The R Reverend Doctor D Jonatthan Swift Dean of St:: Patrick's, Dublin. D acrri quondam cui captus aamore/ Ipsee suas artes sua s muneraa laetus Apolllo/ Auguriu um citharam mque dabat. [Quotation n from Virgil's Aeneid.] 325.

Charles I (1600 0-1649) wearinng hat and Geeorge, leaning ov ver a globe wiith the Britishh Isles filling th he visible arrea, writing the word . The ffrontispiece to o 'The Papers which w Passed at a Newcastle bbetwixt His Saacred Majestie M and Mr M Al: Hendersson'. Stock: 36540

32 28. Carolus ii D.G. An nglia Scotia Francia F et Hibernia H Rex x. [A Anon.] [n.d., c. c 1690.] Mezzotint. M Raree. Sheet size: 240 x 160mm m (9½ x 6¼"). Trrimmed to image. Laid on ssheet. Light ho orizntal crreases. £260 A portrait of Kiing Charles III (1630-1685) as King. Bust length, tow wards the left,, facing forwaards, wearing wig, w lace cravatt and brocade coat. Within an oval bo order. Title inscribed in Lattin below. Chaarles was King K of Englan nd, Scotland, aand Ireland fro om 1660 untill hiis death. Ex co ollection of Chhristopher Len nnox-Boyd. Stock: 36562

Markham add vivum delin. Burford fecit 1744. Londonn Printed for Joohn Bowles & Son, at ye Black Horse inn Cornhil. Acccording to Act of Parliamen nt. Mezzotint wiith small marggins, fine, plattemark 350 x 250mm (13¾ ¾ x 9¾"). Trim mmed to plate lower edge; reworked staate after publissher name and d date altered. £3220 wift (1667 - 17445), writer, seeated in an Jonathan Sw glo-Irish satiriist, armchair in hhis study. Swiift was an Ang essayist, poliitical pamphleeteer (first for Whigs then fo for the Tories), ppoet and clericc who becamee Dean of St. Patrick's, Duublin, best knoown for his sattire 'Gulliver'ss Travels'. 1701 - 1754/577), Engraved byy Alexander vaan Haecken (1 with quotatioon from Virgill's 'Aeneid' beelow image. Ex Collection off the Late Honn. C. Lennox-B Boyd; CS (under van H Haecken) 16 iiii/iii Stock: 36508

Caroolus Primus D.G. Anglia ae Scotiae Franciae ett Hiberniae Rex &c. 326.

[after William m Faithorne.] [n.d. c.1648.]] Engraving. S Sheet 250 x 1665mm (9¾ x 6½"). 6 Trimmeed just within pllate. Ink markk in title. £1220 Oval portraitt of Charles I (1600-1649) ( in i armour, thee Order of the Garter aroundd his neck, cop pied from frontispiece for William San nderson's Faithorne's fr 'Compleat Hiistory of the Life L and Raign ne of King Charles'. Thee lettering arouund the oval has h been adde d for this version. Fagan: Pgg 4 Robert Wh hite copied. Stock: 36539

327. [Cha arles I] Fideii Defensor. [Engraved byy William Maarshall.] [Lond don: R. Royston, c.16649.] Engraving, raare. Sheet 1355 x 90mm (5¼ ¼ x 3½"). Trimmed witthin image, loosing engraverrs signature, 'Hall' writtenn in old ink msss on the globe. Repairs . £995

32 29. The Victorious Du uke of Cumb berland. Prrinted for John n Bowles at thhe Black Horsse in Cornhill En ngraving, sheeet 255 x 195m mm (10 x 7¾"). Trimmed in nside platemarrk. Very rare & fine. £260 Prrince William Augustus, Duuke of Cumbeerland (1721 17 765), in militaary uniform, pprobably cropp ped from a fu ull-length portrait. The thirdd son of Georg ge II and a liffe-long soldier, the Duke w was described by b Horace Walpole W as 'pro oud and unforggiving, fond of o war for its ow wn sake'. His victory at Cullloden in 1746 6 ended the Jaacobite threat, but his severee treatment off the rebels eaarned him the nickname 'Buutcher Cumberland'. Ex Collection C of th he Late Hon. C C. Lennox-Boyyd Stock: 36516

330. George III. King of Great Britain. &c. &c. [&] Charlotte. Queen of Great Britain. &c. &c. B. West pinx.t. C. Ruotte Sculp.t. [n.d., c.1780.] A Pair of Stipples. Sheet size: 250 x 160mm (9¾ x 6¼") each. Cut to platemark at sides. £120 A pair of stipple portraits after Benjamin West. King George III, bust, directed to right, within an oval. Queen Charlotte, bust, directed to front, looking left, hair dressed up, wearing a pearl necklace and a dress decorated in bows. George III (1738 - 1820) was King of Great Britain and Ireland from 25 October 1760 until the union of the two countries on 1 January 1801, after which he was King of the United Kingdom of Great Britain and Ireland until his death. On 8 September 1761 in the Chapel Royal, St James's Palace, the King married Princess Charlotte of Mecklenburg-Strelitz, whom he met on their wedding day. A fortnight later, both were crowned at Westminster Abbey. Stock: 36317

331. The Introduction of the Princess of Brunswick to the Prince of Wales. The Royal Stranger now mid hopes & fears, / Before he Prince & destind Lord appears;... Publish'd June 1st 1795, by J. Coard, No 11 Lisson Street, Edgware Road. Mezzotint, printed in colours and hand-finished, rare. 350 x 250mm (13¾ x 9¾") Thread margins. £260 An idealised scene of the first meeting of George and Caroline of Brunswick, shortly before their marriage on 8th April 1795. The text refers to Caroline 'In beauty perfect' and George as a 'Godlike Youth': in reality George called for a glass of brandy, obviously disappointed, and Caroline said to her escort Lord Malmesbury '[the Prince is] very fat and he's nothing like as handsome as his portrait'. The pair separated the following year. Ex Collection of the Hon. Christopher Lennox-Boyd. Stock: 36305

332. [Their Royal Highnesses /The Prince & Princess of Wales.] H. de Janvry pinx. / F. Bartolozzi sculp. London, Published as the Act directs April 15 1797, by the Author Etching and stipple, sheet 240 x 155mm (9½ x 6"). Trimmed inside platemark. Rare proof before title. £160 Double portrait of the future George IV and Queen Caroline when prince and princess of Wales, by Francesco Bartlozzi (1725-1815), Florentine engraver elected a founding member of the Royal Academy in 1768 (the RA did not admit engravers at this time but made an exception in his case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton in 1763. Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal

printing press, and he spent his final years in Portugal. De Vesme 1209 ii/iii; Collector's Mark: Z Stock: 35840

333. Mary Queen of Scots. To the Master Wardens & Court of Assistants of the Worshipful Company of Drapers [...] Federico Zuccheri Pinx.t / S. Roma Del.t / F. Bartolozzi Sculp.t Published as the Act directs Jan. 26 1779, by John Boydell Engraver in Cheapside London. Etching, sheet 480 x 330mm (19 x 13"). Trimmed to platemark; creasing top left. Rare. £240 Full-length portrait of Mary, Queen of Scots (1542-87, reigned 1542-67), after Federico Zuccaro (1539/401609). De V: 1208 v of v. Stock: 36392

334. [Charles Edward Stuart.] [after William Mosman, c.1840.] Rare proof engraving on india. Platemark 290 x 230mm (11½ x 9"). Very large margins. £130 Half portrait in a roundel of Prince Charles Edward Stuart (1720-1788) the grandson of James II. Known as 'Bonnie Prince Charlie' or the 'Young Pretender', he led the failed Jacobite uprising of 1745 which sought to restore the Stuart family to the British throne. Following the Jacobite's defeat at Culloden he escaped to the continent where he remained until his death in 1788. Not in Sharpe. Stock: 36630

His Royal Highness James Prince of Wales &c. Born at the Palace of St James's The 10 Day of June 1688. 335.

De Largilliere Pinxit. Edelinck Sculpsit Cum Pr. Regis 1692. [c.1692.] Engraving. Sheet 435 x 310mm (17¼ x 12¾"). Trimmed within plate, laid on album paper. Slight crease. £390 Oval portrait of four-year-old James Francis Edward Stuart, the 'Old Pretender' (1688-1766), in the feminine dress style of the period, wearing a feathered hat and Garter. As the son of James II, his birth raised the prospect of a catholic succession and so sparked the 'Glorious Revolution' that forced his father into exile. When his father died in 1701 the Jacobite faction proclaimed him James III, although he would never take his throne. Sharpe 89. Stock: 36859

336. [His Royal Highness Prince William Henry. Serving as Midshipman on board His Majesty's Ship Prince George.] B. West Pinxt. F. Bartolozzi Sculp.t. P Sandby Aquat.t. Publish'd as the Act Directs Jan.y 15 1782 by A. Poggi No.4 Orchard Street, Portman Square. Etching and aquatint in sepia, rare; sheet 565 x 445mm (22¼ x 18¼"). Trimmed inside platemark; creases and tears, some professionally repaired. £420 King William IV (1765-1837) when a prince. Prince William was sent into the Royal Navy at the age of thirteen, 'chiefly to prevent him from falling under the

influence of hhis eldest brotther, George' (Oxford DNB B). He joined thee (ironically named) n 98-gun n ship 'Prince George' in 17779 as a midshhipman, an ev vent commemoratted here. After a portrait (c..1781) by Benjamin West, the American artist lateer to become President of tthe Royal Acaademy. The prrint was madee by Francescoo Bartolozzi annd Paul Sandb by, both printmakers w with strong coonnections to the Hanoveriaan monarchy. D De Vesme 926 ii/iii. Stock: 36361

33 38. Carlo Ferrara. F Thee Poor Italia an Boy. Drawn D from Naature and on SStone by the Rev.d R T. Kilby. K Printed by b T. Skelton.. [n.d., c.1850 0.] Tiinted lithograp ph with very llarge margins. Printed area 27 70 x 205mm (10½ ( x 8"). Fooxing in bordeers. £260 A boy with a bo ox and puppetts, with a torto oise sitting onn th he box. A streeet urchin, he w was murdered in 1831 by Bishop and Willliams, who trried to sell his body to the Medical M Schooll at King's Coollege, London n. Caught, the paair became kn nown as the 'Loondon Burkerrs' (after the more m notorious Burke and H Hare of Edinbu urgh) and co onfessed to six xty murders pr prior to their ex xecution. Bishop's corpsee was put on ddisplay at King g's College natomy theatree. It is believeed that the case was a an prrime inspiratio on for Charless Dickens's 'Oliver Twist', which w he began n five years lat ater. Stock: 35809

337. Josep ph Beeton. Design'd from m the Life, & publish'd by R: R Williams Black goose Street Lynn. Jan.y J 10 1783 3 ¾ x 7"). Very Mezzotint, pllatemark 250 x 175mm (9¾ scarce. £3550 h He H was tried, Joseph Beetoon (d.1783), highwayman. imprisoned aand executed in i King's Lynn n in 1783 for robbing the nnorth mail coaach. Afer the robbery, r a lucrative awaard was offereed and Beeton n was given upp. Like an earlier celebrity crriminal, Jack Sheppard, S ndlord at the innn Beeton escapped from prisoon, but the lan he fled to infformed the autthorities and Beeton B was recaptured. d pose Beeton's youuth, good lookks (hence the dandyish he maintains even in ironss here) and sup pposed benevolent reeasons for com mmitting the crime c arousedd the sympathyy of many locaals, who donaated money to employ counnsel to plea forr him. Even so o, he was founnd guilty and exxecuted at the gallows near Southgates. This portrait,, published loccally a week before b Beetonn's execution, deemonstrates thhe market for images of thee local celebritty. Ex Collectiion of the Latee Hon. C. Lennox-Boydd; see Neil Stoorey, 'Norfolk villains' Stock: 36514

33 39. James Ings. Thomaas Brunt. Wivell W Delin.t. Cooper Sculpp.t. London, Published P by Th ho.s Kelly, 17 7, Paternoster Row, May 2 1820. Sttipple. Sheet size: s 220 x 1300mm (8¾ x 5¼"). £70 A double portraait of James Inngs (above) an nd Thomas Brunt (below). Both head and nd shoulders, directed d to nd facing the left. l The Catoo Street Conspiracy was an an atttempt to murd der all of the B British cabinet ministers an nd Prime Miniister Lord Livverpool in 182 20. The police haad an informer and the plottters fell into a police trap an nd 13 were arrrested, while oone policeman n was killed. Fiive conspirato ors were execuuted, and five others were traansported to Australia. A Jam mes Ings, a cofffee shop keeeper and form mer butcher, laater announceed that he would w have deccapitated all thhe cabinet mem mbers and taaken two heads to exhibit onn Westminsterr Bridge. Jo ohn Brunt escaaped the policce but was cau ught and arrrested a few days d later. Thee execution off Ings and Brunt, as well as a Thistlewoodd, Davidson and Tidd ook place on May M 1st at New wgate, the day y before this to prrint was publisshed. Stock: 36329

34 40. George e Earl of Croomartie. [n n.d., c.1730.] Mezzotint. M Very rare. Platem mark: 194 x 14 45mm (7¾ x 5¾ ¾"). Thread margins. m £260 A portrait of Geeorge Mackennzie, 3rd Earl of Cromartie (1 1703 - 1766), half-length h inn an oval, direccted towards th he left, looking g towards the viewer. Wearring a short wig, w tied at the nape, a plain coat over a daark waistcoat which w is button ned at the waisst and below a white crravat. Cromarttie was one off the leaders of o the Rebellion in 17 745, and was ta taken prisonerr after the baattle of Littlefferry. He was ttried and sentenced to deeath, but he ob btained a condditional pardon although hiis peerage wass forfeited, alllegedly because his wife was w heavily preegnant. Ex collection of Chrristopher Leennox-Boyd. Chaloner C Smitth: 23. Sharp pe: 381 Stock: 36554

(1 1751-1814), drraughtsman annd singer. Aftter the death off John Collett in 1780, Dighhton became the t foremost deesigner of droll mezzotints such as this. As A business in n the art world d declined duriing the Napoleonic Wars, Dighton D began stealing prints ts from the Briitish Museum, M only getting caught ht after severall years of th heft. Ex: Oettin ngen-Wallensstein collection n and co ollection of thee late Hon. C.. Lennox-Boyd d; not in CS. Stock: 36691

341. [Misss Cabben.] G. Willison ppinxit. Val. Grreen fecit. Pub blish'd Sept.r 24. 1770. [Prrinted for Robb.t Sayer No. 53 5 Fleet Streett.] Mezzotint, sccratched letterr proof. 355 x 275mm. 14 x 10¾". Trimm med into plate at bottom, lossing publisherr's line. £1880 n oval border A provocativve portrait of a woman in an engraved by Valentine Greeen (1739-181 13) after the 797). CS 18. W W: Scottish artisst George Willlison (1741-17 17: i of iii. Ex Ex: the Collecttion of the Hon n. C. LennoxBoyd Stock: 35855

342. [La C Compassion n.] [J.B.Greuze ppinxit. J.Masssard fecit.] [n.d., 1777.] Mezzotint wiith very large margins, proo of before letteers, rare. 255 x 195mm (10 x 7¾"). 7 SIGNED D BY THE R ON REVER RSE. ENGRAVER £2550 Head and shooulders of a yooung girl thro owing up her hands in pityy, set in an ovaal against a blaank frame. The artist Jeaan Baptiste Grreuze (1725-1805), who specialised inn domestic genre scenes, sig gned prints after his desiigns to prevennt undeclared impressions i being run offf without his knowledge; k heere, however, only the signnature of the enngraver, Jean Massard (1740-1822) is visible, albbeit faintly. See BM 2004,0430.9 ffor publishedd state, 'the only example known of a m mezzotint afterr Greuze madee in France'. Ex: Collectioon of the Hon. Christopher Lennox-Boyd. L d. Stock: 36312

343. [Wom man in enorrmous hat.] Rob. Dightonn pinxit / R. Laurie L Fecit. London: L Printeed for R. Sayer & J. Bennett No N 53 Fleet Street, S 26 Feb.yy Act directs. 1778, as the A Mezzotint wiith very large margins, extrremely rare & decorative, pplatemark 115 x 90mm (4½ x 3½"). Uncuut; glued to backking sheet alonng left side. £2880 Decorative m mezzotint by engraver e and printseller p Robert Lauriie (1755?-1836), after Robeert Dighton

34 44. [Woma an holding qquill and lettter.] Rob. Dighton pinxit p / R. Lauurie Fecit. Lon ndon: Printed fo or R. Sayer & J. Bennett Noo 53 Fleet Streeet, and J. Sm mith No 35 Ch heapside, as thhe Act directss, 1st January 17 778 Mezzotint M with very large maargins; extrem mely rare & deecorative; plattemark 115 x 95mm (4¼ x 3½"). Uncut; go ood impressio on; glued to baacking sheet at a lower left co orner. £280 Decorative D mezzzotint by enggraver and prin ntseller Robert Laurie (1755?-1836), ( , after Robert Dighton (1 1751-1814), drraughtsman annd singer. Sho ows a woman ho olding a letter inscribed 'Myy Lord Duke' and seeemingly contemplating whhat to write next. After A the death of John Colleett in 1780, Diighton beecame the foreemost designeer of droll mezzzotints such ass this. As business in the artt world declin ned during the Napoleonic N Waars, Dighton bbegan stealing prints from th he British Musseum, only gettting caught after a several yeears of theft. Ex: E Oettingen--Wallenstein collection c an nd collection of o the late Honn. C. Lennox--Boyd; not in CS. C Stock: 36690

34 45. [Child with Apple]] A Geddes ft [lo ower left] Ettching with veery large marggins, platemarrk 160 x 14 40mm (6¼ x 5½"). 5 £140 Po ortrait of the artist's a niece, A Agnes Paul. Etched E by the Sccottish painterr and etcher A Andrew Geddees (1783-

1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'. CD 18.v; Ex: collection of the Late Hon. C. LennoxBoyd. Stock: 36803

346. [Portrait of an old woman] [Andrew Geddes after Jacques Jordaens] Etching with very large margins, platemark 145 x 125mm (5¾ x 5"). £95 Portrait of an old woman inspecting a ring, after the Flemish painter and contemporary of Rembrandt Jacques Jordaens (1593-1678). Etched by the Scottish painter and etcher Andrew Geddes (1783-1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'. This plate was one of ten published by Geddes in 1826. CD 37.iii; Ex: collection of the Late Hon. C. Lennox-Boyd. Stock: 36804

347. [Old woman asleep] 24 [Andrew Geddes after Rembrandt] Etching with very large margins, platemark 80 x 60mm (2¾ x 2½"). £120 Copy in reverse of a Rembrandt etching, by the Scottish painter and etcher Andrew Geddes (17831844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'. CD 39.ii Stock: 36806

348. Du Cabinet de la Maj. Imp. de toutes les Russies Catherine, II. d'aprés l'original de Greuze gravé par J: Walker Graveur de la Maj: Imp. S.t. Petersbourg Nov: 20 1785. Mezzotint with very large margins, rare. Plate: 185 x 250mm, (7¼ x 9¾"). Some marking outside plate on left. £360 A quarter-length portrait of a young, smiling girl in a bonnet. Ex: Oettingen-Wallenstein collection, Sothebys' Lot 736, 13/11/97. Stock: 36844

349. [Girl in Greek dress with peacock] Painted by J. Northcote R.A. / Engraved by H. Dawe [n.d., c.1810] Mezzotint with very large margins, rare; platemark 505 x 315mm (19¾ x 12½"). £460 Girl in Greek dress, with a peacock to her right and a plant to her left. After James Northcote (1746-1831), painter and author.

The engraver Henry Dawe (1790-1848) was part of a family of engravers, who like his brother George spent many years working in St Petersburg. Unfortunately during his career the technique of mezzotint, demonstrated so well here, went into decline as it was supplanted by lithography and engraving onto steel plates, both of which enabled publishers to make many good impressions whereas mezzotints yielded very few. Ex: collection of the late Hon C. Lennox-Boyd; Stock: 36610

350. [Woman in profile.] H.D. Hamilton pinx.t / R. Laurie fecit. [London, Printed for Robt Sayer No 53 Fleet Street, as the Act directs 20 Octr 1771.] Mezzotint with thread margins, very rare, sheet 150 x 115mm (6 x 4½"). Trimmed inside plate at bottom, losing text. £120 Decorative mezzotint by engraver and printseller Robert Laurie (1755?-1836), after an early work by the Irish portrait and subject painter Hugh Douglas Hamilton (1740-1808). After building up a reputation in Ireland, Hamilton moved to Italy for thirteen years in 1779, where his work was popular among Irish Grand Tourists, before reluctantly returning to Ireland due to political events on the continent. One of few engravings made from Hamilton's work. Ex: collection of the late Hon. C. Lennox-Boyd; CS 41. Stock: 36688

351. [Man from Cartagena.] Omen Iberiacis, victa Carthagine, terris. Sil. Ital. Joanes Kupezky pinx. / Bernardy Vogel juxta Originale sculps. et excudit Noribergae 1737 Pars 5 * * * N. 55 / Cum Privilegio Ac. Caes. Majest. Mezzotint with large margins, platemark 350 x 260mm (13¾ x 10¼"). Rare. £280 Unidentified man with hands on a plumed helmet, after Jan Kupecký (1667-1740), Bohemia-born painter. As a young man Kupecký moved to Italy, working successfully in Rome before moving to Vienna (c.1709) at the invitation of Prince Adam von Liechtenstein. In 1723 he moved to Nuremberg (where this print was published), remaining there until his death. From 'Ioannis Kupezky, incomparabilis artificis, Imagines et picturae...', a collection of engravings of the artist's work. Ex Collection of the Late Hon. C. Lennox-Boyd; for another print from the same series see ref. 13421. Stock: 36512

352. No. IX. E. Martin inv.t. Publish'd as the Act directs. 1.st April, 1778, by E. Martin, No.1. Leicester Street. Stipple printed in sanguine with large margins. Platemark: 225 x 165mm (8¾ x 6½"). Light creasing. £120 A half portrait of a young woman, seated, directed to the left, reading from a book. Below the image, within an oval, is a classroom scene in which a childs stands before his classmates, reading to the teacher. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in

1768, becom ming a Royal Academy A studeent the next year and wass elected A.R.A in 1770. Stock: 36349

55. Out of Work. 35 Drawn D from Naature and on SStone by the Rev.d R T. Kilby. K Printed by b T.H. Skeltoon, Southamp pton. [n.d., c.1850.] ph on india wi with very large margins. Tiinted lithograp Prrinted area 255 x 205mm (110 x 8"). Foxin ng in borders.. £130 A man in a smo ock, arms foldded. The Reveerend Thomas Kilby K (1794-18 868) is best knnown for his 'S Scenery in thee Vicinity V of Wak kefield', 1843 . Stock: 35811

[Portra ait of a man in military costume.] From the Oriiginal Picturre Painted by b Rembrandt, R In I the Colleection of the Right Hon.ble H the Earl E of Bessbborough. To o whom thiss Plate is most Humbly Deedicated, by His Lordship's L most m Obligedd and most Obedient O Hum.ble H Serv vant, J. Boyydell. 35 56.

353.

[Motther and chiild eating fru uit from a

tree.] E. M. fecit. P Publish.d 17799. Stipple with hand colour, large l margins, very fine. Onn mark: 240 x 16 60mm (9½ x watermarkedd paper. Platem 6¼"). Small ttear in lower right r corner of sheet. Two small spots inn the left marggin. Light rub bbing to right margin. £2440 h right handd, A well dresseed woman piccks fruit with her most likely ccherries, from the branch off small tree to the left, whilst a child eatss from her left hand. S born Stockholm inn By Elias Marrtin, A.R.A. Swedish, 1739, died Sttockholm 1818. He came to o London in 1768, becom ming a Royal Academy A studeent the next year and wass elected A.R.A in 1770. Stock: 36347

354. Consstantia Charrming. Elias Martin inv.t. & Sculpp.t. Published December Leicester Streeet, No. 8. 18.th 1778, L Stipple printeed in sanguinee with large margins. m Platemark: 220 x 165mm (8¾ ( x 6½"). Lower L left £1330 corner creaseed. Small markk in title area.. A half portraait of a womann wearing a veeil, with covered shouulders, directed to the left, reading r from a book. S born Stockholm inn By Elias Marrtin, A.R.A. Swedish, 1739, died Sttockholm 1818. He came to o London in 1768, becom ming a Royal Academy A studeent the next year and wass elected A.R.A in 1770. Stock: 36350

Rembrandt Pinx x.t / W. Petheer fecit Publish hed accordingg to o Act of Parliaament, by J. B oydell Engrav ver, in Cheapside, Nov v. 1.st 1764. Mezzotint, M platemark 510 x 3360mm (20 x 14½"). £380 Su uperb engraving after a 16550 painting by y Rembrandt no ow in the Fitzw william Museeum, Cambrid dge. Once co onsidered to sh how Rembranndt himself, th his is no lo onger thought to be the casee. Th he mezzotint engraver e Willliam Pether (cc.1738-1821) reeproduced several paintingss by Rembrand dt and an nother master of chiaroscuro ro, Joseph Wriight, both of whose w works were w eminentlyy suited to his dramatic haandling of ligh ht. Charringtoon 125 iii/iii Stock: 36525

35 57. [Old man m holding a sword.] Paainted by Sal. Rosa. engravved by C.W. Baillie B 1763. Ettching with laarge margins, pplatemark 215 5 x 160mm (8 8½ x 6¼"). £160 Ettching suppossedly after Sallvator Rosa, th he Italian arrtist whose wo ork, including vertiginous laandscapes an nd genre painttings of bandittti, was immensely popularr in n England in th he 18th centurry. This is an unusual u im mage which may m be taken fr from a painting g no longer atttributed to Ro osa. En ngraved by Caaptain William m Baillie (172 23-1810). Baillie retired from f the armyy in 1761 with the rank of Captain and theereafter devoteed himself to printmaking nd dealing. Hee specialised in imitating olld-master an drrawings and prints, using a variety of prin ntmaking teechniques. Ex: collection off the Hon. C. Lennox-Boyd. L Stock: 36370

35 58. A Frya ars Head. Inn the Gallery y at Houghton H Rubens pinx.t / V. Green scuulp Pubd Oct. 1 1774 by Jo ohn Boydell, Engraver, E Cheeapside Mezzotint M with large margins ns; platemark 155 1 x 105mm (6 6 x 4¼"). Fine. £95 Head H of a friar, after Rubenss. The painting g was part of th he celebrated collection c asseembled at Hou ughton in Norfolk N by Rob bert Walpole, the finest picttures of which w were eng graved in an am ambitious project published

by John Boydell. The colleection was solld to Catherinne the Great in tthe 1770s, andd many of the pictures can bbe seen in the H Hermitage in St S Petersburg. In 2013 Rubens' 'friarrs head' was one o of a number which temporarily rreturned to Hooughton for th he exhibition 'Houghton R Revisited'. Whiitman 174 (only state) Stock: 36520

61. [Woma an in silk dre ress.] 36 W. W Vaillant fecc. et excudit [nn.d., c.1660-75 5] Mezzotint, M 330 x 270mm (133 x 10½"). Triimmed to pllate; creasing on left. Rare. £280 Eaarly mezzotint by Wallerannt Vaillant (16 623-77). Born in n Lille, Vaillan nt worked in A Antwerp, Paris and (p primarily) Am msterdam. On a visit to Frankfurt in 1658 hee met Prince Rupert R of the R Rhine, who was w ex xperimenting with w mezzotinnt. Adopting the t technique, Vaillant V became the first pro fessional mezzzotint en ngraver, using g it to reproducce his own deesigns and th hose of other artists. a Vaillannt also painted d, specialising in n portraits. Ex Collection off the Late Hon. C. LennoxBo oyd; Hollstein n 213 Stock: 36511

359. [A Scchool Boy.] Sr Joshua Reeynolds Pinxitt / John Dean Fecit Publisheed Oct. 31st 17777 by Jn Deann Church Streeet Soho Mezzotint wiith very large margins, finee, platemark 3995 x 280mm (155½ x 11"). Firrst state beforee plate cleanedd. £3880 ds' popular Engraving off one of Sir Jooshua Reynold 'fancy picturees' of the 17700s, a schoolbo oy holding a portfolio. Thhe first owner of o the painting g (which was recently soldd by Sotheby's) was the greaat collector George Grevville, 2nd Earl of Warwick Hamilton H p.1556 i/iii; for the ppainting, see Sotheby's S Old Master & British Painttings evening sale, s 9 July 20 014. Stock: 36505

360. [Shep pherdess.] Hen.y Pickerring pinx.t. John Faber fecitt. London Printed for R R. Sayer, I. Ryyal & R. Withy y in Fleet Streeet. [n.d., c.1730.] Platemark: 3555 x 255mm (14 4 x 9¾"). Mezzotint. P s in Trimmed to pplate at lower edge. Light staining corners wherre previously mounted. m £2330 A portrait off a young wom man, seated, th hree-quarter length, lookinng away to left. She is wearring loops of pearls with a cloak drapedd over her left arm which liees on her lap. Shhe holds a sheepherd's crook k in her right hand. A dog sits at her feet looking up at a her. Livestoock ght. Ex can be seen iin the backgroound to the rig collection off Christopher Lennox-Boyd. L Chaloner Smith: 417. III of II. Stock: 36823

36 62. A Vene etian Lady. G. G Scorodoomo ow inv. & scul ulp. London. Pub: P July 20. 17 776 by V.M.P Picot N16. Straand. Sttipple printed in sanguine w with small marrgins. Fine. Pllate: 190 x 250mm, (7½ x 99¾"). Some veery faint staining in corn ners. £240 A half-portrait in an oval of a Venetian wo oman with heer head and faace covered byy a veil. Stock: 36846

36 63. Madam m Wright Jo ohn Vanderban nk pinx.t 17299 / J. Faber Feec.t Mezzotint, M sheeet 350 x 250m mm (13¾ x 9¾ ¾"). Trimmed in nside platemarrk; glued to baacking sheet; repair r top leeft. £130 Po ortrait of an un nidentified sittter, after John n Vanderbankk (1 1694-1739), paainter and draaughtsman wh hose sitters in ncluded Sir Isaaac Newton, thhe sculptor Jo ohn Michael Rysbrac, and th he poet James Thomson. Exx: collection off the late Hon.. C. Lennox-B Boyd; O'D 1 (o only likkeness); CS 39 96. For Vandeerbank's portrraits of Newton N and Ryysbrac see refs fs. 33218 and 27207. 2 Stock: 36692

364. Alberto Duro. Durero. Pittore, Intagliatore ecc. nacque in Norimberga l'anno 1471, mori l'anno 1528. Gio. Dom. Ferretti del. G.M. Preissler [n.d., c.1740.] Engraving with large margins. Plate: 170 x 270mm, (6¾ x 10½"). £190 A portrait of Albrecht Durer, with a view of the landscape seen through a window. Stock: 36845

365. [Paulus Pontius.] Ant van Dyck pinx.t. Ja.s Watson fecit. [Publish'd by Ja.s Watson, N. 16, Craven Buildings, Drury Lane; & Hen.y Parker opposite Birchin Lane, Cornhill.] [n.d., c.1770.] Mezzotint, scratch letter proof before publisher's line. Sheet 355 x 250mm (14 x 9¾"). Crease across image. £160 Paulus Pontius (1603-58), Flemish engraver who worked with Rubens and van Dyck in Antwerp. Ex: The collection of the Hon. C. Lennox-Boyd. CS 119, state i of iii. Goodwin: 47 i of iii. Stock: 36397

366. Johann George Wille. Halm delin. J.F. Bause sculps. Stipple with large margins. 180 x 125mm (8 x 5"). Unidentified collector's blind-stamp in inscription area. £140 Johann Georg Wille (1715-1808), a German engraver who worked in Germany and France, where he was Engraver to the King. Ex: Collection of The Hon. C. Lennox-Boyd. Collector's stamp not in Lugt. Stock: 36475

367. Barney Bryan on a Tour. On Stone by R. R. S. Hacket, Imprim, Exeter. [n.d., c.1835.] Lithograph, rare. Sheet size: 185 x 130mm (7¼ x 5"). Trimmed. £120 A figure with bare feet stands, smoking a pipe, directed to the left, holding his shoes, a small bag and a stick in his left hand, with a book under his arm titled 'S[ketch]book'. From a series of twenty-five humorous lithographs by Robert Richard Scanlan (1801 – 1876),' Barney Bryan's Sketch Book', printed in Exeter by J. Hackett. Stock: 36328

368. Eudocia. O, Phocyas, for thy sake, no rival else [...] And we shall meet again, to part no more. Siege of Damascus Act. V [Anon.] London Pub.d Sep.t 7th 1801 by M. Bovi No.12 Piccadilly. Stipple with very large margins. Platemark: 320 x 250mm (12½ x 9¾"). Creases. £120 A portrait of a young woman in oriental dress shown almost half-length leaning inward from the left and looking back up to left, with her hair loose under a plumed turban. Lettered below the image with the title, and two verses of six lines each from poet John Hughes' (1677-1720) successful tragedy 'Siege of

Damascus'. For trimmed impression see item ref: 36819. Stock: 36318

369. Eudocia. [Anon.] [London Pub.d Sep.t 7th 1801 by M. Bovi No.12 Piccadilly.] Stipple. Sheet size: 275 x 230mm (10¾ x 9"). Trimmed inside platemark. £120 A portrait of a young woman in oriental dress shown almost half-length leaning inward from the left and looking back up to left, with her hair loose under a plumed turban. For an un-cut impression see item ref: 36818. Stock: 36319

[Sweet folk, give ground!] Platz da, süsser Pöbel. 370.

[signature in image, c.1840.] L. Sachse & C. Kunstverlaghandlung in Berlin [blindstamp in margin] Lithograph on india, india dimensions 290 x 240mm (11½ x 9½"). Creasing to large margins. £160 German lithograph seeming to show Mephistopheles from Goethe's 'Faust', speaking a line from scene XXI of the first part of the famous play. Stock: 36619

371. [Belgium: Nicolas Rockox] [Andrew Geddes after Rubens] Etching, platemark 230 x 170mm (9 x 6¾"). £95 Nicolas Rockox (1560-1640), Burgomaster of Antwerp and patron of Rubens. He is remembered by the Museum Rockoxhuis in his former residence in the city. Copy after Rubens by the Scottish painter and etcher Andrew Geddes (1783-1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'. This plate is one of ten he published in 1826. CD 45.vii Stock: 36807

372. Christian VII. King Of Denmark, &c. Done from the Original Picture painted by Mr.Dance, for the King of Great Britain, to whom this plate (with permission) is most humbly Inscribed By His Majesty's most dutifull Subject, and most faithfull Servant, Edward Fisher. Publish'd according to Act of Parliament 1st: April 1769, & Sold at the Golden Head South side of Leicester Square. Price 5s. Mezzotint with small margins, rare. 415 x 315mm (16½ x 12¼") £240 Christian VII (1749-1808) King of Denmark and Norway from 1766 until his death but, because of severe mental problems, was monarch in name only from 1772. In 1766 he married Princess Caroline Mathilda, a sister of King George III of Great Britain, but publicly declared it was not fashionable to love one's wife. Both he and his wife became besotted with

Johann Frieddrich Struensee, the royal ph hysician, so much so thatt Struensee became de-facto o regent. However whhen the queen'ss adultery with h the doctor became know wn Struensee was w arrested and a executed. From 1784 C Christian's sonn ruled perman nently as a prince regentt. CS: 13. II. Ex: E Collection n of the Hon. Christopher L Lennox-Boydd. Stock: 36310

37 75. [France.] Madelein ne de France. [A Adr.n vander Werff W pinx. P..a Gunst Sculp ps.] [n.d. c.1700.] ngraving. Proof before letteers. Sheet sizee: 310 x En 18 80mm (12¼ x 7¼"). Trimm med inside platte. £160 A bust of Madeeleine of Valoois (1520 - 153 37), a French prrincess who beecame Queenn of Scots as th he first sp pouse of King James V. Sligghtly turned to o the left, drressed in a gow wn with decorrative ropes of pearls and a ru uffed collar, on n a plinth decoorated with th histle leaves, an nd a landscapee beyond. Fo or a lettered im mpression, seee item ref: 346 619. O'Donoghue O 36 6. Stock: 36420

[France.] Madeleinne de France. Pour me lee maigner so on amour Unn Roi passa la mer, et m'obtint m sa feemme: Ma vvertu comm mencoit a reeformer la cour. c Mais laa mort de mes m jours co oupu trap tô ôt la trame. 37 76.

Adr.n A vander Werff W pinx. P.aa Gunst Sculp ps. [n.d. c.1700.] ngraving with h very large m margins. Platem mark: 315 x En 18 80mm (12¼ x 7¼"). £60 A bust of Madeeleine of Valoois (1520 - 153 37), a French prrincess who beecame Queenn of Scots as th he first sp pouse of King James V. Sligghtly turned to o the left, drressed in a gow wn with decorrative ropes of pearls and a ru uffed collar, on n a plinth decoorated with th histle leaves, an nd a landscapee beyond. Fo or a proof beffore letters imppression, see item i ref: 36 6420. O'Dono oghue 36. Stock: 36419

[Denmark] Chriistopher de Dreyer, D Envoy Extrraordinary from f the Kiing of Denmark, aat the Courtt of Great Britain, B F.R. S. 373.

F.L. Abbott ppinx. John Jonnes fecit. [n.d.., c.1785.] Mezzotint wiith very large margins, raree, platemark 4990 x 350mm (199¼ x 13¾"). £3660 Christopher dde Dreyer, Daanish envoy to o Great Britainn from 1777-855. Ex: collectiion of the late Hon C. Lennox-Boydd; CS 19 ii Stock: 36618

374. [Denmark] Est Virtus V Maxima Nosse Suos Georggius Serenissimus princceps Danciaee &c. De den nemarker prins [...]. P: Schenck ffecit et Exc, Amstelo A damo cum Privilegiio. [n.d., c.1680.] mm (7¼ x 5¼" ). Mezzotint, raare. Sheet sizee: 185 x 135m Trimmed insside plate. £1660 A portrait off George, Princce of Denmark k (1653 1708). Head and shoulderss, wearing an embroidered val. scarf and a loong curly wig; within an ov Second son oof Frederick IIII of Denmark k Prince Georgg married the ffuture Queen Anne A in 1683. When Anne became Queeen (1702) he was w appointed d Lord High Admiral and General of alll English forcces. Six lines oof text inscribedd in Dutch bellow by I. Noreel. Hollstein: 626. Stock: 36995

37 77. [France] [Mar.ie T Therese Cha arlotte. Madame M Fille du Roy neeè a Versailles le 19 Dec. D 1778.] Paainted by J. Miery. M Engraveed by A. Gabrrielli. [L London Publisshed June 12 11793 by Colnaaghi & Co, No N 132 Pall Maall.] Colour-printed stipple. Sheett 125 x 120mm m (5 x 4¾"). n plate, losingg title, the arm ms of France Trrimmed within an nd Navarre, an nd publicationn line. £140 Marie M Thérèse Charlotte of FFrance, daughter of Louis XVI, X later Duch hess of Angouulême and Dauphine of Frrance upon thee accession off her father-in n-law to the th hrone of Francce in 1824 as C Charles X. Technically she was w Queen of France F for tweenty minutes in 1830, the tim me between when w Charles ssigned the instrument of ab bdication and her husband, reluctantly, siigned the saame documentt. BM: 1865,00708.668, unco oloured exxample. Stock: 35848

37 78. Frederic Auguste R Roi de Saxe Duc de Varsovie V &c. &c. &c. Déédié avec peermission à sa a Majesté pa ar spm très humble et très ob beissant Serrviteur W. D Dickinson F.. Gérard Pinxiit / W. Dickins nson fecit 1811 1 Paris, Gravéé d'après l'Origin nal qui se trouvve dans le Cab binet de Son Altesse A la Princce de Benevennt. Mezzotint, M sheeet 725 x 475m mm (28½ x 18¾ ¾) Trimmed in nside platemarrk lower edge.. Very rare. £460

brreast of his coat with the Bllack eagle of Prussia. P Charles II, Duk ke of Brunswicck was the nep phew of P (Fredeerick the Greaat) and led the Frriedrich II of Prussia Austro-Prussian A n army againsst the French reevolutionaries. Philip Corbuutt was a pseu udonym of Richard Purcelll. CS: 10. Stock: 36858

Handsome fuull length porttrait of Frederick Augustus I of Saxony (1750-1827). Suucceeding his father as the ugustus Elector of Saaxony in 1763, Frederick Au declined the Polish crown in 1791. He joined the i 1796 and coalition agaainst Revolutioonary France in 1806, involvements whichh both saw deffeats for his forces. After making peacee with Napoleeon in 1806, thhe F title of king oof Saxony was created for Frederick Augustus, wiith the Grand Duchy of Waarsaw secured for him the fo following yearr (both titles arre named in thhe legend to thiss print). Thereeafter he remaained loyal to France, but loost much of his h territory to Prussia after the Congresss of Vienna at the end of thee Napoleonic Wars in 18155. Engraved aftter a portrait by b Baron François Gérard (1770 - 18377), who by 18000 was the mo ost fashionablee portrait paintter of his day, and thrived under u Napoleon's ruule in France. The British engraver e William Dickkinson (1746//7?-1823) emigrated to France after bbecoming bannkrupt in Lond don. As well aas this print, he also engravedd a portrait off Napoleon in 1815. CS 73aa Stock: 36615

[Germ many] His most m Serene Highness Charles, Hereditary Prrince of Bru unswick & Lunenburgg. 379.

F.G. Zieseniss pinx.t. Philipp Corbutt fecit. London, Printed for R Rob.t Sayer, Map M & Printselller near Serjeants Innn, Fleet Street.. [n.d., c.1760.] Mezzotint wiith very large margins. Plattemark: 355 x 250mm (14 x 9¾"). Slightt crease. £2990 A half-lengthh portrait of Charles C William m Ferdinand, Duke of Brunnswick (1735 - 1806), turneed to the left, looking to thhe front, weariing a large starr on the left

38 80. [Germa any] Son Alt ltesse Royal Monseigneur M r le Prince F Ferdiand Grand Prieur dee l'ordre de St. Jean de Jerusalem Respectueuse R ement Dediéé à Son Altesse Royale Madame M la Princesse P Sonn Epouse [....] Peeint par Cunin ngham / Charlles Townley Graveur G du Roi Publiée a Berlin B 1786. A Avec Privilegee Mezzotint M with very large maargins, rare; platemark p 645 x 395mm (25¼ ¼ x 15½"). Unccut. Creasing g. Top right margin m replaced d (off platemaark). £560 Feerdinand von Hompesch zuu Bolheim (1744-1805), Grand G Master of o the Knightss Hospitaller (the Knights off Malta), and the t first Germ man to be electted to the offfice. He held the office from om 1797-99. During D this peeriod, the Fren nch navy invaaded Malta en route to Eg gypt in respon nse to what Naapoleon perceeived as a prrovocation by Hompesch, aas a result of which w Malta's so overeignty was surrenderedd to the French h. In return th he French gavee Hompesch a pension and helped him to o establish a neew headquarteers for the ord der in Trieste, Itaaly. He resign ned shortly aftter, subsequen ntly living in Ljjubljana and Montpellier, M w where he died in penury. Pu ublished in Beerlin after a poortrait by Edw ward Francis Cunningham (cc.1741-1793?)), Scottish pain nter the last

part of whosee peripatetic career c was speent in that cityy. Ex: collection of the late Hon H C. Lennoxx-Boyd Stock: 36627

[Germ many] Caroolus D:G: Co omes Palatinat. aad Rhenum:: Dux Bavarriæ: Electoratuss Hares &c. 381.

J. van Somerr ad vivum facciebat 1670 et exc. 1670. Mezzotint, very fine & rarre. Sheet size: 325 x 220mm m £1660 (12¾ x 8¾"). Trimmed to platemark. A portrait off Charles, Couunt Palatine (1651 -1685), inn n an oval. armour with a sash, bust too right, within 0 to 1685. He Charles was Elector Palatiine from 1680 L Elector Palatine P and was the son oof Charles I Louis, Charlotte of H Hesse-Kassel. Ex collection n of Christopher L Lennox-Boydd.

Paalatine and Elizabeth of Boh ohemia. In 164 42, already an ex xperienced solldier, he was ggiven comman nd of the caavalry of his uncle, u Charles I of England,, becoming caaptain-generall of all Royalisst forces in 16 644. Prince Rupert had artisstic and scienttific interests and played an n important ro ole in the deveelopment of mezzotint m as well w as experim menting with ggunpowder, metallurgy, m gu unnery, and gllass manufactu ture. Chalonerr Smith 42.II. Stock: 36989

Stock: 36561

[Germ many] Docttor Martin Luther, L was born at Isleeben in the County C of Manffield M in saxony, Noovr. 10th. 1483, & died there t Feby. 18th. 1546, Aged 63. Rome R tam'd the World, but Rome tthe Pope o'eer aw'd: Thee one by force, the oother wrought by Fraud d. Greater than both w was learned Luther, wh hen Both thiss and that hee conquer'd with his Pen n. The Emblem off the Swan refers r to a Prredictioin off John Huss.. See Clerk'ss Lives, Vol.. I. page 7 in n Burnham'ss Pious Mem morials. 382.

Printed for C Carington Bow wles, Map & Printseller, P No.69 in St. Pauls Church Yard, London n. Published aas the Act direccts, 2d Jan. 17773. Mezzotint wiith large marggins. Platemarrk: 355 x 250mm (14 x 9¾"). Printeers crease. Pinholes in upperr margin. £3220 A portrait off German theologian and leaader of the 46), wholeReformation, Martin Luther (1483 - 154 king ahead of length standiing directed too the left, look him, holdingg a small volum me in both han nds, wearing dark robes. H He is seen in a study with bo ooks on the table and winndow-sill to thhe left, a swan n standing behind him aand a large Bibble propped vertically on thhe floor to the riight. Luther expreessed his contrroversial opiniions in the publication, ''Disputation on o the Power and a Efficacy oof Indulgences',, commonly known k as 'The 95 Theses' (1517), whicch sebsequentlly led to his Ex urch in 1521. E excommuniccation from thee catholic Chu Collection off Christopher Lennox-Boyd d. CS: Not in. Stock: 36472

383. [Germ many] His Highness H Prrince Rupertt. P. Lelij pinxiit. R. Tompson excudit. [n.d d., c.1670.] Mezzotint, very rare. Plateemark: 335 x 255mm 2 (13¼ x m centre. Sligh ht damage topp 10"). Repaireed tear bottom right. £1440 A portrait off Prince Ruperrt of the Rhinee (1619 - 16822), ht, wearing a three-quarterr length, standding to the righ wig, lace craavat, and robess of the Garterr. A pillar is seen in the baackground and a landscape with hills, a river and treees are in the distance to the right. Prince Rupert of thee Rhine was thhe son of Fred derick, Electorr

38 84. [Nether rlands] [Aecchje Claesdrr.] Het Orgineele O Sch hildery is beerustende in n de Versumeling V van de Heeer C.S. Roos te Amsterdam. A Rembrand, pinx x.t / C.H. Hoddges fecit Uitg gegeven door C.H. Hodges, Amsterdam, A 18814. Mezzotint, M fine with very larrge margins; platemark p 405 x 290mm (16 x 11½"). Fine; collector's staamp of Bernard Houthaakker verso. £360 Mezzotint M of Rembrandt's poortrait of Aech hje Claesdr (L London, Natio onal Gallery), the widow off Rotterdam brrewer Jan Dam mmasz. Pesserr. In 1634 Rem mbrandt viisited Rotterdaam to paint Aeechje and also o her son and hiis wife. En ngraved by Ch harles Howardd Hodges (1764-1837), Lo ondon-born arrtist who in 17792 moved to the Netherlands, N where he spent the rest of hiss life and beecame a sough ht-after portraait painter as well w as mezzotint m engraaver. Th his impression n was once in the collection n of Bernard Houthakker H (18 884-1963), ann important Du utch dealer an nd publisher. His H collectionn of prints by Hodges H was so old by Sotheby y-Mak van W Waay B.V. in Amsterdam A onn 15 5 June 1982, at a which time they were stamped in brrown (as here)). Many of thee the prints fro om that sale

were acquired by Christopher Lennox-Boyd, some of which have since entered the British Museum. Ex: collection of the Hon. C. Lennox-Boyd; Charrington 77.ii (as 'an old woman'); CS not described; L.1272 Stock: 36368

385. General Count Suchtelen. Painted by order of H.I.M. Alexander 1.st by G. Dawe Esq.re Member of the Royal Academy of Arts London that of St. Petersburg &c. &c. Engraved by T. Wright. London Published May 1st 1823 for the Proprietor by Mess.rs Colnaghi. Stipple. Proof [lower right in open letters]. Collector's ink stamp on reverse, 'AS'. Sheet size: 330 x 230mm (13 x 9¼"). Trimmed inside plate. Small tears repaired to lower edge. £130 A portrait of Jan Pieter van Suchtelen, Count of Liikkala, (1751 - 1836) directed to and facing the left, in military attire with numerous medals attached to his coat. Suchtelen was a general in the Russian army during the Russo-Swedish War (1808–1809). He negotiated and signed the Treaty of Orebro on behalf of Emperor Alexander 1st, which brought to an end the Anglo-Russian War (1807–1812). Ex collection of Christpher Lennox-Boyd. Stock: 36654

386. [Prussia] Jvan Philippo Charioteer to the King of Prussia (during the Peninsular War). Sketched from Life at the Pfauen-Insel, near Berlin. Rev.d T. Kilby, del.t. Printed by T. Skelton. [n.d., c.1850.] Tinted lithograph with very large margins. Printed area 255 x 205mm (10 x 8"). £160 The Reverend Thomas Kilby (1794-1868) is best known for his 'Scenery in the Vicinity of Wakefield', 1843. Stock: 35810

387. [Spain: Isabella Clara Eugenia in the habit of the Order of St Clare] [Etched by Andrew Geddes after Anthony van Dyck] Etching with very large margins, platemark 225 x 150mm (8¾ x 6"). 'Printed by E Lumsden' in pencil lower right. £95 Isabella, daughter of Philip II and ruler of the Spanish Netherlands (1566-1633) with her husband Albert. After Albert's death she became a nun, in which habit she is shown here. Etched by the Scottish painter and etcher Andrew Geddes (1783-1844) after a portrait by van Dyck (Turin, Galleria Sabauda). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'. This impression was printed by the printmaker and author Ernest Lumsden, who must have acquired the plate. CD 46; Ex: collection of the Late Hon. C. Lennox-Boyd. Stock: 36801

388. [Philip IV of Spain] Vandyke / Geddes fc. Etching with very large margins, platemark 230 x 155mm (8¾ x 6"). 'Printed by E Lumsden' in pencil lower right. £120 Portrait of Philip IV (1605-1665), king of Spain and Portgual. He is remembered for his patronage of the arts, including such artists as Diego Velazquez, and his rule over Spain during the challenging period of the Thirty Years War (1618-48). Etched after a portrait by van Dyck, by the Scottish painter and etcher Andrew Geddes (1783-1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'. This plate was one of ten published by Geddes in 1826. CD 47.vii; Ex: collection of the Late Hon. C. Lennox-Boyd. Stock: 36802

389. [Switzerland] Pestalozzi. Demarchi dis. T.T. inc. [n.d., c.1800.] Stipple with large margins. Platemark: 230 x 155mm (9 x 6¼"). £140 A rare portrait of Johann Heinrich Pestalozzi (1746 1827), a Swiss pedagogue and educational reformer. He founded several educational institutions both in German and French speaking regions of Switzerland and wrote many works explaining his revolutionary modern principles of education. Stock: 36992

390. Peter, the Wild Boy [parallel text in French] In the Year 1725, King George the I.s Hunting in the Herenhausen / This Boy was discover'd in a Hollow Tree [...] P. Falconet pinx.t / Val. Green sculp.t Sold by Ryland, Bryer; & Co. at the Kings Arms, Cornhill. Mezzotint, platemark 510 x 360mm (20 x 14"). Creased and damaged (some repairs); artist and engraver names faded. Trimmed. £160 Peter 'the Wild Boy' (c.1712-85), a curiosity of the 18th century. Found in the woods near Hamelin (around 25 miles from Hanover in Germany) in 1725, contemporary pamphleteers claim he was walking on all fours, climbing trees like a squirrel, and living off grass and moss. Peter was taken to see George I who was visiting Hanover, he was brought to England in 1726, where unsuccessful attempts were made to teach him to speak. He was briefly a celebrity: Queen Caroline took an interest in Peter's education, he was painted by William Kent, was cared for by the prominent physicist John Arbuthnot, and was the subject of works by Defoe and Swift. After Queen Caroline's death. In 1728 he was given a pension to live in Hertfordshire, where he performed manual work under supervision. However, after repeatedly wandering away from the farm where he boarded, Peter was apprehended and fitted with a brass collar (shown in the lower right of this print). Peter died in 1785 and was buried at St Mary's, Northchurch, Hertfordshire, where his gravestone is now Grade II

listed. Ex: coollection of thee Hon. C. Lennox-Boyd; CSS 102.ii; Whitm man: 2 II of III. Stock: 36363

391. [Peteer, the Wild Boy.] [Valentine G Green after Fallconet, sold by y Ryland, Byrrer & Co, 1767] 0 x 14"). Prooff Mezzotint, pllatemark 510 x 360mm (20 impression bbefore lengthy text added in n English and French. Veryy fine. £4880 Peter 'the Wiild Boy' (c.17112-85), a curio osity of the 188th century. Founnd in the wooods near Hameelin (around 2 5 miles from H Hanover in Geermany) in 172 25, contemporaryy pamphleteerrs claim he waas walking onn all fours, clim mbing trees likke a squirrel, and a living offf grass and mooss. Peter was taken to see George G I who was visiting H Hanover, he was w brought to o England in 1726, where unsuccessful attempts weree made to teacch y: Queen him to speakk. He was brieffly a celebrity Caroline tookk an interest inn Peter's educcation, he was painted by W William Kent, was w cared for by the prominent phhysicist John Arbuthnot, A an nd was the subject of woorks by Defoee and Swift. After A Queen Caroline's deeath. In 1728 he h was given a pension to live in Hertfoordshire, wherre he performeed manual woork under supervvision. Howevver, after repeaatedly wandering aw way from the farm where he boarded, Peter was appprehended andd fitted with a brass collar (shown in thee lower right of o this print). Peter died in 1785 and waas buried at St Mary's, North hchurch, Hertfordshiree, where his gravestone g is now n Grade II listed. Ex: coollection of thee Hon. C. Lennox-Boyd; CSS 102.i of ii. W Whitman: 2 i of ii. Stock: 36362

92. This Po ortrait of thee R.t Honou urable 39 Charles C Kend dal Bushe, L Lord Chief Justice J of th he Court of Queen's Bennch, Ireland d, &c. &c &c., & Is most respectfully r inscribed to o the Irish Bar, B by the Publisher, P Anndrew Milliiken. Paainted by W. Stephenson. S E Engraved by D.Lucas. D Dublin, D Dec.r 30, 3 1841; Anddrew Milliken,, Bookseller to o the Lord Lieu utenant _ Thee Kings Inn Liibrary, &c &c. & London, F.G.Moon Pubblisher in Ordiinary to Her Majesty, M Threadneedle Streeet. Mezzotint, M rare. 520 x 380mm m (20½ x 15""). Narrow margins. m £260 Charles Kendall Bushe (17677-1843), Irish lawyer and udge, known as a 'silver-tonguued Bushe'. Despite D his ju op pposition to th he Act of Unioon in 1800 he was not av verse to accepting high officce from the British Crown: hee was appointeed Solicitor-G General for Ireeland five yeears later, hold ding the officee until 1822 when w he beecame Lord Chief C Justice oof the King's Bench B for Ireland. He retired in 1841, w when this porttrait was pu ublished. He also a supportedd Catholic Em mancipation yeet prosecuted members of thhe Catholic Association A fo or sedition. Stock: 36309

39 93. [Franciis Jeffrey.] [aafter Andrew Geddes.] G [n.d.., c.1880.] Drypoint D etchin ng. Image 1700 x 135mm (6¾ ¾ x 5¼"). Sm mall tear just entering imagge on right. £120 Frrancis Jeffrey,, Lord Jeffreyy [1773 - 1850 0], Judge and crritic for the Ed dinburgh Reviiew. A reverseed version of th he oil by Andrew Geddes, nnow in the Nattional Portrait Gallery. G See NP PG 1628 for thhe painting. Stock: 36538

394. The Right Honourable Thomas Lefroy. Lord Chief Justice of Ireland. Painted by Catterson Smith, Engraved by George Zobel. London: Published July 30th 1855 by Paul & Dominic Colnaghi & Co. 13 & 14. Pall Mall East. Publishers to Her Majesty. Mezzotint, rare. Sheet 555 x 430mm (21¾ x 17"). Trimmed just within plate. £260 Thomas Langlois Lefroy (1776-1869), Irish-Huguenot politician and judge. He served as an MP for the constituency of Dublin University in 1830-41, Privy Councillor of Ireland 1835–69 and Lord Chief Justice of Ireland 1852-66. In 1796 Lefroy had a very brief flirtation with Jane Austen, ending when he had to return to Ireland. Austen wrote to her sister Cassandra 'At length the day is come on which I am to flirt my last with Tom Lefroy, and when you receive this it will be over. My tears flow as I write at the melancholy idea'. At the time she was writing 'First Impressions', the story that eventually became 'Pride and Prejudice', and it has been suggested that Lefroy was the basis for Mr. Darcy. In 1840, after the death of the publisher Thomas Cadell, a 'Tom Lefroy' bought Cadell's rejection letter for 'First Impressions'. Hake 262/2. Ex: collection of the Hon. Christopher Lennox-Boyd. Stock: 36590

Members of the Scottish Bench & Bar. [&] Key to the Portraits of the Members of the Scottish Banch & Bar. 395.

[Thomas Gaugain after Benjamin William Crombie.] [&] Etched by Benj.n M. Crombie. [1825.] Stipple portrait plate, sheet 195 x 150mm (7¾ x 6") with etched key plate, sheet 160 x 120mm (6¼ x 7¾"). Stipple trimmed to image, both laid on album paper. £240 Portraits of twenty lawyers, all in left profile, named on the key plate, including John Hope (the Solicitor General), Lord Eldin & Sir Walter Scott. It is rare to find the two together. Ex: collection of the Hon. Christopher Lennox-Boyd. Stock: 36967

396. Lord Loughborough. Lord High Chancellor of Great Britain. Dighton del. London: Printed for Bowles & Carver / No. 69 St Paul's Church Yard [n.d., c.1780] Mezzotint with small margins, rare, platemark 155 x 115mm (6 x 4½"). Glued to backing sheet at corners. £180 Alexander Wedderburn, first earl of Rosslyn (17331805), lord chancellor. Born in Scotland, Wedderburn struggled to establish himself in the 1750s (a time of English mistrust of ambitious Scots), but by 1764 he was made king's counsel. In 1780, around the time this print was made, he became chief justice of the court of common pleas and a peer as Baron Loughborough, going on to become lord chancellor in 1793 where he opposed catholic emancipation. While Wedderburn has not been viewed kindly by many historians, he was a valued public speaker and competent judge. Ex

Collection of the Late Hon. C. Lennox-Boyd; CS: Page 1763. Stock: 36513

397. Iohannes Hubnerus olim Gymnasii Martisburgensis nunc Collegii Iohannei Hamburgensis Rector. Hubneri faciem bene sculptum plaudite Musae! Vester in hac multis dignus Apollo placet: Miratur tantum felix Hamburga Magistrum, Deqs Scholis meritum Teutona terra Virum. haec pauca subjunxit Hubneriani Nomini additissiums. Io. Bapt. Homann S.C.M. Geogr Nor. Effigiem hanc a fe pictam et sculptam. Excellentissimi Viri Honoribus dicare voluit devinctissimus Johannes Kenckel Civis Noribergensis. [n.d. c.1710.] Mezzotint with very large margins. Rare. Platemark: 324 x 215mm (12¾ x 8½"). £280 Johann Hubner (1668-1731), the German geographer and scholar. He studied theology, poetry, rhetoric, geography and history at the University of Leipzig. His children's bible 'Biblische Historien' (1714) was designed for use in schools, and went through 270 editions and was translated into 15 European languages. Stock: 36342

398. [Sir John Fleming Leicester.] [after Joshua Reynolds and James Northcote.] [n.d., c.1800. Mezzotint. Proof before all letters, very rare; 135 x 110mm (5¼ x 4¼"). £95 Half-length portrait of John Fleming Leicester (17621827), 1st Baron De Tabley, shown as colonel of the Cheshire Yeomanry c.1800. He raised the regiment in 1797 in response to the threat from Revolutionary France; in 1803 George Prince of Wales, a personal friend of Leicester, gave permission for the regiment to wear his triple feather crest, a badge that Cheshire Yeoman still wear today. 400 men of the Cheshire Yeomanry participated in the Peterloo Massacre of 1819. Leicester was an art collector and amateur artist taught by Robert Marris, Thomas Vivares, and Paul Sandby. He is known to have produced a series of lithographs. This is a detail of a painting by Sir Joshua Reynolds and his assistant James Northcote, still in the family home at Tabley House, Cheshire, which was engraved in mezzotint by Samuel William Reynolds in 1800. Henry Meyer engraved a stipple of the same detail. Hamilton: Not in. Stock: 36543

399. Gid. Ern. Loudon. Tiro. ad. Borysthenem [...] In memoriam pinx. Henr. Fuger. 1789. J. Pichler inc. Vindobonae. 1790. a Vienne chez Artaria Comp. Mezzotint, very rare; sheet 740 x 515mm (29 x 20¼"). Trimmed to platemark lower edge; damaged. £200 Field-marshal Ernst Gideon von Loudon (1717-90), generalissimo of the Imperial Army. Briefly in the Russian army as a young man, he resigned due to lack of prospects and joined the Austrian army. He fought

in the War off the Austriann Succession and a Seven Years' War, aafter which hee spent severaal years in retirement puunctuated by recalls r to service. He was also a commaander in Boheemia and Moravia, served inn the War of thhe Bavarian Suuccession, and d the AustroTurkish Warr. Engraved froom a portrait by b Heinrich Frriedrich Fügerr (1751-1818),, German painnter who was vice-director v oof the Akademiie der Bildenstten Künste in Vienna at thee time this porttrait was painted in 1789. Loudon L died oon duty in Moraavia the follow wing year, with h this print published in his memory.

40 01. The Sta andard Bearrer. [A Anon.] [Londo on, Publish'd M May 1st 1778 by J. Harris, Sw weetings Aleeey, & No. 8 Brroad Street.] Mezzotint, M rare. Open letter iimpression. Sh heet size: 3855 x 300mm (15¼ ¼ x 11¾"). Creease to left edg ge. Trimmed nside lower plaate. in £320 A portrait of a standard s beareer, facing the front, lo ooking to the right, r wearing a plate of arm mour and ho olding a banneer with his rigght hand. A drraped curtain is behind. Ex Oettinger-Wall O lenstein collecction. Ex ollection of Th he Hon. Christtopher Lennoxx-Boyd. co Stock: 36647

Stock: 36625

40 02. Field Marshal M the Duke of Weellington. K.G., K &c. &cc. &c. TO thhe Right Ho onourable Siir Robert Peeel, Bar.t M M.P. This Pla ate Engraved E fro om the Origiinal Picturee in his Collection C Is respectfullyy dedicated by b his Obliged O hum mble Servantts Paul & Do ominic Colnaghi C & Co. C Siir Thomas Law wrence, P.R.A A. Pinx.t. Sam muel Cousins, A.R.A. A Sculp.t. London, Pubblished June 15th 1848, by Paaul & Dominic & Co. 13 & 14 Pall Mall East, Pu ublishers to Her H Majesty. Mezzotint M with large margins ns, fine. 790 x 490mm (13 x 19 9¼"). £320 Po ortrait of the Duke D of Welliington on the field of Waterloo, W full length l in plainn uniform and riding cloak, arrms crossed an nd telescope inn right hand. After Sir Th homas Lawren nce (1769-18330). Whitman: 172 Stock: 36851

To the Members off the Juniorr United Seervice Club,, This Portrrait of Field Marshal His H Grace thee Duke of W Wellington. K.G., K &c. &c. & &c. Is with permissiion most resspectfully deedicated by their Obligeed humble Servants S Hodgson H & Graves. G 40 03.

Gid. Ern. Loudoon. Tiro. ad. Borystheneem [...] 400.

In memoriam m pinx. Henr. Fuger. 1789 / J. Pichler incc. Vindobonae. 1790. a Viennne chez Artarria Comp. 0"). Trimmed Mezzotint, shheet 740 x 5055mm (29 x 20 inside platem mark; tears; moount burn. Veery rare. £4880 Field-marshaal Ernst Gideoon von Loudon n (1717-90), generalissimoo of the Imperrial Army. Briefly in the Russian armyy as a young man, m he resign ned due to lackk of prospects and joined thee Austrian arm my. He foughtt a Seven in the War off the Austriann Succession and Years' War, aafter which hee spent severaal years in retirement puunctuated by recalls r to service. He was also a commaander in Boheemia and Moravia, served inn the War of thhe Bavarian Suuccession, and d the AustroTurkish Warr. Engraved froom a portrait by b Heinrich Frriedrich Fügerr (1751-1818),, German painnter who was vice-director v oof the Akademiie der Bildenstten Künste in Vienna at thee time this porttrait was painted in 1789. Loudon L died oon duty in Moraavia the follow wing year, with h this print published in his memory. Stock: 36626

Paainted by John n Simpson. Enngraved by Geeorge H. Ph hillips. Londo on, Published A Aug.t 13, 1837 by Hodgson H & Graaves, Printselllers to Her Maajesty, 6 Pall Mall. M Coloured mezzotint with largge margins 75 50 x 480mm 29½ x 19"). So ome surface sccuffing and sp potting. (2 £240 Po ortrait of the Duke D of Welliington, full len ngth in plain un niform, left haand resting onn his sheathed sword, right haand holding hiis profusely-fe feathered hat. To T the right is a cannon, beh hind the smokke of a battlefiield. After ohn Simpson (1782-1847). ( Jo Stock: 36850

40 04. [To the e British Nattion This Plate of The Waterloo W Heroes Assembbled at Apslley House, On O the Memo orable 18th of June, Is respectfully r deedicated by the Publishhers.] Paainted by J.P. Kennedy R.A A. Engraved by Charles G. Leewis. London, Published O October 1st 184 45, By Henry Graves G & Comp p.y Printsellerrs to the Queeen, 6 Pall Mall. M

homaskirche. Also shown aare the city's observatory o Th an nd a monumen nt erected in hhonour of the composer. c Stock: 36386

Mrs. Dorus-Gras. Galerie de la Presse, dee la littératu ure & des Beeaux-Arts. 40 07.

Mezzotint wiith stipple, prooof before title. 645 x 970mm. Laidd on backing paper, p spotting g in the top margin centrre. £4990 A group porttrait of thirty of o the British officers o who served at Waaterloo, gatherred in Apsley House, Hyde Park Corner, London residdence of the Duke D of Among the sittters with the Duke are the Wellington. A Earl of Straffford, Sir John Waters, Sir Robert R Gardineer, Lord Fitzroyy Somerset (latter Lord Raglaan), Sir Henryy nd the Duke off Herdinge, thee Marquess off Anglesey an Richmond. O On the walls arre portraits off Napoleon andd George IV inn highland dreess. A companionn piece to the 'Peninsula Heeroes'. Stock: 36759

To th he British Nation This Plate P of The Waterloo H Heroes Assem mbled at Ap psley House,, On the Mem morable 18tth of June, Is I respectfullly dedicated b by the Publiishers. 405.

Painted by J.P. Kennedy R.A. R Engraved d by Charles G G. Lewis. London: Publishedd by James Sheeldon, 31, Elyy Place. [n.d., cc.1845.] Mezzotint wiith stipple. 6445 x 970mm. Repaired R tear top left, left bbottom cornerr damaged, trimmed just intto plate at bottoom. £4220 A group porttrait of thirty of o the British officers o who served at Waaterloo, gatherred in Apsley House, Hyde Park Corner, London residdence of the Duke D of Among the sittters with the Duke are the Wellington. A Earl of Straffford, Sir John Waters, Sir Robert R Gardineer, Lord Fitzroyy Somerset (latter Lord Raglaan), Sir Henryy nd the Duke off Herdinge, thee Marquess off Anglesey an Richmond. O On the walls arre portraits off Napoleon andd George IV inn highland dreess. A companionn piece to the 'Peninsula Heeroes'. Stock: 36758

John n Sebastian Bach. B with Views V of Th he St. Thomass's School, Bach's B Monu ument, St. Thomas's C Church, & Observatory O y at Leipzig.. 406.

H. Bibby pinnx. / A.H. Paynne, sc. John Tallis T & Company, Loondon & New w York [n.d., c.1850] c Engraving, shheet 270 x 180mm (10½ x 8"). Trimmedd, as published.. £445 Johann Sebasstian Bach (16685-1750), ren nowned German com mposer, inset with w views of significant s places in his life. In 1723 he h was appoin nted Kantor off n held conjoinntly the Thomasschule in Leipzzig, a position with that as ccivic director. Bach was alsso responsible for the musicc of four churcches in the city, including thhe

Ch. Fogt. Imp d'Aubert d & Coo. Chez Auberrt gal VéroDodat. D [n.d., c.1840.] Liithograph. Sheeet size: 270 x 205mm (10½ ½ x 8¼"). £90 Ju ulie Dorus-Graas (1805 - 18996) was a Belg gian operatic so oprano. To beg gin her careerr she made a concert c tour which w took her to Brussels. H Her concert was w so su uccessful, thatt Count de Lieederkerke offeered her a co ontract to sing g operatic rolees. Dorus acqu uired the naame Gras on 19th 1 April 18333, when she married m one off the leading violinists v in thhe orchestra off the Paris Opera. O Frrom a series of o portraits pubblished in 183 38-43 by Aubert A & co. Stock: 36997

M.elle. Falcon. Gaalerie de la Presse, P de la a littérature & des Beauux-Arts. 40 08.

Im mp d'Aubert & Co. Chez Auubert gal Véro o-Dodat. [n n.d., c.1840.] Liithograph. Sheeet size: 270 x 205mm (10½ ½ x 8¼"). £80 Cornélie Falcon n (1814 - 18977) was a French soprano who w sang at thee Opéra in Parris. Her greateest success was w creating the role of Valeentine in Meyeerbeer's Les Huguenots. H Shee and the tenoor Adolphe No ourrit are crredited with beeing primarilyy responsible for raising arrtistic standard ds at the Opéra ra, and the rolees in which sh he excelled came to be know wn as 'falcon soprano' paarts. Frrom a series of o portraits pubblished in 183 38-43 by Aubert A & co. Stock: 37000

Lablache. Galeriee de la Presse, de la litttérature & des Beaux-A Arts. 40 09.

Im mp d'Aubert & Co. Chez Auubert gal Véro o-Dodat. [n n.d., c.1840.] Liithograph. Sheeet size: 270 x 205mm (10½ ½ x 8¼"). £90 Lu uigi Lablache (1794 - 18588) was an Italiaan opera singer of French and Irish heeritage. He waas most noted or his comic performances, ppossessing a powerful p and fo ag gile bass voicee, a wide rangge, and adroit acting a skills. Leeporello in Do on Giovanni w was one of hiss signature ro oles. In 1836/3 37 he taught siinging to Prin ncess Victoria off the United Kingdom, K the llater Queen Victoria. V Frrom a series of o portraits pubblished in 183 38-43 by Aubert A & co. Stock: 36998

Rubini. Galerie dee la Presse, de d la litttérature & des Beaux-A Arts. 41 10.

Im mp d'Aubert & Co. Chez Auubert gal Véro o-Dodat. [n n.d., c.1840.] Liithograph. Sheeet size: 270 x 205mm (10½ ½ x 8¼"). £90

Giovanni Baattista Rubini (179 ( - 1854) was w an Italian mbered as an extraordinary e bel b canto tenor, remem singer, one oof the most fam mous in Europ pe in the 18200s to 1840s. p in 1838-43 1 by From a seriess of portraits published Aubert & co.. Stock: 36996

Tamb burini. Gallerie de la Prresse, de la littérature & des Beaux-Arts. 411.

Imp d'Aubertt & Co. Chez Aubert gal Véro-Dodat. [n.d., c.1840.] Sheet size: 2770 x 205mm (1 10½ x 8¼"). Lithograph. S £990 mburini (1800 - 1876) was an a Italian Antonio Tam operatic barittone. Tamburiini is famous for his association w with the operas of Bellini su uch as 'I Puritani', andd was one of thhe so called 'P Puritani Quarttet' of leading intternational sinngers, along with w Grisi, Rubini [ref: 336996] and thhe bass Luigi Lablache L [ref: 36998]. p in 1838-43 1 by From a seriess of portraits published Aubert & co..

13. Marié. Galerie de la Presse, de d la 41 litttérature & des Beaux-A Arts. Im mp d'Aubert & Co. Chez Auubert gal Véro o-Dodat. [n n.d., c.1840.] Liithograph. Sheeet size: 270 x 205mm (10½ ½ x 8¼"). £60 A portrait of Itaalian tenor Méécène Marié de d l'Isle (1 1811-79). His career began in the chorus of the OpéraComique in Parris, and in 18440 he played Tonio T in the world w premieree of Donizetti’’s 'La fille du régiment'. r His H daughter Célestine Galli--Marié played d Carmen at th he premiere off Bizet's operaa. Frrom a series of o portraits pubblished in 183 38-43 by Aubert A & co. Stock: 37001

Stock: 36999

41 14. Thoma as Norris Baac: Mus: Jo ohn Taylor pin nx.t et fecit. Puublish'd Marcch 25th 1777. A scarce mezzo otint with smaall margins; Sh heet 355 x 25 50mm (14 x 9¾"). Slight crreasing. £260 Th homas Norris (1741-1790),, musician and d singer, orrganist at Chriist Church andd St John's Co ollege, Oxford. O CS 1: ii i of iii. Stock: 36396

412. The H Humorous Fiddler F London Printted for Spilsbuury Engraver Map & Print Seller in Russsell Court Coovent Garden July J 25 1767 Mezzotint, pllatemark 330 x 230mm (13 3 x 9"). Small margins. 'CL L-B' collector'ss stamp verso.. £3440 Portrait reminniscent of Fraans Hals, with a young mann looking overr his shoulder while w playing g the violin. Published byy John Spilsbuury (1739-69) . Ex: collectioon of the Late H Hon. C. Lennoxx-Boyd Stock: 36218

41 15. Miss Martha M Ray, who was murdered m April A 7.th. 17 779. Paainted by N: Dance D R.A. 17777. Engrav'd V:Green Mezzotinto M Eng graver to his M Majesty, & to the Elector Paalatine. Publissh'd May 25.thh. by V.Green n N.o.29, Newman N street, Oxford Streeet, & at N.o.52 2, Strand. Se veend à Londress, chez les Frer eres Forre, Maarchands d'Estampes. Mezzotint M with small marginns. Plate: 185 x 250mm, (7 7¼ x 9¾"). £190 A half portrait in i an oval of M Martha Ray (1 1742-1779), a British singer who w was the m mistress of Joh hn Montagu,

Earl of Sandwich. On 7th April, a jealous admirer, James Hackman, murdered her at the Royal Opera House, Covent Garden for which he was executed at Tyburn. Whitman: 74 IV of IV; CS: 106 II of II. Stock: 36842

416. Diomiro Tramezzane. G. Bartolozzi Fecit. G. Landi Pub. as the Act directs April 1st 1810 Sabloniere Hotel Leicester Sq. Stipple, sheet 225 x 180mm (8¾ x 7"). Trimmed inside platemark. Very scarce. £140 Diomiro Tramezzane, Italian tenor active in London and Italy in the 18th and 19th centuries. Engraved by Gaetano Bartolozzi, son and pupil of the preeminent stipple engraver Francesco Bartolozzi. De Vesme: Not in. Stock: 36522

417. Herr Joachim. Maclure, Macdonald & Co. Engravers, Glasgow. [n.d., c.1870.] Photogravure. Platemark: 280 x 210mm (11 x 8¼"). £110 A portrait of Joseph Joachim (1831 - 1907), a Hungarian violinist, conductor, composer and teacher. A close collaborator of Johannes Brahms, he is widely regarded as one of the most significant violinists of the 19th century. Maclure, Macdonald & Co. were, in Victorian times, 'Ornamental Printers to the Queen'. They invented a power-driven lithographic printing press in 1853. Stock: 37003

418. Giuseppe Verdi. [Ferdinand Mulnier.] Maclure, Macdonald & Co. Engravers, Glasgow. [n.d., c.1870.] Photogravure. Platemark: 280 x 210mm (11 x 8¼"). £140 A portrait of Italian Romantic composer Giuseppe Fortunino Francesco Verdi (1813 - 1901). Verdi is considered, with Richard Wagner, the leading opera composer of the 19th century.Verdi dominated the Italian opera scene after the eras of Bellini, Donizetti and Rossini. After an image by French photographer Ferdinand Mulnier (1817-91). Maclure, Macdonald & Co. were, in Victorian times, 'Ornamental Printers to the Queen'. They invented a power-driven lithographic printing press in 1853. Stock: 37002

419. The Emperor Napoleon I Inventor and Patentee G. Baxter, 11 & 12 Northampton Square [embossed stamp below image] Baxter print with large margins; very fine, image 110 x 80mm (4¼ x 3¼"), sheet 205 x 165mm (8 x 6½"). Uncut. £160 Colour print of Napoleon when Emperor (1804-14), taken from a miniature and printed by George Baxter (1804 - 1867), wood-engraver, colour printer and lithographer; patentee of a method of colour printing for which he sold licences. C.L. 224; Ball and Martin p.156 Stock: 36762

420. Lord Nelson Inventor and Patentee G. Baxter, 11 & 12 Northampton Square [embossed stamp below image] Baxter print with large margins, fine, image 110 x 80mm (4¼ x 3¼"), sheet 205 x 165mm (8 x 6½"). Uncut. £160 Vice Admiral Horatio Nelson, 1st Viscount Nelson, 1st Duke of Bronté, KB (1758-1805), the British flag officer famous for his service in the Royal Navy, particularly during the Napoleonic Wars. He won several victories, including the Battle of Trafalgar in 1805, during which he was killed. Engraved after the famous portrait of Nelson by Lemuel Abbott, which shows Nelson's ship the Victory on the left. By George Baxter (1804 - 1867), wood-engraver, colour printer and lithographer; patentee of a method of colour printing for which he sold licences. C.L. 222; Ball and Martin p.133; for the print paired with Baxter's portrait of Robert Peel see ref. 17487 Stock: 36763

421. Baron Nelson, of the Nile. Publish'd Nov.r 6th 1798, by John Fairburn, 146 Minories, London. Hand coloured mezzotint, very scarce. Framed. Platemark: 180 x 125mm (7 x 5"). Unexamined out of frame. £360 A head and shoulders portrait of Admiral Lord Nelson, with his empty sleeve tucked into his coat. Nelson (1758 - 1805) was a British flag officer famous for his service in the Royal Navy, particularly during the Napoleonic Wars. He was involved in several important victories, including the Battle of Trafalgar, and the Battle of the Nile (1798). Nelson was gazetted Baron of the Nile a few moths after the battle. Up to this date he had spent little time in England and in consequence, very few portraits were known of him. Stock: 36977

422. Baron Nelson, of the Nile, and of Burnham Thorpe in the County of Norfolk. Publish'd by John Fairburn. No. 146, Minories, London. [n.d., 1798.] Hand coloured mezzotint, very scarce. Framed. Platemark: 170 x 125mm (8 x 5"). Unexamined out of frame. £360 A full-length portrait of Admiral Lord Nelson (1758 1805), standing on the deck of a ship, directed to the right, his right sleeve pinned to his breast, and his left resting on his sword-hilt. He is seen wearing a naval uniform and a cocked hat. To the right is a gun, a flag to the left and the ship 'L'Orient' exploding in the background to right. Nelson was gazetted Baron of the Nile a few moths after the battle (1798). Up to this date he had spent little time in England and in consequence, very few portraits were known of him. Stock: 36978

423. Sir Charles Morice Pole, Bar.t K.G.C.B. Admiral of the Red. Painted by Sir. Will.m Beechey R.A. Portrait Painter to Her late Majesty and their Royal Highnesses the Duke andDuchess of Gloucester. Engraved by Will.m Say.

Engraver to ttheir Royal Hiighness the Duke & Duchesss of Gloucester. 92 Norton Street, S Fitzroy y Square, 18200. Mezzotint wiith very large margins. Plattemark: 395 x 285mm (15½ ½ x 11¼"). Finne impression. Very light spotting in m margins. £2880 A portrait off Admiral of thhe Fleet Sir Ch harles Moricee 1 half-len ngth, standingg, Pole, 1st Barronet (1757 - 1830), in naval unifform, directed to the left, faccing and looking to thhe left. Pole enntered the Roy yal Academy iin 1770 and serrved in the Easst Indies. He had h also participated iin the siege off Pondicherry and at the occupation oof Toulon in 17793. Pole wass promoted reaaradmiral in 17795 and servedd in the West Indies. He waas promoted Addmiral of the Fleet F in 1830. Pole was appointed goovernor of New wfoundland on 3 June 18000. His term endded in 1801. Ex E collection off Christopherr Lennox-Boydd. Stock: 36552

saail of the line he h defeated thhe Comte de Grasse, G who haad thirty-threee sail. The Fren ench inferiority y in numbers was w more than counterbalancced by the greeater size and su uperior sailing g qualities of th their ships, yett five were taaken and one sunk, s after elev even hours' fig ghting. This im mportant battlee saved Jamaiica and other British B po ossessions in the t region, resstoring British h prestige affter recent deffeats in the Am merican War of o In ndependence. Shortly beforee news of the victory beecame known, Rodney wass replaced as commanderc in n-chief in the Leeward L Islannds. In part am mends, Rodney was giv ven an Englishh barony and a pension. Th he Gainsborou ugh portrait reeproduced herre (now Earl off Rosebery collection, Dalm meny) was com mmissioned by y the Hon. Thomas Harley tto commemm morate the Battle of the Saaintes. It was eengraved by th he artist's borough Dupoont. Horne 57 ii; CS 9 neephew Gainsb (u undescribed sttate); Russell 9 i Stock: 36624

424. [The Right Hon..ble Lord Ro odney K.B. Vice Adm.ll of Great Britain & Ad dm.l of the White &c & &c &c] [Painted by T Thomas Gainssborough R.A. / Engraved bby G. Dupon] [P Published 12thh. April, 1788 8. by B. Beale Evans in the Poultry, Londdon.] k 610 x 390m mm Mezzotint wiith large marggins, platemark (24 x 15¼"). Slight paper tone; t very fine proof beforee £9550 letters. f Baron Rodney (1719 George Bridgges Rodney, first 1792), naval officer and poolitician. Rodn ney became a national heroo when in 1780 he defeated a Spanish fleeet off Cape St. V Vincent, thus relieving Gib braltar. His crowning vicctory was at thhe Battle of th he Saintes, in tthe Caribbean (1782) off Dom minica, when with w thirty-fiv e

42 25. The Ho onble: Williaam Rowley Esqr: Vice Admiral A of th he White annd Command der in Chief C of his Majesty's M Fle leet in the Mediterranea M an 1745. J. Brooks Fecit Sod by T. Jeffferys at the Corner C of St. Martins M Lane Charing C Cross and W. Herbert at the Golden G Globe on o London Brridge. Mezzotint M with small marginns, fine; platem mark 355 x 25 55mm (14¼ x 10¼"). Slighht foxing; ms lower right 'C Capt. 26 June 1716' 1 £260 William W Rowleey (c.1690-17668), K.B., nav val officer, beeside a cannon n. He greatly ddistinguished himself in th he lost Battle of o Toulon (17444) on HMS Stirling S Castle. He becaame Commandder in Chief of o his Majesty's M Fleet in the Mediteerranean in 17 745 for the reest of the War of Austrian SSuccession. Hee successfullyy keept the Spanish and French fleets in theirr harbours. Hee

became Rear-Admiral in 1749, Lord Commissioner of the Admiralty in 1751 and Admiral of the Fleet on December 17, 1762. He was also a Knight in the Order of the Bath. He entered Parliament in 1750 as member for Taunton, and represented that town until 1754. in that year he was chosen to represent Portsmouth until 1761. Ex Collection of the Late Hon. C. Lennox-Boyd; CS 29 ii/ii Stock: 36510

426. Charles Watson Esq.r Vice Admiral of the White. T. Hudson pinx.t. E. Fisher sculp.t. [n.d., c.1770.] Mezzotint with large margins. Platemark: 380 x 280mm (15 x 11"). Very fine impression. Small stain in left margin. £330 A portrait of Vice Admiral Charles Watson (1714 1757), an officer of the Royal Navy, who served briefly as colonial governor of Newfoundland. Watson's quick rise through the ranks is thought to be attributed from his uncle, Sir Charles Wager, who was first lord of the admiralty. Three-quarter length standing to the left, Watson is wearing naval uniform with large, decorated cuffs and a wig tied at the nape. He is seen holding a telescope diagonally before him with his right hand, with his left on his sword-hilt. The sea and a battery are in the background. Ex collection of Christopher LennoxBoyd. Chaloner Smith: 59. Stock: 36553

Sir Francis Burdett, Bar.t M.P. From an original Drawing in the Possession of Walter Fawkes Esq.r of Franley Hall, Yorkshire. 427.

Drawn by T. Wageman. Engraved by R. Cooper. London, Published Sep.r 1st 1821 by W. Cribb, 34, King Street, Covent Garden. Stipple on chine collé, very fine India proof with large margins. 430 x 300mm (17 x 11¾"). Uncut. £220 Three-quarter portrait of Sir Francis Burdett (17701844), a reformist politician and baronet who denounced the war with France and the suspension of the Habeas Corpus Act. NPG D32401. Ex: Collection of the Hon. Christopher Lennox-Boyd. Stock: 36542

428. [Oliver Cromwell.] Persidia. Tyrannus. Crudelitas. Page. 1. [Richard Royston. n.d., c. 1661.] Engraving. Rare. Platemark: 135 x 160mm (5¼ x 6¼"). Thread margins. Light vertical crease in centre. £130 A frontispiece to Richard Perrinchief's, 'The Syracusan Tyrant, or the Life of Agathocles, With some Reflexions on the practice of our Modern Usurpers', published in 1661. Oliver Cromwell wearing armour, stands between Perfidy who holds a dagger concealed beneath his robe and Cruelty, who holds a burning brand. These two hold a wreath of twined serpents above Cromwell's head. In the background, a ruined landscape with buildings in flames can be seen. Stock: 36452

429. Oliver Lord Protector of the Commonwealth of England, Scotland and Ireland &c. Sould by P. Stent. Engraving with very large margins, fine. Plate: 110 x 160mm, (4¼ x 6¼"). £190 A portrait of the puritan politician and military leader Oliver Cromwell (1599-1658) who ruled Great Britain during the Commonwealth or Interegnum between 1653-1659. Stock: 36857

The Right Hon.ble S.r Robert Ladbrooke Lord Mayor of the City of London 1748. 430.

Tho. Hudson pinx. / J. Faber fecit London Printed for J. Ryall at Hogarth's Head Fleet Street / Price 2s. Mezzotint with very large margins, platemark 355 x 255mm (14¼ x 10¼"). Rare. £240 Sir Robert Ladbrooke (1713-73), mayor of London in 1747 and a London MP from 1754 to 1770. His monument, by John Flaxman, is in Christ Church Spitalfields. After Thomas Hudson, a leading portrait painter to whom the young Joshua Reynolds was apprenticed. Ex Collection of the Late Hon. C. LennoxBoyd; CS iii/iii. Ex Oettinger-Wallenstein Collection Sotheby's Lot 736, 18/11/97. Stock: 36518

431. [John Moyser. He was Member for Beverley 1708] [Engraved by F. Place. n.d., c.1670.] Mezzotint. Very rare. On watermarked paper. Proof before all letters, title etc filled in with contemporary ink; Sheet size: 310 x 220mm (12¼ x 8½"). Trimmed to platemark. Some light spotting. £220 A portrait of John Moyser (c.1659-1739), half-length in an oval, wearing a wig, lace cravat, and robe. In December 1699 Moyser was appointed a deputylieutenant for East Riding, and in April 1705 he was made a freeman of Beverley, Yorkshire. He was considered suitable by Lord Keeper William Cowper for inclusion on the East Riding commission of the peace in 1707, but was not actually appointed. In an analysis of Parliament in early 1708 he was listed as a Tory. After the dissolution of Parliament later that year, he did not stand for re-election. Ex: Collection of Christopher Lennox-Boyd. Chaloner Smith: 9, I of II. C.E. Russell Sale Sotheby's 8/5/1947. Stock: 36560

432. [Lionel Cranfield Sackville Duke of Dorset.] [Engraved by George Vertue after Sir Godfrey Kneller.] [London: Vertue, c.1740.] Etching and engraving, unfinished proof before letters with large margins. 430 x 295mm (17 x 11½"). Printseller's ink stamp on reverse. £280 Lionel Cranfield Sackville (1688-1765), 1st Duke of Dorset, Lord Lieutenant of Ireland 1731-7 and 1751-5. He informed George I of his accession to the throne and carried the sceptre at his coronation; at the coronation of George II he was Lord High Steward and carried St Edward's Crown.

The finished plate has an extra e border arround the i the centre oof image, also ffilling the insccription area, in which is a cooat-of-arms. See Se BM: 1849,1031.19 for proof before letters but with engraved borders. b Alexander 8225. Ex: Collecction of The Hon. H C. LennoxxBoyd. Stock: 36465

43 34. [The Right R Hon.ble le Charles Townsend T Esq.r E late Ch hancellor of the Exchequ uer, and One O of His Majesty's M Moost Privy Co ouncil &c.] J Reynolds R pinx x.t. J. Dixon FFecit. [Publish h'd as the Act diirects Dec the 21 1770 by thhe Proprietor W.m Wynn Ryland Engraver to His Majeesty in Cornhiill.] Mezzotint, M scraatch letter prooof before publlisher's in ncription. Sheeet 390 x 270m mm (15½ x 10½). Trimmed ju ust within platee. Ink stamp oof the Collectiion of Queen Victoria V at Win ndsor and old iink signature in title area. £190 Charles Townsh hend (1725-677), Chancellor of the xchequer at th he time of his death. Burkee called him Ex 'th he delight and d ornament of the House, an nd the charm off every privatee society'. CS 34, state ii off iii. Hamilton: H P69 I of II; Ex Coollection of thee Hon. Christopher C Lennox-Boyd. Stock: 36398

43 35. The La ast Return frrom Duty. Field F Marshal M The Duke of We Wellington, K.G. K leaving th he Horse Gu uards Aug.t 20th 1852.

The H High and Mighty M Prince Lodwick Duke of Richmond and d Lenox... 433.

P. v. S. pinxiit. Joannes Baarra delingneav vit sculpsit et excudit. 16244. Engraving. S Sheet 345 x 2000mm (13½ x 8"). Trimmedd just within pllate. £3220 Ludovic Stew wart (1574-16624), 2nd Duk ke of Lennox in robes. A mem mber of the coourt of James VI V of Scotland nd, he was createed Lord High Admiral of Scotland in 15991. James (by then James I off England) mad de him the 1stt Duke of Richhmond in 1623, the year before Ludovic died. He wass instrumental in the Plantattion of Ulster and the colonnization of Maaine, where th he town of Richmond, R Richmond's Islland and Capee Richmond ar are named for hiim Ex Collectiion of Christop pher Lennox-Boyd. Stock: 36491

Paainted by Jam mes W. Glass. E Engraved by James J Faed. Lo ondon Publish hed Sept.r 3rdd 1855 by Paull & Dominic Colnaghi & Co. 13 & 14 Palll Mall East, Publishers P to Her H Majesty. Coloured mezzotint. Image 5580 x 865mm (22¾ x 34"), g sheet with prrinted title. Cu ut to image laaid on backing with w title in scriipt. £420 A large image of o the first Duuke of Welling gton on ho orseback, retu urning the saluute of a pair off Chelsea peensioners. Weellington had rretired from political life in 18 846 although he h kept his seaat in the Lord ds, as well as th he role of Chieef Ranger andd Keeper of Hy yde Park and Stt. James's Park k. He died les s than a month after this ev vent. Stock: 36818

43 36. [Christtoph Friedriich von Amm mon] F.. Bartolozzi R.A. R fecit Londdon Published d as the Act diirects Nov.12 1791 Sttipple printed in brown, sheeet 180 x 130m mm (5 x 7"). Trrimmed to plaatemark. Rare.. £160 Christoph Fried drich von Amm mon (1877-18 850), German heological writter and preachher. th En ngraved by Frrancesco Bartllozzi (1725-18 815), Fllorentine engrraver elected a founding meember of the Royal Academy y in 1768 (thee RA did not admit a en ngravers at thiis time but maade an exceptiion in his

case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton in 1763. Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal printing press, and he spent his final years in Portugal. This portrait was published after Bartolozzi had left England for the continent. Not in De Vesme. Stock: 35844

437. Archibald Bower Esq.r George Knapton pinx.t / J.s Mc.Ardell fecit [n.d., c.1760] Mezzotint, platemark 350 x 250 (14 x 10"). Thread margins; slight crease through centre not showing on front; collector's stamp of Alfred Morrison verso. £260 Archibald Bower (1686x8-1766), religious controversialist and historical writer, born near Dundee. As a young man Bower entered the Society of Jesus in Rome and lectured at Jesuit colleges in Italy before suddently leaving Perugia to return to England, allegedly having been discovered in a love affair with a nun. In England Bower converted to the Church of England and wrote about bibliographic history and ancient Rome. His 'History of the Popes', a violent attack on papal supremacy, was published between 1748 and the 1760s. During the publication of the work letters emerged purporting to show that despite his protestant zeal Bower was flirting with Catholicism, shattering his reputation. This impression from the collection of Alfred Morrison (1821-97), one of the major collectors of his day. CS 27 (only state); Whiteman 174 ii/ii; L.151. Stock: 36509

Richard Brothers, Prince of the Hebrews. 438.

Fully believing this to be the Man Whom God has appointed; _ I engrave his likeness. William Sharp. Published at No.8 Charles Street, Midd.x Hospital, London, April 16, 1795, by W. Sharp. Engraving. 210 x 180mm (8¼ x 7"). £95 Richard Brothers (1757-1824), religious eccentric and proponant of 'British Israelism', the belief that the British are descended from the Lost Tribes of Israel. After a brief career in the navy, he claimed to have been given a mission to save London from divine retribution and declared himself a 'Prince of the Hebrews', preparing 'the Restoration of the Hebrews to Jerusalem by the year of 1798 under their revealed Prince and Prophet' ('A Revealed Knowledge of the Prophecies and Times', 1794). In 1795, having prophesied the death of the King and the end of the monarchy, he was imprisoned as criminally insane, but continued to issue pamphlets. His many admirers included an M.P. and the engraver William Sharp who published in portrait in preparation for Brothers' Day of Revelation on November 19th, 1795, but after this day came and went without incident, Sharp became an

adherent of Joanna Southcott instead. Brothers spent the rest of his life preparing for the advent of New Jerusalem. Stock: 35789

439. [Jesus Christ] This Present Figure Is The Similitude of Our Lord IHV Oure Savior Imprinted In Amirauld By The Predesessors Of The Greate Turke And Sent To The Pope Innosent The VIII At The Cost Of The Grete Turke For AS Token For This Cawse To Dedeme His Brother That Was Takyn Preso/nor. Pub.d August 1780 by Richard Godfrey N. 120 Long Acre. Stipple and etching with large margins. 240 x 200mm (9½ x 8"). £75 A rendering of an ‘Emerald Icon’, with the portrait painted on a gold-leaf background. These were copied from a gift sent to Pope Innocent VIII in the 1490s by the ‘Great Turk’, Bajazet, Sultan of the Ottoman Empire. Although the describes it as part of a ransom, Innocent was holding Bajazet’s brother and rival Prince Dschem captive in Rome at the request of the Sultan. Six English Emerald Icons are known to exist, including one dating c.1500 in the National Portrait Gallery. The others are later, made for secret Catholic masses after relic worship was banned after Henry VIII's break from Rome. Stock: 36591

440. The Fair Quaker. Nor Gold, nor Gems are wanting to the Maid, [/] In neat simplicity, like this, Array'd; [/] Plain native Beauty ,ore delights the hearts, [/] Than all the Glittering Ornaments of Art. R. Houton delin & fecit. Printed for John Bowles & Son at the Black Horse in Cornhill. Mezzotint with large margins top & bottom. Plate: 250 x 350mm, (9¾ x 13¾"). Trimmed to platemark left & right. Repaired tears in edges. Bit messy. £280 A three-quarter length portrait of Hannah Gurney (neé Middleton)(1742-1779) wife of the quaker Joseph Gurney. She is depicted in simple quaker dress and bonnet. CS: 132.II, Russell 132. Stock: 36843

441. The Lady Abbess of the English Nuns at Antwerp. Gab. Mathyas pinxt. Faber fect. Printed for John Bowles at the Black Horse in Cornhil, & Carington Bowles in St. Pauls Church Yard. [n.d., c.1750.] Mezzotint. Framed. Sheet size: 365 x 255mm (14¼ x 10"). Trimmed to image. Unexamined out of frame. £260 A three-quarter length portrait of a nun, seated to the right, wearing the habit. Her right hand lifted to the edge of her veil, and her left hand is resting on an open book on a table beside her, below a crucifix and skull. The sitter is indentified as English nun Mary Howard, of the Holy Cross (1653 - 1735), daughter of English

43. The Re ev.d Tho.s P Pyle A.M. 44 [n n.d., c.1750.] Ettching with sm mall margins. 125 x 85mm (5 x 3½"). £95 Th he Reverend Thomas T Pyle ((1674-1756), Whig cllergyman. Ex Collection off Christopher Lennox-Boyd. L Stock: 36490

44 44. Richd Rawlinson R L L.L.D. Vertue V delin. Sm mith Fecit. [nn.d., c. 1774.] Mezzotint M with very large maargins. Platem mark: 255 x 17 75mm (10 x 7"). £220 En nglish clergym man and antiqu quarian collecttor of books an nd manuscriptts Richard Raw wlinson (1690 0 - 1755). He beequeathed his collection to tthe Bodleian Library, Oxford. O Bust po ortrait in an ovval frame direected slightly to o the left, head d turned towarrds left should der, glancing to owards the viewer. He is weearing a scholaar's gown, baands and a chiin-length wig with tight currls. Ex co ollection of Ch hristopher Lennnox Boyd. Ch haloner Sm mith: 3, state II I of II. Stock: 36551

playwright annd politician Sir S Robert Ho oward (1626 1698). oice Engravinggs Sold as part oof a sale; 'Cataalogue of Cho in Mezzotintt anf Line, connsisting of the first portion oof the magnificeent collection of Archibald Cameron Norman Esq. of Bromley Common', C at 'Sotheby, ' Wilkinson & Hodge, Welllington Street,, Strand, London. 1914'. The originnal cover from m the sale f Chalonner catalogue is gglued to the reeverse of the frame. Smith: 195. SState II of II. Stock: 36895

442. The R Reverend Mr. M Madan. R. Manwarinng fecit Printed for S. Hoop per at the East Corner of thee New Churchh in the Strand d As the Act Directs [n.d.,, c.1750] Mezzotint, shheet 355 x 2555mm (14¼ x 10¼"). Trimmed to pplatemark; slight crease top p left. £1880 Martin Madaan (1725-90), Church of En ngland clergyman annd advocate of polygamy. A Londoner, Madan was ttrained as a law wyer, but soug ght holy orderrs after hearing John Wesleyy speak. He waas appointed to hen chaplain oof All Hallows, Lombard Street in 1750, th the Lock Hosspital at Hydee Park Corner,, an institutionn for penitent pprostitutes. Thhere his preach hing (which members of tthe public werre free to atten nd) was so successful thhat a new chappel was built in n 1762. Madaan was also highhly musical, and a the annuall oratorio at thhe Lock chapel was a major event e (Wesley y attended in 1764 and 17665). In 1780 Maddan published his 'Thelyphth hora' in whichh, drawing uponn his experiennces with the inmates i at thee Lock Hospitaal, he argued at a length for th he social benefits of poolygamy. Maddan disclaimed any advocaccy of polygamy for fulfilling sexual appetitte, but the n to resign hiss outcry the boook produced caused Madan chaplaincy annd retire to Eppsom. Ex Colllection of the Late Hon. C. Lennox-Boydd; CS 2 (only state) s Stock: 36517

M. Baillly élu Mairre de la Villee de Paris dee 15 Juillet 1789 1 [...] Déédié et Preseenté à Messeigneurs M s de l'assembblée Nationale, Par leeur très hum mble et très R Respectueux x Serviteur Miger. M 44 45.

Dessiné D par Boizot S.D.R. / G Gravé par Mig ger A Paris ch hez Miger graveur du Roi, R Rue de 4 Ventts, No. 5 en faace de la rue de d Tournon. Ettching, sheet 295 2 x 180mm m (11½ x 7"). Trimmed T in nside platemarrk. £130 Jeean-Sylvain Bailly (1736 – 1793), French h astronomer an nd politician, and a one of thee leaders of th he early part off the French Revolution. R Hee served as thee mayor of Paaris from 1789 9 to 1791 andd was ultimatelly guillotined du uring the Reig gn of Terror. As A an astronom mer, Bailly buiilt an observattory in the Lo ouvre and wass noted for hiss computation n of an orbit fo or Halley's Comet in 1759 aand his study of o Jupiter's moons m He was elected to thee Academy des Sciences in 17 763 and befrieended Franklinn in Paris. Meeanwhile, his an ntiquarian inteerests led to w works on the hiistory of asstronomy and the origins off science (writtten in reesponse to Volltaire's ideas oon the subject)), which gain hiim membershiip in the Frencch Academy. Bailly's high pu ublic standingg saw him mad de first Prresident of thee National Asssembly- he staands above th he crowd of deeputies in Davvid's famous painting p 'the Teennis Court Oath'. O However er, his politicall authority haad disappeared d by the time hhe and Lafayeette imposed martial m law and d had the natioonal guard opeen fire on deemonstrators on o July 17 17991. Bailly resiigned as mayor m soon afteer but was lateer arrested and d executed. His H subsequent influence hass been felt thro ough his th hesis about a Hyperborean H A Atlantis dating g to before reecorded history y, which whille mocked by Jules Verne in n '20,000 Leag gues Under thee Sea', was inccorporated byy Madame M Blavatsky into the m mythos of Theeosophy. For 'T The Tennis Court Oath' see ref. 6998 Stock: 36923

44 48. J. Lock ke Célèbre P Philosophe Anglais. A Im mp. litho. de M.lle M Fomentinn, rue St Andrré des Arcs, No N 59 [c.1840[ Liithograph with h large marginns, printed areea 210 x 17 75mm (8¼ x 7"). 7 Slight creeasing; rare. £95 Bust portrait off John Locke FF.R.S. (1632-1704), after he portrait by Geoffrey G Knel eller. Locke, th he 'Father of th Liiberalism' and d the English pphilosopher an nd physician, was w regarded ass one of the m most influentiaal of the En nlightenment thinkers. His contributions to classical reepublicanism and a liberal theeory are refleccted in the American A Declaration of Inddependence. For F an earlier veersion of the same image seee ref. 23383. Stock: 36394

Al. Monro Sen.r. M M. D. and F..R.S. Fellow of the R. College oof Physician ns and P of Physic and Anatomy A in tthe Universiity of Edinburgh E A.D. A 1749 Aeetat 52. 44 49.

A. A Ramsay pinx xit. Tho.s. Doonaldson delin n & sculp.t. [n n.d., c.1749.] Ettching. Sheet: 185 x 225mm m, (7¼ x 8¾")). Trimmed within w plate. Laaid on album ssheet. £140 A Half-length portrait p of Aleexander Monro o (169717 767) a physiciian and professsor of anatom my at the University U of Edinburgh, E he was also a fou unding member m of the Edinburgh meedical school. Not in Wellcome: W 2039 9. Stock: 36451

446. [Joseeph Banks.] H. Gievedonn. 1826. Lith de d C. Motte. [S Stampted:] Contemporaiins Estrangerss. [n.d. c.1830.] Lithograph. S Sheet size: 5000 x 325mm (1 19¾ x 12¾"). Crease to uppper right corner. Small stain n in lower leftt. £3000 Sir Joseph Banks (1743-18820), the Engllish botanist, nces. Banks naturalist andd patron of thee natural scien took part in C Captain Jamess Cook's first great g voyage (1768-1771).. He was the leading foundeer of the African Assoociation, the British B organizzation dedicateed to the exploration of Africca, a member of o the Societyy t Royal of Dilettanti, which helpedd to establish the Academy. Stock: 36826

Williiam Curtis Author of th he Flora Londinensiis / Botanicaal Magazine &c. 447.

[Anon] mm (6 x 4½")). Stipple printeed in blue, sheeet 150 x 110m Trimmed to iimage; false margins m added d. £995 Sir William C Curtis (1746-999), botanist and a entomologistt. Curtis established a botan nical garden inn Bermondsey in 1773, thenn the more exp pansive Londoon o escape smokke Botanic Gardden at Lambetth in 1779. To pollution, in 1789 he moveed to a still larrger garden inn P South Brompton (nnow occupied by Cadogan Place Garden on Slloane Street). He also publiished numerouus works on bottany and entom mology includ ding the Floraa Londinensis (begun in 17775) which estaablished his For Curtis' Broompton garden see ref. reputation. F 18206; for hiis Lambeth gaarden see ref. 15502. Stock: 35842

45 50. Dr. Jac cob de Castrro Sarmento o do Real Collegio C des Medicos M de Londres, e Socio S da R. S.. Aetat suae, 45. 1737. H. H Stevens Pinx x.t 1729 / Andd.w Muller feccit 1737. Mezzotint, M platemark 200 x 1140mm (8 x 5½"). 5 Thread margins; m tipped d into album sh sheet. Very rarre. £350 Jaacob de Castro o Sarmento [fo formerly Henriique de Castro] (1692?--1762), physiccian and scien ntific writer.

Sarmento greew up in Portuugal, where hiis parents werre arrested by thhe Evora Inquuisition and im mprisoned, accused of Juudaizing. Following his stud dies, Sarmentto moved to Loondon and connverted to open n Judaism, Bevis Marks Synagogue S in the City, wheere marrying at B he was brieflly physician too the synagogue's poor. Sarmento overcame obstaccles in London n, surviving aan investigationn following alllegations that he betrayed Jews to the Innquisition, annd becoming a fellow of thee Royal Societty despite a caampaign again nst his candidacy byy Meyer Schom mberg. Sarmeento's works treated subjects such as sm mallpox, surgeery, and minerral D in 1739, fou unded a small waters. He reeceived an MD infirmary forr London's Porrtuguese Jewiish communityy in 1747, and renounced Juudaism late in life. w a scholar oof Edgar Samueel (DNB) notees 'Sarmento was distinction. A As a refugee he h was unusuaal in maintaininng friendly conttacts with Porttuguese scholaars and statesmen. It is possible thhat he influencced Pombal's p of the New determinationn to end the persecution Christians inn Portugal.' Sarrmento wrote books in Portuguese, ttranslated otheer works into his native language, and endeavouredd to improve the t state of H also scientific knoowledge in hiss homeland. He produced a qquinine water, 'agoa de Inglaaterra', made tto a secret recippe and exporteed to Portugal as a cure for all fevers. Ex: coollection of thhe Late Hon. C. C Lennox-Boyyd. C.S.: 108; W Wellcome: 557..

Wearing W a loose dress and errmine robe, sh he holds her rig ght hand to heer breast. Onee of the series 'Beauties of Hampton H Courtt'. On O this state the publication line has been moved from un nder the title to bottom righht of the portraait, replacing th he engraver's name: n it seemss the plate waas broken, neecessitating th he change. Thee same portraiit is the so ource of a head-and-shouldeers oval mezzotint. Chaloner C Smith h 28. Stock: 35856

Stock: 36200

451. M.rs. Callander of Craigfor rth. [After Joshuaa Reynolds.] [n.d., [ c.1772.] Mezzotint. Sheet: 250 x 3550mm, (9¾ x 13¾"). Trimmed witthin plate. £1660 A half-lengthh portrait of Harriet H Calland der (née Dutens)(17500-1773) the seecond of threee wives of Sir James Callannder of Craigfforth and Arkinglass. CS 388; Hamilton: Pgg 88. Stock: 36455

Charrlotte Counttess Cholmo ondeley and the Hon.blee Henry Choolmondeley.. 452.

Painted by J. Hoppner, Esqq.r R.A. / Eng graved by C. Turner. [Lonndon: Publisheed by C. Turneer, No 50 Warren Streeet, Fitzroy Squuare, July 15, 1805.] Mezzotint wiith small marggins, platemarrk 620 x 380m mm (24½ x 15"). Publication liine faintly printed. ox-Boyd and Collectors' sttamps of Christopher Lenno Mrs. E.M. Hamilton versoo. Crease on left bottom corner. £2330 mondeley, néee Georgiana Charlotte, Coountess Cholm Charlotte Bertie (1764-18338), with her son s Henry. Shhe o married Georrge, Earl (lateer Marquess) of Cholmondeleey in 1791. W 110 (only sta ate). Stock: 35018

453. Her G Grace the Dutchess D of Marlboroug M gh. G. Kneller Piinx. J. Faber fecit. f Sold by Rob.t Sayer near St Dunsstans Church in i Fleet-Streett, & John Kingg at the Globe in the Poultryy. [n.d., c.1760 0. 2¼"). Trimmeed Mezzotint. Sheet 460 x 310mm (18 x 12 m sheet. £2330 into image onn three sides, laid on album A full-lengthh portrait of Saarah Churchilll, Duchess of Marlboroughh (1660 - 17444), politician and a courtier.

45 54. Mrs. Crew. Paainted by Sir Joshua J Reynoolds. Engrav'd by Thomas Watson. W Publish'd Octr. 25thh. 1773 for S. Hooper H Lu udgate Hill, W. W Shropshire No. 158 & T. Watson No. 14 42 New Bond Street. Mezzotint M with thread marginns. Framed. Platemark: P 48 80 x 520mm (19 ( x 20½"). FFrame size: 65 50 x 710mm (2 25 x 28"). Uneexamined out of frame. Verry fine. £1250 A portrait of Mrs. M Frances An Anne Crewe (1744 - 1818) ass St Genevievee. A leader off fashion and whig w hostess, sh he married Joh hn Crewe, 1st Baron Crewee of Crewe in 17 766. Whole-leength, sitting rreading in fron nt of a rocky mound, m with heer chin restingg on her right hand, h and her haair dressed with a veil. She has a dog at her h feet, with w five lambss lying to the lleft, and one nibbling n at a pllant to right. A landscape w with a river can n be seen in th he distance to the t left. Hamiilton: Pg 93 III of II; CS: 100 III II of III; Good dwin: 15 IV off IV. Stock: 36448

45 55. [The R.t R Hon.ble L Lady Elizabeeth Cromwell.] C G. G Kneller pinx x: Sold by J. SSmith at ye Ly yon & Crown in n Russell Streeet. Mezzotint M with small marginns; 240 x 190m mm (9½ x 7½ ½"). Foxing. £180 Laady Elizabeth Cromwell (16674-1709), on nly child of th he 7th Baron Cromwell, C diedd in childbirth h. CS 68. Ex Collection C of th he Hon. Christtopher Lennoxx-Boyd. Stock: 35857

The R.tt Hon.ble Ellizabeth Dow wager Lady L Syttelto on. Ob.t Auugust 27th 17 795. 45 56.

R. Cosway R RA. delin.t. Chha.s Townley Sculp.t. Publsihed byy C. Townley 1;st Jan.y 179 96, No.19 Panton Squarre, Haymarket. Stipple, veryy rare. Platemaark: 205 x 145 5mm (8¼ x 5¾"). Threadd margins. £1440 A portrait off Lady Elizabeeth Dowager Lyttleton L (17449 - 1795), seateed half lengthh to the left. Heer hands are folded in herr lap. She is wearing w a frilled cap and matching gow wn, with strapps around both h wrists. Lyttleton waas the daughterr of British caavalry officer S Sir Robert Rich, and the seconnd wife of George Lyttletonn, 1st Baron Lyyttleton. Danieell: 97 Stock: 36563

457. Lady y Erskine. A. Ramsay ppinx.t. Londonn, printed for Carrington C Bowles, at N No. 69 in St. Paaul's Church Yard, Y & Robeert Sayer, a No. 53 in Fleet Sttreet. [n.d., c.1 1770.] Platemark: 3555 x 250mm (14 4 x 9¾"). £2990 Mezzotint. P E wife of o Sir Henry A portrait off Janet, Lady Erskine, t the left, herr Erskine, stannding half-lenggth in profile to head turned tto face front, wearing w a gow wn with ruffleed sleeves, lace cape and smaall lace ruff. She has flowerrs in her simplyy dressed hair and at her breeast. Ex collection off Christopher Lennox-Boyd. L Chaloner win: 143. Smith: 52 varriant. Goodw

Sttipple with etcching. Platemaark: 265 x 180 0mm (10¼ x 7""). Crease on left. l £75 A head and sho oulders portraiit of British peeer and po olitician Georg ge Townshendd, 2nd Marquess To ownshend (17 753 - 1811), kn known as The Lord Ferrers off Chartley from m 1770 to 17884 and as Thee Earl of Leeicester from 1784 to 1807.. Facing right, within a deecorative trom mpe l'oeil ovall on a plinth. Stock: 36325

46 61. The Co ountess of Liitchfield. G. G Kneller pinx x. I. Beckett fee: et ex. [n.d., c.1685.] Mezzotint, M rare. Collector's in ink stamp on reverse, r 'E E.M.H.' Mrs. E. E M. Hamilton on. Sheet size: 425 x 24 45mm (16¾ x 9¾"). Trimm med to plate. Creases. C £260 A full-length po ortrait of Charrlotte Fitzroy (1664-1718), daaughter of Chaarles II by hiss most famouss mistress, Barbara Villiers, and said to be his favouriite child. She was w married to Sir Edward L Lee, Earl of Liichfield, at tw welve years off age, having hher first child (of 18) at th hirteen. Ex colllection Christtopher Lennoxx-Boyd. CS: 66 6. Stock: 36650

Stock: 36982

458. Lady y Erskine. A. Ramsay ppinx.t. J. W. Watson W fecit. London: L Printeed for Rob.t Sayyer, Map and Printseller, P at the Golden Buck near Seerjeants Inn, inn Fleet Street.. [n.d., c.1770 .] Mezzotint. C Collector's stam mp on verso, 'E.M.H.' Mrs. E. M. Hamiltonn; Sheet size: 390 3 x 285mm (15¼ x 11¼""). Trimmed to pplate. Slight creasing c top riight. £2220 A portrait off Janet, Lady Erskine, E wife of o Sir Henry t the left, herr Erskine, stannding half-lenggth in profile to head turned tto face front, wearing w a gow wn with ruffleed sleeves, lace cape and smaall lace ruff. She has flowerrs in her simplyy dressed hair and at her breeast. Ex collection off Christopher Lennox-Boyd. L Chaloner Goodwin: 143.. Smith: 52. G Stock: 36979

The R R.t. Honourrable Lady Sophia S Fermor, M Married the 14.th. 1 of Aprril. 1744 to John Lord Carteret Prrincipal Secrretary of State, sincee Earl of Granville. 459.

Lady Anne W Wentworth, sinnce Countess Fitzwilliam Pinx.t. John F Faber fec.t. 17747. Mezzotint, raare. Plate: 2255 x 325mm, (9 9 x 12¾"). £3330 A half-portraait of Sophia Fermor, F Counttess Granvillee (1721-1745) who married John Carterett, Earl of Granville (16690-1763). CSS 168 Stock: 36454

Georrge Ferrars Townshend T . Earl of Leicester. President off the Society y of Antiquariees, Trustee of o the British h Museum, F.R.S. and Joint Postm master General. 460.

R. Cosway R R.A. Pictor Priincipus Pinx.t. P. Condé Sculp.t. [n.d., c.1790.]

46 62.

Daughtters of Sir T Thomas Fran nkland

Bar.t B Paainted by J. Hoppner R.A. PPortrait Painteer to His Royal Higness the Prince of Wales / Engraaved by W. Ward W Publish'd d March 1. 17997 by W. Warrd, Delancy Pllace, Hampsteead Road. Mezzotint, M platemark 580 x 4455mm (22¾ x 18"). £950 Th hread marginss; rare. Good iimpression. Marianne M and Emilia E Franklaand, two of th he many daaughters of thee naval officer er and politiciaan Sir Th homas Frankland, fifth baroonet, with a sp paniel asleep att their feet. Am melia holds a ccrayon and a portfolio p of sk ketches. En ngraved by William W Ward ffrom the 1795 5 portrait by Jo ohn Hoppner. The painting hangs in the National N

Gallery of Art, Washington, D.C., having previously been in the collection of Andrew Mellon. CS 38 iii/iv; Frankau 125 iii/iv Stock: 36614

463. Miss Horneck. Painted by Sir Joshua Reynolds. Engrav'd by R. Dunkarton. Publish'd July 20.th 1778, by Wr. Shropshire, No.158, New Bond Street. Mezzotint, rare with very large margins; plate 508 x 356mm (20 x 14"). £580 Mary Horneck, later Mrs Francis Edward Gwyn (1752?-1840), bedchamber-woman to Queen Charlotte, in Persian dress. It was through Sir Joshua Reynolds that the writer Oliver Goldsmith met Horneck, who became close to her and her family, nicknaming Mary 'The Jessamy Bride'. She later married General Gwyn, equerry to George III. Engraved after the portrait (c.1775) by Reynolds, at the mansion of Cliveden in Buckinghamshire. Reynolds is believed to have considered the portrait one of his finest, and to have kept it in his studio right up to his death, leaving it to the sitter in his will. CS: 25 ii/ii; Hamilton: p.109 ii/ii Stock: 36609

464. Hannibal. Painted by Sir Joshua Reynolds. Engraved by C. Townley. Engraver to his Majesty the King of Prussia & Member of the Academies of Berlin & Florence. Published as the Act directs, April 20th, 1792, by Charles Townley, Greek Street, Soho. Mezzotint with small margins. Rare. Platemark: 330 x 230 (13 x 9"). £240 A half-length portrait of a young child in Roman costume, Master Coke of Holkham, with his right hand upon a sword and his left on his hip. Ex Collection of Christopher Lennox-Boyd. Hamilton: Pg 18; CS: Not in. Stock: 36473

465. Mary Isabella. Dutchess of Rutland. Painted by Mrs. Mee. Engraved in Mezzotinto by C. Turner. Published by Reeve & Jones, No.7 Vere Street, Bond Street, Nov.r 1. 1808. Mezzotint printed in colour. On watermarked paper, 'J. Whatman. 1805'. Platemark: 245 x 185mm (9¾ x 7¼"). Large margins. £120 Mary Isabella Manners, Duchess of Rutland (1756 1831), seated half-length against plain background. Within a rectangular border. Manners was the first wife of Charles Manners, 4th Duke of Rutland and daughter of Charles Somerset, 4th Duke of Beaufort. She was a politician, as well as a society hostess. For an earlier impression printed in colour, see item ref: 36556. For an uncoloured impression, see item ref: 36557. Ex collction of Christopher Lennox-Boyd. Whitman: 506. Stock: 36558

466. Mary Isabella. Dutchess of Rutland. Painted by Mrs. Mee. Engraved in Mezzotinto by C. Turner. London Published July 10, 1804, by C. Turner, No. 50, Warren Street, Fitzroy Square.

Mezzotint. Platemark: 245 x 185mm (9¾ x 7¼"). Trimmed to plate. Crease lower right. £120 Mary Isabella Manners, Duchess of Rutland (1756 1831), seated half-length against plain background. Within a rectangular border, above which is a crown. Manners was the first wife of Charles Manners, 4th Duke of Rutland and daughter of Charles Somerset, 4th Duke of Beaufort. She was a politician, as well as a society hostess. For an impression printed in colour, see item ref: 36556. For an alternative, slightly later impression, see item ref: 36558. Ex collection of Christopher LennoxBoyd. Whitman: 506. Stock: 36557

467. Mary Isabella. Dutchess of Rutland. Painted by Mrs. Mee. Engraved in Mezzotinto by C. Turner. London Published July 10, 1804, by C. Turner, No. 50, Warren Street, Fitzroy Square. Mezzotint printed in colour with very large margins. Platemark: 245 x 185mm (9¾ x 7¼"). Uncut. Light creasing in lower half of sheet. £180 Mary Isabella Manners, Duchess of Rutland (1756 1831), seated half-length against plain background. Within a rectangular border, above which is a crown. Manners was the first wife of Charles Manners, 4th Duke of Rutland and daughter of Charles Somerset, 4th Duke of Beaufort. She was a politician, as well as a society hostess. For an uncoloured impression see item ref: 36557. For an alternative, slightly later impression, see item ref: 36558. Ex collection of Christopher Lennox-Boyd. Whitman: 506. Stock: 36556

468. The Right Hon.ble S.r Robert Ladbrooke Lord Mayor of the City of London 1748. Tho.s Hudson pinx.t. I. Faber fecit. London Printed for J. Ryall at Hogarths Head Fleet Street. [1748.] Mezzotint, rare. 355 x 250mm (14 x 9¾"). Thread margins, mounted on album paper. £260 Sir Robert Ladbroke (1713-73), Alderman of London in 1741, Sheriff in 1743 and Lord Mayor of London in 1747, M.P. for London from 1754-70. From the Belton Album. Ex Collection of the Hon. Christopher LennoxBoyd. Stock: 36359

469. [Lady Lucy Percy] [From the fine miniature by Isaac Oliver at Strawberry Hill] [S Harding del / A Birrell sculp] [Pub by S Harding 127 Pall Mall Jan 1 1802] Stipple, sheet 130 x 110mm (5 x 4¼"). Trimmed to plate. Proof before letters. £120 Lucy, countess of Carlisle (1599-1660), an English courtier known for her beauty and wit. She was involved in many political intrigues during the English Civil War, and became second wife to James Hay, 1st Earl of Carlisle. She is known for disclosing to her cousin Robert Devereux, Earl of Essex of the King's intended arrest of the five members of Long Parliament, which enabled Essex and the others to

escape. She w was a politicall friend of Strafford and Pym. Stock: 35843

bllind stamp in lower l left cornner. Platemark k: 440 x 32 20mm (17¼ x 12½"). Uncuut. £160 A portrait of Ch harlotte Anne,, Duchess of Buccleuch B an nd Queensberrry, with her chhildren, Williaam Henry Montagu M Douglas Scott, 6th Duke of Bucccleuch and 8tth Duke of Qu ueensberry (18831 - 1914), and a Lord Henry H Scott (18 832 - 1905), inn a landscape setting. PSA: Arrtist's Proof: 100; 1 L.P. 1000 Stock: 36652

47 72. The Right Hon.blee. James Ear rl of Derby. [H Hamlet Winstaanley. Gerard Vandergucht.] [n.d., c.1734.] Ettching, very raare. Sheet: 2660 x 350mm, (10¼ x 13 3¾"). Trimmeed within platee. Small pin hole h by pillar. Repaired damag ge by face. A few fox mark ks. £260 Th hree-quarter length portraitt of James Stan nley, 10th Duke D of Derby (1664-1736),, who stands holding h a crrown in one haand while the other rests on n his side. Sttanley served in Parliamentt for Preston and a Laancashire befo ore becoming a peer. Stock: 36417

470. [The Standard-B Bearer.] Done from a Picture in tthe Collectioon of S.r Josshua Reynolds, P President off the Royal Academy. A Rembrandt P Pinx.t / W. Petther delin. & fecit f Rob.t Sayer Excuddit / London, Printed P for Rob b.t Sayer Mapp & Printsellerr No. 53 Fleet Street. Mezzotint, pllatemark 510 x 360mm (20 0 x 14½"). Sm mall margins. £4880 ng by Superb engraaving after thee 1654 paintin Rembrandt, nnow in the Meetropolitan Mu useum of Art,, New York. A As indicated, it i was owned by b the portraitt painter Sir Jooshua Reynoldds in the 18th century. The sitter has recently been ideentified as Flo oris Scoop (1604-57), a wealthy batchhelor and colleector. W Pether (c.1738-18211) The mezzotinnt engraver William reproduced sseveral paintinngs by Rembraandt and another mastter of chiarosccuro, Joseph Wright, W both oof whose workss were eminenntly suited to his h dramatic handling of llight. Charringgton 127 iii/iii. Stock: 36524

471. [Her Grace the Duchess D of Buccleuch B & Queensberry, the Righ ht Honb.le th he Earl of Dalkeith, aand the Righ ht Honb.le Lord L Henry Scott.] [Painted by F F. Grant Esqree. A.R.A. / En ngraved by S.W W. Reynolds.] [L London: Publiished Octr. 24 4th. 1850, by Paul & Domiinic Colnaghii & Co. 13 & 14, 1 Pall Mall East _ Publisshers to her Majesty.] M Mezzotint wiith very large margins. Proo of before letters, rare. O On India papeer. 'Printsellers Association''

47 73. The La ady William ms. W. W Wissing pin nx. I Beckett ffe: E. Cooper Ex. E [n.d. c.1688.] Mezzotint. M Scarrce. Collectorr's ink stamp on o verso, 'E E.M.H.' Platem mark: 420 x 2555mm (16½ x 10"). Trrimmed to thee plate. Very ssmall tear at bottom b ceentre. £360 A portrait of Laady Williams,, mistress of Jaames, Duke off York. Here she s stands in ffront of a colu umn and veelvet curtain with w one breasst bared. Fo or an earlier sttate see item rref: 17351. Exx collection off Christopher C Lennox-Boyd. C CS 97: III of IV V. Stock: 36597

47 74. [Cather rine Winstaanley.] Hamlet H Winstan nley Pinxit. I. Faber fecit. Sold S by Faaber, at ye Go olden Head in Bloomsbury Square. [n.d., c.1740.] Mezzotint, M fine & rare. Platem emark: 375 x 255mm 2 (14¾ x 10"). £280 A portrait of Mrs. M Catherine Winstanley, wife w of the paainter Hamlet Winstanley, sseated slightly y to the right beeside tree and small fountaiin, her head tu urned to face th he front and reesting on her hhand. She is ho olding open a sk ketchbook on her lap. A lanndscape can bee seen beehind. Decorative D artisst's monogram m 'CW' is inscribed in the margin m below the image. Ex collection of Christopher Leennox-Boyd. Chaloner C Smitth: 389.I. Stock: 36822

47 75. Tho.s Cribb. C En ng.d by Percy y Roberts from m a painting by y Sharples. Pu ublished by Sh herwood, Jonees & co, May 1. 1824. Sttipple. Sheet size: s 215 x 1355mm (8½ x 5¼"). Trrimmed insidee platemark. £65 A bust portrait of English bar are-knuckle bo oxer of the 19 9th century To om Cribb (17881 - 1848), dirrected to the leeft, facing the front, with hiss left fist raiseed in front of hiim. On 10th December D 18100, Cribb fought an American, A form mer slave Tom m Molineaux, at a Sheningtonn

Hollow in Oxxfordshire. Crribb beat Moliineaux in 35 rounds and bbecame Worldd champion.

Marguerite M Geo orges (1787-1 867, said to have h had afffairs with botth Napoleon an and Wellington n).

Stock: 36323

Stock: 36488

47 78. Celebrated French h Actresses. 1. M.elle Taglioni. T 2. M.elle M Nobleet. 3. M.elle Julia. J 4. M.elle M Monteessu. 5. M.elllle Lagallois. 6. M.elle Alexis. A [aafter Jacques Francois F Gaudderique Llantaa?] [n.d., c.1830.] Aquatint A with very v large marrgins. 245 x 160mm (9¾ x £130 6¼ ¼"). Half-length H porrtrait of six fam mous actressees and daancers, including Marie Tagglioni (1804-8 84) and Marie-Élisabeth M h (Lise) Nobleet (1801-52). Stock: 36487

476. Tregonwell Fram mpton Esq.rr. Keeper off ye Runningg Horses at Newmarket N t to King William ye 3d, Queen Ann, A King George G ye 1sst. and King G George ye 2d d. Ao. AEtatt 87. [After John W Wootton.] [Johhn Faber the Younger. Y n.d.,, c.1728.] l marginss. Platemark: Mezzotint, very rare with large m (14 x 9¾"). £3220 355 x 250mm A three-quarrter length porrtrait of Englissh racehorse trainer, Tregoonwell Framppton (1641–17 727) known a s ‘the father off the turf'. He is seated, lean ning forward iin an armchair, holding a hanndkerchief witth his bandageed w A dog left hand, witth his right haand holding a whip. looks up at hhim from the right, with a gaame cock on tthe wall behind hhim. At Newm market, Framp pton was 'keepper of the runninng horses' to William W III, Qu ueen Anne, George I andd George II. Stock: 36327

Les A Artistes Con ntemporainees. 1. M.ellee Mars. 2. M M.elle Sontagg. 3. M.elle Malibran M Garcia. 4. M M.elle Damooreau Cinti.. 5. M.elle Pasta. 6. M M.elle Georgees. 477.

[after Jacquees Francois Gaauderique Llan nta.] [n.d., c.1832.] m 245 x 160mm (9¾ x Aquatint withh very large margins. 6¼"). Some llight staining. £1330 Half-length pportrait of six actresses and singers: Mademoisellle Mars (Annee Françoise Hyppolyte Bouutet Salvetat, 17779-1847); Hennriette Sontag (1806-1854); Maria Malibrran Garcia (18808-1836); Laaure CintiDamoreau (11801-1863); Giuditta G Pasta (1797-1865);

47 79. Signora a Baccelli [inn image low wer left] Paainted by T. Gainsborough G R.A. / Engrav ved by John Jo ones London Pub.d P Feb.y 5tth 1784 by J. Jones No. 63 Great G Portland Street Maryleebone Mezzotint M with large margins ns, platemark 535 5 x 350mm (2 21 x 13¾"). Very fine. £1250 Giovanna G Bacccelli (1774, fl.-- d.1801), dan ncer. Baccelli, firrst appeared at a the King's T Theatre, Haym market in 17 774. She reach hed the peak oof her career during d the 17 780-1 season when w she apppeared with Gaaetan Vestris an nd his son Aug guste in severral important ballets b deevised by Nov verre. She alsoo danced in Venice in 17 783-4, and at the t Paris Opérra as late as 1788. Baccelli was eq qually known as a mistress of John ville, 3rd Dukke of Dorset (1 1745-99), Frrederick Sackv who w had set up Baccelli in a suite of room ms at Knole by October O 1779. Baccelli B accom mpanied him to Paris in 17 783 when he was w appointedd Ambassadorr to France. Th hey entertaineed lavishly, paatronising the Paris Opéra, an nd were admittted to the frieendship of Queen MarieAntoinette. A Horrace Walpole records that when w the Duke D was awarrded the Orderr of the Garterr in 1788, Baccelli danced d at the Opéraa wearing the blue b Garter

ribbon around her head. As the events of the French Revolution unfolded, the pair returned to Knole, where Baccelli remained until their amicable parting in 1789. Engraved by John Jones after the portrait by Thomas Gainsborough (exhibited 1782) which hangs in Tate Britain. Gainsborough was well-acquainted with many theatre people, including Richard Brinsley Sheridan, the famous dramatist and part-owner of the King's Theatre. When this portrait was exhibited at the Royal Academy in 1782, Gainsborough's portrait of the Duke of Dorset was withdrawn, presumably for reasons of decorum. As well as commissioning this portrait, the Duke also patronised Gainsborough's great rival Joshua Reynolds, who painted Baccelli in 1783. Ex: collection of the late Hon C. Lennox-Boyd; CS 3 ii/iii; Horne 7 ii/iii; CS 131 ii Stock: 36611

480. Miss Harper R. Dighton Pinx.t / R. Laurie Sculp. Pub.d as the Act Directs March 1st 1780 by W. Richardson No. 68 High Holborn Mezzotint, rare, with very large margins; platemark 155 x 115mm (6 x 4½"). Good impression; glued to backing sheet along left edge at corners; uncut. £240 Elizabeth Bannister (née Harper) (1757-1849), actress and singer. She also accompanied herself on the guitar, as shown in John Russell's 1799 portrait. At the time this print was made Harper was only three years into her career but was already earning high salaries. In 1778 she was contracted to perform at the Pantheon (on London's Oxford Street) for two years, earning one thousand pounds in the process. In 1783 she married the actor and comedian John Bannister, and she retired in 1792. From a set of small mezzotint portraits of actresses and singers, published by the printseller William Richardson in 1780, apparently to follow up a similar set of actor portraits published the previous year. Engraved after a painting by draughtsman and singer Robert Dighton (1751-1814) by the mezzotint engraver and printseller Robert Laurie (1755?-1836). Music, instruments and mask (representing theatre) in title area. Ex: Oettingen-Wallenstein collection, and collection of the late Hon. C. Lennox-Boyd; CS 1 iii/iii. Stock: 36669

481. Miss Harper [in pencil] R. Dighton Pinx.t / R. Laurie Sculp. Pub.d as the Act Directs March 1st 1780 by W. Richardson No. 68 High Holborn Mezzotint, rare with very large margins; platemark 155 x 115mm (6 x 4½"). Good impression; glued to backing sheet along left edge. Uncut. £240 Elizabeth Bannister (née Harper) (1757-1849), actress and singer. She also accompanied herself on the guitar, as shown in John Russell's 1799 portrait. At the time this print was made Harper was only three years into her career but was already earning high salaries. In 1778 she was contracted to perform at the Pantheon (on London's Oxford Street) for two years, earning one thousand pounds in the process. In 1783 she married the actor and comedian John Bannister, and she retired in 1792.

From a set of small mezzotint portraits of actresses and singers, published by the printseller William Richardson in 1780, apparently to follow up a similar set of actor portraits published the previous year. Engraved after a painting by draughtsman and singer Robert Dighton (1751-1814) by the mezzotint engraver and printseller Robert Laurie (1755?-1836). Music, instruments and mask (representing theatre) in title area. Ex: collection of the late Hon. C. Lennox-Boyd; CS 1 ii/iii. Ex: Oettingen-Wallerstein Collection. Stock: 36671

482. Mr. Dodd. R. Dighton Pinx.t. R. Laurie Sculp. Published as the act Directs July 10th 1779 by W.m Richardson No.68 High Holborn Mezzotint. 155 x 115mm (6 x 4½"). Good impression with very large margins, uncut. £240 The prominent Georgian actor, James William Dodd (1740?–1796), engraved Robert Laurie (1755?-1836) after Robert Dighton (1751-1814), as part of a series of small portraits of actors. Ex: Oettingen-Wallenstein collection; CS 1 iii/iii. For individual portraits see refs. 36694-5. Stock: 36816

483. Mr. Dodd. R. Dighton Pinx.t. R. Laurie Sculp Published as the act Directs July 10th 1779 by W.m Richardson No.68 High Holborn Mezzotint with thread margins, platemark 155 x 115mm (6 x 4½"). £160 James William Dodd (c.1740-1796), actor. Dodd became a strolling player aged sixteen, and acted in Sheffield, Norfolk and Bath before Garrick recruited him for his Drury Lane company in 1765. Dodd was to remain at Drury Lane for the next thirty years, and while he never challenged Tom King as the principal comedian of the company, Engraved after a painting by draughtsman and singer Robert Dighton (1751-1814) by the mezzotint engraver and printseller Robert Laurie (1755?-1836). Music, instruments and mask (representing theatre) in title area. Ex: collection of the late Hon. C. Lennox-Boyd; CS 1 iii/iii. Stock: 36694

484. Mr. Garrick. R. Dighton Pinx.t / R. Laurie Sculp. Pub.d as the Act Directs July 10. 1779 by W. Richardson No. 68 High Holborn. Mezzotint, platemark 155 x 115mm (6 x 4½"). Thread (partly damaged) margins; water staining not showing on front. £220 David Garrick (1717-1779), English actor and theatrical manager. The most celebrated actor of his day, he did more than anyone else to change the British acting style, which prioritised energy and engagement above accuracy and control. As a manager (primarily of the Drury Lane Theatre, Covent Garden) he presided over the creation of Shakespeare as national poet and icon, while shaping the texts to suit the demands of his patrons. The supremacy of Drury Lane during Garrick's management was not to be matched until Irving's reign

at the Lyceum m in the follow wing century, and in the names of pubbs and streets,, and the famo ous Garrick Club, Coventt Garden is fillled with echo oes of one of th the greatest men to have occuppied the area. o actors From a set off small mezzootint portraits of published byy the printselleer William Ricchardson in 1779. Garrickk had died a few f months beefore the printt was publisheed. Engraved aftter a painting by b draughtsm man and singerr Robert Dightton (1751-18114) by the mezzzotint engravver and printselleer Robert Lauurie (1755?-18 836). Music, instruments aand mask (reppresenting theaatre) in title area. Ex: colllection of the late Hon. C. Lennox-Boyd; L ; CS 1 iii/iii. Stock: 36674

f other prinnts of Garrick as Richard i/iii; CS 15 i/ii; for III II see refs. 129 907 and 205622. Stock: 36616

48 86. Mr. Ga arrick. R. Dighton Pinx x.t / R. Lauriee Sculp. Pub.d d as the Act Directs D July 10. 1779 by W. Richardson No. N 68 High Holborn H Mezzotint, M good impression w with very larg ge margins; pllatemark 155 x 115mm (6 x 4½"). Uncutt. £330 David D Garrick (1717-1779), ( English actorr and th heatrical manaager. The mostt celebrated acctor of his daay, he did morre than anyonee else to change the Britishh accting style, wh hich prioritisedd energy and engagement ab bove accuracy y and control. A As a managerr (primarily off the Drury Laane Theatre, C Covent Garden n) he presidedd ov ver the creatio on of Shakespeeare as nation nal poet and iccon, while shap ping the texts to suit the demands of his paatrons. The su upremacy of D Drury Lane during Garrick'ss management m was not to be m matched until Irving's I reign att the Lyceum in i the followinng century, an nd in the naames of pubs and streets, annd the famouss Garrick Club, Covent Garden G is filledd with echoes of one of the grreatest men to have occupieed the area. Frrom a set of sm mall mezzotinnt portraits of actors pu ublished by th he printseller W William Richaardson in 17 779. Garrick had h died a few w months befo ore the print was w published. En ngraved after a painting by draughtsman and singer Robert Dighton n (1751-1814)) by the mezzo otint engraver an nd printseller Robert R Lauriee (1755?-1836 6). Music, in nstruments and d mask (repressenting theatre) in title arrea. Ex: Oettin ngen-Wallensttein collection n and co ollection of thee late Hon. C.. Lennox-Boyd d; CS 1 iii/iii. Stock: 36675

485. [Mr G Garrick in Richard R the Third.] N. Dance pinnx.t. J. Dixon Fecit Publisheed according tto Act of Parliaament April 288 1772 by Joh hn Boydell Engraver, Chheapside, London Mezzotint, pllatemark 635 x 395mm (25 5 x 15½"). Finished prooof with scratched inscriptio on; small margins; sligght foxing. £6220 David Garricck (1717-17799), English acttor and theatrical maanager, in the role r of Richarrd III. By the time this prinnt was publishhed Garrick was particularlyy associated w with this role. Hogarth H also painted p Garricck in the same rrole. Engraved froom the paintinng by Nathanieel Dance short rtly after it was eexhibited at the Royal Acad demy in 1771. The painting is owned by Stratford-upon n-Avon Townn was acquired by b Sir Watkin Williams Council. It w Wynne, whoo reputedly outtbidded Garricck himself (w who had promisedd to buy the painting for hiss wife!) Garricck is known to hhave admired this print and d sent impressions tto his friends with complim mentary lines printed and ppasted on the back. b It was also used as thee model for Deerby porcelainn statuettes. Leennox-Boyd 288

48 87. [Garric ck leaning oon bust of Sh hakespeare] T. Gainsboroug gh pinxit / Vall. Green fecit Published April A 2nd 1769 By J. Boydelll Cheapside No. N 90 Mezzotint, M platemark 625 x 3385mm (24½ x 15¼"). On wove w paper; rep pairs. £390

David Garricck (1717-17799), actor, playw wright, theatree manager andd producer whoo was the mosst important theatrical figuure of his agee. Garrick was a friend and one-time puppil of Dr Samuuel Johnson, who w he follow wed to London too make his nam me. Engraved byy Valentine Grreen (one of hiis earliest prints) from tthe portrait which Garrick commissioned c d from his friennd Thomas Gainsborough (c.1766-9, ( formerly in thhe Stratford-uupon-Avon mu useum but sinnce destroyed byy fire). Garrickk's pose, which h shows the actor in the ggrounds of his Hampton-on--Thames residence, deeliberately echhoes Schneem makers' memorrial to Shakespeaare in Westminnster Abbey. Ex: E collectionn of the late Hoon C. Lennox--Boyd; Whitm man 7 i/ii; Horrne 7 i; CS 46 i; ffor Schneemaakers' Shakesp peare memoriaal see ref. 346223. Stock: 36617

[Dulll Reading: with w portraitts of Daniel and Elizabeeth Terry] 488.

A Geddes ft [upper centre of image] mark 140 x Etching withh very large margins, platem 175mm (5½ x 7"). £1220 h artist wife Portraits of thhe actor Danieel Terry and his Elizabeth, seeated in a darkk room. Etched d by the ddes (1783Scottish painnter and etcherr Andrew Ged 1844). The O Oxford DNB states s that 'as an a etcher Geddes rankss higher than as a painter; his h plates mayy be regarded aas among the very earliest examples e in modern Britiish art of the brilliancy, b con ncentration, annd spirited selecction of line prroper to a ‘paiinter's-etchingg’'. This plate waas one of ten he h published himself h in 18226. CD 16.iii; Exx: collection of o the Late Ho on. C. Lennox-Boyd.

Sttipple printed in sepia, sheeet 190 x 120m mm (7½ x 4½ ½"). Trimmed d inside platem mark £160 Lu uigi Marchesii (1754-1829) was an Italian n castrato singer. He was considered thhe greatest sing ger of his me and was allso a composeer. In London he published tim hiis own volumee set of 'Ariettte Italiane'. Stock: 35831

49 91. Mrs. Martyr M as Doolly Fairlop in the Woodman. W Sp pringsguth scu ulp. [n.d, c.17790.] En ngraving, with h small margin ins, rare. Plateemark: 155 x 10 00mm (6 x 4"). £80 Th he actress Maargaret Martyrr (or Thornton n, d.1807) as Dolly D Fairlop in n 'The Woodm man' written by b Bate Dudley, D 1791, standing s in a w woodland scene, holding a laarge bow with her left hand,, with her righ ht arm ou utstretched. An archery targget can be seen n in the baackground. Th he Reverend SSir Henry Batee Dudley (1 1745-1824) waas a British m minister, magisstrate and pllaywright. Stock: 36330

Stock: 36800

489. Mrs. Hartley. Distressed D Mother M / Act 4th last Sceene / In the Character C of o Andromach he [...] Painted & Enngraved by J.K K. Sherwin. Pub.d by J.K. Sherwin No. 28, St. Jamess's Street, & W. W Hainton, Sweetings Alley Royal Exxchange Dec.rr the 15 1782. Etching and stipple printedd in sepia, plaatemark 280 x m repairred tear on 230mm (11 x 9"). Small margins; right; slight ccreasing. Nicee impression. £2440 Portrait of thhe actress Elizaabeth Hartley (née White) (1750/1-18244) in the role of o 'The Disstresst Mother' inn Philips' transslation of Raciine's 'Androm mache'. Hartley was a popular actrress throughou ut her career, and the subjeect of a numbeer of paintingss by Sir Joshuua Reynolds. Ann obituary afteer her death in n 1824 acclaimed heer as the greateest female acttress before Mrs. [Sarah] Siddons. K. Sherwin, pu ublished in Mixed-methood print by J.K 1782 by whicch time Hartleey had been reetired for two years. O'D 222 Stock: 36629

490. Luigii Marchesi The Celebrated Singer . R. Cosway R R.A. delt. / L. Schiavonetti inct. i London Pub: accordinng to Act. Junne 1. 1790. at No N 127 Sloanne Street. and byy Colnaghi annd Co. No. 132 2 Pall Mall.

49 92. [Mr. Mattocks.] M R. Dighton Pinx x.t / R. Lauriee Sculp [m.s.] Published as th he act Directs July J 1st 1779 Mezzotint, M good first state im mpression with h very large margins; m platem mark 155 x 11 5mm (6 x 4½ ½"). Slight paaper tone. £240 George G Mattock ks (1734/5-18804), singer an nd theatre manager. m Initially a singer inn Covent Gard den and the prrovinces, Matttocks leased thhe Portsmouth h theatre in 17 771 and the fo ollowing year leased the new wly built Th heatre Royal in i Liverpool aalongside the Covent C Garden G prompter Joseph Youunger. They also a took a tw wenty-one-yeaar lease on thee Manchester theatre t in 17 775 and Matto ocks became iinvolved with a Birmingham theatre in 1779.. Mattocks con ncentrated on

management but began to lose singing roles in London to younger performers, and in 1784 moved with his wife, singer and actress Isabella Mattocks, to the north of England. Younger died that year, leaving Mattocks in sole charge of the Liverpool and Manchester theatres, sustaining heavy losses. Isabella returned to performing in London and George was declared bankrupt in 1788 after which he worked in administrative positions at other theatres. Engraved after a painting by draughtsman and singer Robert Dighton (1751-1814) by the mezzotint engraver and printseller Robert Laurie (1755?-1836). Music, instruments and mask (representing theatre) in title area. Ex: collection of the late Hon. C. Lennox-Boyd; CS ii/iii. For Isabella Mattocks see refs 36671-2 Stock: 36676

493. Mr. Mattocks. R. Dighton Pinx.t / R. Laurie Sculp. Published as the act Directs July 10th 1779 by W.m Richardson No.68 High Holborn Mezzotint, platemark 155 x 115mm (6 x 4½"). Good impression with very large margins; glued to backing sheet along left edge. £260 George Mattocks (1734/5-1804), singer and theatre manager. Initially a singer in Covent Garden and the provinces, Mattocks leased the Portsmouth theatre in 1771 and the following year leased the newly built Theatre Royal in Liverpool alongside the Covent Garden prompter Joseph Younger. They also took a twenty-one-year lease on the Manchester theatre in 1775 and Mattocks became involved with a Birmingham theatre in 1779. Mattocks concentrated on management but began to lose singing roles in London to younger performers, and in 1784 moved with his wife, singer and actress Isabella Mattocks, to the north of England. Younger died that year, leaving Mattocks in sole charge of the Liverpool and Manchester theatres, sustaining heavy losses. Isabella returned to performing in London and George was declared bankrupt in 1788 after which he worked in administrative positions at other theatres. Engraved after a painting by draughtsman and singer Robert Dighton (1751-1814) by the mezzotint engraver and printseller Robert Laurie (1755?-1836). Music, instruments and mask (representing theatre) in title area. Ex: Oettingen-Wallestein collection and collection of the late Hon. C. Lennox-Boyd; CS 1 iii/iii. For Isabella Mattocks see refs 36671-2 Stock: 36677

494. Mrs. Mattocks. R. Dighton Pinx.t / R. Laurie Sculp. Pub.d as the Act Directs March 1st 1780 by W. Richardson No. 68 High Holborn Mezzotint, rare with very large margins; platemark 155 x 115mm (6 x 4½"). Good impression; glued to backing sheet along left edge at corners. Uncut. £240 Isabella Mattocks (née Hallam) (1746-1826), actress and singer. Born into a theatrical family, her father Lewis moved to America in 1752, having run into financial difficulties. He took his wife and other children but left Isabella in the care of his sister and her second husband, actor John Barrington. Isabella

probably made her stage debut that year, aged five, appearing intermittently on stage until she joined the Covent Garden company aged sixteen, where she spent most of her career. She married the young tenor George Mattocks, who performed alongside her, in 1765. In 1784-6 Mattocks left Covent Garden to work in Liverpool and Manchester where her husband managed theatres, but the enterprises ruined him financially and she subsequently returned to Covent Garden, although she generally returned to Liverpool in the summers. Mattocks retired in 1808. Engraved after a painting by draughtsman and singer Robert Dighton (1751-1814) by the mezzotint engraver and printseller Robert Laurie (1755?-1836). Music, instruments and mask (representing theatre) in title area. Ex: Oettingen-Wallenstein collection, and collection of the late Hon. C. Lennox-Boyd; CS 1 iii/iii; for George Mattocks see refs. 36676-7 Stock: 36670

495. [Mrs. Mattocks.] R. Dighton Pinx.t / R. Laurie Sculp. Pub.d as the Act Directs March 1st 1780 by W. Richardson No. 68 High Holborn Mezzotint, good impression with large margins, rare; platemark 155 x 115mm (6 x 4½"). Uncut. Annotations in ink verso (ex Suckling). £240 Isabella Mattocks (née Hallam) (1746-1826), actress and singer. Born into a theatrical family, her father Lewis moved to America in 1752, having run into financial difficulties. He took his wife and other children but left Isabella in the care of his sister and her second husband, actor John Barrington. Isabella probably made her stage debut that year, aged five, appearing intermittently on stage until she joined the Covent Garden company aged sixteen, where she spent most of her career. She married the young tenor George Mattocks, who performed alongside her, in 1765. In 1784-6 Mattocks left Covent Garden to work in Liverpool and Manchester where her husband managed theatres, but the enterprises ruined him financially and she subsequently returned to Covent Garden, although she generally returned to Liverpool in the summers. Mattocks retired in 1808. Engraved after a painting by draughtsman and singer Robert Dighton (1751-1814) by the mezzotint engraver and printseller Robert Laurie (1755?-1836). Music, instruments and mask (representing theatre) in title area. Ex: collection of the late Hon. C. Lennox-Boyd; CS 1 ii/iii; for George Mattocks see refs. 36676-7 Stock: 36672

496. [Rudolf Nureyev and Ballerina.] [Ilse Voigt.] [signed in pencil.] [n.d., c.1970.] Etching with very large margins. Manche XVII 8/100. Plate: 300 x 390mm, (12 x 15¼"). £140 Portrait of Rudolf Nureyev (1938-1993) and a ballerina by Dutch artist Ilse Voigt (1905-1997). Nureyev, one of the most celebrated dancers of the Twentieth century, through his artistic skill and expressive style gave new importance to male roles. A sensation in Soviet Russia, Nureyev travelled to Europe with the

Kirov Ballet in 1961. How wever due to his h mixing withh Europeans duuring his stay he was persuaaded to returnn to Russia whhile the rest off the dancers went w on to London, how wever sensing a trap, Nureyev defected too the West afteer approachingg French policce at Le Bourgget Airport.

singer Robert Dighton D (17511-1814) by thee mezzotint en ngraver and prrintseller Robeert Laurie (17 755?-1836). Music, M instruments and maskk (representing g theatre) in tittle area. Ex: collection of thhe late Hon. C. C LennoxBo oyd; CS 1 iii/iiii; O'D 7; forr the Royal Cirrcus see ref. 81 120. Ex: Oetttingen-Wallersstein Collectio on.

Stock: 36415

Stock: 36673

497. Mr. P Palmer R. Dighton P Pinx.t / R. Lauurie Sculp. Pub b.d as the Actt Directs July 10. 1779 by W. W Richardson n No. 68 Highh Holborn Mezzotint, good impressioon with very laarge margins; platemark 1555 x 115mm (66 x 4½"). Unccut. Glued to backing sheeet top left cornner. £2220 John Palmer (1744-98), acctor, also know wn as 'Plausibble Jack'. A popuular and versaatile actor, Palmer was believed to hhave performed over 375 diffferent parts inn his career. markable careeer took him to many parts off Palmer's rem the British Issles, includingg spells in Scotland and Ireland. Afteer establishingg himself as an n actor, Palmeer w theatre, the Royalty, on Wellclose W opened a new Square in Eaast London. Thhe theatre wass open for lesss than two yeaars however, and a failed to offfer the alternative too the West Endd which Palm mer hoped to provide. His later career innvolved produ ucing spectacl es at the Royal Circus, but hee was an actorr to the last. oughout his Palmer had bbeen beset by accidents thro career, includding a near-faatal accident when w a stage trrap was releasedd too quickly, and a a stabbing g when a sprinng failed to work.. He continued d to work in a dagger fa strenuously rright up to his death, when taking t on a leaad role in Benjaamin Thompsoon's 'The Stran nger' at short notice. Clearrly struggling, Palmer collap psed on stage and died duriing the fourth act. From a set off small mezzootint portraits of o actors published byy the printselleer William Ricchardson in 1779. Engravved after a paiinting by drau ughtsman and

49 98. Madem moiselle Pariisot. Paainted by A.W W.Devis. Engra raved by I.R.S Smith Mezzotinto M Eng graver to his R Royal Highness the Prince off Wales. Lond don Published as the Act dirrects March 11 1 1797 by A.W W.Devis. Mezzotint, M open n letters; plateemark 610 x 380mm. 3 Trrimmed to plaatemark at botttom. £1250 Rose Parisot (c.1775-1837), French opera singer and baallerina, 'celeb brated for the scantiness of her draperies' (F Frankau). Parisot made her ddebut in Pariss in 1789, and moved m to Lond don in 1796 (thhis print was published p the fo ollowing year)). Her sheer coostumes, whicch often ex xposed one breast, caused sscandal, as reccorded in many m satirical prints p of the 1 790s. The Bisshop of Durham D denoun nced Parisot'ss costumes as 'indecent', an nd after an add dress to the Ho House of Lordss in 1798 ceertain adjustm ments were mad ade. Her celebrrated career en nded in 1807, after which shhe married a Soho S florist. En ngraved by th he celebrated m mezzotint engraver John Raphael Smith and publishedd by the portraait painter Arthur A William m Devis (1762--1822), from whose w po ortrait the engraving is madde. After a deccade working in n India, Devis struggled to eestablish himsself in Lo ondon in the late l 1790s, but ut by 1800 he was w in dire fin nancial straitss, and was finaally imprisoneed in 1804. Exx: collection of o the late Honn C. Lennox-B Boyd; D'Oench D 335 (o only state); Frrankau ii/iii; CS C 131 ii Stock: 36612

50 01. Mr. Pa arsons. R. Dighton Pinx x.t / R. Lauriee Sculp. Published as the acct Directs July y 10th 1779 byy W.m Richarrdson No.68 High H Holborn Mezzotint, M good impression w with very larg ge margins; sh heet 155 x 115 5mm (6 x 4½""). Uncut; glueed to backing sh heet along leftt edge. £230 William W Parson ns (1736-95), aactor. Beginning his career in n York and Ed dinburgh, he w was brought to o London by th he great David d Garrick and eeventually joiined the co ompany at the Haymarket T Theatre. A pop pular and veersatile actor, Parsons was aalso a keen paainter of laandscapes influ uenced by thoose of Richard d Wilson. En ngraved after a painting by draughtsman and singer Robert Dighton n (1751-1814)) by the mezzo otint engraver an nd printseller Robert R Lauriee (1755?-1836 6). Music, in nstruments and d mask (repressenting theatre) in title arrea. Ex: Oettin ngen-Wallensttein collection n and co ollection of thee late Hon. C.. Lennox-Boyd d; CS 1 iii/iii. O'D O 8 Stock: 36679

499. Madeemoiselle Pa arisot. Painted by A A.W.Devis. Enngraved by I.R R.Smith Mezzotinto E Engraver to hiis Royal Highn ness the Princce of Wales. Loondon Published as the Act directs Marchh 11 1797 by A A.W.Devis. Ex: collection of the late Hon H C. Lennoxx-Boyd; D'Oench 3355 (only state); Frankau ii/iiii; for uncoloured iimpressions seee refs 5612 and 36612. Stock: 36613

500. Mr. P Parsons. R. Dighton P Pinx.t / R. Lauurie Sculp. Pub blished as the act Directs Juuly 10th 17799 by W.m Rich hardson No.688 High Holborn rn Mezzotint, shheet 155 x 1155mm (6 x 4½""). Trimmed tto margins. £1440 nning his careeer William Parssons (1736-955), actor. Begin in York and E Edinburgh, hee was broughtt to London byy the great Davvid Garrick annd eventually joined j the company at tthe Haymarkeet Theatre. A popular p and versatile actoor, Parsons waas also a keen painter of landscapes innfluenced by those t of Richaard Wilson. Engraved aftter a painting by b draughtsm man and singerr Robert Dightton (1751-18114) by the mezzzotint engravver and printselleer Robert Lauurie (1755?-18 836). Music, instruments aand mask (reppresenting theaatre) in title area. Ex: colllection of the late Hon. C. Lennox-Boyd; L ; CS 1 iii/iii. O O'D 8 Stock: 36678

50 02. [Miss Young] Y W. W Dighton Pin nx.t / R. Lauriie Sculp. Pub.d d as the Act Directs D March 1st 1780 by W W. Richardson n No. 68 High Holborn H Mezzotint, M good impression w with very larg ge margins; pllatemark 155 x 115mm (6 x 4½"). Slight mount paper to one. £260 Ellizabeth Pope (née Younge)) (1739x45-19 979), actress. Sh he joined Dav vid Garrick's ccompany at Drrury Lane, where w she madee her debut inn 1768 and speent most of heer career (exceept for brief sppells in Dublin, Bristol andd th he rival Coven nt Garden theaatre as the resu ult of pay diisputes). She continued c to aact in provinciial cities du uring the summ mers, howeveer, and met her husband, th he Irish artist and a actor Alexxander Pope (1763-1835) while w acting in Ireland. Whille not among the t greats of eiither tragedy or o comedy, Poope was a verssatile peerformer and Garrick G seemeed to have mu uch affection fo or her. She dieed in 1797 shoortly after with hdrawing from a new theatrical role duue to illness. Frrom a set of sm mall mezzotinnt portraits of actresses and singers, publish hed by the prinntseller Williaam Richardson in 1780, 1 apparenntly to follow up u a similar seet of actor porttraits publisheed the previou us year. En ngraved by th he mezzotint en engraver and printseller p Robert Laurie (1755?-1836). ( . Music, instru uments and mask m (representing theatre) in title area. Ex: Ex collection off the late Hon.. C. Lennox-B Boyd; CS 1 ii/iiii. Stock: 36682

50 03. Miss Young W. W Dighton Pin nx.t / R. Lauriie Sculp. Pub.d d as the Act Directs D March 1st 1780 by W W. Richardson n No. 68 High Holborn H Mezzotint, M good impression w with very larg ge margins; pllatemark 155 x 115mm (6 x 4½"). Uncutt; glued to baacking sheet along a left cornners. £260 Ellizabeth Pope (née Younge)) (1739x45-19 979), actress. Sh he joined Dav vid Garrick's ccompany at Drrury Lane, where w she madee her debut inn 1768 and speent most of heer career (exceept for brief sppells in Dublin, Bristol andd th he rival Coven nt Garden theaatre as the resu ult of pay

disputes). Shhe continued too act in provin ncial cities during the suummers, howeever, and met her husband, the Irish artisst and actor Alexander A Popee (1763-1835)) while acting in Ireland. While W not amon ng the greats oof either tragedyy or comedy, Pope was a veersatile performer annd Garrick seeemed to have much m affectionn for her. She ddied in 1797 shortly s after withdrawing w from a new ttheatrical role due to illness. From a set off small mezzootint portraits of o actresses annd singers, publlished by the printseller p Willliam Richardson inn 1780, apparrently to follow w up a similarr set of actor pportraits publisshed the previious year. Engraved byy the mezzotinnt engraver and d printseller Robert Lauriie (1755?-1836). Music, insstruments and mask (repressenting theatree) in title area.. Ex: OettingeenWallenstein ccollection andd collection off the late Hon.. C. Lennox-Booyd; CS 1 iii/i /iii. Stock: 36683

En ngraved after a painting by draughtsman and singer Robert Dighton n (1751-1814)) by the mezzo otint engraver an nd printseller Robert R Lauriee (1755?-1836 6) as part of a seeries of mezzo otints of actressses and singeers. Music, in nstruments and d mask (repressenting theatre) in title arrea. Ex: collecction of the latte Hon. C. Len nnox-Boyd; CS C 1 iii/iii. Forr Kitty Clive seee ref. 23120 Stock: 36680

50 05. Miss Po ope W. W Dighton Pin nx.t / R. Lauriie Sculp. Pub.d d as the Act Directs D March 1st 1780 by W W. Richardson n No. 68 High Holborn H Mezzotint, M good impression w with very larg ge margins; pllatemark 155 x 115mm (6 x 4½"). Uncutt. £260 Jaane Pope (1744-1818), actreess. Pope's fatther William was w barber and wigmaker forr the Theatre Royal, R Drury Laane in Coventt Garden, nearr to which his shop was lo ocated. Pope made m her adultt debut alongsside Kitty Clive as part off Garrick's com mpany at Drurry Lane, and nherited many of Clive's rolles after the elder actress in reetired. Po ope was a reliable comic acctress, a talentted dancer (u until a rapid weight w gain ledd her to abandon dancing) ceelebrated for the clarity of hher speaking voice. v Pope reetired in 1808, and had amaassed sufficien nt wealth to beequeath signifficant money aand property to t her sister Su usanna at her death. En ngraved after a painting by draughtsman and singer Robert Dighton n (1751-1814)) by the mezzo otint engraver an nd printseller Robert R Lauriee (1755?-1836 6) as part of a seeries of mezzo otints of actressses and singeers. Music, in nstruments and d mask (repressenting theatre) in title arrea. Ex: Oettin ngen-Wallensttein collection n and co ollection of thee late Hon. C.. Lennox-Boyd d; CS 1 iii/iii. Fo or Kitty Clive see ref. 231220 Stock: 36681

Ignaz Schuster S als falsche Prim ma Donna in n Krähwinkll. 50 06.

504. Miss Pope. W. Dighton P Pinx.t / R. Lauurie Sculp. Pu ub.d as the Actt Directs Marcch 1st 1780 byy W. Richardsson No. 68 Higgh Holborn Mezzotint wiith very large margins, platemark 155 x 115mm (6 x 4½"). £2660 m Jane Pope (1744-1818), acctress. Pope's father William ury was barber annd wigmaker for the Theatrre Royal, Drur Lane in Coveent Garden, neear to which his h shop was located. Popee made her addult debut alon ngside Kitty Clive as part of Garrick's company c at Drury Lane, annd r after the elder actress inherited manny of Clive's roles retired. Pope was a rreliable comic actress, a taleented dancer (until a rapidd weight gain led l her to aban ndon dancing)) celebrated foor the clarity of o her speaking g voice. Pope retired in 18008, and had am massed sufficiient wealth to bequeath signnificant moneey and propertty to her sisterr Susanna at her death.

Gemahlt G von B. von Schrötteer. Gestochen von C. Pffeifferm Mitgu ued d. k.k. Accademie d. billdenden Künste. K [n.d., c.1820.] Sttipple with hand colour, rarre with large margins. m 300 x 210mm (11¾ ¾ x 8¼"), on W Whatman papeer. Paper ghtly toned. lig £160 Ig gnaz Schuster (1779-1835 ),, Austrian actor and co omposer in Viiennese populaar theatre. Here he is sh hown in drag acting a the partt of Catalina in i his own work w 'Die falsche Primadonnna in Krähwin nkel', prremiered 1818 8. Krähwinkel K is a fictitious sm mall town, asso ociated with naarrow-minded d and self-impoortant provinccial manners. Stock: 36594

50 07. Tragic Muse. G.B. G Cipriani del.t. d F. Bartollozzi Sculp.t. [London [ Pu ublish'd Feb.y y 1.at 1784 by J. Matthews N.o N 438 Sttrand.] Sttipple with sm mall margins, pprinted in sepiia, very fine. Pu ublication linee removed froom plate. Plateemark: 190 x 14 45mm (7½ x 5¾"). 5 £260 A portrait of the actress Sarah ah Siddons in the t character off the Tragic Muse. M Half-lenngth with her head h in

profile to thee left, holding a dagger in heer right hand. She is wearinng a cameo inn the shape of a mask of a bearded mann. Within a verrtical oval. Dee Vesme 450. IIV of IV. Stock: 36320

770. She was a leading singger at the theattre for the 17 neext sixteen yeaars, and was aalso a favouritte performer att Vauxhall Gardens. Wrighten W had six children wiith only brief respites from th he stage in betw ween, and waas seriously ill in both 1784 an nd 1786. In Deecember 17866 her marriagee broke down an nd she left herr husband andd children and abandoned th he theatre, and d went to live iin Southwark with Hugh Po ownall, a man nufacturer of ssulphuric acid. As a result heer father cut her out of his w will. The coup ple moved to America A wheree they marriedd, and the now w Mrs Pownalll saang to much acclaim in Philladelphia, New w York, Boston and Chaarleston (somee considered her h the best ocalist heard in America upp to that point)). James vo Wrighten W havin ng died in the m meantime, heer daughters jo oined her in Am merica wheree they perform med alongisde heer. Mary Ann died in Charleeston. Frrom a set of sm mall mezzotinnt portraits of actresses and singers, publish hed by the prinntseller Williaam Richardson in 1780, 1 apparenntly to follow up u a similar seet of actor porttraits publisheed the previou us year. En ngraved after a painting by draughtsman and singer Robert Dighton n (1751-1814)) by the mezzo otint engraver an nd printseller Robert R Lauriee (1755?-1836 6). Music, in nstruments and d mask (repressenting theatre) in title arrea; sitter hold ding manuscrippt. Ex: collecttion of the la ate Hon. C. Leennox-Boyd; C CS 1 ii/iii. Stock: 36685

Skegggs, In the Character of Seignor Bumbasto. 508.

Tho.s King ppinx.t. Rich.d Houston fecitt. Sold by the proprietors M M. Jackson thee corner of Bride Court, in fleetstreet, & M. Skeggs at a the Hoop an nd bunch of Grapes in St Albans Streett. [London, c.1752.] 4¼ x 9¾"). Mezzotint, raare. Sheet 3600 x 250mm (14 Trimmed to pplate. £2880 Portrait of M Matthew Skegggs (d.1773), prroprietor of thhe Hoop and Buunch of Grapees (a public ho ouse in St Albans Streeet). He also performed in a burlesque b callled 'Mother Midnnight's Oratorrio' at the Haymarket, in which he 'plaayed' a concerrto on a broom mstick, makingg the sound of the instrumennt with his mo outh. Horace w the 'Oratorio' in 1752, callling it the Walpole saw 'lowest buffooonery in the world'. w Chalon ner Smith: 1111, iii of iii. For a proof impreession see ref. 7806. Ex nox-Boyd. Collection off the Hon. Chrristopher Lenn Stock: 36408

509. [Mrss. Wrighten]] R. Dighton P Pinx.t / R. Lauurie Sculp. Pub b.d as the Actt Directs Marcch 1st 1780 byy W. Richardsson No. 68 Higgh Holborn Mezzotint, good impressioon with very laarge margins; platemark 1555 x 115mm (66 x 4½"). Slig ght mount papper tone. £2660 Wrighten (laterr Pownall) (17 751-96), singeer Mary Ann W and actress. B Born in Hoxtoon, London in 1751, she married the aactor James Wrighten W in 1769 and was enaged by David Garrick for f his Drury Lane Theatre in

51 10. Mrs. Wrighten W R. Dighton Pinx x.t / R. Lauriee Sculp. Pub.d d as the Act Directs D March 1st 1780 by W W. Richardson n No. 68 High Holborn H Mezzotint, M good impression w with very larg ge margins; pllatemark 155 x 115mm (6 x 4½"). Uncutt. £260 Mary M Ann Wrig ghten (later Poownall) (1751 1-96), singer an nd actress. Born in Hoxton, London in 17 751, she married m the acto or James Wrigghten in 1769 and was en naged by Daviid Garrick forr his Drury Laane Theatre in 17 770. She was a leading singger at the theattre for the neext sixteen yeaars, and was aalso a favouritte performer att Vauxhall Gardens. Wrighten W had six children wiith only brief respites from th he stage in betw ween, and waas seriously ill in both 1784 an nd 1786. In Deecember 17866 her marriagee broke down an nd she left herr husband andd children and abandoned th he theatre, and d went to live iin Southwark with Hugh Po ownall, a man nufacturer of ssulphuric acid. As a result heer father cut her out of his w will. The coup ple moved to America A wheree they marriedd, and the now w Mrs Pownalll saang to much acclaim in Philladelphia, New w York, Boston and Chaarleston (somee considered her h the best ocalist heard in America upp to that point)). James vo Wrighten W havin ng died in the m meantime, heer daughters jo oined her in Am merica wheree they perform med alongisde heer. Mary Ann died in Charleeston. Frrom a set of sm mall mezzotinnt portraits of actresses and singers, publish hed by the prinntseller Williaam Richardson in 1780, 1 apparenntly to follow up u a similar seet of actor porttraits publisheed the previou us year. En ngraved after a painting by draughtsman and singer Robert Dighton n (1751-1814)) by the mezzo otint engraver an nd printseller Robert R Lauriee (1755?-1836 6). Music, in nstruments and d mask (repressenting theatre) in title

area; sitter hoolding manusccript. Ex: OetttingenWallenstein ccollection, andd collection off the late Honn. C. Lennox-Booyd; CS 1 iii/i /iii. Stock: 36684

an nd printseller Robert R Lauriee (1755?-1836 6), as part of a seeries of small portraits p of acctors published d by Richardson in 1779. 1 Music, iinstruments an nd mask (representing th heatre) in title area. Ex: colllection of the la ate Hon. C. Leennox-Boyd; C CS 1 iii/iii; O'D D 3. Stock: 36695

511. Mr. W Wroughton.. R. Dighton P Pinx.t. R. Laurrie Sculp. Pub blished as the aact Directs July 10th 1779 by W.m Richard dson No.68 rn High Holborn Mezzotint. 155 x 115mm (6 ( x 4½"). Go ood impressionn u £2440 with very larrge margins, uncut. The promineent Georgian actor, a Richard Wroughton (1748–1822)), engraved Roobert Laurie (1755?-1836) after Robert D Dighton (1751-1814), as paart of a series of small portraits of actors. Ex: E Oettingen--Wallenstein CS 1 iii/iii. collection; C

51 13. Mr. Wiicherley. [JJohn Simon affter Sir Peter L Lely] London Printed for Jo ohn Bowles Mezzotint, M very y scarce, sheett 200 x 150mm m (8 x 6"). Trrimmed to plaatemark and gl glued to album m sheet with leetterpress clipp pings pasted bbelow and ano other print veerso. £260 William W Wycheerley (1640-17716), playwrig ght. Like his co ontemporary the earl of Rocchester, posterrity saw Wycherley W as th he epitome off the attractivee, wicked, brrillant Restoraation wit and rrake (Charles II's notorious an nd beautiful fo ormer mistresss Barbara Villliers was his lo over for a timee). His greatesst plays 'The Plain-Dealer' P an nd 'The Counttry-Wife'. Thee young Alexaander Pope was w a friend tow wards the endd of Wycherley y's life, and heelped to edit and a publish hiss works after his death. According A to th he British Musseum catalogu uing, en ngraved by John Simon, andd probably co opied from thee similar John Sm mith engravingg. The youthfu ful appearancee when Wycherrley reeproduced here was ironic: w co ommissioned John J Smith too engrave Peteer Lely's haandsome portrrait of him in 1703 he accom mpanied it with w the Virgiliian motto 'Quaantum mutatiss ab illo' ('h how changed from that'). Fo For Smith's eng graving of Wycherley W see ref. r 24460. C CS: Not in. Stock: 36521

Stock: 36696

512. Mr. W Wroughton.. R. Dighton P Pinx.t. R. Laurrie Sculp Publlished as the aact Directs July 10th 1779 by W.m Richard dson No.68 rn High Holborn Mezzotint, pllatemark 155 x 115mm (6 x 4½"). Smalll margins; glueed to backing sheet; m.s. in n ink verso. £1990 n Richard d Rotten) (17448Richard Wrooughton (real name 1822), actor and theatre manager. m Wrou ughton made hhis g there until an debut at Covvent Garden inn 1768, staying argument witth managemennt led to the faamiliar defection to D Drury Lane. Wroughton W briiefly retired between 1798 and 1800 beefore returning g to Drury Lan ane manager (he haad previously managed as an actor-m Sadlers Wellls so had manaagement experience), remaining inn the position until u the end of o the 1814-5 w critics, Wroughton W wass a season. Whille unpopular with competent acctor liked by audiences. a Engraved aftter a painting by b draughtsm man and singerr Robert Dightton (1751-18114) by the mezzzotint engravver

51 14. [Mrs. Yates] Y R. Dighton Pinx x.t / R. Lauriee Sculp. Pub.d d as the Act Directs D March 1st 1780 by W W. Richardson n No. 68 High Holborn H Mezzotint M with very large maargins, platem mark 155 x 11 15mm (6 x 4½ ½"). Good imppression; sligh ht foxing. £260 Mary M Ann Yatees (née Graham m) (1728-1787), actress an nd theatre man nager. She maade her debut with

Garrick's Druury Lane com mpany in 1754 and in 1756 married anotther member of o the company, the recentlyywidowed com median Richarrd Yates (1706?-1796). Shee remained a reegular membeer of Garrick'ss company unttil 1767, when sshe switched her h allegiancees to the rival Covent Gardden Theatre, alllegedly for financial reasonns (although Yaates denied thiis). She then brokke with Covennt Garden, lesss for financiaal reasons than the company''s reluctance to retain Richaard gement, with Yates, and inn 1773 she toook over manag novelist and playwright Frrances Brookee, of the King''s A this Theatre, thenn London's home of opera. Around time Richardd Yates took over o a playhou use in Birmingham, where Mary Ann sometim mes performedd. Having imprroved the fortuunes of the King's Theatre, h share in thhe Yates returneed to Drury Laane and sold her King's Theattre. London's leaading tragediennne of the perriod, Yates waas admired by thhe public, witth notable adm mirers includinng Horace Walppole and Williiam Godwin. From a set off small mezzootint portraits of o actresses annd singers, publlished by the printseller p Willliam Richardson inn 1780, apparrently to follow w up a similarr set of actor pportraits publisshed the previious year. Engraved aftter a painting by b draughtsm man and singerr Robert Dightton (1751-18114) by the mezzzotint engravver and printselleer Robert Lauurie (1755?-18 836). Music, instruments aand mask (reppresenting theaatre) in title area. Ex: Oetttingen-Wallennstein collectiion and collection off the late Hon. C. Lennox-Bo oyd; CS 1 ii/iiii; for Yates andd Garrick, seee ref. 20918.

co ollection of thee late Hon. C.. Lennox-Boyd d; CS 20 (b before first listted state) Stock: 36379

[La Sig gnora Zampperini in the Character off Cecchina. La Buona F Figliuola, Acct 2d Scene 3d d.] 51 17.

N. N Hone pinx.t / J. Finlaysonn fec.t / Publish'd Feb.y 1st 17 769. [Sold by Mr Parker Noo 82 Cornhill, & Mr Fiinlayson in Beerwick Street Soho.] Mezzotint, M sheeet 380 x 280m mm (15 x 11"). Trimmed in nside platemarrk; name of sittter in pencil £240 Anna A Zamperin ni, singer belieeved to be thee mistress of George G Hobart,, third earl of B Buckinghamsshire. Here po ortrayed in thee lead role in N Niccolò Piccin nni's 'La bu uona figliuola' ('the good-naatured maid'), adapted from Samuel Richardson's R noovel 'Pamela'. Zamperini was w portrayed in i the same roole by Scottish h painter John Paaxton. After A a portrait by Nathaniel Hone (1718-8 84), one of tw wo Irish found der members oof the Royal Academy. A Ex: co ollection of thee late Hon. C.. Lennox-Boyd d; CS 20.i Stock: 36380

Stock: 36687

515. Mrs. Yates R. Dighton P Pinx.t / R. Lauurie Sculp. Pub b.d as the Actt Directs Marcch 1st 1780 byy W. Richardsson No. 68 Higgh Holborn Mezzotint wiith very large margins; plattemark 155 x 115mm (6 x 4½"). Uncut; glued to back king sheet on left corner. £2660 nd collection oof Ex: Oettingen-Wallensteinn collection an Boyd; CS 1 iii//iii; for Yates the late Hon.. C. Lennox-B and Garrick, see ref. 209118. Stock: 36686

[La S Signora Zam mperini in th he Characteer of Cecchinaa. La Buonaa Figliuola, Act A 2d Scen ne 3d.] 516.

[N. Hone pinnx.t / J. Finlayyson fec.t / Pub blish'd Feb.y 11st 1769.] [Sold by Mr Parkerr No 82 Cornh hill, & Mr Finlayson in Berwick Streeet Soho.] Mezzotint, very scarce; plaatemark 380 x 280mm (15 x ore any text; 11"). Trimmeed to plate; eaarly proof befo small tear low wer right. £2880 Anna Zampeerini, singer beelieved to be the t mistress off George Hobaart, third earl of o Buckingham mshire. Here portrayed in the lead role in i Niccolò Picccinni's 'La buona figliuoola' ('the goodd-natured maid d'), adapted from Samuell Richardson'ss novel 'Pamella'. Zamperinii was portrayeed in the same role by Scottish painter Johhn Paxton. After a portraait by Nathaniiel Hone (1718-84), one of two Irish fouunder memberrs of the Royall Academy Exx:

[La Sig gnora Zampperini in the Character off Cecchina. La Buona F Figliuola, Acct 2d Scene 3d d.] 51 18.

N. N Hone pinx.t / J. Finlaysonn fec.t / Publish'd Feb.y 1st 17 769. [Sold by Mr Parker Noo 82 Cornhill, & Mr Fiinlayson in Beerwick Street Soho.] Mezzotint, M platemark 380 x 2280mm (15 x 11"). Small margins; m rubbed; slight creassing £320 Anna A Zamperin ni, singer belieeved to be thee mistress of George G Hobart,, third earl of B Buckinghamsshire. Here po ortrayed in thee lead role in N Niccolò Piccin nni's 'La bu uona figliuola' ('the good-naatured maid'), adapted from Samuel Richardson's R noovel 'Pamela'. Zamperini

was portrayed in the same role by Scottish painter John Paxton. After a portrait by Nathaniel Hone (1718-84), one of two Irish founder members of the Royal Academy. CS 20.i Stock: 36381

519. Benevolus His is the thought continual how to ease / The wayward fortunes of this fickle World / And in the wounds of suffering Innocence / The Balm of mental Comfort to instill P. Jean pinx.t / P.W. Tomkins sculpt. [1793] Stipple printed in brown, with small margins; sheet 115 x 70mm (4½ x 2¾"). Trimmed inside platemark. £90 Portrait, listed by O'Donoghue as 'Birch; banker, of Bond Street'. After Jersey-born miniaturist Philip Jean (1755-1802). O'D 1 (only likeness) Stock: 35835

520. [Sir William Chambers Engraved from the Original Picture in the Council Chamber of the Royal Academy] [Sir Joshua Reynolds pinx] [published c.1796-1810] Stipple, platemark 175 x 115mm (7 x 4½"). Thread margins; unfinished proof. Touched proof with pencil marks to upper part of image. £160 Sir William Chambers (1722 - 1796), architect. Born in Gothenburg, Sweden, Chambers worked initially for the Swedish East India Company, travelling to China where he studied Chinese architecture and decoration. Returning to Europe, he studied architecture in Paris and Italy before moving to London in 1755. Chambers is best remembered for designing and building Somerset House, a project he worked on from 1775 to 1795. He was a founder member of the Royal Academy and was its first Professor of Architecture. Engraved after the portrait c.1780 by Sir Joshua Reynolds (London, Royal Academy of Arts), and cropping the composition so that the Strand facade of Somerset House, clearly visible in the painting, is unidentifiable here. Stock: 36924

521. Sir William Chambers. Engraved from the Original Picture in the Council Chamber of the Royal Academy. Sir Joshua Reynolds pinxt. Josh. Collyer Sculpt. Published as the Act directs, by J. Collyer 1st. March 1785. Sold by J. Cary, Strand, W. Darling Newport Street, E. Scott, Hyde Street Bloomsbury, and J. Collyer, White Lion Row, Islington. Stipple with large margins. Platemark: 180 x 115mm (7 x 4¼"). Light foxing in margins. Small rust spot on reverse. £140 A portrait of Sir William Chambers (1722-1796), Architect. Born in Gothenburg, Sweden, Chambers worked initially for the Swedish East India Company, travelling to China where he studied Chinese architecture and decoration. Returning to Europe, he studied architecture in Paris and Italy before moving to London in 1755. Chambers is best remembered for designing and building Somerset House, a project he

worked on from 1775 to 1795. This Neoclassical development housed many government offices and provided accommodation for various learned societies, including the Royal Academy, the Royal Society, and the Society of Antiquaries. He was a founder member of the Royal Academy and was its first Professor of Architecture. Hamilton: Not in. Stock: 36564

522. Robert Forfeit, Huntsman to John Warde Esq.r. Biederman Pinx.t. E. Harding Exc. Pub.d. Jan.y, 1803 by E. Harding Pall Mall. Stipple, very scarce with large margins. Platemark: 505 x 400mm (20 x 15¾"). Creases, very tatty. £360 A three quarter length portrait of Robert Forfeit, inclined to the left. He wears a plain coat with a belt, and holds a horn in his right hand A woodland with foliage can be seen in the background. Stock: 35250

523. L'Abbé Gaultier. I always thought that learning might be [/] made a play and recreation to Children. [/] Lock on Education. Painted by H. Johns. Engraved by Anth.y. Cardon. London, Published Jan.y.2.1797 by. A.C. de Poggi, 91 Bond Street. Stipple. Sheet: 210 x 150mm, (8¼ x 6"). Trimmed within plate. Slight stain around title. £65 Portrait of Abbé Aloisius Gaultier (1745-1818) a French priest who, after escaping the French Revolution, set up a school in London for the children of refugees which focussed on learning through play, and which was commended by the universities of Oxford and Cambridge. For example printed in sepia see ref: 35717. Stock: 36925

524. This Portrait of Nathaniel Kent Esq.r is most respectfully Dedicated to the Friends of Agriculture by their most obedient H.ble Serv.t John Rising. Painted by Jn.o Rising. Engraved by Jn.o Young Engraver to H.R.H. the Prince of Wales. [c.1800.] Mezzotint with large margins, very scarce; 505 x 355mm (20 x 14"). Some creasing and wear to edges, short tear entering inscription area at bottom. Bit messy. £320 Nathaniel Kent (1737-1810), seated with books and map of Norfolk Farm by his elbow, a landscape through a window behind. Kent, was a land valuer, agriculturist, author, and manager of George III's estates at Windsor and Richmond. He wrote 'Hints to Gentlemen of Landed Property' in 1775; his 'General View of the Agriculture of the County of Norfolk' was included in the Survey of Norfolk issued by the Board of Agriculture in 1794. Kent assisted in the creation of Norfolk Farm in Windsor Great Park, introducing the Nofolk system of crop rotation. CS: 44; Ex: collection of the Late Hon. C. Lennox-Boyd. Stock: 36545

Sir H Hugh Myddeelton Knightt & Baronett. The famous Aqueduct call'd the New N River w was performed at his Charrge... 525.

C.J. fe. 1632. Ad Tabula, Cornelii C Jansssonii, jam pennes gius Vertue Illustriss. Coomitem Oxoniensem, Georg D. 1722. [Londdon, c.1722, laater.] sculpsit, A.D Engraving. 3375 x 280mm (14¾ x 11"). £1660 Sir Hugh Myyddelton (15600-1631), goldsmith and entrepreneur. Early in the seventeenth century Myddelton bbecame involvved in the succcessful projectt to bring a suppply of water to London, which w was still the most impportant source of piped wateer into the metropolis tw wo hundred yeears later. In 1605 an acct of parliameent was obtained to bring water from spprings near Hertford H to north London (a distance of nnearly forty miiles), as survey yed by the mathmaticiann Edward Wriight (1561-1615, famed forr his correctionn of Mercatorr's Projection).. Myddelton's involvement is not recordeed until 1609, when he tookk the lead in thhe project whicch was complleted in 1613. The establishhment of the New N River waas Myddelton'ss main claim too fame, and he was involveed with the running of thhe company foor the rest of his h life, althouugh he was also iinvolved in miining and land d draining projects. Ex: Collection off The Hon. C. Lennox-Boydd. Alexander: 9962. Stock: 36467

n a low landscape dotted witth trees, lookiing towards in th he viewer. Witth both hands in front of him m he holds a sn nake. He is weearing a plain coat buttoned d at the waist, with w a broad beelt, spotted necckerchief and widebrrimmed round d hat. Continuation off title below reeads, 'of Hunttington near York Y Aged 94 Years, Y Very reemarkable forr his abilities in n catching Vip pers, Snakes, A Addres, &c, which w he used frequently to caarry about with th him in his Bosom B - and hee is not less ceelebrated for ddestroying of Rats, R Moles an nd every otherr Species of V Vermin of the Quadrupede Q ass well as of thee Reptile Racee.' Ex collectio on of Christopher C Lennox-Boyd. C Chaloner Smith h: 61. Stock: 36601

52 27. Richard Reynolds.. En ngraved by H.Meyer, from the Original Picture P by N.Branwhite, N in n the Possesioon of the Famiily. Published ass the Act direccts, March 1stt. 1817, by N. Branwhite, Queen Q Square, Bristol. Sttipple. Platem mark: 300 x 2500mm (11¾ x 9¾"). Fo oxing. £120 A portrait of Brristolian Quakker, Philanthro opist and 'Irronmaster', Riichard Reynollds (1735 - 1816). Halfleength, seated to the right, fac acing forwardss. A manuscript dedication d is cu cut and pasted below the im mage. It reads,, 'The Gift of R Rich.d Reyno olds. St. Jaames' Square. To Will.m W Wilson. 23rd May M 1808. Bristol.' Stock: 36559

52 28. A Colle ection of Enngraved Porttraits Exhibited E by the late Jam mes Anderso on Rose at th he Opening of the new L Library and d Museum off the Corperration of Loondon, November 1872. Vols V 1. [&] Vol V 2.

526. Richa ard Penrosee. Painted by S. Hewson. Engraved by I. Jones J Engraveer Extraordinaryy to His R.H. the Prince of Wales and Principal Enggraver ro His R.H. the Duke of York. London. Pubb.d as the Act directs. d Aug.t 10th 1792 byy S. Hewson. N No. 48 Frith Street, S Soho. Mezzotint, very scarce. Shheet size: 515 x 360mm (200¼ x 14¼"). Ligght creases. Trrimmed insidee plate. Top lefft corner repairred. £3880 A portrait off famed verminn catcher Rich hard Penrose, three-quarterr length standiing three-quarrter to the left,,

Marcus M Ward & Co. Limitedd. 1894. Book. 4to. Halff velum. Half tone illustrations. Uncut. nt and back booards stained. Complete. Fron £130 wo volumes of o the illustrateed catalogue of o engraved Tw po ortraits lent by y businessmann James Anderson Rose (1 1819-1890) to the Corporatiion of London n for an ex xhition in 1872 marking thee opening of th heir new Liibrary and mu useum. Ex: Coollection the Hon. H Christopher C Lennox-Boyd. Stock: 36443

52 29. Benjam min West. Graham G Gallery y. New York. 1014 Madiso on Avenue. May M 22-June 30 0, 1962. £20 Paamphlet. 8to (200 ( x 230mm m). A brief guide to o an exhibitionn of paintingss and drrawings by Beenjamin West,, held in the Graham G

Gallery, New York in 1962. Ex Collection of the Hon. Christopher Lennox-Boyd. Stock: 36434

A catalogue of works by English engraver William Faithorne (1616-1691). Ex: Collection the Hon. Christopher Lennox-Boyd. Stock: 36439

530. A Catalogue Raisonné of The Engraved Works of Richard Cosway, R.A. by Fredk. B. Daniell. Published Dryden Press: J. Davy and Sons, 137, Long Acre, London. 1890. Book. 4to (200 x 300mm). Inscribed by the author. Gilt title stamped on spine and front. Complete. Rare. £140 A catalogue of the engraved works of british artist Richard Cosway (1742-1821). Ex: Collection the Hon. Christopher Lennox-Boyd.

535. The Graphic Art of Winslow Homer. By Lloyd Goodrich. Published for The Museum of Graphic Art by the Smithsonian Institution Press. 1968. Book. 4to (220 x 255mm). Cloth binding, gilt title stamped on spine. In original dust cover. £50 An illustrated narrative of the printed work of American artist Winslow Homer (1836-1910). Ex Collection of the Hon. Christopher Lennox-Boyd.

Stock: 36440

Stock: 36436

531. Currier & Ives. Printmakers to the American People.

536. Nineteenth Century Mezzotinters. Samuel William Reynolds.

Harry T. Peters. Published by Doubleday, Doran & Co. Inc. garden City, New York. MCMXLII. Book 4to (230 x 310mm). Cloth binding. Gilt title stamped on spine. Printed title glued to front, stamped decoration. £45 Illustrated narrative describing the lithographic works of Nathaniel Currier (1813-1888) and James Merrit Ives (1824-1895) American "Publishers of Cheap and Popular Prints". Ex Collection of the Hon. Christopher Lennox-Boyd. Stock: 36424

by Alfred Whitman of the Department of Prints and Drawings, British Museum. London. George Bell & Son. 1903. Book: 4to (290 x 211). Cloth binding with title stamped in gilt on spine and front cover. Complete. Binding worn and scuffed. £65 This catalogue does not claim to be a catalogue raisonné, but has aimed to compile the majority of the portrait work engraved both by Samuel Reynolds Jr and Senior. Ex: Collection the Hon. Christopher Lennox-Boyd. Stock: 36441

532. Currier & Ives: A Manuel for Collectors. By Jane Cooper Bland. Publsihed by Double Day, Doran and Company, Inc. Garden City, New York. 1931. Book. 4to (230 x 300mm). Cloth binding. Title stamped on binding. £65 An alphabetical catalogue of the prints (including auction prices) published by American publishers and lithographers Nathaniel Currier (1813-1888), Charles Currier (1818-1887) and James Merrit Ives (18241895). Ex Collection of the Hon. Christopher LennoxBoyd. Stock: 36437

537. An Eighteenth Century Artist & Engraver. John Raphael Smith His Life and Works. by Julia Frankau. Published by Macmillan and Co., Limited. London. 1902. Book. 4to (180 x 260mm). Cloth binding with gilt title stamped on spine and front. Binding worn, some staining. Foxing on pages. £65 The definitive work on the paintings and mezzotints of British artist and engraver John Raphael Smith (17521812). Since updated by D' Oench. Ex: Collection the Hon. Christopher Lennox-Boyd. Stock: 36438

Mr. Currier and Mr. Ives: A Note on Their Lives and Times. 533.

Russel Crouse. Published by Garden City Publishing Company, Inc. Garden City MCMXXXVI New York. Book: 4to (230 x 300mm). Cloth binding with title stamped on spine and front cover. £45 An illustrated narrative dicsussing the lithographic works of American printers Nathaniel Currier (18131888) and James Merrit Ives (1824-1895). Ex Collection of the Hon. Christopher Lennox-Boyd. Stock: 36423

534. A Descriptive Catalogue of the Engraved Works of William Faithorne. by Louis Fagan. Bernard Quaritch. 15, Picadilly, W. London. 1888. Book. 4to (200 x 290mm). Very scarce, only 46 Subscribers. Cloth binding, gilt title stamped on spine. Broken back inside. £350

American Naval Broadsides. A Collection of Early Naval Prints (1745-1815). 538.

by Edgar Newbold Smith. Philadelphia Maritime Museum and Clarkson N. Potter, Inc./Publisher, New York. Book. 4to (220 x 285mm). Cloth bindings, gilt title stamped on spine and front. Original dust cover. Dust cover, damaged with some tears. £160 An illustrated catalogue of prints depicting American naval battles between 1745 and 1815 in the collection of Edgar Newbold Smith. The catalogue of 117 prints is accompanied by a chronological narrative with special attention paid to French and Indian War, The American Revolution, the Federal Period and the War of 1812. Ex Collection of the Hon. Christopher Lennox-Boyd. Stock: 36435

539. Mezzzotints. by Cyril Davvenport, F.S.A A. Methuen an nd Co. 36 Esseex Street. Londoon. 1904, Book. 4to (1990 x 260mm). Cloth bindin ng, title stampeed in gilt on spinne and front. Complete. C Bin nding worn. £445 A detailed exxamination off the methods, examples, history and aartists of mezootints from thee mid seventeeeth century to the late nineteennth century. Ex: E Collection of the Hon Chriistopher Lennnox-Boyd. Stock: 36442

540. [Wom man in enorrmous hat.] Rob. Dightonn pinxit / R. Laurie L Fecit. London: L Printeed for R. Sayer & J. Bennett No N 53 Fleet Street, S 26 Feb.yy Act directs. 1778, as the A Rare mezzotiint. Platemarkk 110 x 90mm m (4¼ x 3½"). Uncut; good impression with w very largee margins. £2880 Extremely deecorative mezzzotint by engrraver and printseller Roobert Laurie (1755?-1836), after Robert Dighton (17551-1814), drauughtsman and d singer. Afterr the death of JJohn Collett inn 1780, Dightton became thhe foremost dessigner of droll mezzotints su uch as this. Chaloner Sm mith suggests it may be a portrait of the actress and fa favourite subjeect of Joshua Reynolds, R Elizabeth Haartley. As business iin the art worlld declined du uring the Napoleonic W Wars, Dightonn began stealin ng prints from m the British M Museum, only getting caugh ht after severall years of theft ft. Ex: collectioon of the late Hon. C. Lennox-Boydd; CS 40

A risque image showing six FFrench émigrés grouped at th he roadside beside a signposst pointing to 'London' in on ne direction, and a to 'Dover' in the other. A lean and ellderly woman holding a pooodle stands wiith her left haand in the arm m of a man weaaring a cocked d hat with. On O the right aree two women holding large muffs. A seecond clipped poodle runs bbeside them. In the baackground is a coach inscribbed 'London Dover D Canterbury' is driving d towardds London witth outside paassengers; onee, a sailor, wavves his hat. Th he gable end off a cottage and d trees compleete the backgrround. BM Sa atires ref: 822 26. Stock: 36988

Stock: 36689

French Privateerrs, Cruising g in the English Ch hannel. 541.

[After Roberrt Dighton.] Prrinted for Carrrington Bowlees. No.69 St. Pauul's Church Yard, Y London. Published as the Act direccts, 4 June 17992. Hand coloureed mezzotint, very fine. Plaatemark: 355 x 255mm (14 x 10"). Very slight s damage in title area. £4990

54 42. The He eir Disinheriited. Drawn by b Collings. En ng. by F. Jukees. Pub.d by R R. Pollard, Prin ntseller Sp pafields London. A pair of hand coloured aquaatints with etcching, very raare. Printed areea: 310 x 365m mm (12¼ x 14¼") each. Frrame size: 410 0 x 460m (16 x 18") each. Light L creases. £520 A pair of frameed aquatints affter amateur draughtsman, d caaricaturist and d genre painterr Samuel Colllings, each leettered with eig ght lines of veerse below im mage. Th he Heir Disinh herited; A fam mily group listtens to the reeading of a willl by an elderlly lawyer seatted on the rig ght, a deed-bo ox on the grouund beside him m. The will which w he holds is inscribed 'IIn the Name of o Amen I pu ublish and Pro otest... To my Eldest Son in n consequencee I bequeath b One Shilling'. Thee heir, a young man sitting to o the left, look ks towards him m with an exprression of

rage, spilling a glass of wine into his lap. A folding screen behind is covered with a map on which 'Africa', 'Cape of Good Hope', 'Egypt', and 'Indostan' are indicated. The Disinherited Heir; An interior scene with a family. The mother, seated in the centre, is flirting coyly with a man who stands beside her. Seated next to her is the younger brother, slightly older, with outstretched arms directing a servant in to push his plainly dressed brother through the door. An old lawyer and young woman sit side by side on the left, not distressed at the ejection. Pictures on the wall behind are, 'Prodigal Returned', 'Ephesian Matron' (above the widow), and 'Shylock and Antonio'. Stock: 36815

543. The Refusal. From an Original Picture of Mr. John Collett in the Possesion of Mr. Sayer. 402 J. Collett Pinx.t. Phi. Daw Fecit. London, Printed for Rob.t Sayer No.53 in Fleet Street, as the Act directs 25 Feb.y. 1774. Mezzotint with large margins, very fine impression. 'CLB' collector's stamp on verso. Platemark: 250 x 350mm (9¾ x 13¾"). £370 An interior scene with a young man sitting with his arms folded, looking at a woman who leans across the round table in front of him, on which are empty glasses and a bottle of wine, putting one arm on his shoulder persuasively. An elderly woman can be seen standing behind her on the left, drinking from a punch bowl. There is an open door behind her. Ex collection of Christopher Lennox-Boyd. Stock: 36884

544. [The Mineral Water lunch of Count Cagliostro] Le Dejeune avec les Eau Minerale du Comte Cagliastro [anon., c.1790] Etching with large margins, platemark 140 x 180mm (5½ x 7"). Folds, rust spot lower right. £120 Satire on the infamous Count Alessandro di Cagliostro (1743-95), adventurer, freemason, charlatan, radical politician and occultist. Cagliostro sits at ease while numerous figures around him sleep or vomit. Cagliostro's life is shrouded in mystery but involved forging and swindling of various kinds (and alleged involvement in the 'Affair of the Diamond Necklace' in which Marie Antoinette was thought to have defrauded the crown jewellers of the cost of an expensive necklace). He travelled around Europe, including time spent in London, and died in prison in Rome after he had been sentenced to life for being a Freemason. The error-strewn French and style of this print suggests it may have been made in Italy. Since his death, Cagliostro has been of tremendous cultural interest. He has been the subject of literary works by Goethe and Tolstoy amongst others. Stock: 36927

545. [Theriac vendor] Au grand Magazin de Tériaque / Les voilà donc surpris mais cet air patelin / Trouvera des nigauds qui si laisseront prendre [...] [Anon., published 8 March 1761? (date on poster in image)] Etching with small margins, rare, platemark 125 x 160mm (5 x 6¼"). £140 Anti-jesuit satire, whose subject is made explicit by a notice on the wall which forbids jesuits from any commercial activities. Theriac was a medical concoction formulated by the Greeks in the first century AD and sold up until the 19th century. Here the medicine, sometimes sold by jesuit traders, is seen as a quack treatment, as the text below explains, saying that if France welcomes the jesuits, they will deceive those who trusted in them. This print is probably a copy of a more skilfully-etched version, copies of which are in the BNF and Waddesdon. Stock: 36926

546. Paris & Helen, directing Cupid to Inflame each others Heart w.th Love [after Angelica Kauffman] Published 12th May 1794 by Laurie & Whittle, No 53 Fleet Street, London Mezzotint with small margins, platemark 350 x 250mm (13¾ x 9¾"). 'CL-B' collector's stamp verso. £280 Interesting example of fine art repurposed as a popular humorous print. Valentine Green's mezzotint of Angelica Kauffman's painting of Paris and Helen was an example of one of the finest printmakers in the country treating reproducing mythological subject matter by one of the most esteemed painters in the country. Here the composition becomes light-hearted and domestic. Originally a pair with 'Renaldo arresting the Arm of Armida', apparently also after Kauffman. Ex: collection of the Late Hon. C. Lennox-Boyd; for Green's mezzotint from which this derives, see ref. 14873. Stock: 36228

547. [The Vile Ephesian.] The Vile Ephesian to obtain / A Name- A Temple fires, / Observe friend H-g-th 'twas in Vain He had not his desires [...] [by Paul Sandby, 1753.] Etching, sheet 225 x 185mm (8¾ x 7¼"). Trimmed inside platemark. £160 Satire against Hogarth by Paul Sandby, who produced the most potent work in this vein in response to Hogarth's theoretical treatise 'The Analysis of Beauty' in 1753 (this impressive scene also demonstrates his skill in architectural draughtsmanship) Here Hogarth is shown as Herostratus, the 'vile Ephesian' who to gain fame set fire to the Temple of Diana on the same night Alexander the Great was born. His collaborator on the 'Analysis', Benjamin Hoadly, is also represented. Hogarth was opposed to the Palladian classicism of Burlington and his acolytes (alluded to here by the Palladian style of the temple), and having set fire to the temple he now attempts to light a fire under a column commemorating great artists of the past. Paulson,

'Hogarth, Arrt and Politics,, 1750-1764' p.137; p Bindman, 'Ho Hogarth and hiis Times: Serio ous Comedy', cat. 108.

bo ottom, ten num mbered panelss depicting sceenes from the co oronation cereemony and feaasting and revelry after it. Stock: 36976

Stock: 36922

[Louis XIV receiviing James III and Mary off Modena] De D Koning vvan Vranck kryck, on ntfangt den gevlugte Kooning en Ko oninginne va an Engelantt. fig 10. 55 50.

[A Anon, c.1689] En ngraving with h very large m margins, platem mark 185 x 14 40mm (7¼ x 5½"). 5 £130 Fo ollowing the Glorious G Revoolution of 1688 (as a result off which Williaam of Orange would replace James II as King K of Englan nd, Scotland annd Ireland), William W alllowed James to escape to FFrance, where Louis XIV offfered him a palace and pennsion. Stock: 36932

The T Taking of th he Bastille on the 14th oof July 1789. Prise de la Bastile, le 14 Juillet 1789. 548.

Drawn on thee Spot by an eminent e Artistt [Charles Benazech]. D Designé sur le Lieu par an Amateur A distingué. J. W Wells Aqua Tinta. T London Publish'd Novv. 20. 1789, by B. Vander Guucht, Lower Brook B Street & hez B. Vanderr J. White Tavvistock Street. A Londres ch Gucht & J. W White. Coloured aquuatint with etcching, very scaarce, 18th century wateermarked papeer GR & Crestt. Sheet 350 x 505mm (13¾ ¾ x 20"). Trim mmed to plate, small tear in upper edge. Crease. £5550 A near conteemporary record, published only four months after the event. In the centre Governor Delauney is sseized by a sooldier and civilian. Charles Benazech (17767-94) was in i Paris at the outbreak of revolution. H His suite of fouur paintings of the last dayss of Louis XVII, engraved byy Luigi Schiav vonetti, are hiis best known w works. Stock: 36749

549. Fredericus II Reex Bohemiae e. Fredericu us Rex Bohem miæ, Comes Palatinus ad d Rhenum, et Sacri Impeerij Elector, Dux utriusq que Bavariæ æ, Marchio M Moraviæ, Du ux Silesiæ et Lutsenburggi, Marchio Lu usatiæ, etc. [&] Elizabeetha Regina Bohemiæ, F Frederici coonjux, Magn næ Britanniæ æ Regis Filia unica. [Anon.] [n.d.., c.1619.] Etching withh engraving. Very V scarce. Sh heet size: 402 x 460mm (16 x 18"). Cut to image. Light creasing in places. Dam maged. £3330 A print comm memorating thhe coronation of Frederick V V, Elector Palattine, and Elizaabeth, daughteer of James I, aas King and Quueen of Bohem mia. On the lefft, Frederick, standing withhin an arched niche beneath h a coat of arm ms, wearing a croown, ruff, andd ermine robe,, and holding a sceptre. On tthe right, also in an arched niche n beneath a coat of arms,, Elizabeth, thhe Winter Queeen, wearing a crown, high ccollar, jewels,, wide dress, ermine e robe, and holding a sceptre. Betw ween them, an nd at the

55 51. Destruc ction of the Armoury &c. & in the Tower T of Lon ndon. By Fiire as it appeared on Sa aturday night, the 30th Pctober 184 41. Frrom a sketch taken t on the sp spot. J. R. Jobb bins del. & litth. [n.d., c.184 41.] Liithograph, rare. Sheet size: 215 x 270mm m (8½ x 10 0½"). Cut to im mage. £130 A dramatic view w of the destru ruction of the Armoury A in th he Tower of London, based on a sketch drawn by the arrtist taken on the t spot. Late on Saturday, 30 October 18 841, a spectaccular fire broke ke out at the To ower of Lo ondon, the ancient fortress guarding the city c by the River Thames. Stock: 36316

Edward and Eleannora. Dedicated by Permission to o the Queenn by Her Ma ajesty's most m Dutiful and Devoteed Servant, W:Martin. W From the Oriiginal Picturre in the Town Hall, Norwich. N 55 52.

W.m. W Martin piinxit. Francis Bartolozzi R.A. Historical En ngraver to Hiss Majesty, scuulp. London, Publish'd P Seep.r. 1:1790, by b W.m. Marttin, Leicester Square, & W.m. W Dickinson Engraver N N.o.158 New Bond B Street. Sttipple printed in sepia. Platee: 430 x 360m mm, (17 x 14 4"). Trimmed to platemark.. £260 A scene in whicch a dying Eleeanor of Castiille is su urrounded by her h family andd courtiers. On the left her hu usband King Edward E I lookks lovingly intto her eyes. Elleanor died on n the 28th Novvember 1290 in Harby, Nottinghamshir N re while on a tour of the North. Stock: 36870

Eleanora sucking tthe Venom cut c out of th he wound wh hich Edwarrd I, her royal Consort, reeceived from m a poisonedd dagger by an assassin in n Palestine. Rapin's R Histt. Vol. III Page 179. Dedicated D to the Queen bby her Majeesty'd du utiful and most m obediennt humble seervant W. Wynne W Rylan nd. 55 53.

Angelica A Kaufffman ex acadeemia Regali Artium A Lo ondini Pinx.t. Guliemus Wyynne Ryland Chalcographus Regis Brittannnia sculp.t. Pu ublish'd as

the Act direccts March 1, 1780 for the Prroprietor W.W.Rylandd N.o.159 Straand, London. Stipple with large marginss left & right, small marginss m. Plate: 390 x 330mm, (15¼ x 13"). £2330 top & bottom A scene set inn the back droop of the crusaades, Edward I injured, sits iin his tent whiile his wife Elleanor of Castille suckks the poison from f an injury y in his arm. Two ladies inn waiting watcch on concern ned, while several soldieers hold up ann injured comrrade. Stock: 36869

Chaloner C Smith h: 11. Ex colllection of Chriistopher Leennox-Boyd. Ex E Oettingen- Wallerstein Collection, C So otheby's 13/11 1/97. Stock: 36980

55 55. Boadicea. Craig del. Radd don sc. Publishhed by Nuttalll, Fisher & C.o. Liverpool, Jan.y.1.18144. ngraving with h etching. Sheeet: 130 x 210m mm, (5 x En 8¼ ¼"). Trimmed d within plate. Some pin holes on left ed dge. Some creeasing. £60 Depiction D of Bo oadicea, queenn of the Iceni tribe, prraying, alongsside a druid too her Celtic go od before baattle with the Romans. R Stock: 36041

Cornelia Mother oof the Gracchi. Cornelia C Dau ughter of Sciipio African nus and Mother M of thee racchi, beiing desired by a lady who w had been n shewing heer fine jeweels & trrinkets indulge her withh a sight of hers; h Cornelia C pressented Childdren to her, saying she lo oked on them m as her priincipal treassure having ed ducated them m with caree for the serv vice of their co ountry. 55 56.

Ang. A Kauffman nn pinx. F. Baartolozzi sculp p. Publish'd Nov.r. N 1788, by y M.Ryland N N.o.102, New Bond B Street. Sttipple. Sheet: 400 x 345mm m, (15¾ x 13½ ½"). Trimmed. Repaired tears in i edges. Bit messy. £160 A scene in whicch Cornelia A Africana presen nts her ch hildren to a wo oman sitting bbeside her. Co ornelia was seeen as the prottotypical exam mple of a virtu uous Roman woman. w Stock: 36868

The M Miseries of Idleness. I [& &] The Comforts oof Industry. 554.

Painted by G G. Morland. Enngrav'd by H. Hudson. London Publlish'd Jany 20,, 1790 by J.R.. Smith No. 311 King Street C Covent Gardenn. Pair of very rrare & fine meezzotints, with h large marginns. Platemark: 335 x 375mm (13¼ ( x 14¾")) each. £6220 A bare interior with a mann sitting smokiing at a table w, his wife sittting with her with a tankarrd at his elbow head bowed bbeside him, a little girl paw wing at her skirts, a babyy turning on a straw bed, itss clothes in disarray, andd a little boy gnnawing on a bone b in front oof the table, nexxt to a barrel, with w a dog jum mping up at him. Tatteredd clothes form m curtains arou und a bed behind them.. [&] A cottagge interior with h a man wearing a rouund-brimmed hat decorated d with straw, returning hom me, holding his son's hand, and droppingg some coins innto his wife's apron, as she sits to right holding a sleeeping baby, while w a little giirl sits on the floor with a ddoll, raising her arms to greeet her brotherr.

Isaac th he Tyrant bbrought befo ore Richard th he 1st. Afterr a great slaaughter of th he Cyprian Troops T Isaac was obligedd to abandon the Coast. C The English imprroving this advantage a marched m forw ward attackked the Town n of Limosoo ca arried it at the t first assaault and took Isaac with w his only Daughter pprisoners; Feew days affter this pretended Empperor found d means to esscape, but none wou'd rreceive him, he reesolved upon n a voluntarry surrender to the King K of Engla and whom hhe asked as the [only 55 57.

favour not to be put in Irons, Richard insulting over his misfortunes literally granted his request, ordered him to be bound in chains of Silver.] [Sayer & Bennett. n.d., c.1777.] Mezzotint. Rare & very scarce. Central vertical crease. Cut inside image. Light creasing to sheet. £220 Isaac Komnenos (c.1155 – c1195), ruler of Cyprus. bowing before King Richard I of England, who sits on a terrace in armour. He is seen gesturing towards silver shackles which are held by a soldier in the foreground, while Komnenos' daughter stands weeping beside him. Three soldiers wait behind them. Richard the Lionheart conquered the island in 1191 during the Third Crusade, in revenge for Isaac keeping Berengaria of Navarre and Joan of England (Richard's fiancée and sister) captive. Richard promised Isaac not to put him into irons and so kept him prisoner in chains of silver. Cyprus interest. Stock: 36642

Lady Elizabeth Grey imploring of Edward IV the restitution of her deceased Husbands Lands, forfeited in the dispute between the houses of York and Lancaster. Rapin's Hist, Vol V, Page 26. Dedicated to the Queen by her Majesty's dutiful and most obedient humble Servant W.W.Ryland. 558.

Angelica Kauffman ex academia Regali Londini pinx.t. Guliemus Wynne Ryland Chalcographus Regis Britannia sculp.t. Publish'd as the Act directs March 1, 1780 for the Proprietor W.W.Ryland N.o.159 Strand London. Stipple with large margins left & right. Plate: 390 x 330mm, (15½ x 13"). Trimmed to plate on upper and lower margins. £260 A scene in which Lady Elizabeth Grey, requests the lands of her late husband Sir John Grey of Groby who died fighting for the Lancastrians in the Second Battle of St Albans in 1641, from Yorkist king Edward IV. Elizabeth Grey would go on to marry Edward IV in 1464. Elizabeth kneels down before the king who takes her hand, several courtiers stand around and Elizabeth's two sons Richard and Thomas stand by her. Stock: 36867

559. The Bard, from Mr. Gray's Ode. Founded on a Tradition current in Wales, that Edward the 1st, when he compleated the Conquest of that Country, order'd all the Bards, that fell into his Hands to be put to Death. Painted by Tho.s Jones, F.S.A.G.B. Engraved by J.R. Smith. Engraved from an Original Painting, in the possesion of Oldfield Bowles Esq.r. to whom this plate is inscribed by his particularly obliged, and very obedient humble servant, J.R. Smith. Publish'd 30th March 1775 by J. Dodsley, Bookseller, Pall Mall. T. Bradshaw, James Street Covent Garden, and J.R.Smith, No. 10 Bateman's Buildings Soho Square.

Mezzotint with small margins, very scarce. Platemark: 460 x 580mm (18 x 22¾"). Trimmed to plate at lower edge. Light rubbing and creases in places. Few repairs. A wild mountain top scene where an old bard, holding a harp, stands at the edge of a cliff, looking towards the sunrise and a deserted standing stone on the left. He is about to throw himself over the edge as Edward I's army approaches from behind the mountain in the distance on the right. An illustration to Thomas Gray's poem, 'The Bard. A Pindaric Ode', 1757. Set at the time of Edward I's conquest of Wales, the poem was inspired partly by his researches into medieval history and literature, and partly by his discovery of Welsh harp music. It was itself a potent influence on future generations of poets and painters, seen by many as the first creative work of the Celtic Revival and as lying at the root of the Romantic movement in Britain. Frankau: 27 II of II; D' Oench: 55 Stock: 36896

560. Cupidon Achette Trop Cher. Engraved from a fine high finished Painting in Water Colours after the Antique by F. Bartolozzi. Jos. Tturts pinx. F. Bartolozzi Sculps. London, Pub. Dec.r 1. 1786 by J. Thane. Rupert Street, Hay Market. Stipple printed in colour with large margins. Platemark: 200 x 225mm (8 x 8¾"). Slight staining. £240 Mercury and Venus leading a young girl towards Jupiter and Juno, seated on a throne on the left. On the far right, Cupid is seen crying. Within an oval. After British printmaker, author and poet, Joseph Strutt (1749 - 1802). Engraved by one of the founding members of the RA, and the founding President of the short-lived Society of Engravers, Francesco Bartolozzi (1727 - 1815). De Vesme 389. V of V. Stock: 36457

561. Antiope, Sleeping, Suprized by Jupiter in the Form of a Satyr. Jupiter sous la Forme d'un Satyre, Suprenant Antiope Endormie. To The Most Serene Highness Charles Theodore, Elector Palatine Reigning Duke of Bavaria, &c. &c. &c. This Plate Engraved by His Gracious Permission from the Original Picture in the Electoral Gallery in Dusseldorf, is dedicated by His Most Devoted and Obedient Humble Servants. Valentine Gree. Rupert Green. Painted by Anthony Vandyke. Engraved by V. Green Mezzotinto Engraver to his Majesty, & to the Elector General. In Mons.r. Pigage's Catalogue of the Dusseldorf Gallery this Subject is N.o.22. Published Jan.y. 2.d.1792, by V. & R. Green Newman Street, London. Mezzotint with very large margins, rare; Plate: 510 x 610mm, (20 x 24"). Some light foxing. Repaired damage in margins. Stain on right. £520

64. Cupid and Psicah. 56 [A Attributed to Isaac Beckett.]] Sold by J. Sm mith at ye Ly yon & Crown n in Russell Str treet. [n.d., c. 1680.] Mezzotint. M Colllector's stampp on reverse, 'B B.K.'. Very raare. Sheet size: 300 x 215mm m (11¾ x 8½"). Trimmed in nside plate. £260 Pssyche, nude an nd asleep on a rock, with an n opened caasket beside her; behind herr, Cupid, wing ged and nude, gaazes down at her; h bottom rigght, thistles; in i the baackground, treees. Ex collecttion of Christo opher Leennox-Boyd Stock: 36889

A sleeping A Antiope, daughhter of the riveer god Asopuss, is approachedd by the god Zeus Z in the forrm of a satyr. Several cheruubs play amonngst the tree to ops while an eagle, the sym mbol of Zeus,, holds thundeerbolts in its mouth behindd the couple. No. 113 in Green's G Catalogue off his Dusseldoorf Gallery Exh hibition. Goodwin: 2778 Stock: 36537

Les E Enfants de Bacchus B [parallel text in n Italian] Grravés d'aprèès le Tableau u original d e Watteau haaut d'un pieed 10 poucess sur 2 piedss 3 pouces de llarge. / Ce Tableau T aparrtient a Mr.. Morel Banq quier à Pariis. 562.

Watteau pinxx. / Fessard scculp. a Paris ch hez la Veuve dde F. Chereau, ggraveur du Rooy rue St. Jacq ques aux deuxx pilliers d'Or A Avec privilegge du Roy. Etching, raree; platemark 350 x 415mm (13¾ ( x 16¼")). Trimmed insside platemarkk; tears; good impression. £2660 he edge of a 'The Childrenn of Bacchus' playing on th wood, decoraating and playying with a goat with pan's pipes. f the After Antoinne Watteau ( 1684 - 1721), from 'Recueil Julliienne' series, Plate P 228 to 'L L'Oeuvre d'Antoine W Watteau Peintree du Roy'. Jean n de Julliennee (1686 - 17666) was a Parisiian collector and a patron of tthe arts who ownned some 450 drawings by Watteau, and had them enggraved. Stock: 36383

563.

Clytiie. In the coollection of John J Strangge

Esq.r. Annibal Caraacci Pinxit. Joohn Boydell ex xcudit 1778. JJ. B. Michel Scculpsit. Published May 1st, 1778, by Johnn Boydell, Enggraver, in Cheapside London. Stipple. Sheeet size: 305 x 240mm 2 (12¼ x 9½"). Trimmed insside plate at toop and side edges. £1660 Clytie, sittingg on a rock to the right, holding a sunflower, puushing away Cupid C with a thorny t branchh, while he takees her hand, holding a blaziing torch. Within a rounndel. after Caarracci; state with w number added and tittle. Clytie wass a character in n Greek mythology w who became jeealous of her lover, the sun god Apollo. T To punish herr, he transform med her into a sunflower soo that she would always facee towards him m in his daily joourney acrosss the skies. Stock: 36890

56 65. Diana The bright Diana and her h Nymph were w found, / Laid Side bby side, & both a slleeping soun nd [...] A. A Watteau pinx. / T. Ryley ffecit. Printed for John Bowles at the Black B Horse inn Cornhill Lon ndon [c.1750] Mezzotint, M rare; platemark 3550 x 250mm (13¾ ( x 9¾"). Th hread marginss; 'CL-B' colleector's stamp verso. v £350 Diana D and a nym mph sleep, wiith a satyr looming over th hem. Mezzotin nt in reverse oof an etching published p in Jeean de Jullienn ne's posthumoous edition of prints after Watteau's W draw wings, traditionnally known as a the 'Recueill Ju ullienne'. Jullieenne was one of the leading g French am mateurs and co ollectors of thhe eighteenth century c and in n assembling prints p reproduc ucing Watteau''s drawings hee did much to spread the arttist's reputatio on outside Frrance. Ex: colllection of the Late Hon. C. LennoxBo oyd. Stock: 36208

56 66. [The Ju udgement off Paris. In th he Drawing Room R at Hou ughton.] Lu uca Giordano. [in printed ar area.] R Earlom m Sculp.st. 17 778. [John Bo oydell.] Mezzotint M with very large maargins, proof before b title. Pllate: 460 x 390mm, (18 x 155¼"). £360 A scene upon Mount M Ida illuustrating Paris'' judgement off the three god ddesses Hera, Aphrodite and Athena. Th he shepherd Paris, P holding the golden ap pple in his haand, looks upo on the three gooddesses, Ath hena in the middle m sat alon ngside her helm met and armou ur, Aphrodite on n the right surounded by puutti and doves,, and Hera on th he left. Hermes, who led thee three to Pariss lurks beehind a tree. Stock: 36838

56 67. Apollo & Daphne. Ex x Tabula Titiaani. J. Smith fe fecit Londini. 1709. Mezzotint M with very large maargins; platem mark 415 x 28 80mm. 16¼ x 11". £350 Daphne, D her hands beginningg to sprout leaaves and brranches, pursu ued by Apolloo. In the foregrround, Daphne's D fatherr, the river-good Peneus. Frrom the seriess 'Tabulæ noveem coelo elab boratæ ad to otidem Titiani archetypos / Nine Prints frrom the Celebrated Pain ntings of Titiaan, in the Duke of Marlboroughs M Gallery, G at Bleenheim' by thee famous eaarly mezzotintter John Smithh (1652 - 1743 3). The seeries, common nly known as ''The Loves off the Gods', deerives from a series of leathher wall-hangiings formerly in n the Titian Ro oom at Blenheeim destroyed d by fire in

1861. The atttribution to Tiitian is uncertain, however, and was doubbted as early as a 1766 (see G. G Scharf, Catalogue Raaisonné, Blenhheim Palace, London, L 18622, pp. 83-92). T The designs reelate to prints by b Caraglio after Perino ddel Vaga and Rosso Fiorenttino. Ex: collection off the Late Hon. C. Lennox-B Boyd.; for impression pprinted in sepiaa see ref. 10496; Wessely: 340 Stock: 36201

An A illustration of Ovid's tale of Minerva and a Arachne, in n which the go oddess of wisddom and war shows s great an nger when a mortal, m Arachnne, boasts thatt her skill of sp pinning and weaving w is greaater than that of o Minerva. Minerva, M seen on o the right, aassumes the ch haracter of an olld woman, and d in a friendlyy tone, warns the t 'foolish giirl' against succh a display off 'false pride'. A loom and laarge tapestry are a seen on thee left. By Elias Martin n, A.R.A. Sweedish, born Sttockholm in 739, died Stocckholm 1818. He came to London L in 17 17 768, becoming g a Royal Acaademy studentt the next yeear and was ellected A.R.A iin 1770. Stock: 36346

57 70. [Nymph Carrying Cupid.] R.d. C. del. Maaria Cosway sccul. [n.d., c.17 790.] Aquatint A with some s etching, very large maargins. Plate: 22 20 x 280mm, (8¾ x 11"). £75 A nymph-like figure f runs thrrough the clou uds carrying Cupid on her sh houlders. Stock: 36331

[Set of three printss in various states.] Penelope takiing down thhe Bow of Ullysses. From the orig ginal Picturre in the Colllection of Lord L Boringd don. 57 71.

568. Bacchus & Ariad dne Ex Tabula Tiitiani. J. Smithh fecit Londin ni. 1709. Mezzotint wiith very large margins, platemark 415 x 280mm. 16¼ ¼ x 11". £5000 Ariadne, disccovered on thee island of Naaxos by the good Bacchus, havving been left there by her lover l Theseus (whose ship sails away in the distance). A putto bringgs grapes to echho those worn by Bacchus, the god of wine. The chheetah is one of o two which drew d Bacchuss' chariot. From the seriies 'Tabulæ noovem coelo ellaboratæ ad totidem Titiaani archetyposs / Nine Printss from the Celebrated P Paintings of Tiitian, in the Du uke of Marlboroughhs Gallery, at Blenheim' B by the famous early mezzottinter John Sm mith (1652 - 17 743). The series, comm monly known as a 'The Loves of the Gods', derives from m a series of leaather wall-han ngings formerrly yed by fire in in the Titian Room at Blennheim destroy 1861. The atttribution to Tiitian is uncertain, however, and was doubbted as early as a 1766 (see G. G Scharf, Catalogue Raaisonné, Blenhheim Palace, London, L 18622, pp. 83-92). T The designs reelate to prints by b Caraglio after Perino ddel Vaga and Rosso Fiorenttino. Ex: collection off the Late Hon. C. Lennox-B Boyd. Ref: Wessely: 3411. Stock: 36202

Mineerva and Arrachne. See Ovid. Metamor.s. 569.

E. Martin Invv.t & Sculp.t. Published as the t Act directts, 1799. Stipple with hand colour laarge margins, very fine. ( x 6¼"). £2660 Platemark: 210 x 160mm (8¼

A. A Kauffman, R. R A. pin.t. T. Ryder Sculp.t. Publish'd Ju uly 1st. 1791,b by B. B. Evanns, Poultry Lon ndon. Seet of three stip pple engravinggs. Platemark: 390 x 28 80mm (15¼ x 11") each. Ha Hand lettered proof p im mpression trim mmed inside pllate. Untitled proof im mpression has light surface m marks and chips to right an nd top edges, cut c to platemaark. Titled imp pression has lig ght spotting in n very large m margins. Foxin ng. £520 A set of three prints p in variouus states; two proof im mpressions priinted in brownn ink. Lettered d impression with w full titles and a publicatioon lines. Peenelope, stand ding in profilee to left, reaches up to free th he bow from th he sash tying iit to a column n, while an nother woman n crouches in tthe foreground d, preparing a qu uiver. Pu ublished as a pair p to item reef: 36444, 'Venus shewing Aeneas A the Roaad to Carthagee', by Benjamiin Beale Ev vans, 1791. After A Angelicaa Kauffman, RA R (1741 18 807), a Swiss--born Austriann Neoclassicall painter who haad a successfu ul career in Loondon and Rom me. Stock: 36450

57 72. [Set of three printss in various states.] Venus V shewin ng Aeneas thhe Road to Carthage. C From the orig ginal Picturre in the Colllection of Lord L Boringd don. A. A Kauffman R.A. R pin.t. T. R Ryder Sculp.t. Publish'd Ju uly 1.st 1791, by B. B. Evanns, Poultry Lo ondon. Seet of three stip pple engravinggs. Platemark: 390 x 29 90mm (15¼ x 11¼") each. Two proof im mpressions aree triimmed close to t platemarks;; Impression printed p in brrown ink has light l spotting,, impression printed p in bllack has a few w light surface marks with th he top left co orner missing. Lettered imppression has fu ull margins. Fo oxing. £590 A set of three prints p in variouus states; two proof before leetter impressio ons, one of whhich is printed in brown

ink. Lettered impression with full titles and publication line. A scene depicting Venus, disguised as a Carthaginian huntress, standing in the centre with a bow on her back, showing two soldiers at left (Aeneas and Achatës) in the direction of a fortress in the city of Carthage, to the right. In the middle ground is da river with swans and a woodland to the left. Published as a pair to item ref: 36450, by Benjamin Beale Evans, 1791. After Angelica Kauffman, RA (1741 - 1807), a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. States; IV, V and VI. Stock: 36444

573. Venus applying to Jupiter for the destruction of Telemachus. While Mentor guards the youth from Beauty's snares, [/] Th'affronted Goddess for revenges prepares. [/] When Venus pleased, ev'n Jove can ill refuse, [/] And yields reluctant to Minerva's views. [Published by John Hinton 1779.] Engraving. Sheet: 120 x 205mm (4¾ x 8"). Trimmed in lower edge. Some damage to upper margin. £60 Frontispiece to 'The Universal Magazine of of Knowledge and Pleasure...' Vol LXIV January 1779. Illustrating a excerpt from the Odyssey in which Venus, angered at Telemachus' search for his father Odysseus asks Jupiter for permission to kill him. Venus surrounded by putti stands before Jupiter, who is sat upon a throne of clouds, while other gods look on. Stock: 36037

574. [Two scenes with dwarfs.] [Anon, c.1680.] Two etchings, each approx. 115 x 100mm (4½ x 4"). Both trimmed around image and laid on backing card. £160 Two scenes of dwarfs, one as a ratcatcher and another drinking. There was a popular interest across the continent for scenes of what were sometimes described as 'Lilliputian characters' in the late 17th-early 18th century. Stock: 36628

575. The Chavolant; or Kite Carriage. Engraved by Percy Roberts. London. Published by Sherwood & Co. 1827. Aquatint. Platemark: 215 x 135mm (8½ x 5¼"). Thread margins. £120 George Pocock (1774–1843) was an English schoolteacher and inventor of the 'Charvolant', a kitedrawn carriage. In 1826, he patented the design of his 'Charvolant' buggy, which used two kites on a single line to provide enough power to draw along a buggy carrying several passengers at considerable speed. This scene depicts five figures in the buggy, travelling along a road in the centre. The two well dressed figures at the back wave to onlookers on both sides. Stock: 36322